| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Tales To Tell [TBX077 - 5] |
1'51 | Ronnie W Verboom | Suspenseful, determined, haunting. Tense, uneasy string and | 间谍片 固执 时间(滴答声) 悬念 | Gb | 141 | ||||
|
Tales To Tell - 30 sec [TBX077 - 21] |
版本. | 0'30 | Ronnie W Verboom | Suspenseful, determined, haunting. Tense, uneasy string and | 固执 令人不安 政治 严谨 | Gbm | 141 | |||
|
Metronomy [CEZ4418 - 7] |
0 | 01'36 | Alice Guerlot Kourouklis | In expectation, introspective peaceful & minimalist. Metronome sound, | 节拍器 进行中 时间(滴答声) 悬念 | A | 60 | |||
|
The Imposter [CET9022 - 2] |
2'02 | Nick Tzios, Paul Copestake | ☆ Nominated "Best Use - Promo" @Mark Awards US 2024 ☆ Ominous & | 画面感 爆炸 轰隆声 令人不安 | Cm | 125 | ||||
|
The Imposter Alternate 1 [CET9022 - 15] |
版本. | 1'56 | Nick Tzios, Paul Copestake | Alternate without percussion. Ominous & suspensful intro. Thrilling | 画面感 轰隆声 令人不安 预告片 | Cm | 125 | |||
|
The Imposter Alternate 2 [CET9022 - 16] |
版本. | 1'59 | Nick Tzios, Paul Copestake | Alternate percussion only. Ominous & suspensful ticking clock intro. | 画面感 冲击 爆炸 不平稳 | Gbm | 125 | |||
|
The Hour has Come [CET9021 - 10] |
01'31 | Philippe Briand | Anticipating, ticking, tribal & warlike. Heavy cinematic drum rolls, | 军事冲突 进行中 冲击 时间(滴答声) | Fm | 110 | ||||
|
The Hour has Come Alternate [CET9021 - 23] |
版本. | 01'31 | Philippe Briand | Alternate without percussion. Anticipating, tribal & warlike. Tense | 进行中 影院摇滚 恐怖片 火热 | Fm | 110 | |||
|
Against the Clock [TBX052 - 3] |
3'06 | Stuart Michael Peck | Propulsive, tense, peril. Deep bass synth sustains ebb and flow with | 时间(滴答声) 间谍片 固执 断奏 | Gm | 156 | ||||
|
Against the Clock Underscore [TBX052 - 18] |
版本. | 3'06 | Stuart Michael Peck | Propulsive, tense, peril. Deep bass synth sustains ebb and flow with | 时间(滴答声) 间谍片 固执 断奏 | Gm | 105 | |||
|
Against the Clock 30 sec [TBX052 - 19] |
版本. | 0'30 | Stuart Michael Peck | Propulsive, tense, peril. Deep bass synth sustains ebb and flow with | 时间(滴答声) 间谍片 固执 断奏 | Gm | 105 | |||
|
How Far We've Come [TBX053 - 2] |
2'19 | Neil Athale | Brooding, rousing, emotive. Reflective piano with mysterious synths | 时间(滴答声) 加速镜头 公司 全景 | A | 112 | ||||
|
How Far We've Come - 30 sec [TBX053 - 12] |
版本. | 0'30 | Neil Athale | Brooding, rousing, emotive. Reflective piano with mysterious synths | 时间(滴答声) 加速镜头 公司 全景 | Em | 112 | |||
|
Bricks [CEO2100 - 23] |
0 | 1'05 | Elisabeth Skornik, Guy Skornik | Repetitive & urgent. Bass sequence & sound of stone. | 固执 无情 调查研究 间谍片 | Am | 90 | |||
|
Psychotic Mind [CET9014 - 10] |
2'02 | Martin Emilio Insaurgarat | Unstable, weird & discontinuous. Constant clock @ 0'39. Obstinate, | 恐怖片 神经病 时间(滴答声) 恐怖 | Bm | 110 | ||||
|
Psychotic Mind Alternate [CET9014 - 22] |
版本. | 2'01 | Martin Emilio Insaurgarat | Alternate with less percussion. Wacky, uncomfortable & distressing. | 恐怖片 神经病 时间(滴答声) 恐怖 | Bm | 110 | |||
|
Poisoned Soil [CEG5017 - 20] |
0 | 2'21 | Abaji | Interrogative, sparse & lightly disturbing. Kalimba, whistling, | 时间(滴答声) 疑问 悬念 伴音 | Dm | 120 | |||
|
Time is on the Move [CEZ4351 - 3] |
2'37 | Guy Skornik, Elisabeth Skornik | ☆ Nominated "Best Use - Digital / Online Advertising" @Production | 社会悲剧 (音效)滴答声 严谨 进行中 | Cm | 120 | ||||
|
Time is on the Move Alternate [CEZ4351 - 31] |
版本. | 2'00 | Elisabeth Skornik, Guy Skornik | Alternate underscore rhythm version.only | 固执 调查研究 严谨 果断 | C | 120 | |||
|
Time is on the Move Alternate
[CEZ4351 - 32] |
版本. | 2'37 | Elisabeth Skornik, Guy Skornik | Alternate version without timer. | 固执 命运 当代历史 严谨 | Cm | 120 | |||
|
Time is on the Move Alternate
[CEZ4351 - 33] |
版本. | 1'40 | Elisabeth Skornik, Guy Skornik | Alternate underscore only rhythm version. | 固执 令人不安 调查研究 时间(滴答声) | C | 120 | |||
|
Avant le Match [CEO2040 - 12] |
1'36 | Arnaud de Boisfleury | Time. Waiting. Constant. Pizz & tic-tac. | (音效)滴答声 时间(滴答声) 稳定的 伴音 | Am | 72 | ||||
|
Avant le Match Alternate
[CEO2040 - 20] |
版本. | 1'36 | Arnaud de Boisfleury | Waiting. Constant. Pizz & tic-tac. | 时间(滴答声) 伴音 手工业 稳定的 | Am | 72 | |||
|
Changing Times [BIB043 - 1] |
3'35 | Perry Beth, Chris Doney | Cello and piano pairing, minimal and delicate, ending with a slight | 精致 耐心 下降 冷沙漠 | C | 60 | ||||
|
Changing Times (30s) [BIB043 - 13] |
版本. | 0'29 | Perry Beth, Chris Doney | Cello and piano pairing, minimal and delicate, ending with a slight | 精致 耐心 下降 冷沙漠 | Am | 60 | |||
|
Changing Times (15s) [BIB043 - 14] |
版本. | 0'14 | Perry Beth, Chris Doney | Cello and piano pairing, minimal and delicate, ending with a slight | 精致 耐心 下降 冷沙漠 | Dm | 60 | |||
|
Speed Shift [CEZ4264 - 7] |
1'42 | Eric Lohrer, Baptiste Thiry | Travelling. Urgent, panoramic & serious. Film music with a country | 全景图 紧急 果断 时间(滴答声) | Am | 148 | ||||
|
Speed Shift 2 [CEZ4264 - 31] |
版本. | 1'11 | Eric Lohrer, Baptiste Thiry | Melancholic & panoramic. Electric guitars & synth. | 全景图 全景 北美 电吉他 | Am | 147 | |||
|
The Time it Takes [CEZ4197 - 3] |
2'26 | Elisabeth Skornik, Guy Skornik | Careful & crystalline. Keyboards & electronics. | 手工业 企业宣传 耐心 时间(滴答声) | D | 120 | ||||
|
The Time it Takes 2 [CEZ4197 - 22] |
版本. | 2'26 | Elisabeth Skornik, Guy Skornik | Minimalist & sparse. Piano, echo fx & pads. Build-up. | 宁静 手工业 高雅 童年 | D | 120 | |||
|
Race Against Time [CEZ4171 - 5] |
0 | 2'12 | Christophe Zurfluh | Feverish & urgent. Electronic percussion. | 时间(滴答声) 电子鼓 冲击 工业 | Bm | 152 | |||
|
News Time [CEZ4113 - 1] |
1'47 | Guillaume Martel | Urgent & tense. Piano, strings, electric guitars & rhythm. 120 BPM. | 爆炸性新闻 时间(滴答声) 公司 严谨 | Gm | 120 | ||||
|
News Time 2 [CEZ4113 - 29] |
版本. | 1'45 | Guillaume Martel | Urgent & tense. Strings, electric guitars, electronics & rhythm. 120 | 公司 时间(滴答声) 爆炸性新闻 紧急 | Gm | 120 | |||
|
Pacific Time [CEZ4113 - 3] |
2'08 | Daniel Diaz | Determined & serious. Electric guitar, rhythm, electronics, tick tock | 时间(滴答声) (音效)滴答声 (音效)计时声 工业 | Em | 144 | ||||
|
Time Runs Out [CEZ4113 - 4] |
版本. | 2'08 | Daniel Diaz | Determined & serious. Synth, electronics, tick tock fx & alarm clock | 时间(滴答声) (音效)滴答声 公司 工业 | Em | 144 | |||
|
Time Runs Out 2 [CEZ4113 - 30] |
版本. | 2'04 | Daniel Diaz | Determined & serious. Rhythm, electronics, tick tock fx & alarm clock | 时间(滴答声) (音效)滴答声 (音效)计时声 工业 | Em | 144 | |||
|
Run Rabbit Run [CEZ4113 - 23] |
0 | 2'35 | Daniel Diaz | Urgent & childlike. Alarm clock, guitars & electronics. 112 BPM. | 时间(滴答声) (音效)滴答声 公司 紧急 | Em | 112 | |||
|
Waste of Time [CEZ4113 - 25] |
0 | 2'16 | Daniel Diaz | Patient & lazy. Bass, glockenspiel, bells & tick-tock. 54 BPM. | 时间(滴答声) (音效)计时声 (音效)滴答声 电声低音 | E | 54 | |||
|
Wakey Wakey ! [CEZ4113 - 26] |
0 | 2'31 | Daniel Diaz | Urgent & stressful. Clocks & alarms ensemble. 138 BPM. | 时间(滴答声) (音效)滴答声 (音效)闹钟 不可归类 | Bm | 138 |