| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Final Stage Funk [ISC090 - 4] |
2'34 | Clément Panchout | Chiptune. Fast, playful, twitchy & fun. 8-Bit synth & heavy | 复古游戏 8 bit music 固执 好玩 | F | 125 | ||||
|
Final Stage Funk Alternate [ISC090 - 15] |
版本. | 2'34 | Clément Panchout | Version without percussion. | 复古游戏 8 bit music 固执 好玩 | F | 125 | |||
|
Arcade Memories [ISC090 - 10] |
2'44 | Clément Panchout | Chiptune inspiration synthwave. Soulagé, inspiré & fédérateur. | 复古游戏 8 bit music 安静 冷波 | A | 105 | ||||
|
Arcade Memories Alternate [ISC090 - 21] |
版本. | 2'44 | Clément Panchout | Version without percussion. | 复古游戏 8 bit music 安静 冷波 | A | 105 | |||
|
Retro Space Shooter [ISC090 - 11] |
2'38 | Clément Panchout | Synthwave-inspired chiptune. Calm, stellar, bright & supportive. | 复古游戏 令人激动 8 bit music 冷波 | Dm | 125 | ||||
|
Retro Space Shooter Alternate [ISC090 - 22] |
版本. | 2'38 | Clément Panchout | Version without percussion. | 复古游戏 令人激动 8 bit music 冷波 | Dm | 124 | |||
|
The Way of the Samurai [CEC8058 - 1] |
0 | 2'41 | Zhang Hao, Peng Qu | Panoramic, aerial, intriguing, mysterious & grandiose. Guzheng, | 日本 画面感 冒险游戏 沉重 | Cm | 140 | |||
|
Olympus Has Fallen [AMS5042 - 2] |
1'57 | Danijel Grubovic | Hybrid trailer. Dramatic, mighty & forceful. Suspended intro with | 冲突 预告片 画面感 爆炸 | Abm | 118 | ||||
|
Olympus Has Fallen Alternate 1 [AMS5042 - 16] |
版本. | 1'57 | Danijel Grubovic | No percussion version | 冲突 预告片 画面感 爆炸 | Abm | 162 | |||
|
Olympus Has Fallen Alternate 2 [AMS5042 - 17] |
版本. | 1'57 | Danijel Grubovic | Percussion only version | 冲突 预告片 画面感 爆炸 | Em | 119 | |||
|
Olympus Has Fallen Alternate 3 [AMS5042 - 18] |
版本. | 1'57 | Danijel Grubovic | No strings version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 4 [AMS5042 - 19] |
版本. | 1'57 | Danijel Grubovic | No voice fx version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 5 [AMS5042 - 20] |
版本. | 1'57 | Danijel Grubovic | Bed | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 6 [AMS5042 - 21] |
版本. | 1'57 | Danijel Grubovic | Underscore | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Edit 1 (60
[AMS5042 - 22] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 2 (30
[AMS5042 - 23] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 3 (15
[AMS5042 - 24] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 81 | |||
|
Blasting [AMS5042 - 3] |
1'42 | Danijel Grubovic | Hybrid trailer. Suspended intro. Sneaky build-up @ 0'20 with metallic | 画面感 战争 战士 动作游戏 | Dm | 154 | ||||
|
Blasting Alternate 1 [AMS5042 - 25] |
版本. | 1'42 | Danijel Grubovic | No percussion version | 画面感 战争 战士 动作游戏 | Dm | 156 | |||
|
Blasting Alternate 2 [AMS5042 - 26] |
版本. | 1'42 | Danijel Grubovic | Percussion only version | 画面感 战争 战士 动作游戏 | Am | 155 | |||
|
Blasting Alternate 3 [AMS5042 - 27] |
版本. | 1'42 | Danijel Grubovic | Bed | 画面感 战争 战士 动作游戏 | Dm | 155 | |||
|
Blasting Alternate 4 [AMS5042 - 28] |
版本. | 1'42 | Danijel Grubovic | Underscore | 画面感 战争 战士 动作游戏 | Dm | 154 | |||
|
Blasting Edit 1 (60 sec) [AMS5042 - 29] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 156 | |||
|
Blasting Edit 2 (30 sec) [AMS5042 - 30] |
版本. | 0'31 | Danijel Grubovic | 30 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 154 | |||
|
Blasting Edit 3 (15 sec) [AMS5042 - 31] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 画面感 战争 战士 动作游戏 | Dm | 155 | |||
|
Indicated [AMS5042 - 5] |
1'37 | Danijel Grubovic | Hybrid trailer. Metallic, mechanical & fierce. Build-up @ 0'18 with | 画面感 爆炸 轰隆声 动作游戏 | Dbm | 147 | ||||
|
Indicated Alternate 1 [AMS5042 - 40] |
版本. | 1'37 | Danijel Grubovic | No percussion version | 画面感 爆炸 轰隆声 动作游戏 | Db | 147 | |||
|
Indicated Alternate 2 [AMS5042 - 41] |
版本. | 1'37 | Danijel Grubovic | Percussion only version | 画面感 爆炸 轰隆声 动作游戏 | Fm | 147 | |||
|
Indicated Alternate 3 [AMS5042 - 42] |
版本. | 1'37 | Danijel Grubovic | No voice fx version | 画面感 爆炸 轰隆声 动作游戏 | Dbm | 147 | |||
|
Indicated Alternate 4 [AMS5042 - 43] |
版本. | 1'37 | Danijel Grubovic | Bed | 画面感 爆炸 轰隆声 动作游戏 | Bbm | 147 | |||
|
Indicated Alternate 5 [AMS5042 - 44] |
版本. | 1'37 | Danijel Grubovic | Underscore | 画面感 爆炸 轰隆声 动作游戏 | Fm | 147 | |||
|
Indicated Edit 1 (60 sec) [AMS5042 - 45] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 画面感 爆炸 轰隆声 动作游戏 | Dbm | 147 | |||
|
Indicated Edit 2 (30 sec) [AMS5042 - 46] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 画面感 爆炸 轰隆声 动作游戏 | Db | 147 | |||
|
Indicated Edit 3 (15 sec) [AMS5042 - 47] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 画面感 爆炸 轰隆声 动作游戏 | Db | 148 | |||
|
Mashing Up [AMS5042 - 7] |
1'38 | Danijel Grubovic | Hybrid trailer. Stealthy then aggressive & warlike. Suspended ticking | 冲突 战士 冲击 画面感 | Em | 162 | ||||
|
Mashing Up Alternate 1 [AMS5042 - 55] |
版本. | 1'38 | Danijel Grubovic | No percussion version | 冲突 战士 冲击 画面感 | E | 162 | |||
|
Mashing Up Alternate 2 [AMS5042 - 56] |
版本. | 1'38 | Danijel Grubovic | Percussion only version | 冲突 战士 画面感 高潮 | Bbm | 162 | |||
|
Mashing Up Alternate 3 [AMS5042 - 57] |
版本. | 1'38 | Danijel Grubovic | No voice fx version | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Alternate 4 [AMS5042 - 58] |
版本. | 1'38 | Danijel Grubovic | No strings version | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Alternate 5 [AMS5042 - 59] |
版本. | 1'38 | Danijel Grubovic | Bed | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Alternate 6 [AMS5042 - 60] |
版本. | 1'38 | Danijel Grubovic | Underscore | 冲突 战士 冲击 画面感 | Bbm | 162 | |||
|
Mashing Up Edit 1 (60 sec) [AMS5042 - 61] |
版本. | 0'59 | Danijel Grubovic | 60 seconds cut | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Edit 2 (30 sec) [AMS5042 - 62] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Mashing Up Edit 3 (15 sec) [AMS5042 - 63] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 战士 冲击 画面感 | Em | 162 | |||
|
Pedal To The Metal [AMS5042 - 8] |
2'11 | Danijel Grubovic | Hybrid trailer. Dark, ominous & punchy. Muffled bass intro. Build-up | 冲突 战士 动作游戏 都市 | Ebm | 105 | ||||
|
Pedal To The Metal Alternate 1 [AMS5042 - 64] |
版本. | 2'11 | Danijel Grubovic | No percussion version | 冲突 战士 动作游戏 都市 | Bbm | 130 | |||
|
Pedal To The Metal Alternate 2 [AMS5042 - 65] |
版本. | 2'11 | Danijel Grubovic | Percussion only version | 冲突 战士 动作游戏 都市 | Em | 105 | |||
|
Pedal To The Metal Alternate 3 [AMS5042 - 66] |
版本. | 2'11 | Danijel Grubovic | Bed | 冲突 战士 动作游戏 都市 | Em | 105 | |||
|
Pedal To The Metal Alternate 4 [AMS5042 - 67] |
版本. | 2'11 | Danijel Grubovic | Underscore | 冲突 战士 动作游戏 都市 | Em | 105 | |||
|
Pedal To The Metal Edit 1 (60
[AMS5042 - 68] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 战士 动作游戏 都市 | Ebm | 105 | |||
|
Pedal To The Metal Edit 2 (30
[AMS5042 - 69] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 战士 动作游戏 都市 | Ebm | 105 | |||
|
Pedal To The Metal Edit 3 (15
[AMS5042 - 70] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 战士 动作游戏 都市 | Bbm | 105 | |||
|
The Legend of Osiris [CEO2174 - 10] |
1'59 | Erella Atlan | Dreamlike intro evoking mythology, then grand & ethereal. Strings, | 画面感 自信 命运 史诗 | Am | 60 | ||||
|
The Legend of Osiris
[CEO2174 - 23] |
版本. | 1'59 | Erella Atlan | Version without percussion. | 画面感 自信 命运 史诗 | Am | 60 | |||
|
The Legend of Osiris
[CEO2174 - 24] |
版本. | 1'59 | Erella Atlan | Version without voice. | 画面感 自信 命运 史诗 | Am | 60 | |||
|
Reloaded [ISC083 - 2] |
2'09 | Martin Emilio Insaurgarat | Cinematic. Warlike, shrilling & in anticipation. Electronics, | 冲突 爆炸 战士 动作游戏 | Cm | 135 | ||||
|
Reloaded Alternate [ISC083 - 12] |
版本. | 2'09 | Martin Emilio Insaurgarat | No alarms version | 冲突 爆炸 战士 动作游戏 | Cm | 135 | |||
|
Punchy [ISC083 - 5] |
2'23 | Martin Emilio Insaurgarat | Cinematic. Stealthy, edgy, dynamic & swift. Electronics, alarm, | 画面感 固执 冲突 动作游戏 | Gm | 120 | ||||
|
Punchy Alternate [ISC083 - 15] |
版本. | 2'23 | Martin Emilio Insaurgarat | No alarms version | 画面感 固执 冲突 动作游戏 | Gm | 120 | |||
|
Discovering A Planet [AMS5038 - 5] |
2'57 | Peter Tomlinson | Film score / Trailer. Intriguing string intro. Edgy build up @ 0’23 | 史诗 冒险片 画面感 果断 | D | 130 | ||||
|
Discovering A Planet
[AMS5038 - 40] |
版本. | 2'57 | Peter Tomlinson | Alternate version without percussion. | 史诗 冒险片 画面感 果断 | D | 130 | |||
|
Discovering A Planet
[AMS5038 - 41] |
版本. | 2'57 | Peter Tomlinson | Alternate version with percussion only. | 画面感 气势 大电影打击乐 进步 | Cm | 130 | |||
|
Discovering A Planet
[AMS5038 - 42] |
版本. | 2'57 | Peter Tomlinson | Alternate version without strings. | 史诗 冒险片 画面感 果断 | D | 130 | |||
|
Discovering A Planet
[AMS5038 - 43] |
版本. | 2'57 | Peter Tomlinson | Alternate version without choir. | 史诗 冒险片 画面感 果断 | D | 130 | |||
|
Discovering A Planet
[AMS5038 - 44] |
版本. | 2'57 | Peter Tomlinson | Alternate "Bed" version. | 史诗 冒险片 画面感 果断 | D | 130 | |||
|
Discovering A Planet
[AMS5038 - 45] |
版本. | 2'57 | Peter Tomlinson | Alternate underscore version. | 史诗 冒险片 画面感 果断 | D | 130 | |||
|
Discovering A Planet Edit 1
[AMS5038 - 46] |
版本. | 0'30 | Peter Tomlinson | 30 second edit. | 史诗 冒险片 画面感 果断 | A | 130 | |||
|
Discovering A Planet Edit 2
[AMS5038 - 47] |
版本. | 0'16 | Peter Tomlinson | 15 second edit. | 史诗 冒险片 画面感 果断 | A | 130 | |||
|
Fear No Danger [IOM029 - 1] |
2'16 | David Birnie, Kc Carter | Dramatic, climactic, determined. Large cinematic hit and eerie tone 歌词 | 嘻哈预告风 气势 团队运动 态度 | Fm | 110 | ||||
|
Fear No Danger (Instrumental) [IOM029 - 6] |
版本. | 2'16 | David Birnie, Kc Carter | Dramatic, climactic, determined. Large cinematic hit and eerie tone | 嘻哈预告风 气势 团队运动 态度 | Fm | 110 | |||
|
Fear No Danger (Underscore A) [IOM029 - 7] |
版本. | 2'16 | David Birnie, Kc Carter | Dramatic, climactic, determined. Large cinematic hit with echo gives | 嘻哈预告风 气势 团队运动 态度 | Fm | 110 | |||
|
Fear No Danger (Underscore B) [IOM029 - 8] |
版本. | 2'16 | David Birnie, Kc Carter | Dramatic, climactic, determined. Eerie tone with echoed impacts give | 嘻哈预告风 气势 团队运动 态度 | Fm | 110 | |||
|
Fear No Danger (60 sec) [IOM029 - 9] |
版本. | 1'01 | David Birnie, Kc Carter | Dramatic, climactic, determined. Eerie tone builds into huge | 嘻哈预告风 气势 团队运动 态度 | Fm | 110 | |||
|
Fear No Danger (30 sec) [IOM029 - 10] |
版本. | 0'31 | David Birnie, Kc Carter | Dramatic, climactic, determined. Eerie tone builds into huge | 嘻哈预告风 气势 团队运动 态度 | Fm | 110 | |||
|
Fear No Danger (15 sec) [IOM029 - 11] |
版本. | 0'15 | David Birnie, Kc Carter | Dramatic, climactic, determined. Heroic strings and intricate | 嘻哈预告风 气势 团队运动 态度 | Fm | 110 | |||
|
Fear No Danger (10 sec) [IOM029 - 12] |
版本. | 0'10 | David Birnie, Kc Carter | Dramatic, climactic, determined. Heroic strings and intricate | 嘻哈预告风 气势 团队运动 态度 | C | 110 | |||
|
Fear No Danger (5 sec) [IOM029 - 13] |
版本. | 0'05 | David Birnie, Kc Carter | Dramatic, climactic, determined. Heroic strings and intricate | 嘻哈预告风 气势 团队运动 态度 | C | 165 | |||
|
Fear No Danger (Sting) [IOM029 - 14] |
版本. | 0'04 | David Birnie, Kc Carter | Dramatic, climactic, determined. Sharp eerie tone mixed with a sense | 嘻哈预告风 气势 团队运动 态度 | Fm | 121 | |||
|
Locked & Loaded [IOM029 - 3] |
2'45 | David Birnie, Kc Carter | Prepared, charismatic, strong. Lyrics about being the chosen one, 歌词 | 嘻哈预告风 态度 沉重 团队运动 | Gbm | 149 | ||||
|
Locked & Loaded (Instrumental) [IOM029 - 24] |
版本. | 2'45 | David Birnie, Kc Carter | Prepared, charismatic, strong. Fast-moving string chord sequence | 嘻哈预告风 态度 沉重 团队运动 | Gbm | 149 | |||
|
Locked & Loaded (Underscore A) [IOM029 - 25] |
版本. | 2'45 | David Birnie, Kc Carter | Prepared, charismatic, strong. Strong impacts begin to build along | 嘻哈预告风 态度 沉重 团队运动 | Gbm | 150 | |||
|
Locked & Loaded (Underscore B) [IOM029 - 26] |
版本. | 2'45 | David Birnie, Kc Carter | Prepared, charismatic, strong. Fast-moving string chord sequence | 嘻哈预告风 态度 沉重 团队运动 | Gbm | 150 | |||
|
Locked & Loaded (60 sec) [IOM029 - 27] |
版本. | 1'01 | David Birnie, Kc Carter | Prepared, charismatic, strong. Muffled impacts with tick tock | 嘻哈预告风 态度 沉重 团队运动 | Gbm | 149 | |||
|
Locked & Loaded (30 sec) [IOM029 - 28] |
版本. | 0'30 | David Birnie, Kc Carter | Prepared, charismatic, strong. Muffled impacts with tick tock | 嘻哈预告风 态度 沉重 团队运动 | Gbm | 149 | |||
|
Locked & Loaded (15 sec) [IOM029 - 29] |
版本. | 0'16 | David Birnie, Kc Carter | Prepared, charismatic, strong. Explosive energy from impacts lined | 嘻哈预告风 态度 沉重 团队运动 | Gbm | 149 | |||
|
Locked & Loaded (10 sec) [IOM029 - 30] |
版本. | 0'10 | David Birnie, Kc Carter | Prepared, charismatic, strong. Explosive energy from impacts lined | 嘻哈预告风 态度 沉重 团队运动 | Gbm | 150 | |||
|
Locked & Loaded (5 sec) [IOM029 - 31] |
版本. | 0'05 | David Birnie, Kc Carter | Prepared, charismatic, strong. Explosive energy from impacts lined | 嘻哈预告风 态度 沉重 团队运动 | Gbm | 151 | |||
|
Locked & Loaded (Sting) [IOM029 - 32] |
版本. | 0'03 | David Birnie, Kc Carter | Prepared, charismatic, strong. Sharp impact lined with high note | 嘻哈预告风 态度 沉重 团队运动 | Gb | 101 | |||
|
Overdrive [IOM029 - 5] |
2'13 | David Birnie, Kc Carter | Chaotic, cool, explosive. Male vocals lead a muffled epic impact with 歌词 | 赛车 冲突 预告片 嘻哈预告风 | Em | 132 | ||||
|
Overdrive (Instrumental) [IOM029 - 42] |
版本. | 2'13 | David Birnie, Kc Carter | Chaotic, cool, explosive. A muffled epic impact with screeching | 赛车 冲突 预告片 嘻哈预告风 | Em | 132 | |||
|
Overdrive (Underscore A) [IOM029 - 43] |
版本. | 2'13 | David Birnie, Kc Carter | Chaotic, cool, explosive. A muffled epic impact with screeching | 赛车 冲突 预告片 嘻哈预告风 | Em | 132 | |||
|
Overdrive (Underscore B) [IOM029 - 44] |
版本. | 2'13 | David Birnie, Kc Carter | Chaotic, cool, explosive. Impact leads out into a dystopian | 赛车 冲突 预告片 嘻哈预告风 | Em | 132 | |||
|
Overdrive (60 sec) [IOM029 - 45] |
版本. | 1'00 | David Birnie, Kc Carter | Chaotic, cool, explosive. Impact leads out into a dystopian | 赛车 冲突 预告片 嘻哈预告风 | Em | 132 | |||
|
Overdrive (30 sec) [IOM029 - 46] |
版本. | 0'30 | David Birnie, Kc Carter | Chaotic, cool, explosive. Impacts lead into acidic electro style | 赛车 冲突 预告片 嘻哈预告风 | Em | 132 | |||
|
Overdrive (15 sec) [IOM029 - 47] |
版本. | 0'16 | David Birnie, Kc Carter | Chaotic, cool, explosive. Acidic electro style bursts out with | 赛车 冲突 预告片 嘻哈预告风 | Am | 132 | |||
|
Overdrive (10 sec) [IOM029 - 48] |
版本. | 0'10 | David Birnie, Kc Carter | Chaotic, cool, explosive. Acidic electro style bursts out with | 赛车 冲突 预告片 嘻哈预告风 | Em | 132 | |||
|
Overdrive (5 sec) [IOM029 - 49] |
版本. | 0'05 | David Birnie, Kc Carter | Chaotic, cool, explosive. Acidic electro style bursts out with | 赛车 冲突 预告片 嘻哈预告风 | Em | 122 | |||
|
Overdrive (Sting) [IOM029 - 50] |
版本. | 0'05 | David Birnie, Kc Carter | Chaotic, cool, explosive. Impact hits with a coarse texture, offering | 赛车 冲突 预告片 嘻哈预告风 | E | 167 | |||
|
I Came I Saw I Conquered [TBX200 - 21] |
2'46 | Paul Thorne | Arrogant, confident, tough. Rattling percussion emerges alongside 歌词 | 摇滚说唱 团队运动 态度 气势 | Em | 97 | ||||
|
I Came I Saw I Conquered
[TBX200 - 70] |
版本. | 2'46 | Paul Thorne | Arrogant, confident, tough. Rattling percussion emerges alongside | 摇滚说唱 团队运动 态度 气势 | Em | 97 | |||
|
I Came I Saw I Conquered
[TBX200 - 71] |
版本. | 2'46 | Paul Thorne | Arrogant, confident, tough. Rattling percussion emerges alongside | 摇滚说唱 团队运动 态度 气势 | Em | 97 | |||
|
Skills and Stats [CEZ4635 - 2] |
2'41 | Louis-Ronan Choisy | Electro. Urgent, strong, frenzy & determined. Hard beat, synth bass & | 固执 粗糙 态度 电声低音 | Cm | 120 | ||||
|
Skills and Stats 15 sec edit [CEZ4635 - 16] |
版本. | 0'15 | Louis-Ronan Choisy | 15 second cut. | 固执 粗糙 态度 电声低音 | Cm | 120 | |||
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Skills and Stats 30 sec edit [CEZ4635 - 17] |
版本. | 0'30 | Louis-Ronan Choisy | 30 second cut. | 固执 粗糙 态度 电声低音 | Cm | 120 | |||
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Skills and Stats 60 sec edit [CEZ4635 - 18] |
版本. | 1'00 | Louis-Ronan Choisy | 60 second cut. | 固执 粗糙 态度 电声低音 | Cm | 120 | |||
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Skills and Stats sting [CEZ4635 - 19] |
版本. | 0'05 | Louis-Ronan Choisy | Sting. | 固执 粗糙 态度 电声低音 | Am | 120 | |||
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Biometric ID [CEZ4635 - 6] |
2'43 | Patrice Duthoo | Electroclash. Driving, strong, saturated, stroboscopic & swagger. | 极限运动 撞击电子乐 固执 俱乐部 | Gbm | 100 | ||||
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Biometric ID 15 sec edit [CEZ4635 - 35] |
版本. | 0'15 | Patrice Duthoo | 15 second cut. | 极限运动 撞击电子乐 固执 俱乐部 | Gbm | 100 | |||
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Biometric ID 30 sec edit [CEZ4635 - 36] |
版本. | 0'30 | Patrice Duthoo | 30 second cut. | 极限运动 撞击电子乐 固执 俱乐部 | Gbm | 100 | |||
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Biometric ID 60 sec edit [CEZ4635 - 37] |
版本. | 1'00 | Patrice Duthoo | 60 second cut. | 极限运动 撞击电子乐 固执 俱乐部 | Gbm | 100 | |||
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Biometric ID sting 1 [CEZ4635 - 38] |
版本. | 0'07 | Patrice Duthoo | Sting. | 极限运动 撞击电子乐 固执 俱乐部 | Bm | 99 | |||
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Biometric ID sting 2 [CEZ4635 - 39] |
版本. | 0'14 | Patrice Duthoo | Sting. | 极限运动 撞击电子乐 固执 俱乐部 | Gbm | 100 | |||
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Danger Zone [BIB270 - 5] |
1'54 | Omer Agca | Heavy, cool, sci fi. Electro drumbeat leads into heavy thudding bass | 撞击电子乐 态度 合成贝斯 俱乐部 | Dbm | 126 | ||||
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Danger Zone (Instrumental) [BIB270 - 19] |
版本. | 1'54 | Omer Agca | Heavy, cool, sci fi. Electro drumbeat leads into heavy thudding bass | 固执 俱乐部 撞击电子乐 时尚 | Dbm | 126 | |||
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Danger Zone (Underscore) [BIB270 - 20] |
版本. | 1'54 | Omer Agca | Heavy, cool, sci fi. Electro snares leads into heavy thudding bass in | 撞击电子乐 时尚 合成贝斯 俱乐部 | Dbm | 126 |