| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Time is Running Out [INP009 - 10] |
1'54 | Sergey Kolosov | Determined, suspenseful, dramatic. Propulsive strings with glitchy, | 追逐场面 军事冲突 史诗 间谍片 | Bm | 147 | ||||
|
Time is Running Out Underscore [INP009 - 21] |
版本. | 1'39 | Sergey Kolosov | Determined, suspenseful, dramatic. Propulsive strings with glitchy, | 追逐场面 军事冲突 史诗 间谍片 | Bm | 73 | |||
|
Time is Running Out Strings
[INP009 - 22] |
版本. | 1'10 | Sergey Kolosov | Determined, suspenseful, dramatic. Propulsive strings with glitchy, | 追逐场面 军事冲突 史诗 果断 | Bm | 147 | |||
|
Time is Running Out Drums
[INP009 - 23] |
版本. | 1'18 | Sergey Kolosov | Determined, suspenseful, dramatic. Propulsive strings with glitchy, | 追逐场面 军事冲突 史诗 间谍片 | Gm | 147 | |||
|
Machinator [INP005 - 5] |
0 | 1'20 | Nico Willems | Dark, dramatic trailer sound design. Synths and powerful, pulsating | 冲突 沉重 追逐场面 极限运动 | Gm | 146 | |||
|
Hit Hard [INP005 - 6] |
1'51 | Alessandro Ciani | Percussive, driving, dramatic and dark. Dubstep feel. Trailer sound | 极限运动 冲突 沉重 追逐场面 | Em | 100 | ||||
|
Hit Hard Underscore [INP005 - 18] |
版本. | 1'51 | Alessandro Ciani | Percussive, driving, dramatic and dark. Dubstep feel. Trailer sound | 极限运动 冲突 沉重 追逐场面 | Em | 100 | |||
|
Strike First [INP005 - 8] |
1'30 | Alessandro Ciani | Glitchy electronic sci fi film score. Dark and visceral with tribal | 冲突 体育中的戏剧性 爆炸 追逐场面 | Abm | 84 | ||||
|
Strike First Underscore [INP005 - 19] |
版本. | 1'30 | Alessandro Ciani | Glitchy electronic sci fi film percussive underscore. Sparse, dark | 冲突 体育中的戏剧性 爆炸 追逐场面 | Abm | 84 | |||
|
Sand Storm [INP005 - 13] |
0 | 1'56 | Nico Willems | Score like dark building trailer music. Sense of building drama and | 战争 战士 画面感 军事冲突 | Dm | 140 | |||
|
Step Down [INP005 - 14] |
0 | 1'48 | Nico Willems | Atmospheric score like trailer sound design. Big, scary and dark. | 战争 战士 画面感 军事冲突 | Am | 142 | |||
|
French Flicks [TBX008 - 12] |
0 | 1'42 | Sergey Kolosov | A jovial and jolty fun track. Lighthearted frenetic indie pop. | 追逐场面 日常生活 室外 连复段 | Am | 85 | |||
|
Underscore Drone [TBX006 - 14] |
0 | 2'52 | Peter Nickalls | Panoramic and suspended tension. Percussive sfx give movement. | 悬念 警匪片 固执 全景 | Em | 81 | |||
|
Man in the Middle [CEZ4295 - 2] |
0 | 2'19 | Thomas Didier | Trip hop / downtempo. Dark, urgent & inexorable. Synth & rhythm. | 追逐场面 动作片 固执 间谍片 | Dm | 120 | |||
|
A Crime is Born [CEZ4288 - 18] |
2'01 | Mathieu Laurent | Urgent & tense. Cinematic strings, rhythm & electronics. | 无情 追逐场面 警匪片 令人不安 | Gm | 131 | ||||
|
A Crime is Born Alternate
[CEZ4288 - 44] |
版本. | 1'00 | Mathieu Laurent | Underscore. Urgent & chaotic. Electronics & rhythm. | 伴音 令人不安 调查研究 sequencing | Gm | 131 | |||
|
A Crime is Born Alternate
[CEZ4288 - 45] |
版本. | 1'06 | Mathieu Laurent | Underscore. Urgent & tense. Cinematic string & electronics. | 警匪片 紧急 无情 断奏 | Gm | 131 | |||
|
A Crime is Born Alternate
[CEZ4288 - 46] |
版本. | 0'54 | Mathieu Laurent | Underscore. Urgent & chaotic. Electronics & rhythm. | 追逐场面 紧急 警匪片 冲击 | Gm | 131 | |||
|
Salacious Revelations [CEZ4213 - 14] |
0 | 2'07 | Baptiste Thiry | Suspense. Dark & inexorable. Electronics & rhythm. | 令人不安 调查研究 神秘 追逐场面 | D | 125 | |||
|
OVERDOSE STRDZ [CEM3026 - 4] |
2'17 | Léo Natale | Drift Phonk. Speed. Sharp, devastating, confident, lethal & | 男人 赛车 冲突 时尚 | Cm | 120 | ||||
|
OVERDOSE STRDZ Alternate 1 [CEM3026 - 42] |
版本. | 2'18 | Léo Natale | Instrumental version | 男人 赛车 冲突 时尚 | Cm | 120 | |||
|
OVERDOSE STRDZ Alternate 2 [CEM3026 - 43] |
版本. | 2'40 | Léo Natale | Slowed version | 男人 赛车 冲突 进行曲 | Am | 103 | |||
|
OVERDOSE STRDZ Alternate 3 [CEM3026 - 44] |
版本. | 2'41 | Léo Natale | Instrumental slowed version | 男人 赛车 冲突 时尚 | Am | 103 | |||
|
OVERDOSE STRDZ Edit 1 (60 sec) [CEM3026 - 45] |
版本. | 1'00 | Léo Natale | 60 second cut | 男人 赛车 冲突 时尚 | Cm | 120 | |||
|
OVERDOSE STRDZ Edit 2 (30 sec) [CEM3026 - 46] |
版本. | 0'30 | Léo Natale | 30 second cut | 男人 赛车 冲突 时尚 | Cm | 118 | |||
|
OVERDOSE STRDZ Edit 3 (20 sec) [CEM3026 - 47] |
版本. | 0'20 | Léo Natale | 20 second cut | 男人 赛车 冲突 时尚 | Cm | 120 | |||
|
OVERDOSE STRDZ Edit 4 (sting) [CEM3026 - 48] |
版本. | 0'10 | Léo Natale | Sting | 男人 赛车 冲突 时尚 | C | 161 | |||
|
OVERDOSE STRDZ Edit 5 (60 sec
[CEM3026 - 49] |
版本. | 1'00 | Léo Natale | 60 second slowed cut | 男人 赛车 冲突 时尚 | Am | 103 | |||
|
OVERDOSE STRDZ Edit 6 (30 sec
[CEM3026 - 50] |
版本. | 0'30 | Léo Natale | 30 second slowed cut | 男人 赛车 冲突 时尚 | Am | 103 | |||
|
OVERDOSE STRDZ Edit 7 (20 sec
[CEM3026 - 51] |
版本. | 0'20 | Léo Natale | 20 second slowed cut | 男人 赛车 冲突 时尚 | Am | 103 | |||
|
OVERDOSE STRDZ Edit 8 (sting
[CEM3026 - 52] |
版本. | 0'12 | Léo Natale | Slowed sting | 男人 赛车 冲突 时尚 | A | 102 | |||
|
Under the Line [ISC116 - 1] |
2'16 | Francesco Bondi | Electro clash. Edgy, powerful, heavy & rough. Jerky break @ 0'58. | 撞击电子乐 固执 动人 沉重 | Abm | 120 | ||||
|
Under the Line Alternate 1 [ISC116 - 11] |
版本. | 2'16 | Francesco Bondi | Version without percussion. | 撞击电子乐 固执 动人 沉重 | Ab | 120 | |||
|
Under the Line Alternate 2 [ISC116 - 12] |
版本. | 2'16 | Francesco Bondi | Version without lead. | 撞击电子乐 固执 动人 沉重 | Abm | 120 | |||
|
Nightscape [ISC116 - 7] |
2'02 | Francesco Bondi | Electro. Heavy, powerful, rough & undulating. Climax @ 1'25 with big | 动作游戏 沉重 固执 追逐场面 | Cm | 130 | ||||
|
Nightscape Alternate 1 [ISC116 - 22] |
版本. | 2'02 | Francesco Bondi | Version without percussion. | 动作游戏 沉重 固执 追逐场面 | C | 130 | |||
|
Nightscape Alternate 2 [ISC116 - 23] |
版本. | 2'02 | Francesco Bondi | Version without lead. | 动作游戏 沉重 固执 追逐场面 | Cm | 130 | |||
|
Drive By [INP082 - 5] |
2'25 | Henry Gorman | Tense, industrial, flashy. Rough guitars layer for charged riff | 火热 追逐场面 紧急 态度 | Am | 94 | ||||
|
Drive By (Underscore) [INP082 - 15] |
版本. | 2'21 | Henry Gorman | Tense, industrial, flashy. Rough guitar layer for charged riff | 紧急 态度 令人激动 动作片 | Am | 94 | |||
|
Black Tape Archives [ISC103 - 2] |
2'22 | Emmanuel Rousseau | Classic movie score. Ominous & sneaky. Suspenseful woodwinds & | 令人不安 恐怖片 无情 固执 | Dm | 120 | ||||
|
Black Tape Archives Alternate [ISC103 - 12] |
版本. | 2'22 | Emmanuel Rousseau | Version without percussion. | 令人不安 恐怖片 无情 固执 | Dm | 120 | |||
|
The Missing Hour [ISC103 - 4] |
1'53 | Emmanuel Rousseau | Classic movie score. Stressful & tense high staccato by strident | 有节奏感 神经病 无情 固执 | Gm | 162 | ||||
|
The Missing Hour Alternate [ISC103 - 14] |
版本. | 1'53 | Emmanuel Rousseau | Version without percussion. | 有节奏感 神经病 无情 固执 | Gm | 161 | |||
|
Desert Racing [AMS5051 - 5] |
2'05 | Ilan Kunik | Middle East trailer. Middle East trailer. Exhilarating & dominant. | 动作片 中东 追逐场面 节奏感 | Em | 125 | ||||
|
Desert Racing Alternate 1 [AMS5051 - 38] |
版本. | 2'05 | Ilan Kunik | Version without percussion. | 中东 节奏感 冒险片 画面感 | E | 125 | |||
|
Desert Racing Alternate 2 [AMS5051 - 39] |
版本. | 2'05 | Ilan Kunik | Version with percussion only. | 动作片 中东 追逐场面 节奏感 | Gm | 125 | |||
|
Desert Racing Alternate 3 [AMS5051 - 40] |
版本. | 2'05 | Ilan Kunik | Version without strings. | 动作片 中东 追逐场面 节奏感 | Em | 125 | |||
|
Desert Racing Alternate 4 [AMS5051 - 41] |
版本. | 2'05 | Ilan Kunik | Bed version. | 动作片 中东 追逐场面 节奏感 | Am | 125 | |||
|
Desert Racing Alternate 5 [AMS5051 - 42] |
版本. | 2'05 | Ilan Kunik | Underscore version. | 动作片 中东 追逐场面 节奏感 | Am | 125 | |||
|
Desert Racing Edit 1 30 sec [AMS5051 - 43] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 动作片 中东 追逐场面 节奏感 | Em | 125 | |||
|
Desert Racing Edit 2 15 sec [AMS5051 - 44] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 动作片 中东 追逐场面 节奏感 | Am | 125 | |||
|
Anticipated Emergence [BIB283 - 3] |
2'17 | Michael Panayiotis | Determined, climactic, sharp. Droning strings fall into fast beat, | 地理政治 画面感 战争 令人不安 | G | 120 | ||||
|
Anticipated Emergence
[BIB283 - 15] |
版本. | 2'17 | Michael Panayiotis | Determined, climactic, sharp. Droning strings cause a sense of | 画面感 地理政治 动作片 无情 | G | 120 | |||
|
Anticipated Emergence
[BIB283 - 16] |
版本. | 2'17 | Michael Panayiotis | Determined, climactic, sharp. Droning strings fall into fast beat, | 画面感 地理政治 无情 pulsation | Gm | 120 | |||
|
Saharan Shadows [BIB283 - 6] |
1'59 | Michael Panayiotis | Tense, sinister, alert. Large impact gives rise to a murky, shadowy | 稳定的 追逐场面 气氛 画面感 | Gm | 60 | ||||
|
Saharan Shadows (Underscore A) [BIB283 - 21] |
版本. | 1'59 | Michael Panayiotis | Tense, sinister, alert. Drums open out onto suspenseful sparse | 稳定的 pulsation 追逐场面 气氛 | C | 60 | |||
|
Saharan Shadows (Underscore B) [BIB283 - 22] |
版本. | 1'59 | Michael Panayiotis | Tense, sinister, alert. Droning detuned strings and plucked notes | 稳定的 稀疏 追逐场面 气氛 | G | 118 |