| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Moving Forward [CET9017 - 12] |
2'14 | Brian Delgado, Kabes | Sudden, impulsive & mysterious intro with impacts. Heavy trap beat @ | 冲突 突然 恐怖 爆炸 | Bm | 147 | ||||
|
Moving Forward Alternate [CET9017 - 43] |
版本. | 2'14 | Brian Delgado, Kabes | Alternate without hybrid orch. Impulsive & mysterious with sonar fx.. | 预告片 恐怖片 令人不安 冲击 | B | 73 | |||
|
Moving Forward Alternate 2 [CET9017 - 44] |
版本. | 2'14 | Brian Delgado, Kabes | Alternate without percussion. Sudden, impulsive & mysterious intro. | 恐怖 预告片 中断 恐怖片 | B | 146 | |||
|
Moving Forward Alternate 3 [CET9017 - 45] |
版本. | 1'06 | Brian Delgado, Kabes | Alternate percussion only. Whimsical naked trap beat with important | 中断 打击乐合奏 恐怖片 令人不安 | Bm | 146 | |||
|
Becoming the Bad Guy [CEZ4402 - 15] |
0 | 2'19 | Sebastijan Duh | Cinematic electro beat. Mysterious, relentless, imminent danger. | 科幻片 预告片 动作片 无情 | Bbm | 76 | |||
|
Quai des Prunes [CEZ4400 - 7] |
0 | 2'46 | Pierre-André Athané | 70's French detective soundtrack movies. Melancholic & lazy. | 警匪片 七十年代 半音阶口琴 电视连续剧 | Em | 60 | |||
|
A Distant Army [INP019 - 5] |
2'14 | Ethan Maltby | Adventure, suspenseful, driving. Eerie vocal textures with | 地理政治 间谍片 令人不安 悬念 | Am | 123 | ||||
|
A Distant Army - Underscore [INP019 - 24] |
版本. | 2'26 | Ethan Maltby | Adventure, suspenseful, driving. Eerie vocal textures with | 地理政治 间谍片 令人不安 悬念 | Am | 123 | |||
|
A Distant Army - 30sec [INP019 - 25] |
版本. | 0'30 | Ethan Maltby | Adventure, suspenseful, driving. Eerie vocal textures with | 冒险片 令人不安 悬念 地理政治 | A | 123 | |||
|
Voices from the Past [CEZ4395 - 16] |
0 | 4'23 | Pierre André Pernin | Electro ambient. Strict, jerky & sad. Electric piano, female sampled | 不平稳 背景电子乐 疑问 社会悲剧 | Cm | 79 | |||
|
Of One Mind [CEZ4393 - 8] |
0 | 2'20 | Kevin Seddiki | Urgent, bouncy & constant. Electric guitar solo. | 骑马 电吉他 严谨 工业 | Em | 130 | |||
|
An Element of Doubt [CEG5020 - 4] |
0 | 2'06 | John Greaves | Regular, serious but with a touch of irony. Electronics.. | 耐心 通透 信息技术 周期性的 | Gm | 101 | |||
|
Waterborn Virus [CEG5020 - 23] |
0 | 2'21 | Elisabeth Skornik, Guy Skornik | Weird, liquid & unusual. Electronics, water runoff fx & strings. | 科学 顺畅 (音效)水声 神秘 | Gbm | 83 | |||
|
Temporary Resignation [TBX052 - 14] |
1'50 | Stuart Michael Peck | Mysterious, eerie, cinematic. Ethereal string and synth sustains and | 社会悲剧 悬念 反省 漂泊 | Am | 98 | ||||
|
Temporary Resignation 30 sec [TBX052 - 33] |
版本. | 0'30 | Stuart Michael Peck | Mysterious, eerie, cinematic. Ethereal string and synth sustains and | 社会悲剧 悬念 反省 漂泊 | Am | 98 | |||
|
Out of Time [TBX052 - 15] |
2'56 | Stuart Michael Peck | Mysterious, suspenseful, investigative. Warm synth intro with pulsing | 悬念 悬念 神秘 冰冷 | G | 80 | ||||
|
Out of Time 30 sec [TBX052 - 34] |
版本. | 0'30 | Stuart Michael Peck | Mysterious, suspenseful, investigative. Warm synth intro with pulsing | 悬念 悬念 神秘 冰冷 | Gm | 81 | |||
|
Les Trente Glorieuses [CEO2099 - 19] |
1'38 | Pablo Pico | Jazzy & joyful. 70's. Fender, strings & rhythm. | 黑人电影 拍手 Fender Rhodes 美式复古电视剧 | Am | 89 | ||||
|
Les Trente Glorieuses
[CEO2099 - 37] |
版本. | 1'38 | Pablo Pico | 70'. Jazzy & joyful. Fender & rhythm. | 黑人电影 侦探喜剧 自信 Fender Rhodes | Am | 89 | |||
|
The Iron Curtain [CEO2098 - 4] |
0 | 1'41 | Gregory Cotti | Underscore. Mysterious & tense. Cello, duduk & strings. | 地理政治 神秘 悬念 漂泊 | Fm | 65 | |||
|
Maharajah [CEZ4388 - 4] |
2'31 | Chomsk' | Catchy, hypnotic & urban. Sampled voice & rhythm. | 打击乐合奏 世界流行音乐 电子鼓 印度 | C | 155 | ||||
|
Maharajah Alternate [CEZ4388 - 31] |
版本. | 1'17 | Chomsk' | Catchy, hypnotic & urban. Electronic percussion. | 打击乐合奏 印度 电子鼓 固执 | Cm | 155 | |||
|
In a Colourful Way [EOS37 - 8] |
0 | 1'38 | Johane Myran | Repetitive music / corporate. Relentless, strict & mechanical. | 固执 工业 机械的 旋律重复的音乐 | Cm | 131 | |||
|
Doubt then Certainty 2 [CEZ4390 - 24] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Moody, wandering, painful & insistant. 2 pianos, percussion & kalimba. | 稳定的 固执 恐怖片 阴险 | Gbm | 112 | |||
|
Lost in the Bermuda Triangle [CEG5019 - 2] |
0 | 2'32 | Michel Roche | Exotic but with an urban, moody & nocturnal feel. Moombahton. Steel | 加勒比 都市景色 钢鼓 稳定的 | Am | 112 | |||
|
The truth behind the Postcard [CEG5019 - 9] |
0 | 2'44 | Michel Roche | Investigative, linear & questioning. Dancehall / reggaeton beat. | 加勒比 多变的 electro beat 动人 | A | 98 | |||
|
Sea Weed [CEG5018 - 3] |
0 | 2'27 | Christian Mesmin | Dissonant, uneasy & intriguing. Moving through the unknown. Solo | 自然灾害 神秘 海底 神经病 | Eb | 64 | |||
|
Veiled Light [CEZ4380 - 11] |
1'32 | Maxence Dussere, David Gubitsch | Electro ambient / soundscape. Hazy, atmospheric & toxic. Sampled harp | 背景音 气氛 抱歉 悬念 | Am | 153 | ||||
|
Veiled Light Alternate [CEZ4380 - 50] |
版本. | 2'05 | Maxence Dussere, David Gubitsch | Alternate version with percussion. Electro ambient / soundscape. | 背景音 气氛 抱歉 悬念 | Am | 137 | |||
|
Dangerous Radiation [CEZ4380 - 19] |
1'33 | Maxence Dussere, David Gubitsch | Soundscape / spy movie. Urgent, agressive & chaotic. Sound design | 声音设计 进行中 背景音 恐怖 | D | 120 | ||||
|
Dangerous Radiation Alternate [CEZ4380 - 52] |
版本. | 1'24 | Maxence Dussere, David Gubitsch | Alternate version. Soundscape / spy movie. Urgent, menacing & | 声音设计 进行中 背景音 恐怖 | D | 120 |