| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Stunner Gunner [CET9022 - 1] |
2'05 | Nick Tzios | Weird ticking clock intro. Violent, vehement & impulsive cinematic | 冲突 进行中 无情 预告片 | Cm | 130 | ||||
|
Stunner Gunner Alternate 1 [CET9022 - 13] |
版本. | 2'05 | Nick Tzios | Alternate without percussion. Weird, urban, tough & mysterious. Sound | 冲突 进行中 无情 固执 | C | 129 | |||
|
Stunner Gunner Alternate 2 [CET9022 - 14] |
版本. | 2'01 | Nick Tzios | Alternate percussion only. Weird ticking clock intro. Violent, | 进行中 时间(滴答声) 冲突 爆炸 | Ebm | 130 | |||
|
Killing Machine [CET9021 - 1] |
01'14 | Philippe Briand | Percussive trailer track. Violent, ticking & pulsating. Anticipating | 冲突 爆炸 火热 冲击 | Em | 145 | ||||
|
Killing Machine Alternate 1 [CET9021 - 11] |
版本. | 01'13 | Philippe Briand | Alternate without percussion. Weird & disjointed. Agressive @ 0'30. | 冲击 火热 进行中 沉重 | Em | 144 | |||
|
Killing Machine Alternate 2 [CET9021 - 12] |
版本. | 01'13 | Philippe Briand | Alternate without voice fx. Violent, ticking & pulsating. | 冲突 爆炸 火热 冲击 | Em | 145 | |||
|
Digital Overdose [CEZ4387 - 10] |
0 | 2'16 | Vermair | Spy movie / sci fi. Constant progression. Synth with arpeggiator & | 催眠 信息技术 无情 令人不安 | Bbm | 89 | |||
|
Gates of Fire [CET9012 - 6] |
1'29 | Gabriel Saban, Philippe Briand | Brutal, spasmodic & suspended. Impulsive hits & rhythm with clock. | 突然 冲突 时间(滴答声) 轰隆声 | Em | 124 | ||||
|
Gates of Fire Alternate 1 [CET9012 - 24] |
版本. | 1'29 | Gabriel Saban, Philippe Briand | Alternate with less perc & without clock. Brutal, spasmodic & | 突然 轰隆声 无情 悬念 | Em | 126 | |||
|
Gates of Fire Alternate 2 [CET9012 - 25] |
版本. | 1'29 | Gabriel Saban, Philippe Briand | Alternate without clock. Brutal, spasmodic & suspended. Impulsive & | 突然 冲突 轰隆声 无情 | Em | 126 | |||
|
Clash of Hammers [CET9012 - 15] |
1'41 | Gabriel Saban, Philippe Briand | Under pressure. Determined wild drum roll. Constant & chasing action | 追逐场面 预告片 固执 画面感 | C | 89 | ||||
|
Clash of Hammers Alternate [CET9012 - 38] |
版本. | 1'41 | Gabriel Saban, Philippe Briand | Percussion & impacts only. Under pressure. Determined wild drum roll. | 预告片 画面感 战争 追逐场面 | Cm | 89 | |||
|
Trick or Treat [CEZ4379 - 14] |
1'49 | Baptiste Thiry | Halloween. Disturbing & magical. Children voices, string orchestra, | 万圣节 仙境 时间(滴答声) 恐怖喜剧 | Am | 64 | ||||
|
Trick or Treat Alternate [CEZ4379 - 33] |
版本. | 1'49 | Baptiste Thiry | Halloween. Storytelling. Interrogative, lightly disturbing & magical. | 万圣节 仙境 时间(滴答声) 恐怖喜剧 | Am | 64 | |||
|
Nothing Left to Lose [INP013 - 12] |
2'56 | Matthew St Laurent | Driving, epic, suspenseful. Determined retro style synths weave and | 间谍片 固执 悬念 时间(滴答声) | Em | 101 | ||||
|
Nothing Left to Lose -
[INP013 - 28] |
版本. | 2'56 | Matthew St Laurent | Driving, epic, suspenseful. Stripped back underscore version with | 间谍片 固执 悬念 时间(滴答声) | Em | 152 | |||
|
Nothing Left to Lose - 30sec [INP013 - 29] |
版本. | 0'33 | Matthew St Laurent | Driving, epic, suspenseful. Determined retro style synths with | 间谍片 固执 悬念 时间(滴答声) | Em | 101 | |||
|
Game Frenzy [CEZ4225 - 12] |
0 | 1'35 | Baptiste Thiry | Cinematic. Urgent & minimalist. Stop watch & electronics. | 固执 时间(滴答声) 无情 追逐场面 | Am | 106 | |||
|
Piano and Clock [BIB030 - 8] |
0 | 2'00 | Conor O'Brien | A minimalist, cascading, piano line meets mid tempo swaying drum | 时间(滴答声) (音效)滴答声 气氛 反省 | A | 103 | |||
|
Time's Running Out [CEZ4090 - 5] |
0 | 2'08 | Elisabeth Skornik, Guy Skornik | Obsessive tick-tock. Electronics, electric guitar & strings @ 0'34 | 警匪片 时间(滴答声) 调查研究 固执 | Dm | 102 | |||
|
Hidden Affairs [CEG5061 - 1] |
1'00 | Xavier Jamaux | Suspicious, cinematic, tense & evocative. Dramatic & emotional | 政治 阴险 调查研究 electronic score | Cm | 105 | ||||
|
Hidden Affairs Alternate [CEG5061 - 13] |
版本. | 0'59 | Xavier Jamaux | Version without flute | 政治 阴险 调查研究 electronic score | Cm | 105 | |||
|
As Life Flows - Electro
[CEZ4700 - 3] |
0 | 2'51 | Elisabeth Skornik, Guy Skornik | Electronic version. Corporate. Restrained but with emotion. Regular | electronic score 调查研究 悬念 稳定的 | A | 104 | |||
|
Pendulum Curve [CEZ4700 - 22] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Neo-classical. Dramatic, punctuated, tragic & stubborn. String | 时间(滴答声) 进行中 固执 严谨 | Am | 108 | |||
|
Cut the Red Wire [CEG5058 - 2] |
0 | 1'08 | Les Cosmonotes | Suspenseful Clockwork. Waiting, undecided, minimal & dark. Metallic | 进行中 悬念 令人不安 时间(滴答声) | Cm | 90 | |||
|
Kill Your Ennemies [CET9107 - 1] |
2'11 | Thomas Langan | Cinematic trailer. Intro with eerie vocals & spooky soundscape. | 恐怖片 恐怖 画面感 令人不安 | Em | 84 | ||||
|
Kill Your Ennemies Alternate 1 [CET9107 - 12] |
版本. | 2'11 | Thomas Langan | Version without percussion | 恐怖片 恐怖 画面感 令人不安 | Em | 172 | |||
|
Kill Your Ennemies Alternate 2 [CET9107 - 13] |
版本. | 2'11 | Thomas Langan | Version with percussion only | 恐怖片 恐怖 画面感 令人不安 | Em | 85 | |||
|
Kill Your Ennemies Alternate 3 [CET9107 - 14] |
版本. | 2'11 | Thomas Langan | Version without strings | 恐怖片 恐怖 画面感 令人不安 | Em | 85 | |||
|
Kill Your Ennemies Alternate 4 [CET9107 - 15] |
版本. | 2'11 | Thomas Langan | Bed version | 恐怖片 恐怖 画面感 令人不安 | Em | 85 | |||
|
Kill Your Ennemies Alternate 5 [CET9107 - 16] |
版本. | 2'11 | Thomas Langan | Underscore version | 恐怖片 恐怖 画面感 令人不安 | Em | 85 | |||
|
Kill Your Ennemies Alternate 6 [CET9107 - 17] |
版本. | 0'30 | Thomas Langan | 30 second cut | 恐怖片 恐怖 画面感 令人不安 | Em | 85 | |||
|
Kill Your Ennemies Alternate 7 [CET9107 - 18] |
版本. | 0'17 | Thomas Langan | 15 second cut | 恐怖片 恐怖 画面感 令人不安 | Em | 85 | |||
|
Hanging Time [CEG5048 - 5] |
1'55 | Julien Vega | Atmospheric, dreamy, anticipating & peaceful. Piano, electronics & | 进行中 耐心 疑问 时间(滴答声) | E | 106 | ||||
|
Hanging Time Alternate 1 [CEG5048 - 20] |
版本. | 1'55 | Julien Vega | Alternate minimalist version | 反省 电影原声带 感动 进行中 | E | 71 | |||
|
Hanging Time Alternate 2 [CEG5048 - 21] |
版本. | 1'55 | Julien Vega | Alternate minimalist version | 进行中 耐心 疑问 时间(滴答声) | E | 106 | |||
|
Investigation in Progress [CEG5048 - 7] |
2'04 | Antoine Glatard | Suspensful, urgent, fast, intriguing & determined. Piano, strings & | 进行中 调查研究 悬念 时间(滴答声) | Dm | 118 | ||||
|
Investigation in Progress
[CEG5048 - 23] |
版本. | 2'01 | Antoine Glatard | Alternate minimalist version | 时间(滴答声) 进行中 神秘 历史旁白 | Dm | 118 | |||
|
Vain Expectation [CEG5048 - 13] |
2'18 | Baptiste Thiry | Questioning, doubtful & restrained. Strings, piano, synth pad, | 进行中 社会悲剧 耐心 时间(滴答声) | Cm | 105 | ||||
|
Vain Expectation Alternate 1 [CEG5048 - 29] |
版本. | 1'32 | Baptiste Thiry | Alternate minimalist version | 社会悲剧 稳定的 调查研究 叙述 | Cm | 105 | |||
|
Vain Expectation Alternate 2 [CEG5048 - 30] |
版本. | 2'13 | Baptiste Thiry | Alternate minimalist version | 稳定的 司法 叙述 社会悲剧 | Cm | 99 | |||
|
Vain Expectation Alternate 3 [CEG5048 - 31] |
版本. | 1'27 | Baptiste Thiry | Alternate minimalist version | 叙述 耐心 稳定的 稀疏 | C | 104 | |||
|
Time Is A Factor [TBX200 - 27] |
1'56 | Jack Pierce | Anticipatory, exciting, frantic. Spritely plucked strings play out a | 竞猜节目 时间(滴答声) 阴险 拨奏 | Gm | 149 | ||||
|
Time Is A Factor (Underscore) [TBX200 - 82] |
版本. | 1'56 | Jack Pierce | Anticipatory, exciting, frantic. Spritely plucked strings play out a | 竞猜节目 时间(滴答声) 阴险 拨奏 | Gm | 151 | |||
|
Time Is A Factor (Underscore
[TBX200 - 83] |
版本. | 1'56 | Jack Pierce | Anticipatory, exciting, frantic. Spritely plucked strings play out a | 竞猜节目 时间(滴答声) 阴险 拨奏 | Gm | 99 | |||
|
Inner Voice [BIB271 - 3] |
2'00 | Olivier Bibeau | Bright, explorative, anticipatory. High-pitched bell gives a sense of | 令人激动 冒险片 画面感 自信 | Dm | 132 | ||||
|
Inner Voice (Instrumental) [BIB271 - 16] |
版本. | 2'00 | Olivier Bibeau | Bright, explorative, anticipatory. High-pitched bell gives a sense of | 令人激动 冒险片 画面感 自信 | Dm | 132 | |||
|
Inner Voice (Underscore A) [BIB271 - 17] |
版本. | 2'00 | Olivier Bibeau | Bright, explorative, anticipatory. High-pitched bell gives a sense of | 令人激动 冒险片 画面感 自信 | Dm | 132 | |||
|
Inner Voice (Underscore B) [BIB271 - 18] |
版本. | 2'00 | Olivier Bibeau | Bright, explorative, anticipatory. High-pitched bell gives a sense of | 令人激动 冒险片 画面感 自信 | Dm | 132 |