| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Call of the Berimbau [CEL7047 - 26] |
2'10 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Wild, ethnic & enigmatic. Berimbau, low-pitched bamboo flute, | 沉闷 拨铃波琴 热沙漠 竹笛 | Em | 155 | ||||
|
Call of the Berimbau Alternate [CEL7047 - 74] |
版本. | 2'11 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without shaker | 沉闷 拨铃波琴 热沙漠 竹笛 | Em | 104 | |||
|
Wild Desert [AMS5060 - 5] |
2'08 | Dario Ferrante, Lorenzo Gherarducci, Piero Perelli | Blues rock. Reflective, inspirational & slighlty nostalgic. Slide, | 摇滚蓝调 懒惰 严谨 公路电影 | Dm | 95 | ||||
|
Wild Desert Alternate 1 [AMS5060 - 26] |
版本. | 2'08 | Dario Ferrante, Lorenzo Gherarducci, Piero Perelli | Version without drums | 摇滚蓝调 懒惰 严谨 公路电影 | D | 93 | |||
|
Wild Desert Alternate 2 [AMS5060 - 27] |
版本. | 2'08 | Dario Ferrante, Lorenzo Gherarducci, Piero Perelli | Underscore version | 摇滚蓝调 懒惰 严谨 公路电影 | Dm | 96 | |||
|
Wild Desert Edit 1 30 sec [AMS5060 - 28] |
版本. | 0'30 | Dario Ferrante, Lorenzo Gherarducci, Piero Perelli | 30 second cut | 摇滚蓝调 懒惰 严谨 公路电影 | Dm | 96 | |||
|
Wild Desert Edit 2 15 sec [AMS5060 - 29] |
版本. | 0'15 | Dario Ferrante, Lorenzo Gherarducci, Piero Perelli | 15 second cut | 摇滚蓝调 懒惰 严谨 公路电影 | G | 93 | |||
|
Live From Doha Underscore [BIB291 - 30] |
2'28 | Omer Agca | Fun, bustling, mysterious. Hand drums launch into pulsing and | 动人 态度 电影原声带 社会悲剧 | Fm | 100 | ||||
|
Live From Doha [BIB291 - 8] |
版本. | 2'29 | Omer Agca | Fun, bustling, mysterious. Hand drums launch into pulsing | 态度 BEAT MAKING 舞动 固执 | Fm | 100 | |||
|
Fight Or Flight Underscore [BIB291 - 34] |
2'05 | Omer Agca | Rough, intense, strong. Flutes and middle-eastern hand drums give | 动人 中东 固执 不平稳 | Abm | 113 | ||||
|
Fight Or Flight [BIB291 - 10] |
版本. | 2'05 | Omer Agca | Rough, intense, strong. Flutes and middle-eastern hand drums launch | 大节奏 动人 态度 固执 | Abm | 113 | |||
|
Agrabah Dance [AMS5051 - 1] |
2'11 | Ilan Kunik | Middle East trailer. Dynamic, powerful yet mesmerizing. Oud, | 中东 画面感 火热 冒险游戏 | Dm | 128 | ||||
|
Agrabah Dance Alternate 1 [AMS5051 - 9] |
版本. | 2'11 | Ilan Kunik | Version without percussion. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Alternate 2 [AMS5051 - 10] |
版本. | 2'11 | Ilan Kunik | Version with percussion only. | 中东 画面感 火热 冒险游戏 | Gm | 128 | |||
|
Agrabah Dance Alternate 3 [AMS5051 - 11] |
版本. | 2'11 | Ilan Kunik | Version without strings. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Alternate 4 [AMS5051 - 12] |
版本. | 2'11 | Ilan Kunik | Version without vocal. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Alternate 5 [AMS5051 - 13] |
版本. | 2'11 | Ilan Kunik | Bed version. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Alternate 6 [AMS5051 - 14] |
版本. | 2'11 | Ilan Kunik | Underscore version. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Edit 1 30 sec [AMS5051 - 15] |
版本. | 0'31 | Ilan Kunik | 30 second cut. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
Agrabah Dance Edit 2 15 sec [AMS5051 - 16] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 中东 画面感 火热 冒险游戏 | Dm | 128 | |||
|
The Delta Effect [AMS5051 - 6] |
2'07 | Ilan Kunik | Middle East trailer. Waiting, walking & intriguing. Hip hop | 画面感 动作片 冲击 冒险片 | Fm | 148 | ||||
|
The Delta Effect Alternate 1 [AMS5051 - 45] |
版本. | 2'07 | Ilan Kunik | Version without percussion. | 画面感 动作片 冒险片 冒险游戏 | Fm | 151 | |||
|
The Delta Effect Alternate 2 [AMS5051 - 46] |
版本. | 2'07 | Ilan Kunik | Version with percussion only. | 画面感 动作片 冲击 冒险片 | Cm | 148 | |||
|
The Delta Effect Alternate 3 [AMS5051 - 47] |
版本. | 2'07 | Ilan Kunik | Version without strings. | 画面感 动作片 冲击 冒险片 | Fm | 148 | |||
|
The Delta Effect Alternate 4 [AMS5051 - 48] |
版本. | 2'07 | Ilan Kunik | Bed version. | 画面感 动作片 冲击 冒险片 | Fm | 148 | |||
|
The Delta Effect Alternate 5 [AMS5051 - 49] |
版本. | 2'07 | Ilan Kunik | Underscore version. | 画面感 动作片 冲击 冒险片 | Fm | 148 | |||
|
The Delta Effect Edit 1 30 sec [AMS5051 - 50] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 画面感 动作片 冲击 冒险片 | Fm | 148 | |||
|
The Delta Effect Edit 2 15 sec [AMS5051 - 51] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 画面感 动作片 冲击 冒险片 | Fm | 148 | |||
|
Celestial Mountains [CEC8058 - 6] |
2'43 | Zhang Hao, Peng Qu | Wild, adventurous, radiant & mystical. Female sung vocals, | 神奇 飞行 画面感 东南亚 | Bm | 110 | ||||
|
Celestial Mountains Alternate [CEC8058 - 12] |
版本. | 2'26 | Zhang Hao, Peng Qu | Instrumental version | 神奇 飞行 画面感 东南亚 | Bm | 110 | |||
|
Front Porch Jam [TBX207 - 6] |
2'51 | Christopher Rome | Fun, communal, rough. Simple rockabilly beat gives rise to dusty | 态度 摇滚蓝调 当代西部片 果断 | Gm | 164 | ||||
|
Front Porch Jam (Underscore) [TBX207 - 16] |
版本. | 2'51 | Christopher Rome | Fun, communal, rough. Simple rockabilly beat gives rise to dusty | 态度 摇滚蓝调 当代西部片 果断 | Gm | 163 | |||
|
The Shepherd's Song [CEO2163 - 8] |
0 | 1'51 | Olivier Militon | Suspended, lonely, pensive & dreamy. Electric guitar & male voice | 内心活动 反省 乡村 感动 | D | 99 | |||
|
Dune Caravane [CEC8050 - 6] |
2'25 | Zhang Hao, Junrui Zhao | Arid, desolate & wandering in the spirit of Central Asia & the Middle | 神奇 钢鼓 令人不安 稳定的 | C | 150 | ||||
|
Dune Caravane alternate [CEC8050 - 16] |
版本. | 2'19 | Zhang Hao, Junrui Zhao | Alternate version with hang drum only. | 神奇 钢鼓 令人不安 稳定的 | C | 150 | |||
|
Native Organic Beat [CEO2168 - 11] |
3'11 | Olivier Militon | Panoramic, arid & wandering introduction, then tense, urgent & | 催眠 神秘 夜晚 全景图 | Fm | 124 | ||||
|
Native Organic Beat Alternate [CEO2168 - 21] |
版本. | 1'13 | Olivier Militon | Alternate short version without rhythm. | 催眠 神秘 夜晚 全景图 | Fm | 89 | |||
|
Native Organic Beat Edit (60s) [CEO2168 - 43] |
版本. | 1'00 | Olivier Militon | 60 second cut | 催眠 神秘 夜晚 全景图 | Fm | 126 | |||
|
Native Organic Beat Edit (30s) [CEO2168 - 45] |
版本. | 0'30 | Olivier Militon | 30 second cut | 催眠 神秘 夜晚 全景图 | Fm | 63 | |||
|
Native Organic Beat Edit (15s) [CEO2168 - 49] |
版本. | 0'15 | Olivier Militon | 15 second cut | 催眠 神秘 夜晚 全景图 | Fm | 126 | |||
|
Mandikas meet Berbers [CEG5044 - 4] |
0 | 2'06 | Eric Daniel | African world music. Festive, joyful & carefree. Kora, electronics, | 非洲 自信 异域 热带雨林 | D | 132 | |||
|
Hoping Against Hope [CEG5044 - 5] |
2'01 | Eric Daniel | African cinematic. Mysterious, menacing, wandering & panoramic. | 漂泊 地理政治 画面感 令人不安 | Gm | 90 | ||||
|
Hoping Against Hope Alternate [CEG5044 - 16] |
版本. | 1'56 | Eric Daniel | Alternate version without vocals. | 地理政治 画面感 神秘 公路电影 | Gm | 90 | |||
|
Threat in the Desert [CEG5044 - 12] |
2'24 | Eric Daniel | Menacing, mysterious, arid & waiting. Electronics, distant voices, | 令人不安 非洲 进行中 神秘 | D | 81 | ||||
|
Threat in the Desert Alternate [CEG5044 - 19] |
版本. | 2'21 | Eric Daniel | Alternate version without vocals. | 令人不安 非洲 进行中 神秘 | D | 80 | |||
|
Contemplation [AUD018 - 5] |
1'49 | Renaud Pion | Slow tempo - Contemplative and beautiful bass clarinet quatuor. Break | 滑腻 逝去的文明 低音单簧管 稀疏 | Dm | 89 | ||||
|
Contemplation Alternate [AUD018 - 10] |
版本. | 0'41 | Renaud Pion | Short Edit. | 滑腻 逝去的文明 低音单簧管 稀疏 | Dm | 93 | |||
|
Mai's Song [IOM022 - 10] |
0 | 1'36 | Christopher Boot, James Smith | Cool, quaint, bright. Cool bassline sets out a sense of lighthearted | 六十年代迷幻乐 鼓 日间节目 宁静 | Abm | 152 | |||
|
Smooth Mechanics [EOS114 - 3] |
0 | 1'35 | Sébastien Gisbert, Lone Kent | Walking, panoramic & slow. Acoustic slide guitar, electric guitar, | 热沙漠 漂泊 地理政治 木质夏威夷吉他 | D | 124 | |||
|
Sliding Bends [EOS114 - 7] |
0 | 1'57 | Sébastien Gisbert, Lone Kent | Mysterious, then determined & panoramic. Acoustic slide guitar, | 热沙漠 果断 地理政治 神秘 | Dm | 122 | |||
|
Blues for Two [ISC060 - 8] |
2'25 | Michel-Yves Kochmann | Blues acoustique. Relax, indolent & confiant. Guitare slide | 蓝调 自信 火车 全音阶口琴 | D | 98 | ||||
|
Blues for Two Alternate [ISC060 - 21] |
版本. | 2'25 | Michel-Yves Kochmann | Alternative version without percussion. | 蓝调 自信 火车 全音阶口琴 | D | 98 | |||
|
Reflecting on a Stormy Night [CEC8047 - 4] |
2'14 | Zhang Hao, Junrui Zhao | Mysterious, insidious, hypnotic & ponderous. Trio of acoustic | 摇摆 阴险 强调突出 全景图 | Am | 89 | ||||
|
Reflecting on a Stormy Night
[CEC8047 - 12] |
版本. | 2'19 | Zhang Hao, Junrui Zhao | Alternative version with storm fx. | 摇摆 阴险 强调突出 全景图 | Am | 89 |