| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Modern Dandy [ISC081 - 4] |
3'02 | Bohdan Yeremenko | Hybrid neo-classical. Dramatic, powerful & ominous. Eerie intro with | 追逐场面 画面感 动作片 气势 | Dm | 100 | ||||
|
Modern Dandy Alternate [ISC081 - 14] |
版本. | 3'02 | Bohdan Yeremenko | Version without percussion. | 追逐场面 画面感 动作片 气势 | Dm | 99 | |||
|
Rush Hour [AMS5034 - 3] |
2'49 | Joaquim Plossu | House electro world. Urgent, tense, rhythmic & fiery but confident. | 追逐场面 侦探喜剧 火热 紧急 | Dm | 130 | ||||
|
Rush Hour Alternate [AMS5034 - 15] |
版本. | 2'49 | Joaquim Plossu | Alternative version. | 追逐场面 侦探喜剧 火热 紧急 | Dm | 130 | |||
|
Rush Hour Edit 1 (60 sec) [AMS5034 - 16] |
版本. | 1'00 | Joaquim Plossu | 60 seconds cut. | 追逐场面 侦探喜剧 火热 紧急 | Dm | 130 | |||
|
Rush Hour Edit 2 (30 sec) [AMS5034 - 17] |
版本. | 0'30 | Joaquim Plossu | 30 seconds cut. | 追逐场面 侦探喜剧 火热 紧急 | Dm | 130 | |||
|
Political Storm [CEG5047 - 1] |
2'08 | Arttu Silvast, Michael Yang | Investigation / Cinematic. Urgent, serious, solemn, dark & | 政治 画面感 无情 调查研究 | Em | 154 | ||||
|
Political Storm Alternate 1 [CEG5047 - 13] |
版本. | 2'04 | Arttu Silvast, Michael Yang | Drumless alternate version. | 政治 无情 调查研究 令人不安 | Em | 154 | |||
|
Political Storm Alternate 2 [CEG5047 - 14] |
版本. | 2'17 | Arttu Silvast, Michael Yang | Underscore alternate version. | 政治 画面感 无情 调查研究 | Em | 154 | |||
|
Political Storm Alternate 3 [CEG5047 - 15] |
版本. | 2'16 | Arttu Silvast, Michael Yang | Underscore alternate version. | 政治 画面感 无情 调查研究 | Em | 154 | |||
|
Political Storm 15 sec edit [CEG5047 - 16] |
版本. | 0'15 | Arttu Silvast, Michael Yang | 15 second cut. | 政治 画面感 无情 调查研究 | Em | 153 | |||
|
Political Storm 30 sec edit [CEG5047 - 17] |
版本. | 0'30 | Arttu Silvast, Michael Yang | 30 second cut. | 政治 画面感 无情 调查研究 | Em | 154 | |||
|
Political Storm 60 sec edit [CEG5047 - 18] |
版本. | 1'00 | Arttu Silvast, Michael Yang | 60 second cut. | 政治 画面感 无情 调查研究 | Em | 153 | |||
|
Political Storm sting [CEG5047 - 19] |
版本. | 0'08 | Arttu Silvast, Michael Yang | Sting. | 政治 画面感 无情 调查研究 | Em | 148 | |||
|
The Killer Has Returned [TBX188 - 3] |
1'39 | Marvin Mcmahon | Terrifying, menacing, dangerous. Tapping notes play out a percussive | 追逐场面 战士 野性 悬念 | Cm | 162 | ||||
|
The Killer Has Returned
[TBX188 - 17] |
版本. | 1'36 | Marvin Mcmahon | Terrifying, menacing, dangerous. Strange eerie dissonance creates an | 追逐场面 战士 野性 悬念 | Cm | 162 | |||
|
The Killer Has Returned (30
[TBX188 - 18] |
版本. | 0'30 | Marvin Mcmahon | Terrifying, menacing, dangerous. Eerie bass and percussive FX give a | 追逐场面 战士 野性 悬念 | Cm | 107 | |||
|
Dead Or Dead [INP068 - 3] |
2'07 | Richard Reinhardt | Tense, sharp, dangerous. Low yawning bass thud sets out a pacy | 恐怖片 冲突 画面感 恐怖 | D | 140 | ||||
|
Dead Or Dead (Underscore) [INP068 - 13] |
版本. | 2'08 | Richard Reinhardt | Tense, sharp, dangerous. Low yawning bass thud sets out a pacy | 恐怖片 冲突 画面感 恐怖 | D | 140 | |||
|
Pump It Forward [INP067 - 5] |
2'09 | Eyal Goldshtein | Determined, heavy, lively. Drone bass and slowly emerging heavy drums | 火热 气势 团队运动 固执 | Dm | 130 | ||||
|
Pump It Forward (Underscore) [INP067 - 17] |
版本. | 2'05 | Eyal Goldshtein | Determined, heavy, lively. Slowly emerging heavy drums give a strong | 火热 气势 团队运动 固执 | Dm | 130 | |||
|
Circuit Break [BIB262 - 8] |
2'37 | Conor O'Brien | Heavy, urgent, important. Bass emerges quickly with fast-moving | 赛车 气势 俱乐部 法式 | Dm | 130 | ||||
|
Circuit Break (Underscore) [BIB262 - 21] |
版本. | 2'37 | Conor O'Brien | Heavy, urgent, important. Bass emerges quickly with fast-moving | 赛车 气势 俱乐部 法式 | Dm | 130 | |||
|
Roughed Up [BIB254 - 5] |
2'20 | Francisco Camufingo | Quick, dancey, competitive. Super-fast brass plays out slowly | 动人 火热 追逐场面 黑人电影 | Cm | 130 | ||||
|
Roughed Up (Underscore A) [BIB254 - 27] |
版本. | 2'20 | Francisco Camufingo | Quick, dancey, competitive. Super-fast brass plays out slowly | 动人 火热 追逐场面 黑人电影 | Cm | 164 | |||
|
Roughed Up (Underscore B) [BIB254 - 28] |
版本. | 2'05 | Francisco Camufingo | Quick, dancey, competitive. Serious keys joined by quick, slapping | 动人 火热 追逐场面 黑人电影 | Cm | 130 | |||
|
Roughed Up (60 sec) [BIB254 - 29] |
版本. | 1'02 | Francisco Camufingo | Quick, dancey, competitive. Super-fast brass plays out, joined by | 动人 火热 追逐场面 黑人电影 | Cm | 130 | |||
|
Roughed Up (30 sec) [BIB254 - 30] |
版本. | 0'33 | Francisco Camufingo | Quick, dancey, competitive. Super-fast brass plays out, joined by | 动人 火热 追逐场面 黑人电影 | Cm | 130 | |||
|
The Suspense Is Killing [CEZ4601 - 4] |
0 | 2'44 | Renaud Garcia-Fons | Cinematic jazz. Urgent, chasing & mysterious. Fast running double | 低音弓 悬疑探案 追逐场面 行走贝司 | Dm | 96 | |||
|
Clap Clap Clap [CEC8043 - 7] |
0 | 1'55 | Zhang Hao, 赵君睿 | Percussion beats. Nervous, quiky & obsessive. Claps, synths, | 节奏感 拍手 广告 追逐场面 | Gm | 129 | |||
|
Astral Drifters [CEZ4591 - 2] |
0 | 1'48 | Vincent Cazaubon | Outrun / synthwave. Tonic, strong, driving, upbeat & chopped. Beats, | 火热 动作游戏 固执 合成波 | Gbm | 128 | |||
|
Concrete Jungle [BIB241 - 5] |
2'02 | Omer Agca | Claustrophobic, heavy, frantic. Fast-paced drumming is joined by | 火热 追逐场面 紧急 朋克 | Bm | 172 | ||||
|
Concrete Jungle (Instrumental) [BIB241 - 19] |
版本. | 2'02 | Omer Agca | Claustrophobic, heavy, frantic. Fast-paced drumming is joined by | 火热 追逐场面 紧急 朋克 | Bm | 172 | |||
|
Concrete Jungle (Underscore) [BIB241 - 20] |
版本. | 2'02 | Omer Agca | Claustrophobic, heavy, frantic. Fast-paced drumming is joined by | 火热 追逐场面 紧急 朋克 | Bm | 85 | |||
|
Arrogance [INP054 - 5] |
1'48 | Alessandro Ciani | Clubby, determined, catastrophic. Electronic sounds whir and moan as | 冲突 俱乐部 摇滚电子音乐 动人 | Abm | 128 | ||||
|
Arrogance (Underscore) [INP054 - 20] |
版本. | 1'44 | Alessandro Ciani | Clubby, determined, catastrophic. Bass emerges alongside light | 冲突 俱乐部 摇滚电子音乐 动人 | Bbm | 128 | |||
|
Stand Your Ground [BIB235 - 6] |
3'10 | Ian Britt, Richard Lewis | Empowering, inspirational, explosive. Dramatic synth melody conjures | 追逐场面 赛车 冲突 回响贝斯 | Am | 125 | ||||
|
Stand Your Ground
[BIB235 - 21] |
版本. | 3'10 | Ian Britt, Richard Lewis | Empowering, inspirational, explosive. Dramatic synth melody conjures | 追逐场面 赛车 冲突 回响贝斯 | Am | 125 | |||
|
Stand Your Ground (Underscore) [BIB235 - 22] |
版本. | 3'10 | Ian Britt, Richard Lewis | Empowering, inspirational, explosive. Dramatic pads conjures a sense | 追逐场面 赛车 冲突 回响贝斯 | Am | 124 | |||
|
Incredible [BIB235 - 9] |
2'16 | Ian Britt, Richard Lewis | Chaotic, electrifying, wild. Large droning impact brings about a | 赛车 回响贝斯 追逐场面 极限运动 | Fm | 112 | ||||
|
Incredible (Instrumental) [BIB235 - 27] |
版本. | 2'16 | Ian Britt, Richard Lewis | Chaotic, electrifying, wild. Large droning impact brings about a | 赛车 回响贝斯 追逐场面 极限运动 | Fm | 112 | |||
|
Incredible (Underscore) [BIB235 - 28] |
版本. | 2'15 | Ian Britt, Richard Lewis | Chaotic, electrifying, wild. Large droning impact brings about a | 赛车 回响贝斯 追逐场面 极限运动 | Fm | 112 | |||
|
Panic [CEZ4522 - 7] |
0 | 2'12 | La Hase | Film music from the 70s. Urgent, tense, cinematic, intense & | 果断 固执 追逐场面 悬念 | Gbm | 172 | |||
|
Funky Hold-Up [CEZ4523 - 5] |
0 | 1'42 | Bruno Hovart | 70s. Funk/blaxploitation. Groovy, confident, nocturnal, relaxed but | 黑人电影 果断 七十年代 追逐场面 | Am | 110 | |||
|
Silent Movie Escapade [CEZ4496 - 19] |
0 | 1'28 | Thierry Caroubi | Silent movie chase. Bouncy, humorous & fiery. Solo piano. Suggested | 动人 开心 好玩 默剧 | Gm | 135 | |||
|
Chaos As a Weapon [CET9056 - 3] |
2'44 | Salvador Casais | Anticipating textures intro evolving with dangerous electro beat & | 追逐场面 预告片 冲突 画面感 | Dm | 120 | ||||
|
Chaos As a Weapon Alternate [CET9056 - 15] |
版本. | 2'44 | Salvador Casais | Alternate without percussion. | 冲突 画面感 令人不安 动作游戏 | Dm | 120 | |||
|
Blaxploitation Beat [CEZ4490 - 1] |
0 | 2'30 | Grand David | Retro big beat in a 60's, 70's UK sound. Intro with brass hook, | 大节奏 黑人电影 追逐场面 果断 | Dbm | 124 |