| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Offender [INP007 - 7] |
1'22 | Adam Kevin Brown, Lukasz Ledzki | Dynamic, percussive trailer track. Brooding intro, hypnotic and | 野性 悬念 预告片 冲突 | Em | 140 | ||||
|
Offender Underscore [INP007 - 16] |
版本. | 1'22 | Adam Kevin Brown, Lukasz Ledzki | Dynamic, percussive trailer underscore with stripped-back sound | 战士 预告片 冲突 军事冲突 | Em | 140 | |||
|
Offender - 30sec [INP007 - 26] |
版本. | 0'31 | Adam Kevin Brown, Lukasz Ledzki | Alternate version. 30 seconds. | 野性 悬念 预告片 冲突 | Em | 140 | |||
|
Surfacing [INP007 - 8] |
1'44 | Adam Kevin Brown, Lukasz Ledzki | Dynamic, percussive trailer track. Sparse intro with extended synth | 预告片 冲突 军事冲突 沉重 | Gm | 140 | ||||
|
Surfacing Underscore [INP007 - 17] |
版本. | 1'44 | Adam Kevin Brown, Lukasz Ledzki | Dynamic, percussive trailer track. Underscore with stripped back | 预告片 冲突 军事冲突 冲击 | Gm | 140 | |||
|
Surfacing - 30sec [INP007 - 27] |
版本. | 0'31 | Adam Kevin Brown, Lukasz Ledzki | Alternate version. 30 seconds. | 预告片 冲突 军事冲突 沉重 | Gm | 140 | |||
|
Walls [INP007 - 10] |
1'22 | Adam Kevin Brown, Lukasz Ledzki | Dynamic, percussive trailer track. Brooding intro, hypnotic and | 恐怖 预告片 冲突 军事冲突 | Bbm | 80 | ||||
|
Walls Underscore [INP007 - 19] |
版本. | 1'22 | Adam Kevin Brown, Lukasz Ledzki | Dynamic, percussive trailer track. Underscore with stripped-back | 恐怖 预告片 冲突 军事冲突 | Bbm | 80 | |||
|
Walls - 30sec [INP007 - 29] |
版本. | 0'30 | Adam Kevin Brown, Lukasz Ledzki | Alternate version. 30 seconds. | 恐怖 预告片 冲突 军事冲突 | Bbm | 161 | |||
|
The Clock of Doom [CEO2064 - 2] |
0 | 1'54 | Elisabeth Skornik, Guy Skornik | Insidious, tense & obstinate. Baritone electric guitar, clock & | 调查研究 固执 悬念 时间(滴答声) | G | 112 | |||
|
Impulse and Repulsion [CEO2064 - 9] |
0 | 1'12 | Elisabeth Skornik, Guy Skornik | Regular pulsation in a hip hop mood. Constant & narrative. | (音效)心跳 调查研究 悬念 社会悲剧 | Am | 100 | |||
|
Last Edition [CEO2064 - 12] |
0 | 1'24 | Elisabeth Skornik, Guy Skornik | Suspended, tense & narrative. Electronics & electric guitar harmonics. | 调查研究 警匪片 令人不安 悬念 | A | 162 | |||
|
Sultanzade [BIB068 - 5] |
0 | 3'05 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Intense, building, contemporary Middle Eastern beats. Sophisticated | 朗朗上口 地理政治 俱乐部 果断 | Cm | 110 | |||
|
Nearing the Summit [CEG5003 - 16] |
0 | 2'55 | Abaji | Disturbing & heavy. Male breath, clarinet & sequencing. | 调查研究 气氛 地理政治 神秘 | Dm | 117 | |||
|
Kyoto Shadows [CEG5002 - 2] |
2'51 | Abaji | Japan. Geopolitics. TV series. Mysterious & patient. Shakuhashi, | 地理政治 调查研究 神秘 稳定的 | G | 60 | ||||
|
Kyoto Shadows 2 [CEG5002 - 22] |
版本. | 2'51 | Abaji | Geopolitics. TV series. Mysterious & patient. Bass, synths & | 地理政治 调查研究 神秘 悬念 | G | 60 | |||
|
Acid Clouds [CEG5002 - 5] |
0 | 2'28 | Abaji | China. Geopolitics. TV series. Threatening & patient. Chinese flute, | 自然灾害 地理政治 调查研究 逝去的文明 | Dm | 119 | |||
|
Tears of Asia [CEG5002 - 6] |
0 | 2'20 | Abaji | China. Geopolitics. Landscapes. Sad & desolate. Xiao flute, erhu, | 地理政治 调查研究 抱歉 全景 | F | 178 | |||
|
Industrial Danger [CEG5002 - 8] |
2'56 | Abaji | China. Geopolitics. TV series.Tragic & desolate. Chinese flute, bass, | 逝去的文明 热带雨林 地理政治 调查研究 | C | 70 | ||||
|
Industrial Danger 2 [CEG5002 - 27] |
版本. | 2'56 | Abaji | Geopolitics. TV series. Tragic & desolate. Bass, synths & sequencing. | 逝去的文明 热带雨林 地理政治 调查研究 | C | 70 | |||
|
The Opium Trade [CEG5002 - 10] |
2'17 | Abaji | China. Geopolitics. TV series. Threatening & desolate. Erhu, strings, | 地理政治 调查研究 神秘 悬念 | Cm | 90 | ||||
|
The Opium Trade [CEG5002 - 28] |
版本. | 2'17 | Abaji | Geopolitics. TV series. Threatening & desolate. Strings, percussion, | 地理政治 调查研究 神秘 亚洲 | Cm | 90 | |||
|
The Lost Temple [CEG5002 - 11] |
0 | 2'54 | Abaji | Chine. Geopolitics. Aftermath. Desolate & panoramic. Dizi flute, | 地理政治 调查研究 逝去的文明 抱歉 | Dm | 111 | |||
|
Treading the Wire [CEG5002 - 14] |
2'45 | Abaji | China. Geopolitics. TV series. Tragic & desolate. Erhu, jews harp, | 地理政治 调查研究 悬念 神秘 | Cm | 78 | ||||
|
Treading the Wire 2 [CEG5002 - 33] |
版本. | 2'45 | Abaji | Geopolitics. TV series. Tragic & desolate. Jews harp, synth & | 地理政治 调查研究 悬念 神秘 | Cm | 78 | |||
|
Approaching the Battlefield [CEG5002 - 15] |
1'57 | Abaji | Nepal. China. Geopolitics. TV series. Inexorable & frightening. | 催眠 调查研究 逝去的文明 战士 | Fm | 135 | ||||
|
Approaching the Battlefield 2 [CEG5002 - 34] |
版本. | 1'57 | Abaji | Geopolitics. Inexorable & frightening. Percussion, nepalese trumpet & | 地下 催眠 调查研究 战士 | Fm | 135 | |||
|
Forbidden Islands [CEG5002 - 16] |
0 | 2'22 | Abaji | China. Geopolitics. TV series. Panoramic & threatening. Chinese | 地理政治 调查研究 灾难 气氛 | Dm | 115 | |||
|
Shadowy Figures [CEG5002 - 17] |
0 | 2'16 | Abaji | Geopolitics. TV series. Threatening & nocturnal. Bass, bells, synths | 恐怖 地理政治 调查研究 令人不安 | Cm | 84 | |||
|
Treason s Reward [CEG5002 - 19] |
0 | 2'00 | Abaji | China. Geopolitics. TV series. Frightening & desolate. Chinese flute, | 地理政治 调查研究 令人不安 不稳定 | D | 118 | |||
|
Fear of Darkness [INP005 - 1] |
2'08 | Alessandro Ciani | Creepy score like sound design. Glitchy, skittering electronic sci fi | 追逐场面 赛车 动作片 固执 | Dm | 96 | ||||
|
Fear of Darkness Underscore [INP005 - 17] |
版本. | 2'08 | Alessandro Ciani | Dark, creepy and dramatic Trailer underscore. Sound design. | 追逐场面 赛车 动作片 固执 | Dm | 96 |