Song sung in French. 30's & 40's. Funny & bouncy. Male singer, piano, Song sung in French. 30's & 40's. Funny & bouncy. Male singer, piano, fllute & rhythm.歌词
Les jambes des femmesSont des ciseauxElles tranchent la vieEn petits morceauxComme des becs d’oiseaux enivrésVolant au-dessus de la mer Moi j’aime avoir les pieds sur terreRacines au sol et tête en l’airPour contempler le ciel d’azurEt le spectacle de ces fruits murs Les mains des femmesDes papillonsElles parlent et jouentCaressent aussiElles sont des griffes de lionnes sauvagesTiennent la vie Et les hommes aussi Ma chère MadeleineN’est pas comme çaDe ces dix doigts M’étreint le cœurSes belles gambettesSont toujours prêtes Pour une ballade A bicyclette
English translation : Les Jambes des Femmes Ladies’s legs Are scissorsThey cut life upInto little piecesLike beaks of drunken birdsFlying over the sea
Myself, I like having my feet on the groundRooted to the soil and my head in the cloudsTo contemplate the azur skyAnd the spectacle of ripened fruits Ladies’ handsAre butterfliesThey talk and playAnd caress They are the claws of wild lionessesGripping lifeAnd, at the same time, men My dear MadeleineIs that not howThese ten fingersTighten my heartHer beautiful legsAre always
Song sung in French. Historical song. First World War.1917. Dramatic. Song sung in French. Historical song. First World War.1917. Dramatic. Male singer & accordion.歌词
Quand au bout d'huit jours, le r'pos terminé, On va r'prendre les tranchées, Notre place est si utile Que sans nous on prend la pile. Mais c'est bien fini, on en a assez, Personn' ne veut plus marcher, Et le cœur bien gros, comm' dans un sanglot On dit adieu aux civ'lots. Même sans tambour, même sans trompette, On s'en va là-haut en baissant la tête. Adieu la vie, adieu l'amour, Adieu toutes les femmes. C'est bien fini, c'est pour toujours, De cette guerre infâme. C'est à Craonne, sur le plateau, Qu'on doit laisser sa peau Car nous sommes tous condamnés Nous sommes les sacrifiés !Huit jours de tranchées, huit jours de souffrance, Pourtant on a l'espérance Que ce soir viendra la r'lève Que nous attendons sans trêve. Soudain, dans la nuit et dans le silence, On voit quelqu'un qui s'avance, C'est un officier de chasseurs à pied, Qui vient pour nous remplacer. Doucement dans l'ombre, sous la pluie qui tombe Les petits chasseurs vont chercher leurs tombes.
English translation : Craonne Song When at the end of a week's leaveWe go back to the trenches, Our place there is so usefulThat without us we'd get a thrashing.But now it’s finished we've had enoughNobody wants to march anymore.And with hearts downcast with sobs,We're saying good-bye to the civilians, Even without drum or trumpetWe're heading up there with lowered heads. Good-bye to life, good-bye to love, Good-bye to all you women, It's finished, and foreverwe've had it for good with this awful war.It's in Craonne up on the plateau That we're leaving our skins,'Cause we've all been sentenced to die. We're the ones that they're sacrificing A week in the trenches, a week of suffering, And yet we still have hopeThat tonight the relief will come That we keep waiting for.Suddenly in the silent night We hear someone approachIt's an infantry officer Who's coming to take over from us. Quietly in the shadows as the rain fallsThe poor soldiers go in search of their graves Those who’ve got the dough, they will come back'Cause it's for them that we're dying. Now it’s finished, 'cause all us poor soldiers Are going to go on strike. It'll be your turn, fat cats, To go up onto the plateau. And if you want war, Then pay for it with your own skins. On the grand boulevards it's hard to watch All the fat cats whooping it up For them life is good But for us it's not the same Instead of hiding, all these shirkers Would do better by going up to the trenches To defend what they have, because we have nothing All of us poor wretches All our comrades are buried there Defending the wealth of these gentlemen here
Instrumental version, no voice. France. Historic song. First World Instrumental version, no voice. France. Historic song. First World War 1917. Nostalgic. Solo accordion.
Instrumental version, no voice. France. Historic song. First World Instrumental version, no voice. France. Historic song. First World War 1917. Nostalgic. Solo accordion.
Upbeat, positive, rollicking. Euphoric rock and roll featuring jazzy, Upbeat, positive, rollicking. Euphoric rock and roll featuring jazzy, lighthearted brass, foot-tapping drums, tambourine and celebratory melodies. Playful guitars and dancing double bass complete this classic 50's style, energetic "Lindy hop" cue.
Upbeat, positive, rollicking. Euphoric rock and roll featuring jazzy, Upbeat, positive, rollicking. Euphoric rock and roll featuring jazzy, lighthearted brass, foot-tapping drums, tambourine and celebratory melodies. Playful guitars and dancing double bass complete this classic 50's style, energetic "Lindy hop" cue.
Fun, mischievous, cool. Confident and playful male vocals, with Fun, mischievous, cool. Confident and playful male vocals, with upbeat drums, positive and lighthearted electric guitar riffs. Celebratory classic rock and roll with loads of energy and attitude.歌词
Honey don’t call me on the telephone Don’t ring my bell baby I ain’t home Can’t pick you up can’t drop you a line Sorry baby I ain’t got the time I’m busy I’m busy
I’ve got so much to do it’s got me feeling dizzy Real sorry baby I’m just too busy
Saturday night I ain’t hitting the hop I told you baby I’m too busy to bop No time to twist no time to have fun I ain’t jiving got stuff to be done
I’m busy, well baby I’m busy well I’ve got so much to do it’s got me feeling dizzy Real sorry baby I’m just too busy
Honey don’t call me on the telephone Don’t ring my bell baby I ain’t home Can’t pick you up, gotta step on the gas I tell you baby it’s a pain in the ass
I’m busy I’m busy
I’ve got so much to do it’s got me feeling dizzy Real sorry baby I’m just too busy
Got things to do got people to see Got fish to fry got places to be Can’t pick you up I can’t drop you a line I’m sorry baby I ain’t got the time
I’m busy I’m busy
I’ve got so much to do it’s got me feeling dizzy Real sorry baby I’m just too busy
Fun, mischievous, cool. Instrumental underscore version featuring Fun, mischievous, cool. Instrumental underscore version featuring upbeat drums, and positive, lighthearted and confident electric guitar riffs. Celebratory classic rock and roll with loads of energy and attitude.
Fun, mischievous, cool. Confident and playful male vocals, with Fun, mischievous, cool. Confident and playful male vocals, with upbeat drums, positive and lighthearted electric guitar riffs. Celebratory classic rock and roll with loads of energy and attitude.
Upbeat, rollicking, energetic. Playful and positive electric guitars Upbeat, rollicking, energetic. Playful and positive electric guitars with cool drums, catchy riffs and dancing bass. Classic 50's style rock and roll to get everyone on their feet.
Upbeat, rollicking, energetic. Playful and positive electric guitars Upbeat, rollicking, energetic. Playful and positive electric guitars with cool drums, catchy riffs and dancing bass. Classic 50's style rock and roll to get everyone on their feet.
Upbeat, positive, carefree. Strummed acoustic guitars with jazzy and Upbeat, positive, carefree. Strummed acoustic guitars with jazzy and light classical guitar topline. Meandering, happy melodies form a warm, innocent and laid-back Parisian waltz with an air of summer romance.
Upbeat, positive, carefree. Vintage mix. Strummed acoustic guitars Upbeat, positive, carefree. Vintage mix. Strummed acoustic guitars with jazzy and light classical guitar topline. Meandering, happy melodies form a warm, innocent and laid-back Parisian waltz with an air of summer romance.
Upbeat, positive, carefree. Strummed acoustic guitars with jazzy and Upbeat, positive, carefree. Strummed acoustic guitars with jazzy and light classical guitar topline. Meandering, happy melodies form a warm, innocent and laid-back Parisian waltz with an air of summer romance.
Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Lead piano, brass section with baritone sax & rhythm with claps. Solo guitar @ 0'36 & solo drums @ 1'30
Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Lead piano, brass section with baritone sax & rhythm. Solo guitar @ 0'36 & solo drums @ 1'30.
Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Fast boogie-woogie in the style of the 50's. Optimistic & bouncing. Lead piano, brass section with baryton sax & rhythm. Solo guitar @ 0'36 & solo drums @ 1'30.
Instrumental blend of country and cumbia texana music. Dancing & Instrumental blend of country and cumbia texana music. Dancing & swaying. Rhythm section, accordion, electric guitar & banjo.
Underscore. Instrumental blend of country and cumbia texana music. Underscore. Instrumental blend of country and cumbia texana music. Dancing & swaying. Rhythm section, electric guitar & banjo. No accordion.
Underscore. Instrumental blend of country and cumbia texana music. Underscore. Instrumental blend of country and cumbia texana music. Dancing & swaying. Rhythm section & electric guitar. No banjo, no accordion.
Underscore, commercial lenght. Instrumental blend of country and Underscore, commercial lenght. Instrumental blend of country and cumbia texana music. Dancing & swaying. Rhythm section, electric guitar, accordion & banjo.
Christmas. Slow Rock from the 50's. Funny & dancing. Electric Christmas. Slow Rock from the 50's. Funny & dancing. Electric guitars, glockenspiel, sleigh bells & rhythm.
Spanish guitar and brass section, create a cinematic, traditional Spanish guitar and brass section, create a cinematic, traditional sounding Latin score.
Slow-rock in the style of the 50's & 60's. Kitsch & naive. Rock band Slow-rock in the style of the 50's & 60's. Kitsch & naive. Rock band with lead guitar.
Slow-rock in the style of the 50's & 60's. Kitsch & naive. Rock band Slow-rock in the style of the 50's & 60's. Kitsch & naive. Rock band with lead vocal & guitar.
Friendly, content, joyful. Mandolin plays in Italian Tarantella style Friendly, content, joyful. Mandolin plays in Italian Tarantella style offering a homely, rustic mood. People drinking cups of coffee as scooters putter down cute streets. A warm and romantic mood, two people in love exploring an Italian town with a church and traditional dress. Slow swaying rhythm gives a sense of patience and contentment. A slow dance between two lovers.
Friendly, content, joyful. Quint hand-picked guitar offering a Friendly, content, joyful. Quint hand-picked guitar offering a homely, rustic mood. People drinking cups of coffee as scooters putter down cute streets. A warm and romantic mood, two people in love exploring an Italian town with a church and traditional dress. Slow swaying rhythm gives a sense of patience and contentment. A slow dance between two lovers. Stripped back underscore version.
Warm, joyous, confident. Shaker percussion gives rise to warm stabs Warm, joyous, confident. Shaker percussion gives rise to warm stabs and rolling snares, a sense of positive, welcoming fun. A Latin dance celebration full of smiling faces. Tone shift @ 0'23 with yearning minor chords and moaning female vocals. Powerful snare rattle offers an unstoppable positive momentum. Sun shining on a rustic town in a Latin American country. Soloing acoustic guitar squeezes through pacy percussion with help of dynamic bassline.
Warm, joyous, confident. Shaker percussion gives rise to warm stabs Warm, joyous, confident. Shaker percussion gives rise to warm stabs and rolling snares, a sense of positive, welcoming fun. A Latin dance celebration full of smiling faces. Tone shift at 00:23 with yearning minor chords. Powerful snare rattle offers an unstoppable positive momentum. Sun shining on a rustic town in a Latin American country. Soloing acoustic guitar squeezes through pacy percussion with help of dynamic bassline. Instrumental version.
Warm, joyous, confident. Shaker percussion gives rise to warm stabs Warm, joyous, confident. Shaker percussion gives rise to warm stabs and rolling snares, a sense of positive, welcoming fun. A Latin dance celebration full of smiling faces. Tone shift at 00:23 with yearning minor chords and piano. Powerful snare rattle offers an unstoppable positive momentum. Sun shining on a rustic town in a Latin American country. Stripped back underscore version.
Warm, joyous, confident. Sharp snare rattles fall into fun dynamic Warm, joyous, confident. Sharp snare rattles fall into fun dynamic Latin percussion session, light bell hits giving a floating vibe to momentum. Percussion only version.
Fun, wholesome, cheeky. Flurry violin tune gives a pacy lively energy Fun, wholesome, cheeky. Flurry violin tune gives a pacy lively energy as oompah rhythm offers a childlike sense of fun. A kids story where characters are comedic and fool around. Dancey energy from slick tempo, with passionate violin playing offering a cool and candid sensibility.
Fun, wholesome, cheeky. Oompah rhythm with guitar and double bass Fun, wholesome, cheeky. Oompah rhythm with guitar and double bass offers a 12-bar blues led childlike sense of fun. A kids story where characters are comedic and fool around. Dancey energy from slick tempo. Stripped back underscore version.
Cosy, quaint, wholesome. Expressive violin leads the way for a jazzy Cosy, quaint, wholesome. Expressive violin leads the way for a jazzy slow drumbeat and lazy guitar chords. A sunset scene with people relaxing and enjoying eachothers company. Simplistic major melody offers a laidback atmosphere. Guitar following on from violin at 01:20 offer a freeing improvised vibe.
Cosy, quaint, wholesome. Lazy guitars paint a sunset scene, people Cosy, quaint, wholesome. Lazy guitars paint a sunset scene, people relaxing and enjoying eachothers company. Simplistic major melody offers a laidback atmosphere. A warmth in which everyone is welcome to sit and chill out. Stripped back underscore version.
Suspicious, fun, buoyant. Hi-hat percussion and clicking gives an Suspicious, fun, buoyant. Hi-hat percussion and clicking gives an old-school detective vibe, with warm guitars offering a lighthearted energy. A sleuth on a case in a silly comedy or quaint stylised story. Impassioned violin and guitar solos communicate a sense of energy and intent. An individual desperate to get to the bottom of a suspicious situation in an old-fashioned town or city.
Suspicious, fun, buoyant. Hi-hat percussion and clicking gives an Suspicious, fun, buoyant. Hi-hat percussion and clicking gives an old-school detective vibe, with warm guitars offering a lighthearted energy. A sleuth on a case in a silly comedy or quaint stylised story. An individual desperate to get to the bottom of a suspicious situation in an old-fashioned town or city. Stripped back underscore version.
