| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Kemper Garden [CEZ4131 - 4] |
3'33 | Ian Smith | Gentle & melancholic ballad. 12-string guitar, concertina, fretless | 民族民谣 布列塔尼大区 海滨 凯尔特音乐 | Em | 60 | ||||
|
Kemper Garden 2 [CEZ4131 - 15] |
版本. | 3'29 | Ian Smith | Tender melancholic ballad. Solo piano. | 忧伤 无电声钢琴 日常生活 民族民谣 | G | 80 | |||
|
Always on our Minds [CEO2013 - 9] |
0 | 1'50 | Alain Kremski | Funeral march. Melotron choir, timpanies & death knell @ 1'02. | 无情 悲剧 铃铛钟 苦情 | Fm | 83 | |||
|
Petite Terre [CEZ4118 - 22] |
0 | 1'35 | Imade Saputra | Determined & cyclic. Solo dzenze la chi tsuva (zither). | dzenze la chi tuva 民族 马约特 地理政治 | Bb | 178 | |||
|
Jerusalem [CEO2017 - 3] |
0 | 2'43 | Armand Frydman | Moving & sad. Solo cello & bowed double-bass. | 以色列 犹太教 卡迪什 大提琴 | Fm | 82 | |||
|
The Bible [CEO2017 - 6] |
0 | 4'48 | Armand Frydman | Tragic & haunting. Cello ensemble & double-bass. | 大提琴合奏 动荡 以色列 灾难 | Fm | 100 | |||
|
The Moses Legacy [CEO2017 - 10] |
0 | 2'19 | Armand Frydman | Oriental theme. Sensual & swaying. Soprano sax, darbuka & double-bass. | 中东 小说纪录片 犹太教 derbouka | E | 126 | |||
|
Occident [CEO2017 - 11] |
0 | 3'00 | Armand Frydman | Sad & solemn. Cello & double-bass duet. | 使人心碎 动荡 大提琴 稳定的 | Bbm | 60 | |||
|
Calamity [EOS02 - 2] |
0 | 3'05 | David Poirier, Sébastien Saint-Lezin | Melancholic & wandering. Electric guitar, bass, synth & rhythm. Delay | 社会悲剧 恐怖 延迟 波动感 | Am | 126 | |||
|
Blitz [CEO2012 - 35] |
0 | 1'29 | Bruno Alexiu | Threatening & inexorable. Constant progression. Timpani & symphonic | 定音鼓 军事冲突 渐强 恐怖片 | Em | 107 | |||
|
War Consequences [CEO2012 - 36] |
0 | 1'36 | Bruno Alexiu | Tense & inexorable. Constant progression. Timpani & symphonic | 无情 命运 历史旁白 悲剧 | Cm | 82 | |||
|
Miguel y Santiago [CEO2003 - 1] |
0 | 2'01 | Selma Mutal | Nostalgic, restrained & ethereal in a Andean Spirit. Acoustic guitar, | 社会悲剧 忧伤 全景 美国独立制片电影 | Em | 67 | |||
|
Miguel y Mariela [CEO2003 - 2] |
0 | 3'45 | Selma Mutal | Meticulous & melancholic. Acoustic guitar, piano, fretless bass & | 社会悲剧 内心活动 忧伤 全景 | Gm | 93 | |||
|
En la Playa [CEO2003 - 3] |
0 | 0'53 | Selma Mutal | Pensive & patient. Charengo & fretless bass. | 耐心 爱情 社会悲剧 内心活动 | Bb | 106 | |||
|
Buscando a Santiago [CEO2003 - 4] |
0 | 1'00 | Selma Mutal | Nostlagic & chrystal clear. Acoustic guitar, piano & strings. | 爱情 社会悲剧 忧伤 全景 | Em | 133 | |||
|
De la Mano [CEO2003 - 5] |
0 | 3'17 | Javier Fuentes-León | Intimate & delicate. Solo acoustic guitar. | 社会悲剧 内心活动 忧伤 美国独立制片电影 | G | 61 | |||
|
Regreso al Mar [CEO2003 - 7] |
0 | 1'00 | Selma Mutal | Contemplative & calm. Charengo & piano. | 爱情 内心活动 耐心 社会悲剧 | Bm | 88 | |||
|
La Vela [CEO2003 - 10] |
0 | 1'01 | Selma Mutal | Intimate & elegiac. Piano & strings. | 爱情 忧伤 耐心 社会悲剧 | Em | 89 | |||
|
Lanzando la Piedra [CEO2003 - 11] |
0 | 0'35 | Selma Mutal | Bucolic & restrained. Charengo, acoustic guitar & piano. | 爱情 社会悲剧 耐心 乡村 | Bm | 106 | |||
|
El Final [CEO2003 - 13] |
0 | 3'02 | Selma Mutal | Aerial & quiet. Acoustic guitar & strings. | 爱情 社会悲剧 忧伤 全景 | Em | 89 | |||
|
Saliendo de Casa [CEO2003 - 14] |
0 | 0'44 | Selma Mutal | Delicate & pensive. Piano, acoustic guitar & cordes. | 内心活动 耐心 社会悲剧 忧伤 | Gm | 92 |