| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
In the Shadows [TBX006 - 17] |
0 | 2'39 | Charlotte Harding | Ambient sfx builds with pacing rhythm and tropical percussion and | 追逐场面 固执 悬念 紧急 | Fm | 120 | |||
|
Creeping Feeling [BIB051 - 1] |
2'20 | Dominik Johnson, Alexius Tschallener | Edgy, uneasy pulsing string led underscore with some drive and | 令人不安 悬念 警匪片 神秘 | Dm | 100 | ||||
|
Creeping Feeling (30s) [BIB051 - 11] |
版本. | 0'30 | Dominik Johnson, Alexius Tschallener | Edgy, uneasy pulsing string led underscore with some drive and | 令人不安 悬念 警匪片 神秘 | Dm | 100 | |||
|
Creeping Feeling (15s) [BIB051 - 12] |
版本. | 0'16 | Dominik Johnson, Alexius Tschallener | Edgy, uneasy pulsing string led underscore with some drive and | 令人不安 悬念 警匪片 神秘 | Dm | 100 | |||
|
White Collar Crime [CEZ4288 - 7] |
2'03 | Julien Vega | Suspense. Disturbing & interrogative. Electronics. | 调查研究 悬念 伴音 夜晚 | Gm | 70 | ||||
|
White Collar Crime Alternate
[CEZ4288 - 32] |
版本. | 2'04 | Julien Vega | Suspense. Disturbing & interrogative. Electronics. | 社会悲剧 警匪片 调查研究 政治 | Gm | 140 | |||
|
The Space Below [BIB002 - 1] |
0 | 2'32 | Richard Andrew Canavan | Very post-rock driven, the cinematic and dark piece leads a | 高潮 中断 悬念 悬念 | Dm | 162 | |||
|
Hidden Affairs [CEG5061 - 1] |
1'00 | Xavier Jamaux | Suspicious, cinematic, tense & evocative. Dramatic & emotional | 政治 阴险 调查研究 electronic score | Cm | 105 | ||||
|
Hidden Affairs Alternate [CEG5061 - 13] |
版本. | 0'59 | Xavier Jamaux | Version without flute | 政治 阴险 调查研究 electronic score | Cm | 105 | |||
|
Peeling Back the Layers [CEG5061 - 9] |
2'11 | Thomas Didier | Cinematic. Dramatic, unavoidable & obsessive. Repetitive piano, clock | 进行中 调查研究 耐心 画面感 | Em | 120 | ||||
|
Peeling Back the Layers
[CEG5061 - 28] |
版本. | 2'11 | Thomas Didier | Version without percussion | 进行中 调查研究 耐心 画面感 | Em | 120 | |||
|
Peeling Back the Layers
[CEG5061 - 29] |
版本. | 2'11 | Thomas Didier | Underscore version | 进行中 调查研究 耐心 画面感 | Em | 120 | |||
|
If You Dare [ISC118 - 10] |
2'42 | George Wilkinson | Neoclassical trailer. Atmospheric intro with soundscape & hits. | 神秘 悬念 预告片 令人不安 | Am | 108 | ||||
|
If You Dare Alternate 1 [ISC118 - 26] |
版本. | 2'42 | George Wilkinson | Version without percussion | 神秘 悬念 预告片 令人不安 | Am | 108 | |||
|
If You Dare Alternate 2 [ISC118 - 27] |
版本. | 2'42 | George Wilkinson | Version without strings | 画面感 神秘 声音设计 悬念 | Am | 108 | |||
|
Lookout [CEG5064 - 1] |
2'29 | Hiroki Ishikura | Industrial beat. Interrogative, suspended more and more disturbing. | 进行中 阴险 沉重 固执 | Eb | 135 | ||||
|
Lookout Alternate [CEG5064 - 13] |
版本. | 2'29 | Hiroki Ishikura | Alternate no drums. | 进行中 阴险 固执 美国独立制片电影 | Eb | 134 | |||
|
Smart Camera [CEG5064 - 12] |
0 | 2'07 | Claude Samard | Ambient. Atmospheric, cyclic & evasive. Synth. Ideal for | 悬念 周期性的 信息技术 electronic score | Em | 100 | |||
|
The Verdict [TBX231 - 6] |
2'38 | James Tearne | Anticipatory, epic, conclusive. Dusty synth winds down with a feeling | 司法 周期性的 间谍片 阴险 | E | 94 | ||||
|
The Verdict (Underscore) [TBX231 - 19] |
版本. | 2'38 | James Tearne | Anticipatory, epic, conclusive. Dusty synth winds down with a feeling | 司法 周期性的 间谍片 阴险 | E | 94 | |||
|
The Verdict (Underscore
[TBX231 - 20] |
版本. | 2'38 | James Tearne | Anticipatory, epic, conclusive. Worried notes give a feeling of dread | 司法 周期性的 间谍片 阴险 | E | 94 | |||
|
Crime Scene [TBX231 - 8] |
2'59 | James Tearne | Anticipatory, shocking, important. Deep bass notes offer a sense of | 恐怖片 令人不安 画面感 自然灾害 | F | 107 | ||||
|
Crime Scene (Underscore) [TBX231 - 22] |
版本. | 2'59 | James Tearne | Anticipatory, shocking, important. Deep bass notes offer a sense of | 恐怖片 令人不安 画面感 自然灾害 | F | 78 | |||
|
Crime Scene (Underscore
[TBX231 - 23] |
版本. | 2'59 | James Tearne | Anticipatory, shocking, important. Deep bass notes offer a sense of | 恐怖片 令人不安 画面感 自然灾害 | F | 118 | |||
|
Growing Tension [CEG5058 - 11] |
0 | 1'21 | Les Cosmonotes | Suspenseful Clockwork. Thoughtful, questioning & stressful. Clock & | 间谍片 悬念 稳定的 进行中 | Gm | 120 | |||
|
Dark Influence [BIB294 - 4] |
2'26 | Olivier Bibeau | Scared, evil, scheming. Snarling notes rise up into a tick-tock | 画面感 阴险 悬念 军事冲突 | Ebm | 118 | ||||
|
Dark Influence (Underscore) [BIB294 - 17] |
版本. | 2'26 | Olivier Bibeau | Scared, evil, scheming. Snarling notes rise up into a tick-tock | 画面感 阴险 悬念 军事冲突 | Ebm | 118 | |||
|
Dark Influence (Underscore
[BIB294 - 18] |
版本. | 2'26 | Olivier Bibeau | Scared, evil, scheming. Snarling notes rise up into a tick-tock | 画面感 阴险 悬念 军事冲突 | Eb | 118 | |||
|
Global Tension [BIB294 - 6] |
2'02 | Olivier Bibeau | Panicked, serious, spirited. Concerned strings push out with a | 令人激动 当代历史 画面感 周期性的 | Bbm | 134 | ||||
|
Global Tension (Underscore) [BIB294 - 21] |
版本. | 2'02 | Olivier Bibeau | Panicked, serious, spirited. Concerned strings push out with a | 令人激动 当代历史 画面感 周期性的 | Bbm | 133 | |||
|
Global Tension (Underscore
[BIB294 - 22] |
版本. | 2'02 | Olivier Bibeau | Panicked, serious, spirited. Concerned strings push out with a | 令人激动 当代历史 画面感 周期性的 | Bbm | 133 | |||
|
Ceremonial Ground [TBX229 - 1] |
2'13 | Andrew Hind | Epic, spiritual, determined. Female vocal stabs play out a daring and | 不可归类 令人不安 悬念 现代芭蕾 | Dm | 125 | ||||
|
Ceremonial Ground (No Lead
[TBX229 - 11] |
版本. | 2'13 | Andrew Hind | Epic, spiritual, determined. Disparate female vocals hit out into an | 不可归类 令人不安 悬念 现代芭蕾 | Dm | 124 | |||
|
Ceremonial Ground (Bed Sparse) [TBX229 - 12] |
版本. | 2'13 | Andrew Hind | Epic, spiritual, strange. Light percussion gives way to eerie vocal | 不可归类 令人不安 悬念 现代芭蕾 | D | 125 | |||
|
Breathe [TBX229 - 8] |
2'07 | Andrew Hind | Panicked, terrifying, unnatural. Large bass sweeps in with vocals. | 恐怖片 阴险 无情 令人不安 | E | 140 | ||||
|
Breathe (Vocal Version) [TBX229 - 26] |
版本. | 2'06 | Andrew Hind | Panicked, terrifying, unnatural. Laboured breathing conveys alarm and | 恐怖片 阴险 无情 令人不安 | Em | 70 | |||
|
Breathe (Bed Sparse) [TBX229 - 27] |
版本. | 2'07 | Andrew Hind | Panicked, terrifying, unnatural. Large bass sweeps in with strange | 恐怖片 阴险 无情 令人不安 | E | 139 | |||
|
Left Unsaid [CEZ4684 - 9] |
0 | 2'10 | Third Act | Post-classical music, neo-classical music, film score. Suspended, | 心理剧 画面感 抱歉 悬念 | Em | 80 | |||
|
Down The Rabbit Hole [IOM042 - 8] |
1'35 | Rory Sheridan | Charged, tense, intimidating. Tension builds through sharp pedal note | 固执 orchestral score 有节奏感 悬念 | Dm | 140 | ||||
|
Down The Rabbit Hole
[IOM042 - 24] |
版本. | 1'35 | Rory Sheridan | Charged, tense, intimidating. Tension builds through sharp pedal note | 固执 orchestral score 有节奏感 悬念 | Dm | 140 | |||
|
Down The Rabbit Hole
[IOM042 - 25] |
版本. | 1'34 | Rory Sheridan | Charged, tense, intimidating. Tension builds through sharp pedal note | 固执 orchestral score 有节奏感 悬念 | D | 140 | |||
|
March Of The Prowler [IOM042 - 10] |
1'37 | Rory Sheridan | Sharp, scary, creepy. Low and chugging strings offer a sharp and | 固执 有节奏感 悬念 无情 | Dm | 140 | ||||
|
March Of The Prowler
[IOM042 - 27] |
版本. | 1'37 | Rory Sheridan | Sharp, scary, creepy. Low and chugging strings offer a sharp and | 固执 有节奏感 悬念 无情 | Dm | 140 | |||
|
Automation Generation [TBX224 - 1] |
2'03 | Edoardo Bombace, Luca Uggias | Tense, complex, intriguing. Xylophone notes play out in a rushed but | 疑问 调查研究 阴险 固执 | F | 146 | ||||
|
Automation Generation
[TBX224 - 13] |
版本. | 2'03 | Edoardo Bombace, Luca Uggias | Tense, complex, intriguing. Xylophone notes play out in a rushed but | 疑问 调查研究 阴险 固执 | F | 146 | |||
|
Automation Generation
[TBX224 - 14] |
版本. | 2'03 | Edoardo Bombace, Luca Uggias | Tense, complex, intriguing. Xylophone notes play out in a rushed but | 疑问 调查研究 阴险 固执 | F | 146 |