| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Code of Honor [CET9047 - 8] |
2'16 | Gabriel Saban, Brian Delgado | Sudden & impactful intro building-up with strings & signature sounds. | 史诗 气势 预告片 男女合唱 | Em | 86 | ||||
|
Code oh Honor Alternate [CET9047 - 25] |
版本. | 2'16 | Gabriel Saban, Brian Delgado | Alternate without percussion. Sudden intro building-up with strings & | 史诗 气势 预告片 男女合唱 | Em | 85 | |||
|
Code oh Honor Alternate 2 [CET9047 - 26] |
版本. | 2'16 | Gabriel Saban, Brian Delgado | Alternate without choir. Sudden & impactful intro building-up with | 史诗 气势 预告片 男女合唱 | Em | 86 | |||
|
The Conjuring Party [CEC8010 - 9] |
0 | 2'02 | Yum BGM | Heavy, discontinuous, inexorable & mysterious. Cinematic percussion | 令人不安 悬念 间谍片 无情 | Em | 148 | |||
|
Confrontation [CEC8010 - 18] |
0 | 2'01 | Yum BGM | Explosive, warlike & waiting. Low percussion progressing with | 中国 战士 中国电影 动作片 | A | 120 | |||
|
Chu-Han War [CEC8010 - 21] |
0 | 2'35 | Yum BGM | Wild, disturbing & oppressive @ 0'48. Dizi flute, drone, cinematic | 中国 令人不安 沉重 冲击 | Dm | 110 | |||
|
The Black Dahlia [CEG5030 - 3] |
0 | 3'01 | Paul Martin Pritchard | Mysterious, nocturnal & intriguing. Trumpet, double bass & tenor sax | 黑色电影 夜晚 神秘 弱音小号 | C | 74 | |||
|
Private [CEG5030 - 21] |
0 | 1'25 | André Charlier, Benoît Sourisse | Jazzy & characteristic of bad places in gangster films. Hammond, | 懒惰 夜晚 爵士 现代爵士 | Gm | 96 | |||
|
The Setup [CEG5030 - 26] |
0 | 1'38 | Daniel Diaz | Night wandering, mysterious & questioning. Walking bass & snaps. | 进行曲 懒惰 神秘 爵士 | Em | 108 | |||
|
Our Man in Miami [CEG5030 - 27] |
0 | 1'37 | Daniel Diaz | Night time suspense with an exotic feel. Hi-hat cymbal, bass guitar, | 冲击 悬念 电声低音 鼓 | Em | 156 | |||
|
Drum Soliloquy [CEG5030 - 28] |
0 | 2'27 | Simon Goubert | Urgent, current & jolting. Solo drums. | 鼓 紧急 追逐场面 果断 | A | 140 | |||
|
Destabilizing Effect [CET9046 - 4] |
1'53 | Nick Tzios, Paul Copestake | Anticipating intro evolving with metallic gun FX, heavy percussion & | 画面感 动作片 固执 冲突 | Am | 120 | ||||
|
Destabilizing Effect Alternate [CET9046 - 17] |
版本. | 1'53 | Nick Tzios, Paul Copestake | Alternate version without percussion. Anticipating intro evolving | 画面感 动作片 固执 冲突 | Am | 118 | |||
|
Destabilizing Effect
[CET9046 - 18] |
版本. | 1'53 | Nick Tzios, Paul Copestake | Alternate version percussion only. Anticipating intro evolving with | 画面感 动作片 固执 冲突 | Cm | 120 | |||
|
Momentum [CET9046 - 8] |
2'16 | Nick Tzios, Paul Copestake | Pounding & dark intro with woman breath FX building-up with puzzling | 冲突 进行中 令人不安 画面感 | Dm | 89 | ||||
|
Momentum Alternate [CET9046 - 25] |
版本. | 2'16 | Nick Tzios, Paul Copestake | Alternate version without percussion. Pounding & dark intro with | 冲突 进行中 令人不安 画面感 | Dm | 89 | |||
|
Momentum Alternate 2 [CET9046 - 26] |
版本. | 2'16 | Nick Tzios, Paul Copestake | Alternate version percussion only. Pounding & dark intro building-up | 冲突 进行中 令人不安 画面感 | Fm | 89 | |||
|
Lift Off [TBX106 - 5] |
2'48 | Peter Henry Mayne | Suspenseful, dramatic, captivating. Tense short strings and pulsing | 画面感 固执 追逐场面 果断 | Cm | 120 | ||||
|
Lift Off (Underscore A) [TBX106 - 25] |
版本. | 2'48 | Peter Henry Mayne | Suspenseful, dramatic, captivating. Tense short strings and pulsing | 画面感 固执 追逐场面 果断 | Cm | 120 | |||
|
Lift Off (Underscore B) [TBX106 - 26] |
版本. | 2'48 | Peter Henry Mayne | Suspenseful, dramatic, captivating. Tense short strings and pulsing | 画面感 固执 追逐场面 果断 | Cm | 120 | |||
|
Lift Off (Underscore C) [TBX106 - 27] |
版本. | 2'48 | Peter Henry Mayne | Suspenseful, dramatic, captivating. Tense short strings and pulsing | 画面感 固执 追逐场面 果断 | Cm | 120 | |||
|
Lift Off (Underscore D) [TBX106 - 28] |
版本. | 1'12 | Peter Henry Mayne | Suspenseful, dramatic, captivating. Tense short strings and pulsing | 画面感 固执 追逐场面 果断 | Cm | 120 | |||
|
Leaving The Earth [TBX106 - 6] |
2'26 | Mark Revell | Dramatic, cinematic, rousing. Suspenseful pulsing synths descend and | 果断 科幻片 固执 冒险片 | Em | 150 | ||||
|
Leaving The Earth (Underscore
[TBX106 - 29] |
版本. | 2'26 | Mark Revell | Dramatic, cinematic, rousing. Suspenseful pulsing synths descend and | 果断 科幻片 固执 冒险片 | Em | 150 | |||
|
Leaving The Earth (Underscore
[TBX106 - 30] |
版本. | 2'23 | Mark Revell | Dramatic, cinematic, rousing. Suspenseful pulsing synths descend and | 果断 科幻片 固执 冒险片 | Am | 150 | |||
|
Horror Mechanic [CET9045 - 1] |
1'56 | Philippe Briand | Anticipating intro evolving with clock, impact & industrial synth | 恐怖 恐怖片 固执 冲突 | Cm | 116 | ||||
|
Horror Mechanic Alternate [CET9045 - 13] |
版本. | 1'56 | Philippe Briand | Anticipating intro evolving with clock, impact & industrial synth | 恐怖 恐怖片 固执 冲突 | Cm | 116 | |||
|
The Predator's Walk [CET9045 - 5] |
1'39 | Philippe Briand | Hip hop-like beat intro with industrial & urgent percussion. Weird & | 画面感 恐怖 冲突 战争 | C | 128 | ||||
|
The Predator's Walk Alternate [CET9045 - 17] |
版本. | 1'39 | Philippe Briand | Hip hop-like beat intro with industrial & urgent percussion. Weird & | 画面感 恐怖 冲突 战争 | C | 128 | |||
|
The Demon in our Midst [CET9045 - 10] |
2'45 | Salvador Casais | Broody & cavernous synth pad intro evolving with oppressive | 冲突 恐怖片 固执 恐怖 | Dm | 100 | ||||
|
The Demon in our Midst
[CET9045 - 22] |
版本. | 2'45 | Salvador Casais | Broody & cavernous synth pad intro evolving with oppressive | 冲突 恐怖片 固执 恐怖 | Dm | 100 | |||
|
Enchained [CET9045 - 11] |
2'06 | Felix Weber | Suspenseful intro with clock & riser. Anxious, dark & anticipating. | 恐怖 冲突 画面感 动作游戏 | Fm | 140 | ||||
|
Enchained Alternate [CET9045 - 23] |
版本. | 2'06 | Felix Weber | Suspenseful intro with clock & riser. Anxious, dark & anticipating. | 恐怖 冲突 画面感 动作游戏 | F | 140 | |||
|
Les Nuits Difficiles [CEO2127 - 12] |
0 | 1'43 | Marc-Olivier Dupin | Suspenseful. Mysterious & vibrating. String quartet played in | 心理剧 神秘 震音 响亮 | Gm | 163 | |||
|
Transition [INP033 - 11] |
2'49 | Tim Willis | Mysterious, tense, dramatic. Suspenseful piano weaves with haunting | 画面感 魔幻电影 神秘 果断 | G | 140 | ||||
|
Transition (60 sec) [INP033 - 26] |
版本. | 1'00 | Tim Willis | Mysterious, tense, dramatic. Suspenseful piano weaves with haunting | 画面感 魔幻电影 神秘 果断 | Em | 70 | |||
|
Grasslands [BIB163 - 7] |
2'11 | Dominik Johnson, Alexius Tschallener | Expansive, uplifting, adventure. Reflective, suspended piano is | 冒险片 悬念 神秘 原声电子 | G | 88 | ||||
|
Grasslands (Underscore) [BIB163 - 18] |
版本. | 2'00 | Dominik Johnson, Alexius Tschallener | Expansive, uplifting, adventure. Reflective, mysterious mallets drift | 冒险片 悬念 神秘 原声电子 | G | 88 |