| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Hacker Community [CEG5054 - 10] |
2'39 | Antoine Berquet | Cinematic beat. Combative, strong & epic. Progression & climax @ | 高潮 electro beat 间谍片 令人激动 | Am | 85 | ||||
|
The Hacker Community Alternate [CEG5054 - 54] |
版本. | 2'39 | Antoine Berquet | Alternate no rhythm. | 高潮 electro beat 间谍片 令人激动 | Am | 85 | |||
|
The Hacker Community Edit 60
[CEG5054 - 55] |
版本. | 0'15 | Antoine Berquet | 60 second cut. | 高潮 electro beat 间谍片 令人激动 | Am | 85 | |||
|
The Hacker Community Edit 30
[CEG5054 - 56] |
版本. | 0'30 | Antoine Berquet | 30 second cut. | 高潮 electro beat 间谍片 令人激动 | Am | 85 | |||
|
The Hacker Community Edit 15
[CEG5054 - 57] |
版本. | 1'00 | Antoine Berquet | 15 second cut. | 高潮 electro beat 间谍片 令人激动 | Am | 85 | |||
|
The Hacker Community Edit
[CEG5054 - 58] |
版本. | 0'07 | Antoine Berquet | Sting. | 高潮 electro beat 间谍片 令人激动 | A | 86 | |||
|
The Horizon [BIB283 - 8] |
2'44 | Michael Panayiotis | Epic, climactic, shadowy. An oud or Middle Eastern guitar edges out | 稀疏 伴音 热沙漠 地理政治 | Cm | 61 | ||||
|
The Horizon (Underscore No
[BIB283 - 26] |
版本. | 2'41 | Michael Panayiotis | Epic, climactic, shadowy. A ragged string pushes out into an empty | 稀疏 伴音 热沙漠 地理政治 | Cm | 60 | |||
|
The Horizon (Underscore No
[BIB283 - 27] |
版本. | 2'42 | Michael Panayiotis | Epic, climactic, shadowy. An oud or Middle Eastern guitar edges out | 稀疏 伴音 热沙漠 地理政治 | Cm | 60 | |||
|
An Obsessive Feeling [CEG5053 - 4] |
4'16 | Baptiste Charvet | Investigative cinematic jazz. Menacing, hypnotic, eerie & waiting. | 催眠 电影爵士乐 进行中 Fender Rhodes | Em | 88 | ||||
|
An Obsessive Feeling Alternate [CEG5053 - 24] |
版本. | 4'16 | Baptiste Charvet | Version without percussion. | 催眠 进行中 阴险 调查研究 | Em | 88 | |||
|
Macabre Discovery [CEG5053 - 8] |
3'02 | Baptiste Charvet | Anxious, chaotic, frightening & suspended. Electronics, processed | 阴险 调查研究 苦情 Fender Rhodes | D | 69 | ||||
|
Macabre Discovery Alternate [CEG5053 - 26] |
版本. | 3'02 | Baptiste Charvet | Version without percussion. | 阴险 调查研究 Fender Rhodes 疑问 | D | 69 | |||
|
Les Souffles [CEO2176 - 5] |
0 | 1'33 | Marc-Olivier Dupin | Sudden, twirling & suspenseful. Cymbals, woodwinds, horn & timpani. | 军事冲突 神秘 历史旁白 令人不安 | C | 68 | |||
|
Strained [AMS5046 - 5] |
2'40 | Xavier Pacqueteau, Felix Weber | Horror trailer. Tense, hostile & dangerous. Constant build-up for a | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | ||||
|
Strained Alternate 1 [AMS5046 - 38] |
版本. | 2'40 | Xavier Pacqueteau, Felix Weber | Version without percussion | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Strained Alternate 2 [AMS5046 - 39] |
版本. | 2'40 | Xavier Pacqueteau, Felix Weber | Version with percussion only | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Strained Alternate 3 [AMS5046 - 40] |
版本. | 2'40 | Xavier Pacqueteau, Felix Weber | Version without strings | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Strained Alternate 4 [AMS5046 - 41] |
版本. | 2'40 | Xavier Pacqueteau, Felix Weber | Bed | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Strained Alternate 5 [AMS5046 - 42] |
版本. | 2'40 | Xavier Pacqueteau, Felix Weber | Underscore | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Strained Alternate 6 [AMS5046 - 43] |
版本. | 0'30 | Xavier Pacqueteau, Felix Weber | 30 seconds cut | 恐怖片 战士 恐怖 摩擦声 | Cm | 167 | |||
|
Strained Alternate 7 [AMS5046 - 44] |
版本. | 0'15 | Xavier Pacqueteau, Felix Weber | 15 seconds cut | 恐怖片 战士 恐怖 摩擦声 | Cm | 84 | |||
|
Summon [AMS5046 - 7] |
2'25 | Xavier Pacqueteau, Felix Weber | Horror trailer. Eerie, edgy & spooky. High-pitched & dark cellos. | 摩擦声 进步 画面感 高潮 | Dm | 120 | ||||
|
Summon Alternate 1 [AMS5046 - 52] |
版本. | 2'25 | Xavier Pacqueteau, Felix Weber | Version without percussion | 摩擦声 进步 画面感 高潮 | Dm | 120 | |||
|
Summon Alternate 2 [AMS5046 - 53] |
版本. | 2'25 | Xavier Pacqueteau, Felix Weber | Version with percussion only | 摩擦声 进步 画面感 高潮 | Dm | 120 | |||
|
Summon Alternate 3 [AMS5046 - 54] |
版本. | 2'25 | Xavier Pacqueteau, Felix Weber | Version without strings | 摩擦声 进步 画面感 高潮 | Dm | 120 | |||
|
Summon Alternate 4 [AMS5046 - 55] |
版本. | 2'25 | Xavier Pacqueteau, Felix Weber | Version without voice fx | 摩擦声 进步 画面感 高潮 | Dm | 120 | |||
|
Summon Alternate 5 [AMS5046 - 56] |
版本. | 2'25 | Xavier Pacqueteau, Felix Weber | Bed | 摩擦声 进步 画面感 高潮 | Dm | 120 | |||
|
Summon Alternate 6 [AMS5046 - 57] |
版本. | 2'25 | Xavier Pacqueteau, Felix Weber | Underscore | 摩擦声 进步 画面感 高潮 | Dm | 120 | |||
|
Summon Alternate 7 [AMS5046 - 58] |
版本. | 0'32 | Xavier Pacqueteau, Felix Weber | 30 seconds cut | 摩擦声 进步 画面感 高潮 | Dm | 119 | |||
|
Summon Alternate 8 [AMS5046 - 59] |
版本. | 0'16 | Xavier Pacqueteau, Felix Weber | 15 seconds cut | 摩擦声 进步 画面感 高潮 | Dm | 120 | |||
|
Survival by the Code [ISC088 - 7] |
2'30 | Lionel Fabert | Hip-Hop investigation. Tenacious, anxious & grime. Shimmering synths, | 电影节奏 动作片 气势 进行中 | Dm | 125 | ||||
|
Survival by the Code Alternate [ISC088 - 23] |
版本. | 2'30 | Lionel Fabert | Version without beat | 电影节奏 动作片 气势 进行中 | Dm | 124 | |||
|
Contemporary Pieces No 5 [AUD043 - 5] |
1'54 | Bruno Letort | Contemporary classical. Hypnotic, bewitching & repetitive. Trombones, | 奇怪 漂泊 无调性音乐 飞碟 | D | 60 | ||||
|
Contemporary Pieces No 5
[AUD043 - 10] |
版本. | 0'18 | Bruno Letort | Short edit version | 奇怪 漂泊 无调性音乐 飞碟 | D | 61 | |||
|
The Way of the Samurai [CEC8058 - 1] |
0 | 2'41 | Zhang Hao, Peng Qu | Panoramic, aerial, intriguing, mysterious & grandiose. Guzheng, | 日本 画面感 冒险游戏 沉重 | Cm | 140 | |||
|
The Witching Goddess [CEC8058 - 2] |
2'22 | Zhang Hao, Peng Qu | Atmospheric, evanescent, dreamy & intriguing with a mystical touch. | 气氛 功夫 神奇 中国电影 | Bb | 70 | ||||
|
The Witching Goddess Alternate [CEC8058 - 9] |
版本. | 2'22 | Zhang Hao, Peng Qu | Instrumental version | 气氛 功夫 神奇 中国电影 | Bb | 70 | |||
|
End Is Nigh [IOM033 - 5] |
1'58 | Jack Pierce | Dramatic, excitable, troubled. Sharp string sequences brought to | 画面感 小说纪录片 高雅 命运 | Cm | 115 | ||||
|
End Is Nigh (Underscore A) [IOM033 - 24] |
版本. | 1'58 | Jack Pierce | Dramatic, excitable, troubled. String notes brought to abrupt stop by | 画面感 小说纪录片 高雅 命运 | Cm | 86 | |||
|
End Is Nigh (Underscore B) [IOM033 - 25] |
版本. | 1'57 | Jack Pierce | Dramatic, excitable, troubled. Sharp string sequences brought to | 小说纪录片 高雅 命运 固执 | Cm | 115 | |||
|
End Is Nigh (Strings Only) [IOM033 - 26] |
版本. | 1'57 | Jack Pierce | Dramatic, excitable, troubled. Sharp string sequences brought to | 小说纪录片 高雅 命运 固执 | Cm | 115 | |||
|
Deception [IOM033 - 8] |
1'50 | David Birnie | Dramatic, intriguing, frantic. Tick tock percussion gives way to | 新古典音乐 固执 预告片 紧急 | Fm | 150 | ||||
|
Deception (Underscore A) [IOM033 - 32] |
版本. | 1'50 | David Birnie | Dramatic, intriguing, frantic. Tick tock percussion gives way to | 新古典音乐 固执 预告片 紧急 | C | 150 | |||
|
Deception (Underscore B) [IOM033 - 33] |
版本. | 1'50 | David Birnie | Dramatic, intriguing, frantic. Tick tock percussion gives way to | 固执 预告片 紧急 命运 | Abm | 150 | |||
|
Your Royal Highness [IOM033 - 10] |
1'53 | David Birnie | Panicked, lofty, catastrophic. Quick strings fly out with pace, | 画面感 阴险 固执 预告片 | Dm | 153 | ||||
|
Your Royal Highness
[IOM033 - 37] |
版本. | 1'53 | David Birnie | Panicked, lofty, catastrophic. Quick string melody flies out with | 画面感 阴险 固执 预告片 | Dm | 153 | |||
|
Your Royal Highness
[IOM033 - 38] |
版本. | 1'53 | David Birnie | Panicked, lofty, catastrophic. Winding percussion sets out alongside | 画面感 阴险 固执 预告片 | Em | 153 | |||
|
The Knowledge Paradox [ISC087 - 9] |
2'39 | Norbert Gobor | Cinematic score. Positive, futuristic & technological. Keyboard ping | 调查研究 气氛 electro beat 工业 | F | 111 | ||||
|
The Knowledge Paradox
[ISC087 - 21] |
版本. | 2'39 | Norbert Gobor | Version without percussion | 调查研究 气氛 electro beat 工业 | F | 83 | |||
|
The Last One [AMS5043 - 3] |
2'53 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. First part slowly burning with | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | ||||
|
The Last One Alternate 1 [AMS5043 - 20] |
版本. | 2'53 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
|
The Last One Alternate 2 [AMS5043 - 21] |
版本. | 2'53 | Aleksandar Dimitrijevic | Version without guitars & drums | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
|
The Last One Alternate 3 [AMS5043 - 22] |
版本. | 2'53 | Aleksandar Dimitrijevic | Version with bass & drums only | 后摇滚 固执 影院摇滚 高潮 | Am | 96 | |||
|
The Last One Edit 1 (30 sec) [AMS5043 - 23] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 固执 影院摇滚 无情 | Am | 96 | |||
|
The Last One Edit 2 (15 sec) [AMS5043 - 24] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 固执 影院摇滚 无情 | Am | 96 | |||
|
Bad Loser [TBX208 - 4] |
2'12 | Andrew Hind | Pacy, sharp, sophisticated. Slow methodical drumbeat gives platform | 电影节奏 间谍片 固执 动人 | Gm | 162 | ||||
|
Bad Loser (Alt Version) [TBX208 - 17] |
版本. | 2'12 | Andrew Hind | Pacy, sharp, sophisticated. Slow methodical drumbeat gives platform | 电影原声带 间谍片 固执 动人 | Gm | 107 | |||
|
Bad Loser (Underscore) [TBX208 - 18] |
版本. | 2'12 | Andrew Hind | Pacy, sharp, sophisticated. Slow methodical drumbeat gives platform | 电影节奏 间谍片 固执 动人 | Gm | 107 | |||
|
Voices In My Head [INP075 - 3] |
2'18 | Michael Adels | Menacing, otherworldly, adventurous. Striking halloween piano lets in | 恐怖片 令人不安 背景音 诡异 | Am | 77 | ||||
|
Voices In My Head
[INP075 - 15] |
版本. | 2'18 | Michael Adels | Menacing, otherworldly, adventurous. Striking halloween piano play | 恐怖片 令人不安 背景音 诡异 | A | 80 | |||
|
Voices In My Head (Underscore
[INP075 - 16] |
版本. | 2'18 | Michael Adels | Menacing, otherworldly, adventurous. Striking halloween piano lets in | 恐怖片 令人不安 背景音 诡异 | A | 80 | |||
|
Voices In My Head (Underscore
[INP075 - 17] |
版本. | 2'00 | Michael Adels | Menacing, otherworldly, adventurous. Gothic percussive hit brings in | 恐怖片 令人不安 背景音 诡异 | Bm | 80 | |||
|
Olympus Has Fallen [AMS5042 - 2] |
1'57 | Danijel Grubovic | Hybrid trailer. Dramatic, mighty & forceful. Suspended intro with | 冲突 预告片 画面感 爆炸 | Abm | 118 | ||||
|
Olympus Has Fallen Alternate 1 [AMS5042 - 16] |
版本. | 1'57 | Danijel Grubovic | No percussion version | 冲突 预告片 画面感 爆炸 | Abm | 162 | |||
|
Olympus Has Fallen Alternate 2 [AMS5042 - 17] |
版本. | 1'57 | Danijel Grubovic | Percussion only version | 冲突 预告片 画面感 爆炸 | Em | 119 | |||
|
Olympus Has Fallen Alternate 3 [AMS5042 - 18] |
版本. | 1'57 | Danijel Grubovic | No strings version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 4 [AMS5042 - 19] |
版本. | 1'57 | Danijel Grubovic | No voice fx version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 5 [AMS5042 - 20] |
版本. | 1'57 | Danijel Grubovic | Bed | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 6 [AMS5042 - 21] |
版本. | 1'57 | Danijel Grubovic | Underscore | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Edit 1 (60
[AMS5042 - 22] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 2 (30
[AMS5042 - 23] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 3 (15
[AMS5042 - 24] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 81 | |||
|
Mashing Up [AMS5042 - 7] |
1'38 | Danijel Grubovic | Hybrid trailer. Stealthy then aggressive & warlike. Suspended ticking | 冲突 战士 冲击 画面感 | Em | 162 | ||||
|
Mashing Up Alternate 1 [AMS5042 - 55] |
版本. | 1'38 | Danijel Grubovic | No percussion version | 冲突 战士 冲击 画面感 | E | 162 | |||
|
Mashing Up Alternate 2 [AMS5042 - 56] |
版本. | 1'38 | Danijel Grubovic | Percussion only version | 冲突 战士 画面感 高潮 | Bbm | 162 | |||
|
Mashing Up Alternate 3 [AMS5042 - 57] |
版本. | 1'38 | Danijel Grubovic | No voice fx version | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Alternate 4 [AMS5042 - 58] |
版本. | 1'38 | Danijel Grubovic | No strings version | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Alternate 5 [AMS5042 - 59] |
版本. | 1'38 | Danijel Grubovic | Bed | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Alternate 6 [AMS5042 - 60] |
版本. | 1'38 | Danijel Grubovic | Underscore | 冲突 战士 冲击 画面感 | Bbm | 162 | |||
|
Mashing Up Edit 1 (60 sec) [AMS5042 - 61] |
版本. | 0'59 | Danijel Grubovic | 60 seconds cut | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Edit 2 (30 sec) [AMS5042 - 62] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Edit 3 (15 sec) [AMS5042 - 63] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 战士 冲击 画面感 | Em | 162 |