| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Sneaking Up [AMS5024 - 8] |
2'13 | Ilan Kunik | Dramedy. Bouncy, mischievous, playful & devious. Big band. Suggested | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | Gm | 162 | ||||
|
Sneaking Up Alternate 1 [AMS5024 - 58] |
版本. | 2'12 | Ilan Kunik | Alternate version without percussion. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | Gm | 162 | |||
|
Sneaking Up Alternate 2 [AMS5024 - 59] |
版本. | 2'12 | Ilan Kunik | Alternate version with only percussion. | 电影爵士乐 侦探喜剧 悲喜剧 好玩 | Ebm | 80 | |||
|
Sneaking Up Alternate 3 [AMS5024 - 60] |
版本. | 2'13 | Ilan Kunik | Alternate version without strings. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | Gm | 80 | |||
|
Sneaking Up Alternate 4 [AMS5024 - 61] |
版本. | 2'12 | Ilan Kunik | Alternate bed version. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | Gm | 80 | |||
|
Sneaking Up Alternate 5 [AMS5024 - 62] |
版本. | 2'12 | Ilan Kunik | Alternate underscore version. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | Gm | 162 | |||
|
Sneaking Up Alternate 6 [AMS5024 - 63] |
版本. | 0'30 | Ilan Kunik | Alternate 30 seconds version. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | G | 80 | |||
|
Sneaking Up Alternate 7 [AMS5024 - 64] |
版本. | 0'15 | Ilan Kunik | Alternate 15 seconds version. | 讽刺 & 恶意 电影爵士乐 侦探喜剧 悲喜剧 | G | 79 | |||
|
We've Been Warned [TBX188 - 8] |
1'44 | Marvin Mcmahon | Daunting, scary, dangerous. Resonant bells and reversed sounds meet | 画面感 恐怖 固执 冲击 | Cm | 161 | ||||
|
We've Been Warned (Underscore) [TBX188 - 27] |
版本. | 1'44 | Marvin Mcmahon | Daunting, scary, dangerous. Resonant bells and reversed sounds create | 画面感 令人不安 固执 严谨 | Cm | 162 | |||
|
We've Been Warned (30 sec) [TBX188 - 28] |
版本. | 0'30 | Marvin Mcmahon | Daunting, scary, dangerous. Climbing drums meet with descending | 画面感 恐怖 固执 冲击 | Cm | 162 | |||
|
Driving Tension [TBX184 - 4] |
2'03 | Jack Pierce | Panoramic, serious, important. Deep bass and strings roll together, | 调查研究 固执 悬念 动荡 | Ebm | 127 | ||||
|
Driving Tension (Underscore) [TBX184 - 18] |
版本. | 2'03 | Jack Pierce | Panoramic, serious, important. Deep bass and strings roll together | 调查研究 固执 悬念 动荡 | Ebm | 127 | |||
|
Driving Tension (Underscore
[TBX184 - 19] |
版本. | 2'03 | Jack Pierce | Panoramic, serious, important. Deep bass and strings roll together | 调查研究 固执 悬念 动荡 | Ebm | 127 | |||
|
Suspenseful Plucking [TBX184 - 6] |
2'30 | Jack Pierce | Eerie, atmospheric, important. Breathy strings push momentum forward | 令人不安 调查研究 神秘 悬念 | Em | 93 | ||||
|
Suspenseful Plucking
[TBX184 - 22] |
版本. | 2'32 | Jack Pierce | Eerie, atmospheric, important. Breathy strings push momentum forward | 令人不安 调查研究 神秘 悬念 | E | 93 | |||
|
Suspenseful Plucking
[TBX184 - 23] |
版本. | 2'32 | Jack Pierce | Eerie, atmospheric, important. Breathy strings push momentum forward | 令人不安 调查研究 神秘 悬念 | E | 93 | |||
|
Through The City's Veins [IOM019 - 5] |
2'25 | Adrien Sabathier, Lucas Safaru | Determined, cool, tense. Bassline cuts through silence as atmospheric | 电声低音 调查研究 固执 工业活动 | D | 80 | ||||
|
Through The City's Veins
[IOM019 - 18] |
版本. | 2'26 | Adrien Sabathier, Lucas Safaru | Determined, cool, tense. Bassline cuts through silence as atmospheric | 电声低音 调查研究 固执 工业活动 | D | 80 | |||
|
Smoky Jazzy Vibrations [AUD012 - 1] |
1'49 | Franck Dadure | Mid-tempo - Jazzy ambient electronica. Repetitive, atmospheric and | 黑色电影 电子爵士 间谍片 爵士 | Dm | 100 | ||||
|
Smoky Jazzy Vibrations
[AUD012 - 6] |
版本. | 0'18 | Franck Dadure | Short Edit. | 黑色电影 电子爵士 间谍片 爵士 | Dm | 100 | |||
|
Smoky Jazzy Vibrations
[AUD012 - 11] |
版本. | 1'49 | Franck Dadure | No drums version. | 黑色电影 电子爵士 间谍片 爵士 | Dm | 100 | |||
|
Lunatic Obsession [CEZ4613 - 17] |
0 | 2'37 | Antoine Glatard | Unusual, eccentric, mechanical & cyclical. Constant crescendo & | 追逐场面 奇怪 固执 紧急 | Ebm | 128 | |||
|
Below The Surface [CEG5041 - 10] |
3'10 | Pawel Morytko | Investigation score. En chasse, menaçant, empressé & énigmatique. | 司法 阴险 画面感 社会悲剧 | Dm | 119 | ||||
|
Below The Surface Alternate [CEG5041 - 29] |
版本. | 3'10 | Pawel Morytko | Alternate without percussion. | 司法 阴险 画面感 社会悲剧 | Dm | 119 | |||
|
Below The Surface 30 secondes [CEG5041 - 30] |
版本. | 0'30 | Pawel Morytko | Alternate 30s. | 司法 阴险 画面感 社会悲剧 | Dm | 120 | |||
|
Harsh Reality [CEZ4611 - 7] |
2'06 | Anselm Kreuzer, Andreas Suttner | Tense, alarming, grim, sinister, dark & insidious. Piano, synth | 漂泊 神秘 夜晚 间谍片 | Ebm | 120 | ||||
|
Harsh Reality Alternate [CEZ4611 - 8] |
版本. | 2'07 | Anselm Kreuzer, Andreas Suttner | Alternative version without synth sequence. | 漂泊 神秘 夜晚 间谍片 | Ebm | 120 | |||
|
Such a Long Wait [CEZ4611 - 15] |
2'13 | Anselm Kreuzer, Andreas Suttner | Suspense. Constant, interrogative, mysterious & suspended. Marimba, | 神秘 夜晚 耐心 令人不安 | Fm | 118 | ||||
|
Such a Long Wait Alternate [CEZ4611 - 16] |
版本. | 2'14 | Anselm Kreuzer, Andreas Suttner | Alternative version without marimba & synth. | 神秘 夜晚 耐心 令人不安 | Fm | 118 | |||
|
Murder's Theme [CEG5040 - 1] |
0 | 1'59 | Apollo Noir | Electronic music in the spirit of an 80s horror film. Ominous intro | 恐怖片 独立电影 阴险 悬念 | C | 101 | |||
|
Alibi [TBX181 - 3] |
2'33 | Alison Bangay | Tense, serious, investigative. Full-bodied instrumentation | 调查研究 严谨 电子琴 固执 | Ebm | 60 | ||||
|
Alibi (Underscore) [TBX181 - 15] |
版本. | 2'33 | Alison Bangay | Tense, serious, investigative. Full-bodied bass is joined by strings | 调查研究 电子琴 耐心 进步 | Ebm | 120 | |||
|
Unravelling The Thread [TBX181 - 4] |
2'10 | Nathan Black | Modern, clean, fascinating. Aqueous keys offer a slick futuristic | electronic score 疑问 科学 电子琴 | Gm | 71 | ||||
|
Unravelling The Thread
[TBX181 - 16] |
版本. | 2'10 | Nathan Black | Modern, clean, fascinating. Aqueous keys offer a slick futuristic | electronic score 疑问 科学 电子琴 | Gm | 140 | |||
|
Dark Bass [AUD001 - 1] |
1'31 | Dominique Grimaldi | Medium tempo - Eerie and edgy pulsing bass on atmospheric drone. | 调查研究 风声 令人不安 电声低音 | Em | 115 | ||||
|
Dark Bass Alternate 1 [AUD001 - 6] |
版本. | 0'22 | Dominique Grimaldi | Short alternate version. | 调查研究 风声 令人不安 电声低音 | E | 118 | |||
|
Dark Bass Alternate 2 [AUD001 - 11] |
版本. | 1'32 | Dominique Grimaldi | Alternate version without drum. | 调查研究 风声 令人不安 电声低音 | E | 115 | |||
|
The Thrill of the Chase [CEZ4601 - 6] |
0 | 3'01 | Renaud Garcia-Fons | Cinematic jazz. Introduction with progressive acceleration. Haunting, | 追逐场面 拨奏低音提琴 电影爵士乐 果断 | A | 132 | |||
|
Blinkin' Fog [EOS103 - 1] |
0 | 2'02 | Stéphane Augier de Moussac, Eric Volpatti | Groovy contemporary jazz. Dynamic, puzzling & jerky. Groovy electric | 果断 间谍片 神秘 都市景色 | Gbm | 107 | |||
|
Hard Decision [CEZ4592 - 15] |
1'55 | Thomas Didier | Suspenseful, ticking bed. Dark, heavy & disturbing. Synth & fx clock. | 调查研究 间谍片 进行中 令人不安 | E | 120 | ||||
|
Hard Decisions Alternate [CEZ4592 - 28] |
版本. | 1'54 | Thomas Didier | Alternate no clock fx. | 调查研究 间谍片 进行中 令人不安 | E | 90 | |||
|
Intimidation [CEG5036 - 10] |
0 | 1'41 | Baptiste Charvet | Mysterious, suspended & sparse. Synth layers, percussion with reverb | 神秘 间谍片 调查研究 伴音 | Cm | 102 | |||
|
The Wealth of Data [CEO2152 - 6] |
0 | 1'09 | Baptiste Charvet | Determined, disturbing, urgent & dark. Sequences of synth, | 令人不安 司法 阴险 电影原声带 | Am | 81 | |||
|
Going Back in Time [CEO2152 - 12] |
0 | 1'07 | Baptiste Charvet | Disturbing, tense, patient & atmospheric. Metronomic percussion, | 司法 稳定的 电影原声带 信息技术 | Gm | 95 |