Floating, calm & inspiring. Panoramic. Hang drum, electric guitar Floating, calm & inspiring. Panoramic. Hang drum, electric guitar with fx reverb, acoustic guitar & cinematic percussion.
In motion, panoramic & warm. Acoustic & electric guitars, male In motion, panoramic & warm. Acoustic & electric guitars, male backing vocals & cinematic percussion. Suggested for road-trip, traveling in desert landscape.
Panoramic, scenic & calm. Electric guitar & tapping. Suggested for Panoramic, scenic & calm. Electric guitar & tapping. Suggested for view from the sky & travelling.
Sad, loving & emotional. Classical guitar duet. From Sad Song Op.40 Sad, loving & emotional. Classical guitar duet. From Sad Song Op.40 n°2 by P.I Tchaikosky.
USA. Up-tempo country classic based on a train rhythm. Fast, USA. Up-tempo country classic based on a train rhythm. Fast, determined & positive. Flat-picking guitar, pedal steel guitar & train rhythm. Suggested for road trip, railroad & American landscape.
Surf rock ballad on a bolero rhythm. Sensual, mysterious & nostalgic. Surf rock ballad on a bolero rhythm. Sensual, mysterious & nostalgic. Rock band with electric guitars, bass & percussions.
Chinese pop/folk ballad. Sung in mandarin. Simple, naive & intimate. Chinese pop/folk ballad. Sung in mandarin. Simple, naive & intimate. Female singer, acoustic guitar & rhythm.歌词
There were no girls not wearing flowers
There were no boys not riding horses.
Girls with flowers waiting for the wedding.
Boys ride the horses to visit the girls’ families.
No flower will not fade
No horse will cross the bridge
Withered flowers are buried everywhere
The horse crossing the bridge does not turn back
When you sing my song.
My horse and I are tired.
It's getting dark and the wine is almost finished
It's getting dark and the wine is almost finished
Rhythmic & uplifting love song in a Mexican folk style, sung in Rhythmic & uplifting love song in a Mexican folk style, sung in Spanish. Male singer, Jarana Huasteca, guacharaca, strings, requinto solo @ 1'40.歌词
Instrumental. Rhythmic & uplifting track in a Mexican folk style. Instrumental. Rhythmic & uplifting track in a Mexican folk style. Strings, Jarana Huasteca, guacharaca, requinto solo @ 1'40.
Poignant & fatal song with a tango fusion touch, sung in Spanish. Poignant & fatal song with a tango fusion touch, sung in Spanish. Contemporary Argentinian mood. Female singer, electric guitar, bandoneon, rhythm & electric piano.歌词
Amo a un extraño Que cuando toca mis manos Invade mis sentimientos, me desvanezco. No sé, por qué lo amo y pienso en sus encantos. Si solo fueron meses de mis mejores años.
Amo a un extraño, que no sabe de mi No conoce mi historia, ni se enciende por mi. Amo a un extraño, que ignora mis latidos. Me lleva hacia la cima y me baja muy veloz.
Quizás arrepentida, me siento algunas veces de dar toda mi vida, a un extraño sin suerte. Lo cierto es que ese extraño, vio que tenía en sus manos a una Tenaz demente, que prefirió no verle.
Amo a un extraño, que no sabe de mi. No conoce mi historia, ni se enciende por mi. Amo a un extraño, que ignora mis latidos. Me lleva hacia la cima y me baja muy veloz.
Y me baja muy veloz Y me baja, y me baja muy veloz Y me baja, y me baja y me baja muy veloz
Romantic & passionate waltz in a Mexican mariachi style with a pop Romantic & passionate waltz in a Mexican mariachi style with a pop mood, sung in Spanish. Slow intro only requinto & female voice. Full ensemble @ 1'03. Spanish guitar, piano, strings & trumpet.歌词
Quiereme
corazón de azúcar
Quiereme que quiero probar
el mi boca tu dulzura
Quiereme
corazón de azúcar
Cuando fui
a visitarte me atendió
tu dulce madre preguntó que qué quería
y yo solo le decía
que tus ojos quería ver tus ojitos
dulcecitos con olor a chocolate yo quería saborearlos todos
pero tú, tú no me quería
Quiereme
corazón de azúcar
Quiereme que quiero probar
en mi boca tu dulzura
Quiereme
corazón de azúcar.
Luego quisiste nadar era un buen día soleado
me dio sed y fui a beber
era agua de melao’
Te busqué y te había ido aunque no te vi partir en el lago te has pedido ahora todo sabe a ti
Traditional song from the Caribbean region of Colombia, sung in Traditional song from the Caribbean region of Colombia, sung in Spanish. Rootsy cumbia, emotional & rural. Female singer, Latin percussion, Spanish guitar, choir, claps & tiple @ 2'15. 歌词
Azúca me llamo yo, Azúca me llamo yo, Azúca me puso el padre, cuando me metio la sal.
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca la refina, (Azúca) Azúca, azúca será, (Azúca) Azúca me han de llama, (Azúca) Azúca, azúca será, (Azúca)
Azúca, Azúca. El loro y la lora estaban loriando, El loro y la lora estaban loriando, Y yo por la reja estaba mirando Y yo por la reja estaba mirando El loro comiendo y yo trabajando El loro comiendo y yo trabajando Trabaja compañero, trabaja. (Azúca) Trabaja voca arriba trabaja. (Azúca) Trabaja medio lado trabaja.
Con que se mantiene, con la flor del verano. Con que se mantiene, con la flor del verano. Trabaja compañero, trabaja. Trabaja medio lado trabaja. Trabaja voca arriba trabaja. Trabaja voca arriba trabaja.
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca me puso el padre, (Azúca) Cuando me metio la sal, (Azúca)
Azúca me llamo yo, (Azúca) Azúca me llamo yo, (Azúca) Azúca la refina, (Azúca) Azúca me han de llama, (Azúca) Azúca, azúca será, (Azúca)
Mentira ha sido tu amor Mentira ha sido tu amor Falso fue tu juramento, hojas que se lleva el viento. Mentira ha sido tu amor Mentira ha sido tu amor Falso fue tu juramento, hojas que se lleva el viento.
Azúca, Ay con que se mantiene Azúca, Con la flor del verano Azúca, ay me han de llamar, cuando me metio la sal.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
词/曲作者 :
Traditional
许可号 :
10347
专辑 :
Latin Songs: In a Traditional Mood
发布日期 :
01/04/2020
演唱者 :
Aida Bossa
出版方 :
Frederic Leibovitz Editeur - Mantarraya Music
国际标准音像制品编码 :
FRZPA2006760
Azúcar - El Loro y la Lora Azúcar - El Loro y la Lora Alternate [CEL7001 - 12]
Underscore. Traditional from the Caribbean region of Colombia. Rootsy Underscore. Traditional from the Caribbean region of Colombia. Rootsy cumbia, emotional & rural. Spanish Guitar, latin percussion, choir, claps & tiple @ 2'10.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Upbeat country & western love song about love betrayed. Male singer, Upbeat country & western love song about love betrayed. Male singer, rhythm section, pedal steel & electric guitar lead @ 1'20.歌词
FOOL # 1
CHORUS Am I fool number 1 Or am I fool number 2 Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number 1 fool?
VERSE I spent so much time gettin’ hurt in this race I don’t want to end up in second place
CHORUS Am I fool number one Or am I fool number two Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number one fool?
Instrumental break
VERSE Set ‘em up Joe, and we’ll knock ‘em on down To the potential number one fool in town
CHORUS Am I fool number one Or am I fool number two Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number one fool? If you’re the queen of heartaches, Am I the number one fool?
Underscore. Upbeat country & western typical cue..Rhythm section, Underscore. Upbeat country & western typical cue..Rhythm section, pedal steel & electric guitar lead @ 1'20.
Truck-driving "going home" country song. Confident & optimistic. Truck-driving "going home" country song. Confident & optimistic. Male singer, guitars, piano & rhythm section. Electric twangy guitar lead @ 1'09.歌词
DRIVIN’ HOME VERSE There’s a four-lane highway, stretched up ahead People rollin’ 90 miles an hour, and going nowhere So when you need to slow down, I just turn that car around And take the back roads thru the country when I’m drivin’ home
VERSE Sweet country music, on the radio Playin’ all those old songs we used to know Ohh, They take me back, to a place not long ago When we took the back roads thru the country When we’re drivin’ home
INSTRUMENTAL break
VERSE Rollin’ hills, deep blue skies, farmer Brown will tip his hat when you drive by Oh, we’re movin’ so fast, leave your troubles in the past and Take the back roads thru the country when you’re drivin’ home
VERSE There’s a four-lane highway, stretched up ahead People rollin’ 90 miles an hour and gettin’ nowhere So when you need to slow down, just turn this car around And take the back roads thru the country
Take the back roads thru the country Take the back roads thru the country when I’m drivin’ home Drivin’ home
Underscore. Truck-driving country song. Confident & optimistic. Underscore. Truck-driving country song. Confident & optimistic. Guitars, piano & rhythm section. Electric twangy guitar lead @ 1'09.
