| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Epidemic Control [CEG5020 - 19] |
0 | 1'50 | Elisabeth Skornik, Guy Skornik | Urgent, tense & menacing. Electronics & percussion. | 调查研究 令人不安 科学 悬念 | B | 121 | |||
|
Last of Us [TBX052 - 10] |
3'26 | Ronnie W Verboom | Mysterious, supernatural, spooky. Bright, uneasy piano and synth | 悬念 耐心 科学 调查研究 | Em | 140 | ||||
|
Last of Us 30 sec [TBX052 - 28] |
版本. | 0'30 | Ronnie W Verboom | Mysterious, supernatural, spooky. Bright, uneasy piano and synth | 悬念 耐心 科学 调查研究 | Em | 140 | |||
|
Betamax [BIB120 - 1] |
2'30 | Conor O'Brien | Positive, carefree, hypnotic. Determined synth arpeggiators with | 自信 联盟 电子琴 合成波 | Ebm | 113 | ||||
|
Betamax - 30 sec [BIB120 - 11] |
版本. | 0'30 | Conor O'Brien | Positive, carefree, hypnotic. Determined synth arpeggiators with | 自信 联盟 电子琴 合成波 | Ebm | 113 | |||
|
Mission in Miami [BIB120 - 7] |
3'56 | Conor O'Brien | Determined, mysterious, upbeat. Bright retro synth arpeggiators with | 固执 果断 原声电子 电子琴 | Dbm | 125 | ||||
|
Mission in Miami [BIB120 - 17] |
版本. | 0'30 | Conor O'Brien | Determined, mysterious, upbeat. Bright retro synth arpeggiators with | 固执 果断 原声电子 电子琴 | Dbm | 125 | |||
|
48 Hours in Beverly Hills [BIB120 - 10] |
3'06 | Conor O'Brien | Hypnotic, positive, hopeful. Dreamy intro is joined by propulsive | 合成波 明朗 现代 果断 | Am | 161 | ||||
|
48 Hours in Beverly Hills [BIB120 - 20] |
版本. | 0'30 | Conor O'Brien | Hypnotic, positive, hopeful. Dreamy intro is joined by propulsive | 合成波 明朗 现代 果断 | Am | 161 | |||
|
Homecoming [TBX053 - 6] |
2'20 | Neil Athale | Positive, inspiring, cinematic. Reflective, hopeful piano with | 公司 联盟 工业 画面感 | A | 115 | ||||
|
Homecoming - 30 sec [TBX053 - 16] |
版本. | 0'30 | Neil Athale | Positive, inspiring, cinematic. Reflective, hopeful piano with | 公司 联盟 工业 画面感 | A | 115 | |||
|
Watching the Clouds [EOS37 - 2] |
0 | 1'51 | Johane Myran | Unclassifiable. Nocturnal, dreamy & jazzy. Muted trumpet, bass. | 夜晚 催眠 梦幻 科学 | Gbm | 96 | |||
|
Sea Weed [CEG5018 - 3] |
0 | 2'27 | Christian Mesmin | Dissonant, uneasy & intriguing. Moving through the unknown. Solo | 自然灾害 神秘 海底 神经病 | Eb | 64 | |||
|
Adrenaline Rush Effect [CEZ4380 - 7] |
0 | 1'26 | Maxence Dussere, David Gubitsch | Soundscape. Theatening, pulsing, creepy & frenzy. Build-up gradually | 追逐场面 声音设计 深邃 自然灾害 | Am | 110 | |||
|
Drone Machine [CEZ4380 - 10] |
0 | 2'27 | Maxence Dussere, David Gubitsch | Sci fi / drone / soundscape. Fade in. Profund & brooding with a | 背景音 声音设计 催眠 令人不安 | Fm | 88 | |||
|
The Shape of Space [CET9013 - 10] |
3'00 | Gabriel Saban, Philippe Briand | Brooding & spacey first part. Evolving gradually to an impressive & | 令人激动 预告片 画面感 庄严 | A | 81 | ||||
|
The Shape of Space Alternate 1 [CET9013 - 34] |
版本. | 3'00 | Gabriel Saban, Philippe Briand | Alternate without percussion. Brooding & spacey first part. Evolving | 令人激动 预告片 画面感 庄严 | A | 81 | |||
|
The Shape of Space Alternate 2 [CET9013 - 35] |
版本. | 3'00 | Gabriel Saban, Philippe Briand | Alternate without choir. Brooding & spacey first part. Evolving | 令人激动 预告片 画面感 庄严 | A | 81 | |||
|
Atomic Computers [EOS36 - 4] |
0 | 1'37 | Mathieu Harlaut | Electro ambient / underscore / electro industrial. Heavy, jerky & | 工业 固执 科学 背景电子乐 | C | 150 | |||
|
Last Farewell [TBX042 - 1] |
2'34 | Marvin Benjamin McMahon | Panoramic, expansive, hopeful. Atmospheric long strings with eerie, | 命运 令人激动 北欧风 忧伤 | Eb | 103 | ||||
|
Last Farewell - 30sec [TBX042 - 11] |
版本. | 0'30 | Marvin Benjamin McMahon | Panoramic, expansive, hopeful. Atmospheric long strings with eerie, | 命运 令人激动 忧伤 全景图 | Eb | 130 | |||
|
Blood Drops in the Snow [TBX042 - 4] |
2'52 | Killian Magee | Melancholic, haunting, sparse. Ethereal synth atmospheres with | 悬念 反省 社会悲剧 忧伤 | Em | 90 | ||||
|
Blood Drops in the Snow -
[TBX042 - 14] |
版本. | 0'30 | Killian Magee | Melancholic, haunting, sparse. Ethereal synth atmospheres with | 悬念 反省 社会悲剧 忧伤 | Em | 90 | |||
|
Christmas Truce [CEO2101 - 12] |
0 | 0'44 | Alice Guerlot Kourouklis | Crystalline, simple, childish & tender. Christmas chime. | 摇篮曲 通透 手工业 耐心 | Am | 91 | |||
|
An Impression of Movement 3 [CEO2101 - 13] |
0 | 1'31 | Alice Guerlot Kourouklis | Ondulating, interrogative & discontinuous. Electronics & cello | 叙述 悬念 漂泊 疑问 | F | 119 | |||
|
Radio Interference [CEO2101 - 15] |
0 | 1'16 | Alice Guerlot Kourouklis | Weird, minimalist & sparse. Drone & radio glitch. | (音效)干扰 (音效)广播 故障 神秘 | G | 118 | |||
|
The Great Leveller [TBX040 - 5] |
2'35 | Matthew Howes | Atmospheric, emotional, mysterious. Dark, brooding atmospheres with | 漂泊 调查研究 无电声钢琴 进步 | Cm | 110 | ||||
|
The Great Leveller - 30sec [TBX040 - 18] |
版本. | 0'30 | Matthew Howes | Atmospheric, emotional, mysterious. Dark, brooding atmospheres with | 漂泊 调查研究 无电声钢琴 进步 | Cm | 73 | |||
|
Eyes on the Prize [TBX041 - 3] |
2'24 | Arthur Gallon, James Warburton | Atmospheric, determined. Mysterious, propulsive layers of | 全景图 气氛 联盟 全景 | Abm | 104 | ||||
|
Eyes on the Prize - Underscore [TBX041 - 17] |
版本. | 2'24 | Arthur Gallon, James Warburton | Atmospheric, determined. Mysterious, propulsive layers of | 全景图 气氛 联盟 全景 | Abm | 104 | |||
|
Eyes on the Prize - 30 sec [TBX041 - 18] |
版本. | 0'30 | Arthur Gallon, James Warburton | Atmospheric, determined. Mysterious, propulsive layers of | 全景图 气氛 联盟 全景 | Abm | 104 | |||
|
Vanishing Dream [TBX041 - 4] |
1'22 | Sergey Kolosov | Investigative, suspenseful, dramatic. Propulsive, uneasy piano intro | 悬念 神秘 科学 电子琴 | Dbm | 120 | ||||
|
Vanishing Dream - Underscore [TBX041 - 19] |
版本. | 1'22 | Sergey Kolosov | Investigative, suspenseful, dramatic. Propulsive, uneasy piano intro | 悬念 神秘 无电声钢琴 科学 | Dbm | 120 | |||
|
Vanishing Dream - 30 sec [TBX041 - 20] |
版本. | 0'30 | Sergey Kolosov | Investigative, suspenseful, dramatic. Propulsive, uneasy piano intro | 悬念 神秘 科学 电子琴 | Dbm | 120 |