| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Digital Warfare [INP005 - 10] |
0 | 2'06 | Nico Willems | Atmospheric score like trailer sound design. String pads and dynamic | 极限运动 悬念 画面感 体育中的戏剧性 | Bm | 140 | |||
|
L'Esprit de l'Escalier [CEO2056 - 3] |
0 | 2'09 | Elisabeth Skornik, Guy Skornik | Weird, insidious, interrogative & sparse. Piano & backward fx. | 调查研究 神秘 疑问 上升 | B | 90 | |||
|
Manic Episode [CEZ4321 - 1] |
0 | 3'59 | Vincent Leibovitz | Obsessive, mysterious & interrogative. Electronics & organ. | 科幻片 美国独立制片电影 旋律重复的音乐 催眠 | Dm | 133 | |||
|
Slightly Suspicious [CEZ4319 - 17] |
0 | 1'39 | Thierry Caroubi, John Greaves | Investigation. Crime Series. Sciences. Cyclic & interrogative. | 疑问 科学 周期性的 社会悲剧 | Gbm | 75 | |||
|
Classified [CET9003 - 1] |
2'27 | Gabriel Saban, Philippe Briand | Sudden impact & intense staccato string epic movement building up to | 预告片 画面感 动作片 果断 | Cm | 102 | ||||
|
Classified Alternate Without
[CET9003 - 11] |
版本. | 2'27 | Gabriel Saban, Philippe Briand | Ominous intro & intense staccato string epic movement building up to | 预告片 画面感 动作片 果断 | Cm | 102 | |||
|
Classified Alternate [CET9003 - 12] |
版本. | 2'14 | Gabriel Saban, Philippe Briand | Intense staccato strings. Epic movement building up to editable | 预告片 画面感 动作片 果断 | Cm | 102 | |||
|
Under Surveillance [CET9003 - 8] |
2'39 | Gabriel Saban, Philippe Briand, Thierry Caroubi | Brutal intro with narrative piano & alarm fx. Build up to broad | 预告片 画面感 冲突 间谍片 | Cm | 120 | ||||
|
Under Surveillance Alternate
[CET9003 - 22] |
版本. | 2'39 | Gabriel Saban, Philippe Briand, Thierry Caroubi | Brutal intro with narrative piano & alarm fx. Build up to broad | 预告片 画面感 恐怖 间谍片 | C | 119 | |||
|
Submarine Warfare [CEZ4311 - 11] |
1'40 | Gregory Cotti | Impacts. Trailers. Action. Bombing. Sudden & intense. Cinematic | 回响 战争 大电影打击乐 画面感 | Am | 98 | ||||
|
Submarine Warfare Alternative
[CEZ4311 - 24] |
版本. | 1'40 | Gregory Cotti | Drone. Investigation. Mysterious & atmospheric. Cinematic percussion | 军事冲突 伴音 低沉 有毒 | A | 130 | |||
|
Murderous Blade [CEZ4311 - 14] |
1'56 | Gabriel Saban, Philippe Briand | Mysterious, creepy & sudden. Constant progression. Cinematic | 预告片 画面感 冲突 军事冲突 | C | 110 | ||||
|
Murderous Blade Alternate
[CEZ4311 - 22] |
版本. | 1'45 | Gabriel Saban, Philippe Briand | Investigation. Mysterious & threatening. Sequencing. | 动作片 画面感 警匪片 (音效)警报声 | A | 110 | |||
|
Blood River [CEZ4311 - 17] |
0 | 1'48 | Thierry Caroubi | Impacts. Trailers. Action. Drone. Mysterious & frightening. | 画面感 军事冲突 恐怖 动作片 | Eb | 129 | |||
|
A Moment's Reflection
[CEZ4312 - 35] |
1'56 | Elisabeth Skornik, Guy Skornik | Doubtful, mysterious & interrogative. Electronics. | 阴险 调查研究 社会悲剧 进行中 | Cm | 119 | ||||
|
A Moment's Reflection [CEZ4312 - 10] |
版本. | 2'31 | Elisabeth Skornik, Guy Skornik | Interrogative, pensive & introspective. Electronics, chimes, strings | 疑问 社会悲剧 进行中 不可归类 | Cm | 60 | |||
|
Reflecting [TBX007 - 18] |
0 | 1'40 | Sergey Kolosov | Sparse, reflective bed. Mallets and soft synth string undulations. | 漂泊 悬念 反省 调查研究 | Dm | 102 | |||
|
Tension Bed for One [TBX006 - 1] |
0 | 2'13 | Peter Henry Mayne | Brooding and tense, yet ambient drone. High string note with pulsing | 气氛 稳定的 抱歉 悬念 | Dm | 60 | |||
|
Odd Ones [TBX006 - 5] |
0 | 2'05 | Peter Henry Mayne, Lee Sparey | Muted, sparse, arpeggiated synth bed. Suspended and uncertain, with | 固执 催眠 进步 科学 | Am | 120 | |||
|
Catching a Killer [TBX006 - 12] |
0 | 2'33 | Peter Nickalls | Sinister and deep bass with deranged ambient sfx. Undulations give | 灾难 悬念 漂泊 调查研究 | Cm | 120 | |||
|
Underscore Drone [TBX006 - 14] |
0 | 2'52 | Peter Nickalls | Panoramic and suspended tension. Percussive sfx give movement. | 悬念 警匪片 固执 全景 | Em | 81 | |||
|
Drone Two [TBX006 - 20] |
0 | 1'57 | Peter Henry Mayne | Electronic pulses and ambience, with a melancholic overtone. | 令人不安 全景 悬念 调查研究 | Bb | 130 | |||
|
Dreaming Dark [TBX004 - 11] |
0 | 2'39 | Sergey Kolosov | A hypnotic and repetitive feel, odd, quirky and eerily sinister. Like | 琶音 调查研究 夜晚 无电声钢琴 | Gm | 72 | |||
|
Children of the Night [BIB052 - 4] |
0 | 1'54 | Christopher Boot | Delicate yet scary arpeggiated lines with building, harrowing drones. | 复古电视 科幻片 合成波 八十年代 | Gm | 101 | |||
|
Monster [BIB052 - 10] |
2'03 | Christopher Boot | Ominous and dark, brooding textures. Expansive back end section of | 诡异 复古电视 科幻片 八十年代 | Am | 106 | ||||
|
Monster (BED) [BIB052 - 18] |
版本. | 2'09 | Christopher Boot | Ominous and dark, brooding textures. Expansive back end section of | 诡异 复古电视 科幻片 八十年代 | Em | 106 | |||
|
Creeping Feeling [BIB051 - 1] |
2'20 | Dominik Johnson, Alexius Tschallener | Edgy, uneasy pulsing string led underscore with some drive and | 令人不安 悬念 警匪片 神秘 | Dm | 100 | ||||
|
Creeping Feeling (30s) [BIB051 - 11] |
版本. | 0'30 | Dominik Johnson, Alexius Tschallener | Edgy, uneasy pulsing string led underscore with some drive and | 令人不安 悬念 警匪片 神秘 | Dm | 100 | |||
|
Creeping Feeling (15s) [BIB051 - 12] |
版本. | 0'16 | Dominik Johnson, Alexius Tschallener | Edgy, uneasy pulsing string led underscore with some drive and | 令人不安 悬念 警匪片 神秘 | Dm | 100 |