| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Countdown Anxiety [BIB202 - 6] |
2'12 | Pat Lennix, Xander Talim | Frantic, terrifying, disjointed. Heavy kick drum sets out a sturdy | 强调突出 动作片 沉重 固执 | Am | 120 | ||||
|
Countdown Anxiety (Underscore) [BIB202 - 16] |
版本. | 2'12 | Pat Lennix, Xander Talim | Frantic, terrifying. Jagged distorted note creates a large soundscape | 固执 气势 伴音 动作片 | A | 120 | |||
|
Ticking Time Bomb [BIB202 - 7] |
2'05 | Pat Lennix, Xander Talim | Forceful, dominant, intense. Rough ticking FX creates a | 科幻片 体育中的戏剧性 进行中 (音效)分钟计时 | E | 105 | ||||
|
Ticking Time Bomb (Underscore
[BIB202 - 17] |
版本. | 2'05 | Pat Lennix, Xander Talim | Forceful, dominant, intense. Whirring euphoric pads create a | 科幻片 体育中的戏剧性 进行中 (音效)分钟计时 | E | 105 | |||
|
Ticking Time Bomb (Underscore
[BIB202 - 18] |
版本. | 2'05 | Pat Lennix, Xander Talim | Forceful, dominant, intense. Rough ticking FX creates a | 进行中 (音效)分钟计时 令人不安 沉重 | Em | 105 | |||
|
Melting Clock [BIB202 - 8] |
2'08 | Pat Lennix, Xander Talim | Eerie, disturbing, tense. Rough ticking sounds convey a feeling of | 进行中 令人不安 沉重 金属 | A | 140 | ||||
|
Melting Clock (Underscore) [BIB202 - 19] |
版本. | 2'08 | Pat Lennix, Xander Talim | Eerie, disturbing, tense. Defunct euphoria conveys a feeling of | 进行中 沉重 金属 神秘 | Am | 140 | |||
|
Broken Time [BIB202 - 9] |
2'19 | Pat Lennix, Xander Talim | Chaotic, sharp, determined. Rapid percussion and atmospheric bass | 混乱 工业 固执 不平稳 | Am | 172 | ||||
|
Broken Time (Underscore) [BIB202 - 20] |
版本. | 2'19 | Pat Lennix, Xander Talim | Chaotic, sharp, determined. Rapid percussion and atmospheric bass | 混乱 工业 固执 不平稳 | A | 86 | |||
|
Have You Seen This Man [CEZ4506 - 13] |
0 | 2'05 | Benjamin Doherty | Cinematic. Suspended, interrogative then inexorable @ 0'37. | 忧伤 伤心 画面感 司法 | Em | 120 | |||
|
Discovering The Impossible [TBX122 - 3] |
2'36 | Dimitrios Polychroniadis | Uncertain, explorative, adventurous. Xylophone hits create an | 童年 (音效)滴答声 疑问 旋律重复的音乐 | Ebm | 140 | ||||
|
Discovering The Impossible
[TBX122 - 15] |
版本. | 2'34 | Dimitrios Polychroniadis | Uncertain, explorative, adventurous. Xylophone hits create an | 疑问 时间(滴答声) 工业 神秘 | Ebm | 140 | |||
|
Discovering The Impossible
[TBX122 - 16] |
版本. | 1'25 | Dimitrios Polychroniadis | Uncertain, explorative, adventurous. Xylophones and flutes create an | 疑问 中音单簧管 工业 神秘 | Gb | 140 | |||
|
Time is Money [INP032 - 2] |
2'20 | Adrian Mena Arrabal | Rousing, upbeat, propulsive. Eerie, uneasy string sustains with | 果断 时间(滴答声) 画面感 电子琴 | Ebm | 155 | ||||
|
Time is Money (Underscore) [INP032 - 12] |
版本. | 2'20 | Adrian Mena Arrabal | Rousing, upbeat, propulsive. Eerie, uneasy string sustains with | 果断 时间(滴答声) 画面感 电子琴 | Ebm | 155 | |||
|
Time's Missing [CET9026 - 10] |
1'33 | Philippe Briand | Pressing clocks ticking in a hurried way. Low impact & synth bass. | 画面感 悬念 时间(滴答声) 预告片 | Em | 118 | ||||
|
Time's Missing Alternate [CET9026 - 30] |
版本. | 1'33 | Philippe Briand | Alternate without percussion & clock. Synth bass. Repetitive & | 画面感 悬念 时间(滴答声) 预告片 | E | 120 | |||
|
Time's Missing Alternate 2 [CET9026 - 31] |
版本. | 1'33 | Philippe Briand | Alternate with percussion & clock only. Pressing clocks ticking in a | 画面感 悬念 时间(滴答声) 预告片 | Fm | 120 | |||
|
Pulse Timer [CEZ4418 - 1] |
0 | 02'03 | Alice Guerlot Kourouklis | Anticipating, constant & rigourous. Regular electric bass pulsation, | 耐心 进行中 调查研究 稳定的 | Em | 100 | |||
|
Waiting and Thinking [CEZ4418 - 4] |
0 | 02'57 | Alice Guerlot Kourouklis | Ticking, crystalline, suspended & luminous. Peaceful & flowing. | 明朗 宁静 通透 进行中 | Em | 106 | |||
|
Waiting for Nobody [CEZ4418 - 15] |
0 | 01'08 | Alice Guerlot Kourouklis | On hold, simple & reflective. Relaxed repetitive electric bass riff | 进行中 耐心 时间(滴答声) 稳定的 | E | 118 | |||
|
Stubborn Behaviour [CEZ4418 - 16] |
0 | 02'48 | Alice Guerlot Kourouklis | Simple, delicate, narrative & expectent but insistent. Keyboard | 美国独立制片电影 进行中 加速镜头 社会悲剧 | Am | 112 | |||
|
Untamed [CET9022 - 5] |
2'15 | Nick Tzios | Mysterious & ominous intro with low percussion. Tense & combative | 冲突 预告片 画面感 爆炸 | Bm | 90 | ||||
|
Untamed Alternate 1 [CET9022 - 21] |
版本. | 2'12 | Nick Tzios | Alternate without percussion. Mysterious & ominous intro. Tense & | 冲突 预告片 画面感 战士 | Bm | 93 | |||
|
Untamed Alternate 2 [CET9022 - 22] |
版本. | 2'13 | Nick Tzios | Mysterious & ominous intro with low percussion. Tense & combative | 冲突 预告片 画面感 爆炸 | Cm | 90 | |||
|
Angular Momentum [CEG5020 - 21] |
0 | 2'20 | Christophe Zurfluh | Regular, threatening & mysterious clock work. Suspense. | 时间(滴答声) 神秘 稳定的 调查研究 | Fm | 93 | |||
|
The Clock is Ticking [TBX052 - 4] |
3'13 | Roland Roberts, Nico Willems | Mysterious, tense, driving. Propulsive short string chugs with | 当代历史 固执 历史片 严谨 | Am | 107 | ||||
|
The Clock is Ticking 30 sec [TBX052 - 20] |
版本. | 0'30 | Roland Roberts, Nico Willems | Mysterious, tense, driving. Propulsive short string chugs with | 当代历史 固执 历史片 严谨 | Am | 106 | |||
|
The Pendulum Clock [CEZ4390 - 9] |
0 | 2'43 | Elisabeth Skornik, Guy Skornik | Patient, serious, obstinate & punctuated. 3 pianos & marimba. | 固执 时间(滴答声) 稳定的 调查研究 | Bbm | 110 | |||
|
Affaire de Famille 4 [CEO2100 - 9] |
0 | 2'43 | Arnaud de Buchy | Main Theme Heroic Fantasy. | 悲喜剧 恐怖喜剧 万圣节 仙境 | C | 120 | |||
|
Arms and the Women [CEO2100 - 18] |
0 | 1'21 | Gréco Casadesus | Urgent & determined. String orchestra & pizz. | 地理政治 政治 手工业 历史旁白 | Am | 132 | |||
|
Screaming Demons [CET9014 - 3] |
2'25 | Martin Emilio Insaurgarat | Threatening & thrilling intro with clock. Terrorizing, shrill & | 恐怖 诡异 神经病 恐怖片 | Ebm | 110 | ||||
|
Screaming Demons Alternate [CET9014 - 15] |
版本. | 2'25 | Martin Emilio Insaurgarat | Alternate with less percussion. Threatening intro with clock. | 恐怖 诡异 神经病 恐怖片 | Ebm | 110 | |||
|
Damnation [CET9014 - 8] |
2'09 | Martin Emilio Insaurgarat | Dark, clanking & nightmarish first part. Disruptive, abstract & | 恐怖 恐怖片 悬念 摩擦声 | Bbm | 120 | ||||
|
Damnation Alternate [CET9014 - 20] |
版本. | 2'04 | Martin Emilio Insaurgarat | Alternate without percussion. Worrying, clanching & menacing first | 恐怖 恐怖片 悬念 摩擦声 | Bb | 120 |