| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Evolving Ostinato Movement [CCB1060 - 10] |
0 | 2'03 | Thibault Gomez, Teddy Lasry | initially sparse, then gradually evolving with a repetitive movement | 预置钢琴 心理剧 奇怪 抽象艺术 | Dbm | 103 | |||
|
Valkyrie Queen [ISC056 - 1] |
2'12 | Filip Lackovic | Viking Trailer. Ancestral & prophetic intro building-up with tribal, | 战士 超级英雄 神奇 预告片 | Am | 100 | ||||
|
Valkyrie Queen Alternate 1 [ISC056 - 11] |
版本. | 2'12 | Filip Lackovic | Alternate version without percussion. | 战士 超级英雄 神奇 预告片 | Am | 100 | |||
|
Valkyrie Queen Alternate 2 [ISC056 - 12] |
版本. | 2'12 | Filip Lackovic | Alternate version without choir. | 战士 超级英雄 神奇 预告片 | Am | 100 | |||
|
Creep Don't Sleep [IOM015 - 11] |
1'53 | Benedic Lamdin, Riaan Vosloo | Sinister, skulking, lighthearted. Deep bass piano sets out a creeping | 都市景色 调查研究 夜晚 电视连续剧 | Eb | 85 | ||||
|
Creep Don't Sleep (Underscore) [IOM015 - 22] |
版本. | 1'53 | Benedic Lamdin, Riaan Vosloo | Sinister, skulking, lighthearted. Deep bass piano sets out a creeping | 都市景色 调查研究 夜晚 电视连续剧 | Cm | 85 | |||
|
Future Noir [INP064 - 1] |
2'20 | Sergey Kolosov | Bold, futuristic, daunting. Resonant bass tones are joined by | 轰隆声 固执 冲突 失真效果器 | Am | 120 | ||||
|
Future Noir (Underscore A) [INP064 - 11] |
版本. | 2'20 | Sergey Kolosov | Bold, futuristic, daunting. Resonant bass tones are joined by | 轰隆声 固执 失真效果器 沉重 | C | 120 | |||
|
Future Noir (Underscore B) [INP064 - 12] |
版本. | 2'04 | Sergey Kolosov | Bold, futuristic, daunting. Thumping bass and percussion surge | 轰隆声 固执 冲突 失真效果器 | Am | 120 | |||
|
Ominata [INP064 - 5] |
3'33 | Niklas Aaman | Technological, screeching, apocalyptic. Large thud gives way to fuzzy | 令人不安 夜晚 工业摇滚 科幻片 | B | 96 | ||||
|
Ominata (Underscore) [INP064 - 17] |
版本. | 1'32 | Niklas Aaman | Technological, screeching, apocalyptic. Feedback guitar slams out | 令人不安 夜晚 工业摇滚 科幻片 | B | 96 | |||
|
If Tomorrow [INP064 - 6] |
2'34 | Niklas Aaman | Vast, brave, daring. Large echoing notes and subtle pads give a sense | 令人不安 画面感 果断 史诗 | D | 76 | ||||
|
If Tomorrow (Underscore) [INP064 - 18] |
版本. | 2'34 | Niklas Aaman | Vast, brave, daring. Large echoing notes and subtle pads give a sense | 令人不安 画面感 果断 史诗 | D | 76 | |||
|
Jah Agent [CEG5039 - 6] |
2'25 | Mathieu Laurent, Isabelle Salmon | Dub, electro-dub, investigation. Speed. Intriguing, mysterious & | 间谍片 社会悲剧 阴险 电声低音 | Em | 143 | ||||
|
Jah Agent Alternate [CEG5039 - 18] |
版本. | 2'16 | Mathieu Laurent, Isabelle Salmon | Alternate underscore. | 间谍片 社会悲剧 阴险 电声低音 | Em | 143 | |||
|
Alibi [TBX181 - 3] |
2'33 | Alison Bangay | Tense, serious, investigative. Full-bodied instrumentation | 调查研究 严谨 电子琴 固执 | Ebm | 60 | ||||
|
Alibi (Underscore) [TBX181 - 15] |
版本. | 2'33 | Alison Bangay | Tense, serious, investigative. Full-bodied bass is joined by strings | 调查研究 电子琴 耐心 进步 | Ebm | 120 | |||
|
Stratagem [TBX181 - 7] |
2'39 | Alison Bangay | Serious, subtle, modern. Chittering dissonance winds into | electronic score 神秘 漂泊 阴险 | Am | 69 | ||||
|
Stratagem (Underscore) [TBX181 - 19] |
版本. | 2'38 | Alison Bangay | Serious, subtle, modern. Chittering dissonance winds into | electronic score 神秘 漂泊 阴险 | Am | 137 | |||
|
Cyber Spy [TBX178 - 3] |
2'40 | Mark Revell | Strange, anticipatory, eerie. Dissonant piano shriek leads into | 间谍片 阴险 信息技术 电子 | Gm | 100 | ||||
|
Cyber Spy (Underscore) [TBX178 - 15] |
版本. | 2'40 | Mark Revell | Strange, anticipatory, eerie. Dissonant piano shriek leads into | 间谍片 阴险 信息技术 电子 | Gm | 100 | |||
|
Undercover [TBX178 - 5] |
1'08 | Jack Pierce | Mysterious, anticipatory, rousing. Slow, laboured strings and piano | 间谍片 黑人电影 进行中 疑问 | Gm | 123 | ||||
|
Undercover (Underscore) [TBX178 - 17] |
版本. | 1'08 | Jack Pierce | Sneaky, theatrical, fun. Sharp guitar notes and rolling percussion | 间谍片 黑人电影 疑问 电影爵士乐 | Gm | 123 | |||
|
Race To The Finish [TBX173 - 6] |
2'26 | Matt Norman | Officious, determined, anticipatory. Ticking percussion falls in step | 竞猜节目 拍手 果断 史诗 | Am | 126 | ||||
|
Race To The Finish
[TBX173 - 18] |
版本. | 2'26 | Matt Norman | Officious, determined, anticipatory. Ticking percussion inspires a | 竞猜节目 拍手 果断 史诗 | Gbm | 126 | |||
|
Race To The Finish
[TBX173 - 19] |
版本. | 2'25 | Matt Norman | Officious, determined, anticipatory. Ticking percussion inspires a | 竞猜节目 拍手 果断 史诗 | Gbm | 126 | |||
|
Race To The Finish
[TBX173 - 20] |
版本. | 2'25 | Matt Norman | Officious, determined, anticipatory. Melodramatic strings fall in | 竞猜节目 拍手 果断 史诗 | Am | 126 | |||
|
A Final Chance [TBX173 - 8] |
1'32 | Joseph Westerlund | Tense, meaningful, intricate. Steady dynamic melody creates a sense | 疑问 竞猜节目 耐心 拨奏 | Dm | 110 | ||||
|
A Final Chance (Underscore) [TBX173 - 22] |
版本. | 1'31 | Joseph Westerlund | Tense, meaningful, intricate. Steady dynamic melody creates a sense | 疑问 竞猜节目 耐心 拨奏 | Dm | 110 | |||
|
Mysteries of the Past [ISC053 - 5] |
0 | 2'01 | Gabriel Saban | Waiting & questioning intro with pizzicato strings, clocklike fx & | 固执 社会悲剧 新古典音乐 紧急 | Gm | 110 | |||
|
Subjugation [ISC053 - 10] |
0 | 2'08 | Gabriel Saban | ☆ Nominated "Best Crime/Investigative" @Mark Awards US 2024 ☆ | 恐怖片 恐怖 画面感 无情 | F | 120 | |||
|
Jingle Bells [INP060 - 8] |
2'36 | James Pierpont (J S) | Trippy, powerful, cool. Large droning bass and dramatic riser gives a | 工业噪音 令人不安 沉重 固执 | Gm | 74 | ||||
|
Jingle Bells (Instrumental) [INP060 - 27] |
版本. | 2'36 | James Pierpont (J S) | Trippy, powerful, cool. Large droning bass and dramatic riser gives a | 工业噪音 令人不安 沉重 固执 | Gm | 74 | |||
|
Jingle Bells (Underscore) [INP060 - 28] |
版本. | 1'20 | James Pierpont (J S) | Trippy, powerful, cool. Large droning bass is contrasted by upbeat | 工业噪音 令人不安 沉重 固执 | Gm | 74 | |||
|
Angels We Have Heard On High [INP060 - 12] |
2'11 | Edward Barnes | Momentous, eerie, warlike. Echoing dissonance sets an atmosphere of | 战士 史诗 无情 凯旋 | F | 107 | ||||
|
Angels We Have Heard On High
[INP060 - 33] |
版本. | 2'08 | Edward Barnes | Momentous, eerie, warlike. Echoing dissonance sets an atmosphere of | 战士 史诗 无情 凯旋 | F | 107 | |||
|
Song Of The Desert [AUD004 - 1] |
2'22 | Frederic Sicart | Medium-fast tempo - Running and mysterious minimalism. Marimba, | 马林巴琴 调查研究 动物世界 疑问 | D | 161 | ||||
|
Song Of The Desert Alternate 1 [AUD004 - 6] |
版本. | 0'24 | Frederic Sicart | Short alternate version. | 马林巴琴 调查研究 动物世界 疑问 | D | 107 | |||
|
Song Of The Desert Alternate 2 [AUD004 - 11] |
版本. | 2'22 | Frederic Sicart | Alternate version. | 马林巴琴 调查研究 动物世界 疑问 | D | 107 | |||
|
Twilight Junction [AUD001 - 5] |
1'43 | Dominique Grimaldi | Slow to fast tempo - Dark, abrasive and circular. Sparse and pulsing | 调查研究 夜晚 电声低音 令人不安 | A | 164 | ||||
|
Twilight Junction Alternate 1 [AUD001 - 10] |
版本. | 0'14 | Dominique Grimaldi | Short alternate version. | 调查研究 夜晚 电声低音 令人不安 | A | 164 | |||
|
Twilight Junction Alternate 2 [AUD001 - 15] |
版本. | 1'43 | Dominique Grimaldi | Alternate version without drum. | 调查研究 夜晚 电声低音 令人不安 | A | 164 | |||
|
Vulnerable [ISC052 - 5] |
2'44 | Anne-Sophie Versnaeyen | Neoclassical. Disturbing, tormented, tragic & tumultuous. | 动荡 令人不安 调查研究 电子琴 | Cm | 120 | ||||
|
Vulnerable Alternate [ISC052 - 16] |
版本. | 2'44 | Anne-Sophie Versnaeyen | Alternate version without strings. | 动荡 令人不安 调查研究 电子琴 | Cm | 118 |