| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Saharan Shadows [BIB283 - 6] |
1'59 | Michael Panayiotis | Tense, sinister, alert. Large impact gives rise to a murky, shadowy | 稳定的 追逐场面 气氛 画面感 | Gm | 60 | ||||
|
Saharan Shadows (Underscore A) [BIB283 - 21] |
版本. | 1'59 | Michael Panayiotis | Tense, sinister, alert. Drums open out onto suspenseful sparse | 稳定的 pulsation 追逐场面 气氛 | C | 60 | |||
|
Saharan Shadows (Underscore B) [BIB283 - 22] |
版本. | 1'59 | Michael Panayiotis | Tense, sinister, alert. Droning detuned strings and plucked notes | 稳定的 稀疏 追逐场面 气氛 | G | 118 | |||
|
Friday the 13th [CEO2179 - 1] |
1'35 | Baptiste Charvet | Suspended, waiting, atmospheric, moving & sad. Piano with reverb SFX, | 电影原声带 司法 疑问 感动 | Gm | 120 | ||||
|
Friday the 13th Alternate [CEO2179 - 12] |
版本. | 3'06 | Baptiste Charvet | Alternate long version. | 感动 气氛 电影原声带 调查研究 | Abm | 120 | |||
|
Chase in the Jungle [CEG5051 - 2] |
3'11 | Bruno Alexiu | Aggressive, wild, hypnotic & insidious with a warrior touch. | 动作片 低沉 阴险 沉重 | Cm | 117 | ||||
|
Rumble in the Jungle Alternate [CEG5051 - 14] |
版本. | 3'11 | Bruno Alexiu | Version with percussion only. | 冲击 节奏乐器组 电子鼓 节奏感 | Cm | 117 | |||
|
Rumble in the Jungle Edit 1
[CEG5051 - 15] |
版本. | 1'00 | Bruno Alexiu | 60 second cut | 动作片 低沉 阴险 沉重 | Cm | 117 | |||
|
Rumble in the Jungle Edit 2
[CEG5051 - 16] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 动作片 低沉 阴险 沉重 | Cm | 117 | |||
|
Rumble in the Jungle Edit 3
[CEG5051 - 17] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 动作片 低沉 阴险 沉重 | Cm | 117 | |||
|
The Coldest Case [CEG5051 - 8] |
3'02 | Bruno Alexiu | Insidious, persistent, mechanical, constant & obsessive like an | 间谍片 令人不安 阴险 工业噪音 | Abm | 120 | ||||
|
The Coldest Case Alternate 1 [CEG5051 - 44] |
版本. | 3'03 | Bruno Alexiu | Version with percussion only. | 间谍片 低沉 令人不安 工业噪音 | Dbm | 120 | |||
|
The Coldest Case Alternate 2 [CEG5051 - 45] |
版本. | 3'04 | Bruno Alexiu | Version with bass. | 间谍片 令人不安 阴险 工业噪音 | Abm | 120 | |||
|
The Coldest Case Edit 1
[CEG5051 - 46] |
版本. | 0'59 | Bruno Alexiu | 60 second cut | 间谍片 令人不安 阴险 工业噪音 | Bbm | 120 | |||
|
The Coldest Case Edit 2
[CEG5051 - 47] |
版本. | 0'30 | Bruno Alexiu | 30 second cut | 间谍片 令人不安 阴险 工业噪音 | Bm | 120 | |||
|
The Coldest Case Edit 3
[CEG5051 - 48] |
版本. | 0'15 | Bruno Alexiu | 15 second cut | 间谍片 令人不安 阴险 工业噪音 | Abm | 118 | |||
|
A Brilliant Idea [ISC087 - 2] |
2'24 | Norbert Gobor | Cinematic score. Pulsating, technological & positive. Synths, synth | 工业 气氛 信息技术 electro beat | Dm | 131 | ||||
|
A Brilliant Idea Alternate [ISC087 - 12] |
版本. | 2'24 | Norbert Gobor | Version without lead synth | 工业 气氛 信息技术 electro beat | Dm | 131 | |||
|
Spy Phone [CEG5049 - 3] |
2'15 | Lars Jebsen | Tense, tragic, distressing & sinister. On-hold phone FX, synth | 神秘 耐心 信息技术 司法 | Gm | 70 | ||||
|
Spy Phone Alternate [CEG5049 - 15] |
版本. | 2'09 | Lars Jebsen | Reduced version. | 神秘 耐心 信息技术 司法 | Gm | 80 | |||
|
Credit Card Scam [CEG5049 - 4] |
2'07 | Lars Jebsen | Patient, restrained, mysterious & intriguing. Synth sequences, | 令人不安 司法 固执 间谍片 | Cm | 90 | ||||
|
Credit Card Scam Alternate [CEG5049 - 16] |
版本. | 1'54 | Lars Jebsen | Reduced version with thinned bassline & without piano. | 令人不安 司法 固执 间谍片 | Cm | 90 | |||
|
Rumors Spread Fast [CEG5049 - 5] |
1'54 | Lars Jebsen | Ominous, patient, insidious & mysterious. Clock FX, piano, | 令人不安 固执 神秘 间谍片 | Cm | 80 | ||||
|
Rumors Spread Fast Alternate [CEG5049 - 17] |
版本. | 1'54 | Lars Jebsen | Reduced version without strings. | 令人不安 固执 神秘 间谍片 | Cm | 80 | |||
|
Fake News Factory [CEG5049 - 7] |
1'56 | Felix Halbe | Suspense. Punctuated, sinister, heavy, sneaky & desoriented. Piano, | 固执 无情 令人不安 间谍片 | Em | 137 | ||||
|
Fake News Factory Alternate [CEG5049 - 19] |
版本. | 2'05 | Felix Halbe | Reduced version without ride-cymbal & less orchestral elements. | 固执 无情 令人不安 悬念 | E | 69 | |||
|
The Fall [CEG5049 - 12] |
1'53 | Felix Halbe | Funeral, tragic & gloomy. Synths, strings, percussion, FX, brass & | 间谍片 阴险 画面感 恐怖 | Ab | 115 | ||||
|
The Fall Alternate [CEG5049 - 27] |
版本. | 1'42 | Felix Halbe | Reduced version with less high strings & high woodwinds. | 间谍片 阴险 画面感 恐怖 | Ab | 75 | |||
|
Bad Loser [TBX208 - 4] |
2'12 | Andrew Hind | Pacy, sharp, sophisticated. Slow methodical drumbeat gives platform | 电影节奏 间谍片 固执 动人 | Gm | 162 | ||||
|
Bad Loser (Alt Version) [TBX208 - 17] |
版本. | 2'12 | Andrew Hind | Pacy, sharp, sophisticated. Slow methodical drumbeat gives platform | 电影原声带 间谍片 固执 动人 | Gm | 107 | |||
|
Bad Loser (Underscore) [TBX208 - 18] |
版本. | 2'12 | Andrew Hind | Pacy, sharp, sophisticated. Slow methodical drumbeat gives platform | 电影节奏 间谍片 固执 动人 | Gm | 107 | |||
|
Muted Mystery [TBX208 - 5] |
2'12 | Justin Desjardins West, Andrew Hind | Suspicious, concerning, mysterious. Subtle plucked strings rest on a | 电影节奏 调查研究 严谨 社会悲剧 | Dm | 110 | ||||
|
Muted Mystery (Alt Version) [TBX208 - 19] |
版本. | 2'12 | Justin Desjardins West, Andrew Hind | Suspicious, concerning, mysterious. Subtle plucked strings rest on a | 电影原声带 调查研究 严谨 社会悲剧 | Dm | 110 | |||
|
Muted Mystery (Underscore) [TBX208 - 20] |
版本. | 2'12 | Justin Desjardins West, Andrew Hind | Suspicious, concerning, mysterious. Subtle plucked strings rest on a | 电影节奏 调查研究 严谨 社会悲剧 | Dm | 110 | |||
|
Access Denied [ISC082 - 8] |
2'08 | Zoltan Zadori | Cinematic ticking. Confident intro with repetitive beat. Develop like | 动作片 间谍片 pulsation 画面感 | Gm | 90 | ||||
|
Access Denied Alternate [ISC082 - 18] |
版本. | 2'08 | Zoltan Zadori | Version with percussion only | 动作片 冲击 pulsation 进行中 | Gm | 90 | |||
|
Sleeping Giants [CEO2162 - 2] |
0 | 2'07 | Baptiste Thiry | Hybrid score. Strange, mysterious & disturbing. Organic synth, sharp | 信息技术 奇怪 令人不安 固执 | Abm | 113 | |||
|
Jigsaw Puzzle [ISC066 - 1] |
2'06 | Dan Thiessen | Cinematic investigation. Questioning, mysterious, waiting & urgent. | 画面感 疑问 调查研究 间谍片 | G | 145 | ||||
|
Jigsaw Puzzle Alternate [ISC066 - 11] |
版本. | 2'06 | Dan Thiessen | Alternate version without percussion. | 画面感 疑问 调查研究 间谍片 | G | 145 | |||
|
Top Secret [AMS5024 - 1] |
2'00 | Ilan Kunik | Dramedy. Jazzy, mischievous, mysterious, bouncy & fun. Big band. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | G | 68 | ||||
|
Top Secret Alternate 1 [AMS5024 - 9] |
版本. | 2'00 | Ilan Kunik | Alternate version without percussion. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | G | 102 | |||
|
Top Secret Alternate 2 [AMS5024 - 10] |
版本. | 2'00 | Ilan Kunik | Alternate version with only percussion. | 动画 侦探喜剧 电影爵士乐 果断 | Am | 68 | |||
|
Top Secret Alternate 3 [AMS5024 - 11] |
版本. | 2'00 | Ilan Kunik | Alternate version without strings. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | G | 68 | |||
|
Top Secret Alternate 4 [AMS5024 - 12] |
版本. | 2'00 | Ilan Kunik | Alternate bed version. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | Cm | 102 | |||
|
Top Secret Alternate 5 [AMS5024 - 13] |
版本. | 2'00 | Ilan Kunik | Alternate underscore version. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | Cm | 68 | |||
|
Top Secret Alternate 6 [AMS5024 - 14] |
版本. | 0'30 | Ilan Kunik | Alternate 30 seconds version. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | G | 68 | |||
|
Top Secret Alternate 7 [AMS5024 - 15] |
版本. | 0'15 | Ilan Kunik | Alternate 15 seconds version. | 讽刺 & 恶意 动画 侦探喜剧 神秘 | Cm | 139 | |||
|
Figure In The Shadows [TBX188 - 2] |
1'43 | Marvin Mcmahon | Tense, dangerous, organic. Slowly marching beat plays out alongside | 悬念 阴险 社会悲剧 间谍片 | C | 95 | ||||
|
Figure In The Shadows
[TBX188 - 15] |
版本. | 1'43 | Marvin Mcmahon | Tense, dangerous, organic. Slowly marching beat plays out alongside | 悬念 阴险 社会悲剧 间谍片 | C | 95 | |||
|
Figure In The Shadows (30 sec) [TBX188 - 16] |
版本. | 0'30 | Marvin Mcmahon | Tense, dangerous, organic. Slowly marching beat plays out alongside | 悬念 阴险 社会悲剧 间谍片 | C | 95 | |||
|
Behind The Shadow [TBX188 - 4] |
1'44 | Marvin Mcmahon | Sinister, tense, explorative. Booming bass plays out in a muffled | 令人不安 神秘 悬念 间谍片 | Cm | 107 | ||||
|
Behind The Shadow (Underscore) [TBX188 - 19] |
版本. | 1'39 | Marvin Mcmahon | Sinister, tense, explorative. Booming bass plays out in a muffled | 令人不安 神秘 悬念 间谍片 | C | 80 | |||
|
Behind The Shadow (30 sec) [TBX188 - 20] |
版本. | 0'30 | Marvin Mcmahon | Sinister, tense, explorative. Booming bass plays out next to sinister | 令人不安 神秘 悬念 间谍片 | Cm | 161 | |||
|
Frozen River [TBX188 - 7] |
1'48 | Marvin Mcmahon | Tense, unsure, icy. Booming bass moves alongside eerie reversed wind | 调查研究 悬念 间谍片 令人不安 | Cm | 161 | ||||
|
Frozen River (Underscore) [TBX188 - 25] |
版本. | 1'48 | Marvin Mcmahon | Tense, unsure, icy. Booming bass moves alongside eerie reversed wind | 调查研究 悬念 间谍片 令人不安 | C | 162 | |||
|
Frozen River (30 sec) [TBX188 - 26] |
版本. | 0'30 | Marvin Mcmahon | Tense, unsure, icy. Booming bass moves along with eerie strings as | 调查研究 悬念 间谍片 令人不安 | Cm | 161 | |||
|
Sinister Sequence [TBX184 - 3] |
1'54 | Jack Pierce | Futuristic, grave, atmospheric. Synth plays out with plucked strings | 令人不安 调查研究 固执 司法 | Ebm | 99 | ||||
|
Sinister Sequence (Underscore) [TBX184 - 16] |
版本. | 1'54 | Jack Pierce | Futuristic, grave, atmospheric. Plucked strings give a slick momentum | 令人不安 调查研究 固执 司法 | Ebm | 99 | |||
|
Sinister Sequence (Underscore
[TBX184 - 17] |
版本. | 1'54 | Jack Pierce | Futuristic, grave, atmospheric. Plucked strings give a slick momentum | 令人不安 调查研究 固执 司法 | Ebm | 99 |