| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Buenos Aires Milonga [CEZ4093 - 17] |
0 | 2'52 | Daniel Diaz | Melancholic & wandering. Guitar, bandondeon, electronics & rhythm. | 阿根廷 小六角手风琴 固执 千禧年 | Am | 96 | |||
|
Casino Perdicion [CEZ4093 - 18] |
0 | 3'07 | Daniel Diaz | Casual but nostalgic. Bandoneon, guitar, electric guitar, | 小六角手风琴 都市景色 千禧年 电子鼓 | Dm | 96 | |||
|
Baires Chill Out [CEZ4093 - 19] |
0 | 2'40 | Daniel Diaz | Wandering & atmospheric. Bandoneon, Fender Rhodes, double-bass & | 阿根廷 小六角手风琴 气氛 悬念 | Gm | 98 | |||
|
Patagonia [CEZ4093 - 24] |
0 | 2'03 | Daniel Diaz | Wandering & interrogative. Bandoneon, double-bass & electronics. | 阿根廷 小六角手风琴 电子探戈 漂泊 | Em | 70 | |||
|
Kites [CEV3029 - 4] |
0 | 2'33 | Imade Saputra | Restrained then resolute. Dan tranh (zither) & dan bau (zither). | 民族 越南 地理政治 独弦琴 | D | 106 | |||
|
Dry Season [CEV3029 - 13] |
0 | 1'12 | Imade Saputra | Sparse & desolate. Solo dan tranh (zither). (Vietnam) | 民族 越南 越南筝 地理政治 | Em | 65 | |||
|
Flying Market [CEZ4092 - 18] |
2'49 | Hoosky | World beat with an Oriental feel. Bass guitar, ethnic flute & synth. | BEAT MAKING 都市景色 日间节目 世界电子音乐 | Em | 95 | ||||
|
Flying Market (Voice Edit) [CEZ4092 - 36] |
版本. | 3'04 | Hoosky | Catchy & cut-up. Electric guitar, samples & rhythm. | BEAT MAKING 世界电子音乐 印度 循环 | Em | 95 | |||
|
Meiji Era [CEV3023 - 11] |
0 | 2'54 | Imade Saputra | Tense & suspended atmosphere. Percussion ensemble. (Japan) | 非西方古典音乐 民族 功夫 地理政治 | Ebm | 120 | |||
|
Oki Islands [CEV3023 - 15] |
0 | 1'30 | Imade Saputra | Moving & simple. Solo shakuhachi flute. (Japan) | 日本 非西方古典音乐 shakuhashi 民族 | Cm | 65 | |||
|
Nansei Islands [CEV3023 - 18] |
0 | 2'44 | Imade Saputra | Melancholic & indolent. Shakuhachi flute & shamisen. (Japan) | 日本 非西方古典音乐 民族 地理政治 | D | 71 | |||
|
Otorii [CEV3023 - 20] |
0 | 2'12 | Imade Saputra | Contemplative & majestic. Shakuhachi flute solo. (Japan) | 日本 非西方古典音乐 shakuhashi 民族 | Gb | 60 | |||
|
Ensens [CEV3023 - 22] |
0 | 1'24 | Imade Saputra | Tender & majestic. Solo shakuhachi flute. (Japan) | 日本 非西方古典音乐 shakuhashi 民族 | E | 86 | |||
|
Karmas [CEV3023 - 23] |
0 | 1'31 | Imade Saputra | Contemplative & sparse. Solo koto. (Japan) | 日本 十三弦古筝 非西方古典音乐 民族 | Gm | 98 | |||
|
Rainy Day In Tokyo [CEV3025 - 1] |
0 | 1'44 | Silvain Vanot | Peaceful & simple. Electronics. (Japan) | 亚洲 诞生 地理政治 宁静 | Dm | 65 | |||
|
Kandahar [CEV3025 - 8] |
0 | 2'40 | Daniel Diaz | Bewitching & interrogative. Roncoco (bass charango) & drone. (Central | 地理政治 简单 小型八弦 疑问 | Gm | 66 | |||
|
Fariza [CEV3025 - 12] |
0 | 1'42 | Agnès Vesterman | Sad & desolate. Solo Cello. (Asia) | 地理政治 大提琴 亚洲 稀疏 | Gm | 63 | |||
|
Buto [CEV3025 - 29] |
0 | 1'33 | Pierre Bernard | Sudden & sparse. Flute & electronics. (Japan) | 日本 诡异 突然 抽象艺术 | Fm | 98 | |||
|
Ashram School [CEV3025 - 33] |
0 | 2'24 | Arnaud de Buchy, Imade Saputra | Positive & child-like. Bansuri flute, harp & cello. (India) | 地理政治 bansouri 飞行 乡村 | Am | 110 | |||
|
Un Pequeno Mimo [CEZ4089 - 25] |
0 | 2'52 | Daniel Diaz | Serious but tender. Charango, percussion & electronics. | 童年 乡村 小型八弦 温柔 | E | 68 | |||
|
The First Breath [CEV3021 - 5] |
0 | 2'58 | Renaud Garcia-Fons | Mysterious & breathy. Double-bass ensemble. | 逝去的文明 低音提琴合奏 史前 悬念 | Bm | 178 |