| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Suspense Is Killing [CEZ4601 - 4] |
0 | 2'44 | Renaud Garcia-Fons | Cinematic jazz. Urgent, chasing & mysterious. Fast running double | 低音弓 悬疑探案 追逐场面 行走贝司 | Dm | 96 | |||
|
Close Up View [CEZ4601 - 16] |
0 | 3'23 | Renaud Garcia-Fons | Retro cinematic jazz. Sophisticated, intriguing & strolling. Double | 电影爵士乐 懒惰 放松 悬念 | Cm | 84 | |||
|
City Night Stalking [CEZ4600 - 13] |
0 | 2'16 | Renaud Garcia-Fons | Ominous, anticipating, intriguing & resonant. Double bass, echoed | 神秘 令人不安 疑问 调查研究 | Db | 115 | |||
|
Clippity Clap [CEC8043 - 4] |
0 | 2'08 | Zhang Hao, 赵君睿 | Percussion beats. Abrupt, sharp, explosive & heady. Percussion, drum | 侦探喜剧 节奏乐器组 固执 沉重 | Cm | 65 | |||
|
From Dark To Light [INP057 - 8] |
3'52 | Charlie Ryan | Noble, embattled, legendary. Strings emerge with grace and magnitude, | 令人不安 进步 画面感 调查研究 | Cm | 60 | ||||
|
From Dark To Light
[INP057 - 21] |
版本. | 3'45 | Charlie Ryan | Noble, embattled, legendary. Strings emerge with grace and magnitude, | 令人不安 进步 画面感 调查研究 | Cm | 120 | |||
|
Dark Presence [CET9085 - 3] |
2'06 | Zoltan Zadori | Horror track. Ominous & threatening intro with synth layers & | 恐怖片 无情 画面感 恐怖 | D | 130 | ||||
|
Dark Presence Alternate [CET9085 - 13] |
版本. | 2'06 | Zoltan Zadori | Alternate version without strings. | 恐怖片 无情 画面感 恐怖 | Gm | 130 | |||
|
An Evil Plot [CEG5038 - 8] |
0 | 1'36 | Felix Halbe | Suspended, mysterious, dark & disturbing. Drone, strings & sound | 恐怖片 画面感 气氛 恐怖 | Em | 83 | |||
|
Remaining Questions [CEG5038 - 9] |
0 | 2'33 | Felix Halbe | Haunting, constant, narrative & sad. Staccato strings @ 0'55. | 信息技术 调查研究 动荡 稳定的 | Dm | 89 | |||
|
Double Strike [AMS5012 - 3] |
1'49 | Ilan Kunik | Percussion beats / Breaking News. Fast, quick, rhythmic & confident. | 果断 动作片 固执 紧急 | Am | 146 | ||||
|
Double Strike Alternate [AMS5012 - 13] |
版本. | 1'49 | Ilan Kunik | Alternative version without percussion. | 果断 动作片 固执 紧急 | Am | 145 | |||
|
Indus Chapter [EOS103 - 4] |
0 | 2'21 | Stéphane Augier de Moussac, Eric Volpatti | Bouncy, dynamic & groovy. Electric bass & percussion. | 悬念 紧急 果断 调查研究 | Bbm | 96 | |||
|
Born Fugitive [EOS103 - 5] |
0 | 2'21 | Stéphane Augier de Moussac, Eric Volpatti | Determined, suspenseful & urgent. Electric bass, electric piano & | 果断 固执 追逐场面 悬念 | Am | 116 | |||
|
Constructed Death [AMS5011 - 2] |
0 | 2'12 | Sigurd Johnk-Jensen | Cinematic thriller. Ominous intro. Nocturnal, gloomy & | 恐怖片 令人不安 恐怖 (音效)铁轨 | Cm | 120 | |||
|
Turf War [ISC041 - 2] |
2'07 | Giorgos Lorantakis | Mechanical, jangling & metallic intro with weapon loading fx. | 战争 战士 冲突 动作游戏 | D | 100 | ||||
|
Turf War Alternate 1 [ISC041 - 13] |
版本. | 2'07 | Giorgos Lorantakis | Alternate version without guns. | 战争 战士 冲突 动作游戏 | D | 100 | |||
|
Turf War Alternate 2 [ISC041 - 14] |
版本. | 2'07 | Giorgos Lorantakis | Alternativer version with perc only. | 战争 战士 冲突 机械的 | Gm | 100 | |||
|
Curse of the Oracle [ISC039 - 3] |
2'39 | Christophe Le Guen | Disturbing & insidious intro with horror sound design. Urgent & | 画面感 恐怖 恐怖片 神经病 | Abm | 90 | ||||
|
Curse of the Oracle Alternate [ISC039 - 15] |
版本. | 2'39 | Christophe Le Guen | Alternative version without percussion. | 画面感 恐怖 恐怖片 神经病 | Abm | 90 | |||
|
Catalyst [CET9083 - 9] |
2'22 | Brian Delgado, Alexis Ouelette | Trailer track. Raw & boisterous intro evolving with piano, massive | 令人不安 预告片 冲突 画面感 | Cm | 178 | ||||
|
Catalyst Alternate 1 [CET9083 - 27] |
版本. | 2'22 | Brian Delgado, Alexis Ouelette | Alternative version without percussion. | 令人不安 冲突 画面感 史诗 | Cm | 120 | |||
|
Catalyst Alternate 2 [CET9083 - 28] |
版本. | 2'22 | Brian Delgado, Alexis Ouelette | Alternative version without choirs. | 令人不安 预告片 冲突 画面感 | Cm | 178 | |||
|
Ghost Writer [CET9084 - 6] |
1'54 | Philippe Briand | Intro with weird synth pads & metallic percussion like someone | 恐怖 冲突 恐怖片 神经病 | Gbm | 120 | ||||
|
Ghost Writer Alternate [CET9084 - 18] |
版本. | 1'54 | Philippe Briand | Alternative version without percussion. | 恐怖 冲突 恐怖片 阴险 | Gbm | 120 | |||
|
White Abyss [BIB243 - 4] |
2'07 | Sergey Kolosov | Eerie, suspenseful, haunting. Dark, pulsing synths with brooding | 阴险 画面感 疑问 调查研究 | Cm | 104 | ||||
|
White Abyss (Underscore) [BIB243 - 18] |
版本. | 2'07 | Sergey Kolosov | Eerie, suspenseful, haunting. Dark, pulsing synths with brooding | 阴险 画面感 疑问 调查研究 | Cm | 104 | |||
|
Is That Him Again [BIB243 - 13] |
1'53 | RONNIE VERBOOM | Dangerous, hypnotic. Fuzzy off-kilter notes echo out into an | 令人不安 神秘 神经病 画面感 | Dm | 120 | ||||
|
Is That Him Again (Underscore) [BIB243 - 25] |
版本. | 1'53 | RONNIE VERBOOM | Dangerous, hypnotic. Fuzzy off-kilter notes echo out into an | 令人不安 神秘 神经病 画面感 | Dm | 161 | |||
|
A Tale Of Murder [BIB243 - 14] |
0 | 2'17 | Konstantinos Panagiotidis | Dark, ominous, threatening. Atmospheric ticking percussion with | 令人不安 阴险 调查研究 神秘 | Cm | 125 | |||
|
Skittering Into Darkness [BIB243 - 15] |
0 | 1'51 | Dominik Johnson, Alex Tschallener | Dark, scuttling and scary. Eerie, sparse, unnerving underscore with | 阴险 稀疏 令人不安 抱歉 | Cm | 164 |