| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Emergency Housing [CEZ4286 - 14] |
0 | 2'44 | Gabriel Saban, Philippe Briand | TV series. Sad & inexorable. Constant progression. Piano & | 社会悲剧 调查研究 政治 伤心 | Cm | 60 | |||
|
Murders Without Clues [CEZ4286 - 16] |
0 | 2'00 | Gabriel Saban, Philippe Briand | TV series. Disturbing & tense. Constant progression. Tempo changing @ | 调查研究 警匪片 社会悲剧 政治 | Cm | 120 | |||
|
The Same Old Song [CEZ4262 - 8] |
0 | 2'43 | Vincent Leibovitz | Hip Hop / Beat making. Restless, sad, urban. Piano & rhythm. | 社会悲剧 现代 BEAT MAKING 无情 | Dm | 83 | |||
|
Hollow Lands [CEZ4244 - 18] |
0 | 2'52 | Gabriel Saban, Philippe Briand | Interrogative & desolate. TEmpo changing @ 1'33. Piano & electronics. | 社会悲剧 抱歉 悬念 漂泊 | Gm | 60 | |||
|
Airport [BIB014 - 3] |
0 | 2'48 | Sergey Kolosov | Slow steady 4/4 drums with ambient piano. Slightly minor in key with | 社会悲剧 调查研究 下降 电视主题曲 | Am | 120 | |||
|
Epicenter [CEG5060 - 6] |
2'03 | Arttu Silvast | Hybrid Scoring. Fast & tense intro, with repetitive sequence & | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | ||||
|
Epicenter Alternate 1 [CEG5060 - 21] |
版本. | 2'04 | Arttu Silvast | Version without percussion | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Epicenter Alternate 2 [CEG5060 - 22] |
版本. | 2'26 | Arttu Silvast | Short version | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Epicenter Alternate 3 [CEG5060 - 23] |
版本. | 2'26 | Arttu Silvast | Version without percussion | 动荡 周期性的 社会悲剧 当代历史 | F | 100 | |||
|
Antibody [CEG5060 - 9] |
2'58 | Arttu Silvast | Hybrid Scoring. Intro with clinical, investigative & constant | 固执 无情 社会悲剧 工业 | Em | 122 | ||||
|
Antibody Alternate 1 [CEG5060 - 27] |
版本. | 2'57 | Arttu Silvast | Version without percussion | 固执 无情 社会悲剧 工业 | Em | 122 | |||
|
Antibody Alternate 2 [CEG5060 - 28] |
版本. | 2'58 | Arttu Silvast | Underscore version with percussion | 固执 无情 社会悲剧 工业 | Em | 122 | |||
|
What Tomorrow Holds - Piano
[CEZ4700 - 17] |
0 | 2'50 | Elisabeth Skornik, Guy Skornik | Solo piano version. The same note is repeated from beginning to end. | 社会悲剧 稀疏 叙述 历史旁白 | F | 110 | |||
|
Pendulum Curve - Piano version [CEZ4700 - 23] |
0 | 2'28 | Elisabeth Skornik, Guy Skornik | Solo piano version. Neoclassical. Cyclical, repetitive & nostalgic. | 周期性的 社会悲剧 感动 历史片 | Am | 104 | |||
|
Walking a Fine Line [CEG5059 - 2] |
2'13 | Felix Halbe | Hesitant, cautious, tense, doubtful & questioning. Piano, drone, | 美国独立制片电影 反省 耐心 调查研究 | Gbm | 151 | ||||
|
Walking a Fine Line Alternate [CEG5059 - 14] |
版本. | 2'12 | Felix Halbe | Version with less strings, percussion & SFX. | 美国独立制片电影 反省 light tension 耐心 | Gbm | 150 | |||
|
Obsessed [CEG5059 - 5] |
2'01 | Felix Halbe | Stubborn, cyclical & repetitive, building up gradually with synth | 固执 周期性的 社会悲剧 动荡 | A | 125 | ||||
|
Obsessed Alternate [CEG5059 - 16] |
版本. | 1'40 | Felix Halbe | Version without piano ostinato. | 固执 周期性的 社会悲剧 动荡 | E | 125 | |||
|
Facing the Crossroad [CEG5059 - 6] |
0 | 2'22 | Felix Halbe | Moving, tormented, haunting & tragic. String ensemble. Suggested for | 心理剧 社会悲剧 动荡 伴音 | Dbm | 77 | |||
|
Substance Abuse [TBX232 - 5] |
2'31 | Vito Dells | Icey, daunting, fun. Cold synth melodies present a modern, cool vibe, | 社会悲剧 态度 电影节奏 阴险 | Dm | 136 | ||||
|
Substance Abuse (Underscore) [TBX232 - 20] |
版本. | 2'31 | Vito Dells | Icey, daunting, fun. Cold synth melodies present a modern, cool vibe, | 社会悲剧 态度 电影节奏 阴险 | Dm | 136 | |||
|
Silent Trigger [TBX232 - 11] |
2'30 | Ernesto Lopez Amestica | Anticipatory, serious, struggling. Loose jangling percussion follows | 社会悲剧 内心 电影节奏 忧伤 | Am | 90 | ||||
|
Silent Trigger (Underscore) [TBX232 - 28] |
版本. | 2'30 | Ernesto Lopez Amestica | Anticipatory, serious, struggling. Loose jangling percussion follows | 社会悲剧 内心 气氛 疑问 | Am | 90 | |||
|
Revelations [TBX231 - 1] |
2'41 | James Tearne | Climactic, dramatic, classical. Quiet strings emerge with a testy, | 伴音 社会悲剧 忧伤 全景 | Eb | 66 | ||||
|
Revelations (Underscore) [TBX231 - 11] |
版本. | 2'32 | James Tearne | Climactic, dramatic, classical. Quiet strings emerge with a testy, | 伴音 社会悲剧 忧伤 全景 | Eb | 66 | |||
|
We Will Find Them [TBX231 - 3] |
2'40 | James Tearne | Grave, powerful, determined. Shaky bell emerge from pads conveying | 气氛 画面感 社会悲剧 反省 | Em | 100 | ||||
|
We Will Find Them (Underscore) [TBX231 - 14] |
版本. | 2'40 | James Tearne | Grave, powerful, determined. Shaky bell emerge from pads conveying | 气氛 画面感 社会悲剧 反省 | Em | 100 | |||
|
We Will Find Them (Underscore
[TBX231 - 15] |
版本. | 2'38 | James Tearne | Grave, powerful, determined. Shaky bell emerge from pads conveying | 气氛 画面感 社会悲剧 反省 | Em | 100 | |||
|
Letters [TBX230 - 11] |
1'22 | Logan Ferguson | Nostalgic, dramatic, quirky. Piano and detuned synth wander out amid | 电影节奏 社会悲剧 固执 改变 | Cm | 100 | ||||
|
Letters (Underscore) [TBX230 - 24] |
版本. | 1'22 | Logan Ferguson | Nostalgic, dramatic, quirky. Piano and detuned synth wander out amid | 电影节奏 社会悲剧 固执 改变 | Cm | 100 | |||
|
Istanbul Contrast [IOM043 - 4] |
2'39 | Omer Agca | Stylish, sultry, modern. Oud riff falls into trappy rhythm conveying | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 | ||||
|
Istanbul Contrast
[IOM043 - 20] |
版本. | 2'38 | Omer Agca | Stylish, sultry, modern. Oud riff falls into trappy rhythm conveying | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 | |||
|
Istanbul Contrast (Bed) [IOM043 - 21] |
版本. | 2'38 | Omer Agca | Stylish, sultry, modern. Traditional strings fall into trappy rhythm | 电影节奏 社会悲剧 疑问 态度 | Gm | 140 | |||
|
Duel [TBX227 - 1] |
2'44 | Jack Selby | Astute, dramatic, classical. Upright piano plays out a serious chord | 历史旁白 社会悲剧 政治 严谨 | B | 85 | ||||
|
Duel (Underscore) [TBX227 - 11] |
版本. | 2'44 | Jack Selby | Astute, dramatic, classical. Upright piano plays out a serious chord | 历史旁白 社会悲剧 政治 严谨 | Bm | 85 | |||
|
Blooms [TBX227 - 3] |
2'08 | Jack Selby | Strident, atmospheric, emotional. Chugging strings with a nervy | 感动 美国独立制片电影 气氛 画面感 | Gm | 117 | ||||
|
Blooms (Underscore) [TBX227 - 13] |
版本. | 2'08 | Jack Selby | Strident, atmospheric, emotional. Chugging strings with a nervy | 美国独立制片电影 社会悲剧 感动 气氛 | Gm | 117 |