专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
---|---|---|---|---|---|---|---|---|---|---|---|
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We Must Hurry [CEG5034 - 9] |
0 | 1'52 | Benjamin Doherty | Tense, anxious, crescendo, guilty, insidious & dark. Strings & ... | 心理剧 无情 令人不安 阴险... | Cm | 119 | |||
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A Reflective Approach [CEZ4531 - 9] |
0 | 1'53 | Louis Edlinger, Andreas Suttner | Bed. Calm, descriptive, patient, methodic & neutral. Electronics, ... | 安静 科学 伴音 中立... | Em | 162 | |||
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DIY Minded [CEZ4531 - 15] |
0 | 1'47 | Louis Edlinger, Andreas Suttner | Bed. Rhythmic but restrained, punctuated, concerned & careful. ... | 医疗 耐心 稳定的 信息技术... | Cm | 161 | |||
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Patience and Diligence [CEZ4531 - 25] |
0 | 2'00 | Louis Edlinger, Andreas Suttner | Bed. Confident but interrogative & anticipating with a certain ... | 疑问 自信 稳定的 进行中... | D | 124 | |||
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Filature [CEZ4523 - 6] |
0 | 1'36 | La Hase | 70s. Groove. Mystery, suspense, nocturnal, anticipating, groovy & ... | 神秘 黑人电影 时髦 七十年代... | C | 98 | |||
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The Decoding Process Alternate [CEZ4526 - 2] |
0 | 2'06 | Anselm Kreuzer, Andreas Suttner | Minimalist alternate version | 疑问 伴音 神秘 稳定的... | Fm | 115 | |||
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Still Unsolved Alternate [CEZ4526 - 10] |
0 | 2'10 | Anselm Kreuzer, Andreas Suttner | Minimalist alternate version | 社会悲剧 疑问 调查研究 神秘... | Fm | 115 | |||
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Deadly Games [ISC015 - 4] |
2'33 | Gabriel Saban | Intro with a rising tension & evolving with ghostly piano, cinematic ... | 恐怖片 画面感 司法 进行中... | Gm | 142 | ||||
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Deadly Games Alternate [ISC015 - 15] |
版本. | 2'33 | Gabriel Saban | Alternate version without percussion. | 恐怖片 画面感 司法 进行中... | Gm | 142 | |||
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The Final Enigma [ISC015 - 5] |
2'43 | Gabriel Saban | Spooky & anxious intro evolving with pulsation, piano & creepy FX. ... | 恐怖片 令人不安 阴险 动作片... | Cm | 110 | ||||
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The Final Enigma Alternate [ISC015 - 16] |
版本. | 2'43 | Gabriel Saban | Alternate version without percussion. | 恐怖片 令人不安 阴险 动作片... | Cm | 110 | |||
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Body Placement [MAG6075 - 11] |
0 | 2'13 | Christophe Zurfluh | Suspended & anticipating. Mechanical, hypnotic & mysterious. Synth ... | 进行中 神秘 缓拍 间谍片... | Cm | 96 | |||
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Elite Hacker [CEG5033 - 5] |
0 | 1'52 | Colo Colo | Electro beat. Nervous, determined & strong. Suggested for digital ... | 信息技术 electro beat 都市 周期性的... | Dbm | 88 | |||
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Stolen Data Market [CEG5033 - 9] |
0 | 2'24 | Dalga | Electro beat, electronica. Mechanical, lively & sinuous. Suggested ... | 夜晚 都市景色 都市 信息技术... | Dm | 102 | |||
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Cross Examination [BIB196 - 6] |
2'09 | Conor O'Brien | Powerful, daunting, eerie. Blustery FX create a rough and heady ... | 调查研究 自然灾害 嗡嗡声 地下... | C | 165 | ||||
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Cross Examination (Underscore) [BIB196 - 16] |
版本. | 2'09 | Conor O'Brien | Powerful, daunting, eerie. Blustery FX create a rough and heady ... | 调查研究 自然灾害 嗡嗡声 地下... | C | 165 | |||
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Plan of Action [BIB196 - 8] |
2'54 | Conor O'Brien | Tense, menacing, anticipatory. Euphoric dissonance turns into jagged, ... | 工业 令人不安 调查研究 固执... | Am | 113 | ||||
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Plan of Action (Underscore) [BIB196 - 18] |
版本. | 2'54 | Conor O'Brien | Tense, menacing, anticipatory. Euphoric dissonance turns into jagged, ... | 工业 令人不安 调查研究 固执... | A | 113 | |||
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Blooded Snowman [CEZ4510 - 6] |
0 | 2'18 | Arttu Silvast | Low, heavy & anticipating intro with strings & drones building-up ... | 灾难 自然灾害 令人不安 神秘... | G | 88 | |||
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A Last Adjournment [CEZ4505 - 14] |
0 | 1'06 | Sonny Nieuwenhuizen | Misty & confused. Questioning piano & disturbing FX. Dark textures @ ... | 司法 间谍片 令人不安 调查研究... | D | 100 | |||
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Perpetuity [CEZ4506 - 5] |
0 | 2'10 | Hiroki Ishikura | Lo-fi electro beat. Nostalgic, cyclic & constant. Suggested for ... | 社会悲剧 司法 忧伤 夜晚... | Cm | 90 | |||
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Prison Experiment [CEZ4506 - 9] |
0 | 2'43 | Thomas Didier | Electro beat. Mechanical, inexorable & nocturne. Suggested for ... | 社会悲剧 electro beat 夜晚 司法... | Bbm | 120 | |||
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Prison Break [CEZ4506 - 11] |
0 | 2'28 | Hiroki Ishikura | Electro beat. Tense, disturbing & agitated. Constant build-up. ... | 固执 工业 严谨 electro beat... | Bm | 156 | |||
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Jail Time [CEZ4506 - 14] |
0 | 1'44 | Thomas Lucas | Hip-hop beat. Determined, dark & mechanical. Suggested for ... | 司法 神秘 BEAT MAKING 漂泊... | Ab | 90 |