| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ragtime Pursuit [CEZ4562 - 3] |
0 | 1'48 | Julien Vega | Pursuit. Ragtime in the style of silent movies. Burlesque, bouncy & | 滑稽镜头 拉格泰姆爵士 滑稽 默剧 | C | 136 | |||
|
Creative Synergy [AMS5006 - 4] |
2'31 | Vermair | Corporate Electro / Synthwave. Motivating, dynamic, catchy & | 果断 撞击电子乐 动人 追逐场面 | Bbm | 122 | ||||
|
Creative Synergy Alternate [AMS5006 - 14] |
版本. | 2'31 | Vermair | Alternate version without percussion. | 果断 撞击电子乐 动人 追逐场面 | Bbm | 122 | |||
|
Run After Me [CEZ4559 - 11] |
0 | 2'16 | The Wave Chargers | Surf rock. 60s. Sinuous intro then enraged & urgent. Suggested for | twangy吉他 电视连续剧 火热 追逐场面 | Gm | 94 | |||
|
Express Delivery [CEZ4545 - 18] |
0 | 3'05 | Rémi Lavialle | Nu disco & Break Beat. Fast & urgent. Guitar, synth, bass & rhythm. | 追逐场面 果断 electro beat 赛车 | Cm | 130 | |||
|
Destructor [INP052 - 4] |
1'49 | Richard Reinhardt | Rushed, dystopian, intense. Large low impacts bring out metallic | 冲突 画面感 令人不安 阴险 | Dm | 162 | ||||
|
Destructor (Underscore) [INP052 - 14] |
版本. | 1'49 | Richard Reinhardt | Rushed, dystopian, intense. Large low impacts bring out metallic | 冲突 画面感 令人不安 阴险 | Dm | 80 | |||
|
Game Face [TBX155 - 1] |
1'48 | Paul Thorne | Celebratory, energetic, upbeat. Launch into dynamic beat with fun | 广告 时尚 人物 节奏感 | Dm | 130 | ||||
|
Game Face (Underscore) [TBX155 - 11] |
版本. | 1'47 | Paul Thorne | Celebratory, energetic, upbeat. Launch into dynamic beat with fun | 广告 时尚 人物 节奏感 | Em | 130 | |||
|
Selva Loca [TBX155 - 6] |
1'53 | Benjamin Woodbridge | Pacy, determined, enthusiastic. Minimal percussion sounds give way to | 追逐场面 巴西传统鼓点 冲击 怪异 | Gbm | 135 | ||||
|
Selva Loca (Underscore) [TBX155 - 17] |
版本. | 1'59 | Benjamin Woodbridge | Pacy, determined, enthusiastic. Minimal percussion sounds give way to | 巴西传统鼓点 冲击 怪异 电子鼓 | Gbm | 135 | |||
|
Motherboard [INP049 - 4] |
2'44 | Lukas Roher | Urgent, sharp, futuristic. Sci fi synths and dissonance set out a | 赛车 撞击电子乐 广告 固执 | Fm | 89 | ||||
|
Motherboard (Underscore A) [INP049 - 17] |
版本. | 2'44 | Lukas Roher | Urgent, sharp, futuristic. Sci fi synths and dissonance set out a | 赛车 撞击电子乐 广告 固执 | Dm | 120 | |||
|
Motherboard (Underscore B) [INP049 - 18] |
版本. | 2'44 | Lukas Roher | Urgent, sharp, futuristic. Sci fi synths and dissonance set out a | 撞击电子乐 科幻片 紧急 赛车 | Fm | 93 | |||
|
Always Highs, Never Lows [CEZ4528 - 3] |
1'53 | Vermair | Hip Hop track. Eccentric, powerful, upbeat, fiery, catchy & | 态度 电影节奏 追逐场面 有节奏感 | Em | 172 | ||||
|
Always Highs, Never Lows
[CEZ4528 - 20] |
版本. | 1'53 | Vermair | Alternate without voice. | 态度 电影节奏 追逐场面 有节奏感 | Em | 172 | |||
|
Always Highs, Never Lows
[CEZ4528 - 21] |
版本. | 0'30 | Vermair | Alternate 30'. | 态度 电影节奏 追逐场面 有节奏感 | Em | 113 | |||
|
Jumping Race [CEZ4515 - 4] |
2'25 | Turbine | Drum & Bass. Urgent, nervous, powerful & tenacious. Intro building up | 鼓和贝司 赛车 追逐场面 极限运动 | Fm | 87 | ||||
|
Jumping Race Alternate 1 [CEZ4515 - 20] |
版本. | 2'22 | Turbine | Alternate without voice FX. | 鼓和贝司 果断 固执 动人 | Fm | 87 | |||
|
Jumping Race Alternate 2 [CEZ4515 - 21] |
版本. | 1'52 | Turbine | Short alternate without intro. | 鼓和贝司 果断 固执 动人 | Fm | 87 | |||
|
Jumping Race Alternate 3 [CEZ4515 - 22] |
版本. | 1'49 | Turbine | Short alternate without intro & voice FX. | 鼓和贝司 果断 固执 动人 | Fm | 172 | |||
|
Call to Combat [CEC8023 - 6] |
2'34 | 果敢 | Introduction with a battle cry. Tribal, ancestral & ceremonial with | 功夫 传统亚洲 中国 战士 | Gm | 136 | ||||
|
Call to Combat Alternate [CEC8023 - 12] |
版本. | 2'52 | 果敢 | Longer alternate version. | 功夫 传统亚洲 中国 战士 | Gm | 172 | |||
|
Racing the Villain [CEZ4498 - 2] |
2'31 | Thomas Lucas | Electro. Acid. Chicago house. 90s. Breakbeat. Catchy, hypnotic & | acid house 舞动 体育电竞 时尚 | Gbm | 118 | ||||
|
Racing the Villain Alternate [CEZ4498 - 25] |
版本. | 2'30 | Thomas Lucas | Alternate without voice. | acid house 俱乐部 舞动 时尚 | Gbm | 118 | |||
|
Adrenaline Underworld [INP040 - 3] |
2'50 | Killian Magee | Heavy, disorientating, futuristic. Muddy bass synth rhythm conveys a | 赛车 间谍片 固执 追逐场面 | Cm | 140 | ||||
|
Adrenaline Underworld
[INP040 - 15] |
版本. | 2'50 | Killian Magee | Heavy, disorientating, futuristic. Muddy bass synth rhythm conveys a | 固执 紧急 体育中的戏剧性 工业噪音 | Cm | 140 | |||
|
Restricted Area [CET9056 - 1] |
2'53 | Salvador Casais | An alert & nervous intro in a nocturnal & cyberpunk spirit. Electro | 画面感 动作片 动作游戏 赛车 | Gm | 130 | ||||
|
Restricted Area Alternate [CET9056 - 13] |
版本. | 2'53 | Salvador Casais | Alternate without percussion. | 动作游戏 赛车 画面感 固执 | Gm | 130 | |||
|
Compulsion [CCB1050 - 4] |
0 | 2'01 | Adrien Degioanni | Electro French touch, electro beat. Tense, determined & violent. | 果断 electro beat 赛车 追逐场面 | Cm | 108 | |||
|
Inner Rage [CET9046 - 1] |
2'13 | Nick Tzios, Paul Copestake | Cinematic, impressive & anticipating sound design intro with riser & | 冲突 画面感 固执 预告片 | Db | 115 | ||||
|
Inner Rage Alternate [CET9046 - 11] |
版本. | 2'13 | Nick Tzios, Paul Copestake | Alternate version without percussion. Cinematic, impressive & | 冲突 画面感 固执 预告片 | Db | 86 | |||
|
Inner Rage Alternate 2 [CET9046 - 12] |
版本. | 2'13 | Nick Tzios, Paul Copestake | Alternate version percussion only. Cinematic, impressive & | 冲突 画面感 固执 预告片 | Ebm | 115 | |||
|
Hip-Hop Follies [CEZ4464 - 4] |
1'48 | Jérémy Dirat, Vincent Lepoivre | Hip-hop comedy. Clumsy, funny & driving. Cartoon fx, clarinet, jazz | 滑稽镜头 喜剧 动画 追逐场面 | Gm | 133 | ||||
|
Hip-Hop Follies (Alternate) [CEZ4464 - 27] |
版本. | 1'48 | Jérémy Dirat, Vincent Lepoivre | No scratch version. Hip-hop comedy. Clumsy, funny & driving. Cartoon | 笨拙 动画 滑稽镜头 中音单簧管 | Gm | 133 | |||
|
Cyberpunk Universe [CEZ4462 - 3] |
0 | 2'34 | Felix Weber | Anticipating & mysterious intro. Determined, anxious & tense. Pulsing | 体育电竞 黑暗的合成器 固执 赛车 | Gb | 100 | |||
|
Imaginary Waves [CEZ4462 - 4] |
0 | 2'08 | Constant Eeckman | Eerie intro evolving with beat & arpegiator. Wide, pulsing & | 赛车 果断 体育电竞 工业 | Em | 109 | |||
|
Morning Boost [CEZ4458 - 4] |
0 | 1'28 | Vsevolod Korecky | Powerful percussive beat, with a carnival vibe. Strong, urgent & | 打击流行乐 追逐场面 预告片 electro beat | Am | 140 |