| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Recollection [CEZ4046 - 1] |
0 | 2'40 | Christof Déjean | Close & claustrophobic. Muted bass & groove with piano & percussion. | 冰冷 当代艺术 抱歉 自然灾害 | E | 81 | |||
|
Inside Information [CEZ4040 - 15] |
0 | 1'49 | Elisabeth Skornik, Guy Skornik | Intrigue. Strange echoing percussion with synth pad. | 海底 气氛 稀疏 潮湿 | Fm | 143 | |||
|
Beach Beauties [BIB299 - 5] |
1'29 | Fred Stoeyva | Kooky, retro, classy. Drum fill gives way to fun Brazil-coded beat | 异国情调 无忧无虑 复古电视 好玩 | C | 85 | ||||
|
Beach Beauties (Underscore) [BIB299 - 21] |
版本. | 1'29 | Fred Stoeyva | Kooky, retro, classy. Drum fill gives way to fun Brazil-coded beat as | 异国情调 无忧无虑 复古电视 好玩 | Cm | 85 | |||
|
Beach Beauties (Underscore
[BIB299 - 22] |
版本. | 1'29 | Fred Stoeyva | Kooky, retro, classy. A lone organ leads into a dreamy holiday-coded | 异国情调 无忧无虑 复古电视 好玩 | C | 85 | |||
|
Lazy Beach Doofus [BIB299 - 7] |
1'30 | Fred Stoeyva | Lively, carefree, joyous. Steel lap guitar rises up into | cocktail bar 复古法式喜剧 无忧无虑 异国情调 | Gm | 106 | ||||
|
Lazy Beach Doofus (Underscore) [BIB299 - 25] |
版本. | 1'30 | Fred Stoeyva | Lively, carefree, joyous. Steel lap guitar rises up into bossa nova | cocktail bar 复古法式喜剧 无忧无虑 异国情调 | Gm | 107 | |||
|
Lazy Beach Doofus (Underscore
[BIB299 - 26] |
版本. | 1'30 | Fred Stoeyva | Lively, carefree, joyous. Steel lap guitar rises up into bossa nova | cocktail bar 复古法式喜剧 无忧无虑 异国情调 | Gm | 106 | |||
|
Inocencia [CEL7047 - 20] |
1'44 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Tropical Waltz. Naive, sunny, childlike & simple. 7-string guitar, | 童年 无忧无虑 放松 日常生活 | A | 100 | ||||
|
Inocencia Alternate 1 [CEL7047 - 65] |
版本. | 1'44 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without percussion | 童年 无忧无虑 放松 日常生活 | A | 100 | |||
|
Inocencia Alternate 2 [CEL7047 - 66] |
版本. | 1'44 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without flute | 童年 无忧无虑 放松 日常生活 | A | 100 | |||
|
Inocencia Alternate 3 [CEL7047 - 67] |
版本. | 1'44 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version guitars only | 童年 无忧无虑 放松 日常生活 | A | 100 | |||
|
The Paths of the Andes [CEL7047 - 23] |
2'11 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Colombian cumbia. Ethnic, swaying & danceable. Folk guitar, ukulele, | 厨房 自信 昆比亚 海滨 | Am | 98 | ||||
|
The Paths of the Andes
[CEL7047 - 70] |
版本. | 2'11 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without percussion | 厨房 自信 昆比亚 海滨 | Am | 98 | |||
|
Caliente [BIB298 - 6] |
2'09 | Olivier Bibeau | Fun, hot, bouncy. Fast-paced synth ploughs through cool and 歌词 | 动人 人物 多变的 态度 | Dbm | 162 | ||||
|
Caliente (Instrumental) [BIB298 - 21] |
版本. | 2'09 | Olivier Bibeau | Fun, hot, bouncy. Fast-paced synth ploughs through cool and | 动人 人物 多变的 态度 | Dbm | 162 | |||
|
Caliente (Bed) [BIB298 - 22] |
版本. | 2'09 | Olivier Bibeau | Fun, hot, bouncy. Fast-paced synth ploughs through cool and | 动人 人物 多变的 态度 | Dbm | 162 | |||
|
Way Too Good [BIB298 - 8] |
2'09 | Olivier Bibeau | Upbeat, fun, energetic. Build up from vocal samples and rolling | 舞蹈流行音乐 喜庆 人物 态度 | Fm | 103 | ||||
|
Way Too Good (Instrumental) [BIB298 - 25] |
版本. | 2'09 | Olivier Bibeau | Upbeat, fun, energetic. Build up from goofy melody and rolling snares | 舞蹈流行音乐 喜庆 人物 态度 | Fm | 103 | |||
|
Way Too Good (Bed) [BIB298 - 26] |
版本. | 2'09 | Olivier Bibeau | Upbeat, fun, energetic. Build up from decisive melody and rolling | 舞蹈流行音乐 喜庆 人物 态度 | Fm | 103 | |||
|
Facing the Crossroad [CEG5059 - 6] |
0 | 2'22 | Felix Halbe | Moving, tormented, haunting & tragic. String ensemble. Suggested for | 心理剧 社会悲剧 动荡 伴音 | Dbm | 77 | |||
|
Burial [TBX231 - 4] |
2'29 | James Tearne | Longing, melancholy, mourning. Sombre synth in an electric piano hum | 画面感 反省 美国独立制片电影 爱情 | Eb | 118 | ||||
|
Burial (Underscore) [TBX231 - 16] |
版本. | 2'29 | James Tearne | Longing, melancholy, mourning. Sombre synth in an electric piano hum | 画面感 反省 美国独立制片电影 爱情 | Cm | 117 | |||
|
Burial (Underscore Sparse) [TBX231 - 17] |
版本. | 2'16 | James Tearne | Longing, melancholy, mourning. Sombre atmosphere created by | 抱歉 美国独立制片电影 伴音 爱情 | Eb | 107 | |||
|
Afroblues [CEZ4694 - 3] |
2'51 | Gwadakongo | Afrofuturism. Chill, ethereal & dreamy. Synths, beats, percussion & | afro-house 无忧无虑 非洲 海滨 | Bm | 114 | ||||
|
Afroblues Alternate [CEZ4694 - 15] |
版本. | 2'51 | Gwadakongo | Underscore version | afro-house 无忧无虑 非洲 海滨 | Bm | 114 | |||
|
Afroblues Edit 30 sec [CEZ4694 - 16] |
版本. | 0'30 | Gwadakongo | 30 second cut | afro-house 无忧无虑 非洲 海滨 | Bm | 114 | |||
|
Sweet Zulu [CEZ4695 - 5] |
2'47 | Gwadakongo | Amapiano. Groovy, dreamy & confident. Beat, synth sequences, 歌词 | amapiano 固执 态度 稳定的 | Dbm | 113 | ||||
|
Sweet Zulu Alternate [CEZ4695 - 19] |
版本. | 2'47 | Gwadakongo | Underscore version | amapiano 固执 态度 稳定的 | Dbm | 113 | |||
|
Sweet Zulu Edit 30 sec [CEZ4695 - 20] |
版本. | 0'30 | Gwadakongo | 30 second cut | amapiano 固执 态度 稳定的 | Dbm | 113 | |||
|
A Universe of Forms Variation [CEO2183 - 10] |
0 | 2'55 | Irina Prieto Botella, Pablo Saguez | Soft Version. Resonant & suspended. Slow progress towards the light. | 当代艺术 疑问 慢镜头 背景电子乐 | E | 107 | |||
|
Transcendence [BIB292 - 10] |
2'17 | Rory Sheridan, Alex Tschallener | Promising, glorious, enlivened. Rolling high strings offer a golden | 悬念 宁静 全景图 后古典 | E | 103 | ||||
|
Transcendence Underscore [BIB292 - 20] |
版本. | 2'01 | Rory Sheridan, Alex Tschallener | Promising, glorious, enlivened. Rolling high strings offer a golden | 悬念 宁静 全景图 后古典 | E | 104 | |||
|
Hope and Wonder [ISC107 - 7] |
2'37 | Will Lyons | Cinematic orchestral. Classy, hopeful & elegant. Intro with stealthy | 感动 昆虫 迷人 精致 | D | 135 | ||||
|
Hope and Wonder Alternate [ISC107 - 17] |
版本. | 2'37 | Will Lyons | Version without short strings. | 感动 昆虫 迷人 精致 | D | 135 | |||
|
Existence [ISC107 - 8] |
2'49 | Will Lyons | Cinematic orchestral. Graceful, floating & ethereal. String | 新古典音乐 迷人 慢镜头 诞生 | Gm | 83 | ||||
|
Existence Alternate [ISC107 - 18] |
版本. | 2'49 | Will Lyons | Version without strings. | 新古典音乐 迷人 慢镜头 诞生 | Gm | 83 | |||
|
Solo Piece for Cristal Baschet [AUD048 - 5] |
1'58 | Bruno Letort | Contemporary Classical. Solo Cristal Baschet. Ethereal, cosmic & | 冰冷 冷沙漠 悬念 神秘 | Em | 60 | ||||
|
Solo Piece for Cristal
[AUD048 - 10] |
版本. | 3'22 | Bruno Letort | Long version | 冰冷 冷沙漠 悬念 神秘 | G | 62 | |||
|
Back Then [IOM039 - 14] |
2'16 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Retro, funky, poppy. 80s synth give a sense of cool stylish energy 歌词 | 广告 女歌手 流行电子音乐 动人 | Bm | 129 | ||||
|
Back Then Instrumental [IOM039 - 50] |
版本. | 2'16 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Retro, funky, poppy. 80s synth give a sense of cool stylish energy | 广告 流行电子音乐 动人 时尚 | A | 129 | |||
|
Back Then Alt Version [IOM039 - 51] |
版本. | 2'16 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Retro, funky, poppy. 80s synth give a sense of cool stylish energy | 广告 女歌手 流行电子音乐 动人 | Bm | 128 | |||
|
Deep in the Mind [CCB1069 - 1] |
2'14 | Hiroki Ishikura | Electro ambient. Deep, atmospheric & reflective. Synth & rhythm. | 背景电子乐 反省 科学 气氛 | Bbm | 95 | ||||
|
Deep in the Mind Alternate [CCB1069 - 11] |
版本. | 2'13 | Hiroki Ishikura | Alternate no rhythm. | 背景电子乐 反省 科学 气氛 | Bbm | 95 | |||
|
Deep in the Mind Extended [CCB1069 - 12] |
版本. | 5'07 | Hiroki Ishikura | Extended version. | 背景电子乐 反省 科学 气氛 | Bbm | 95 | |||
|
Deep in the Mind Alternate
[CCB1069 - 13] |
版本. | 5'06 | Hiroki Ishikura | Extended version no rhythm. | 背景电子乐 反省 科学 气氛 | Bbm | 95 | |||
|
Contradictions [CCB1069 - 9] |
2'51 | Hiroki Ishikura | Electro ambient. Ethereal, lost & alone. Synth & strings. Ideal for | 悬念 稀疏 冷沙漠 抱歉 | Am | 65 | ||||
|
Contradictions Alternate [CCB1069 - 20] |
版本. | 2'53 | Hiroki Ishikura | Alternate with noise FX. | 悬念 稀疏 冷沙漠 抱歉 | Am | 117 |