| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Underground Plotting [TBX201 - 3] |
1'56 | Guy Thackeray | Suspicious, quaint, mysterious. Sharp xylophone sounds play out in a | 动画 马林巴琴 神秘 orchestral score | Em | 130 | ||||
|
Underground Plotting
[TBX201 - 17] |
版本. | 1'56 | Guy Thackeray | Suspicious, quaint, mysterious. Sharp xylophone sounds play out in a | 动画 马林巴琴 神秘 orchestral score | Em | 130 | |||
|
Underground Plotting (30 Sec) [TBX201 - 18] |
版本. | 0'30 | Guy Thackeray | Suspicious, quaint, mysterious. Splash cymbal leads into sharp | 动画 马林巴琴 神秘 orchestral score | B | 129 | |||
|
Ancestral Secret [CEC8052 - 1] |
0 | 2'15 | Zhang Hao, Junrui Zhao | Pending, insidious, epic & mysterious. Guqin, morin khuur, pipa, | 预告片 进行中 令人不安 冲击 | Cm | 89 | |||
|
Scandal Comes To Light [CEG5047 - 2] |
2'30 | Arttu Silvast, Pawel Morytko | Investigation Track. Insidious, ominous, confidential & urgent. Break | 司法 阴险 进行中 警匪片 | Bm | 92 | ||||
|
Scandal Comes To Light
[CEG5047 - 20] |
版本. | 2'31 | Arttu Silvast, Pawel Morytko | Drumless alternate version. | 司法 阴险 警匪片 令人不安 | Bm | 92 | |||
|
Scandal Comes To Light
[CEG5047 - 21] |
版本. | 2'33 | Arttu Silvast, Pawel Morytko | Minimal alternate version. | 司法 阴险 进行中 令人不安 | Bm | 92 | |||
|
Scandal Comes To Light 15 sec
[CEG5047 - 22] |
版本. | 0'15 | Arttu Silvast, Pawel Morytko | 15 second cut. | 司法 阴险 进行中 警匪片 | Bm | 91 | |||
|
Scandal Comes To Light 30 sec
[CEG5047 - 23] |
版本. | 0'30 | Arttu Silvast, Pawel Morytko | 30 second cut. | 司法 阴险 进行中 警匪片 | Bm | 92 | |||
|
Scandal Comes To Light 60 sec
[CEG5047 - 24] |
版本. | 1'00 | Arttu Silvast, Pawel Morytko | 60 second cut. | 司法 阴险 进行中 警匪片 | Bm | 92 | |||
|
Scandal Comes To Light sting [CEG5047 - 25] |
版本. | 0'09 | Arttu Silvast, Pawel Morytko | Sting. | 司法 阴险 进行中 警匪片 | Bm | 90 | |||
|
Government Interference [CEG5047 - 7] |
2'10 | Sebastijan Duh | Investigation / Counter Intelligence. Determined, intense, | 画面感 令人不安 沉重 固执 | Dm | 100 | ||||
|
Government Interference
[CEG5047 - 48] |
版本. | 1'51 | Sebastijan Duh | Alternate version. | 画面感 令人不安 沉重 固执 | Dm | 140 | |||
|
Government Interference
[CEG5047 - 49] |
版本. | 1'52 | Sebastijan Duh | Drumless alternate version. | 令人不安 沉重 固执 政治 | Dm | 99 | |||
|
Government Interference
[CEG5047 - 50] |
版本. | 1'57 | Sebastijan Duh | Underscore alternate version. | 画面感 令人不安 固执 政治 | Dm | 100 | |||
|
Government Interference 15
[CEG5047 - 51] |
版本. | 0'15 | Sebastijan Duh | 15 second cut. | 画面感 令人不安 沉重 固执 | D | 100 | |||
|
Government Interference 30
[CEG5047 - 52] |
版本. | 0'30 | Sebastijan Duh | 30 second cut. | 画面感 令人不安 沉重 固执 | Dm | 100 | |||
|
Government Interference 60
[CEG5047 - 53] |
版本. | 1'00 | Sebastijan Duh | 60 second cut. | 画面感 令人不安 沉重 固执 | Dm | 100 | |||
|
Government Interference sting [CEG5047 - 54] |
版本. | 0'13 | Sebastijan Duh | Sting. | 画面感 令人不安 沉重 固执 | Dm | 101 | |||
|
Insidious Political Tactics [CEG5047 - 12] |
2'23 | Pawel Morytko | Investigation. Anticipating & insidious intro evolving with synth | 神秘 稳定的 明朗 夜晚 | G | 80 | ||||
|
Insidious Political Tactics
[CEG5047 - 77] |
版本. | 2'25 | Pawel Morytko | Underscore alternate version. | 稀疏 调查研究 神秘 政治 | G | 80 | |||
|
Insidious Political Tactics
[CEG5047 - 78] |
版本. | 0'15 | Pawel Morytko | 15 second cut. | 神秘 稳定的 明朗 夜晚 | G | 80 | |||
|
Insidious Political Tactics
[CEG5047 - 79] |
版本. | 0'30 | Pawel Morytko | 30 second cut. | 神秘 稳定的 明朗 夜晚 | G | 80 | |||
|
Insidious Political Tactics
[CEG5047 - 80] |
版本. | 1'00 | Pawel Morytko | 60 second cut. | 神秘 稳定的 明朗 夜晚 | G | 80 | |||
|
Insidious Political Tactics
[CEG5047 - 81] |
版本. | 0'09 | Pawel Morytko | Sting. | 神秘 稳定的 明朗 夜晚 | G | 81 | |||
|
Pieces Of The Puzzle [BIB269 - 4] |
2'52 | Emma Jackson | Deep, concerning, determined. Chilling piano echoes out, caught by | 令人不安 调查研究 社会悲剧 新古典音乐 | Am | 120 | ||||
|
Pieces Of The Puzzle
[BIB269 - 18] |
版本. | 2'52 | Emma Jackson | Deep, concerning, determined. Chilling piano echoes out, caught by | 令人不安 调查研究 社会悲剧 新古典音乐 | Am | 120 | |||
|
Pieces Of The Puzzle
[BIB269 - 19] |
版本. | 2'44 | Emma Jackson | Deep, concerning, determined. Spritely high-pitched string notes sway | 令人不安 调查研究 社会悲剧 新古典音乐 | Am | 120 | |||
|
Forming The Plan [BIB269 - 9] |
2'31 | Emma Jackson | Quick, modern, sophisticated. Subtle sub bass gives a buoyant but | 固执 调查研究 新古典音乐 严谨 | Abm | 100 | ||||
|
Forming The Plan (Underscore
[BIB269 - 27] |
版本. | 2'31 | Emma Jackson | Quick, modern, sophisticated. Bassy strings give a buoyant energy, as | 固执 调查研究 新古典音乐 严谨 | Abm | 100 | |||
|
Forming The Plan (Underscore
[BIB269 - 28] |
版本. | 2'31 | Emma Jackson | Quick, modern, sophisticated. Bassy strings and concerned | 固执 调查研究 新古典音乐 严谨 | Abm | 100 | |||
|
Overlord [INP072 - 5] |
2'34 | Sergey Kolosov | Heavy, evil, screeching. Thundering impact of drone bass gives a | 画面感 史诗 冲击 预告片 | Ebm | 90 | ||||
|
Overlord (Alt Version) [INP072 - 19] |
版本. | 2'34 | Sergey Kolosov | Heavy, evil, screeching. Thundering impact of drums and breathing FX | 画面感 史诗 冲击 预告片 | Gm | 135 | |||
|
Overlord (Underscore) [INP072 - 20] |
版本. | 2'11 | Sergey Kolosov | Heavy, evil, screeching. Thundering bass gives a sense of horror. Low | 画面感 史诗 冲击 预告片 | Dm | 85 | |||
|
After the Last Fight [CEC8049 - 3] |
0 | 1'42 | Zhang Hao, Peng Qu | A suspended & wizardly intro turns into a more unsettling & ominous | 画面感 动作片 令人不安 冲击 | Em | 110 | |||
|
The Wild Run [CEO2168 - 3] |
0 | 2'22 | Olivier Militon | Constant build-up. Relentless, insidious, rhythmic & hypnotic. Synth | 神奇 神秘 稳定的 社会悲剧 | Dm | 120 | |||
|
Tellurian [CEO2168 - 8] |
2'00 | Olivier Militon | Suspenseful. Ominous, heavy, chaotic, disturbing & sinister. | 战士 非洲草原 画面感 进行中 | A | 92 | ||||
|
Tellurian Edit (60s) [CEO2168 - 46] |
版本. | 1'00 | Olivier Militon | 60 second cut | 战士 非洲草原 画面感 进行中 | A | 92 | |||
|
Tellurian Edit (30s) [CEO2168 - 48] |
版本. | 0'29 | Olivier Militon | 30 second cut | 战士 非洲草原 画面感 进行中 | A | 92 | |||
|
Tellurian Edit (15s) [CEO2168 - 59] |
版本. | 0'15 | Olivier Militon | 15 second cut | 战士 非洲草原 画面感 进行中 | A | 92 | |||
|
The Rogue [AMS5031 - 10] |
2'04 | Dario Ferrante, Ruben Sonnoli | Orchestral score. Stubborn, reflective & deceptively worried. String | 固执 orchestral score 电影乐团 恐怖喜剧 | Cm | 110 | ||||
|
The Rogue Alternate 1 [AMS5031 - 56] |
版本. | 2'04 | Dario Ferrante, Ruben Sonnoli | Alternate without percussion. | 固执 orchestral score 电影乐团 恐怖喜剧 | Cm | 110 | |||
|
The Rogue Alternate 2 [AMS5031 - 57] |
版本. | 2'04 | Dario Ferrante, Ruben Sonnoli | Alternate version. | 固执 orchestral score 电影乐团 恐怖喜剧 | Cm | 110 | |||
|
The Rogue Edit 1 (60 sec) [AMS5031 - 58] |
版本. | 1'00 | Dario Ferrante, Ruben Sonnoli | 60 second edit. | 固执 orchestral score 电影乐团 恐怖喜剧 | Cm | 110 | |||
|
The Rogue Edit 2 (30 sec) [AMS5031 - 59] |
版本. | 0'30 | Dario Ferrante, Ruben Sonnoli | 30 second edit. | 固执 orchestral score 电影乐团 恐怖喜剧 | Cm | 110 | |||
|
The Rogue Edit 3 (15 sec) [AMS5031 - 60] |
版本. | 0'15 | Dario Ferrante, Ruben Sonnoli | 15 second edit. | 固执 orchestral score 电影乐团 恐怖喜剧 | Cm | 110 | |||
|
Expectation [AUD028 - 2] |
1'38 | Olivier Militon | Medium-fast - Long percussive intro with rising choir @ 0'11 | 画面感 军事冲突 动作片 令人不安 | Dm | 124 | ||||
|
Expectation Edit [AUD028 - 7] |
版本. | 0'23 | Olivier Militon | 15 second cut. | 画面感 军事冲突 动作片 令人不安 | D | 128 | |||
|
Bad News Today [AUD022 - 4] |
2'21 | Matthieu Rabaté | Medium-slow tempo - Edgy and abrasive building investigation theme. A | 神秘 悬念 工业噪音 间谍片 | E | 86 | ||||
|
Bad News Today Alternate 1 [AUD022 - 9] |
版本. | 0'29 | Matthieu Rabaté | Alternative short version. | 神秘 悬念 工业噪音 间谍片 | E | 86 | |||
|
Bad News Today Alternate 2 [AUD022 - 14] |
版本. | 2'21 | Matthieu Rabaté | Alternative version without percussion. | 神秘 悬念 工业噪音 间谍片 | E | 86 | |||
|
Fierce Opposition [TBX195 - 7] |
2'30 | Aaron Hoey, Michael Tedstone | Pressured, strong, momentous. Electrified atmosphere from muted and | 画面感 命运 社会悲剧 忧伤 | Gm | 120 | ||||
|
Fierce Opposition (Underscore
[TBX195 - 20] |
版本. | 2'29 | Aaron Hoey, Michael Tedstone | Pressured, strong, momentous. Electrified atmosphere from muted and | 画面感 命运 社会悲剧 忧伤 | Gm | 120 | |||
|
Fierce Opposition (Underscore
[TBX195 - 21] |
版本. | 2'29 | Aaron Hoey, Michael Tedstone | Pressured, strong, momentous. Electrified atmosphere from muted and | 画面感 命运 社会悲剧 忧伤 | Gm | 120 | |||
|
Daybreak Attack [CEO2164 - 8] |
2'26 | Baptiste Thiry | Patient, sinister, disturbing & dangerous. Deep drone, percussion, | 军事冲突 画面感 神秘 悬念 | Eb | 100 | ||||
|
Daybreak Attack Alternate [CEO2164 - 20] |
版本. | 1'55 | Baptiste Thiry | Alternate short version. | 画面感 神秘 悬念 军事冲突 | F | 100 | |||
|
Man on Mars [CEZ4625 - 8] |
2'27 | Mathieu Laurent | Cinematic, space music. Pensive & restrained intro, then resilient & | 冒险片 太空 神秘 电影乐团 | Em | 83 | ||||
|
Man on Mars Alternate [CEZ4625 - 22] |
版本. | 2'27 | Mathieu Laurent | Alternate no FX. | 冒险片 太空 神秘 电影乐团 | Em | 64 | |||
|
He Is Coming He Is Here
[AUD017 - 13] |
2'14 | Matthieu Rabaté | Alternative version without drums. | 诡异 科幻片 悬念 嗡嗡声 | Db | 104 | ||||
|
He Is Coming He Is Here [AUD017 - 3] |
版本. | 2'13 | Matthieu Rabaté | Mid-tempo - Drone like intro building up with electronic percs. | 混乱 爆炸 战争 冲突 | Dbm | 104 | |||
|
In The Deep Dark Hood [INP069 - 1] |
2'15 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Chilling piano and large thudding impacts | 画面感 预告片 高潮 史诗 | Fm | 104 | ||||
|
In The Deep Dark Hood (Alt
[INP069 - 11] |
版本. | 2'14 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Chilling piano treads out softly, joined | 画面感 预告片 高潮 史诗 | Fm | 104 | |||
|
In The Deep Dark Hood (Alt
[INP069 - 12] |
版本. | 2'13 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Squelching dubby impacts give a sense of | 画面感 预告片 高潮 史诗 | Fm | 100 | |||
|
In The Deep Dark Hood
[INP069 - 13] |
版本. | 2'10 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Dissonant strings give way to foreboding | 画面感 预告片 高潮 史诗 | Fm | 118 | |||
|
In The Deep Dark Hood
[INP069 - 14] |
版本. | 2'17 | Alessandro Ciani, Marco De Bonis | Eerie, dangerous, dramatic. Chilling piano gives a sense of danger | 画面感 预告片 高潮 动作片 | C | 105 | |||
|
Dystopia [ISC067 - 6] |
1'54 | Loic Ghanem | Cinematic ambient metal. Intro with pizzicato strings. Urgent, tense | 固执 进步 赛车 悬念 | Bb | 137 | ||||
|
Dystopia Alternate [ISC067 - 17] |
版本. | 1'54 | Loic Ghanem | Alternate version without percussion. | 固执 进步 赛车 悬念 | Bb | 137 |