Upbeat, swaying & danceable pop sung in Spanish. Flirting in the Upbeat, swaying & danceable pop sung in Spanish. Flirting in the rave. Female singer, arpeggiator, synth, sampling & electronic percussion.歌词
ES:
Es la quinta vez que leo tu correo
Me gusta gustarte me gusta el roneo
ponerte el pelo detrás de la oreja
y pasar la noche armando jaleo
veo que te gusta el bellaqueo
y el gloss nuevo que me he puesto
veo que te gusto yo
es inevitable pasar a la acción
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
mires mires mas
mires sin parar
mires mires mas
mires sin parar
vamos a bailar
la rave es grande nadie nos va a encontrar
si quieres nos vamos detrás de ese minivan
tienes la farmacia guardada en tu bota militar
me gusta to' lo que me das
y cuando me tocas la cara si preguntar
y cuando me mirar por detrás peligrosa
siempre puesta para pelear
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
EN:
It's the fifth time I read your mail
I like to like you I like the purring
put your hair behind your ear
and spend the night making a racket
I see that you like to fool around
and the new gloss I put on
I see that you like me
it's inevitable to take action
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
look look more
look at me non-stop
look look more
look at me non-stop
let's dance
the rave is big nobody's gonna find us
if you want we'll go behind that minivan
you got the pharmacy stored in your army boot
I like everything you give me
and when you touch my face without asking
and when you look at me from behind dangerous
always ready to fight
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
Dembow version. Upbeat, swaying & danceable pop sung in Spanish. Dembow version. Upbeat, swaying & danceable pop sung in Spanish. Flirting in the rave. Female singer, arpeggiator, synth, sampling & electronic percussion.歌词
ES:
Es la quinta vez que leo tu correo
Me gusta gustarte me gusta el roneo
ponerte el pelo detrás de la oreja
y pasar la noche armando jaleo
veo que te gusta el bellaqueo
y el gloss nuevo que me he puesto
veo que te gusto yo
es inevitable pasar a la acción
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
mires mires mas
mires sin parar
mires mires mas
mires sin parar
vamos a bailar
la rave es grande nadie nos va a encontrar
si quieres nos vamos detrás de ese minivan
tienes la farmacia guardada en tu bota militar
me gusta to' lo que me das
y cuando me tocas la cara si preguntar
y cuando me mirar por detrás peligrosa
siempre puesta para pelear
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
EN:
It's the fifth time I read your mail
I like to like you I like the purring
put your hair behind your ear
and spend the night making a racket
I see that you like to fool around
and the new gloss I put on
I see that you like me
it's inevitable to take action
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
look look more
look at me non-stop
look look more
look at me non-stop
let's dance
the rave is big nobody's gonna find us
if you want we'll go behind that minivan
you got the pharmacy stored in your army boot
I like everything you give me
and when you touch my face without asking
and when you look at me from behind dangerous
always ready to fight
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
Calming, gentle, emotive. Delicate wave FX bloom alongside chimes and Calming, gentle, emotive. Delicate wave FX bloom alongside chimes and fragile, slow piano notes creating an atmosphere of meaningfulness and feelgood relaxation. Instrumentation pulses alongside wave sounds, creating a hypnotic and reassuring feeling. Reminiscent of waking on a calming beach island, surrounded by nature and listening to the sea.
Calming, gentle, emotive. Delicate wave FX bloom alongside chimes and Calming, gentle, emotive. Delicate wave FX bloom alongside chimes and choir pads, creating an atmosphere of meaningfulness and feelgood relaxation. Instrumentation pulses alongside wave sounds, creating a hypnotic and reassuring feeling. Reminiscent of waking on a calming beach island, surrounded by nature and listening to the sea. Stripped back underscore version.
Graceful, upbeat, cathartic. Elegant falsetto male vocals drift on Graceful, upbeat, cathartic. Elegant falsetto male vocals drift on top of guitar chords with a gentle feeling of grace and beauty. Lyrics uplifting about feelings of freshness and vibrancy, reminiscent of watching a sunset with a loved one. Bent guitar notes and folky style communicate a feeling of expansive emotion connected to nature. Thundering foot stamp percussion gifts a sense of communal strength and human vitality.歌词
Ooh, Ooh, Morning is breaking, Day is awakening, Coming to life, And the colours are new, And the colours are new, And the colours are new. Look in your eyes and I see I am where I'm meant to be with you, Look in your heart and you will find that your purpose is the same as mine. Sun like gold on the mountain, Tall tress whisper of beginnings, Leading us on, Where the colours are new, Where the colours are new, Where the colours are new. Ooh, ooh, Ooh, ooh. Look in your eyes and I see I am where I'm meant to be with you, Look in your heart and you will find that your purpose is the same as mine. Ooh, ooh, oh.
Graceful, upbeat, cathartic. Gentle guitar alongside bottleneck Graceful, upbeat, cathartic. Gentle guitar alongside bottleneck euphoric notes gifts a feeling of grace and beauty. Bent guitar notes and folky style communicate a feeling of expansive emotion connected to nature. Thundering foot stamp percussion gifts a sense of communal strength and human vitality. Instrumental version.
Graceful, upbeat, cathartic. Gentle guitar alongside bottleneck Graceful, upbeat, cathartic. Gentle guitar alongside bottleneck euphoric notes gifts a feeling of grace and beauty. Bent guitar notes and folky style communicate a feeling of expansive emotion connected to nature. Stripped back underscore version.
Sultry, laidback, sombre. Dynamic spanish guitar riff communicates a Sultry, laidback, sombre. Dynamic spanish guitar riff communicates a lovesick passion, moving into a passionate salsa striding rhythm. Touching section at 01:09 as guitar and minimal percussion walk together in a lamenting embrace, joined by tuneful percussion that launches back into beat. An individual walking through an old town as the sun turns the sky red with passion.
Sultry, laidback, sombre. Rhythmic guitar and echoed percussion Sultry, laidback, sombre. Rhythmic guitar and echoed percussion communicate a lovesick passion, moving into a passionate salsa striding rhythm. Touching section at 01:09 as guitar and minimal percussion walk together in a lamenting embrace, joined by tuneful percussion that launches back into beat. An individual walking through an old town as the sun turns the sky red with passion. Stripped back underscore version.
Joyful, carefree, kitsch & lively instrumental cha-cha in a retro Joyful, carefree, kitsch & lively instrumental cha-cha in a retro mood of the 40s & 50s. Brass section, piano, kick, Latin percussion.
Underscore. Joyful, carefree & lively cha-cha in a retro mood of the Underscore. Joyful, carefree & lively cha-cha in a retro mood of the 40s & 50s. Piano, kick, Latin percussion.
Promising, wholesome, yearning. Striding string melodies communicates Promising, wholesome, yearning. Striding string melodies communicates a hopeful energy, a new beginning. Electronic percussion and bass sweep in with a fun, bouncy style. A person waking up and embracing a new day with positivity. Strings build gradually moving into a slow but chugging rhythm once again, twinkling bells conveying a sense of wonder.
Promising, wholesome, yearning. Striding string melodies communicates Promising, wholesome, yearning. Striding string melodies communicates a hopeful energy, a new beginning. A person waking up and embracing a new day with positivity. Strings build gradually moving into a slow but chugging rhythm once again, twinkling bells conveying a sense of wonder. Stripped back underscore version.
Promising, wholesome, yearning. Simple piano and striding string Promising, wholesome, yearning. Simple piano and striding string melody communicates a hopeful energy. Electronic percussion and bass sweep in with a fun, bouncy style. A person waking up and embracing a new day with positivity. Strings build gradually moving into a slow but chugging rhythm once again. Stripped back underscore version.
Hopeful, heartwarming, poignant. Simple guitar chord sequence joined Hopeful, heartwarming, poignant. Simple guitar chord sequence joined by female vocal singing about finding similarities between one another, finding solace from suffering in our mutual need for love and companionship. Simplistic instrumentation conveys the elementary nature of human connection. Male backing vocals toward conclusion bring a sense of achieved togetherness.歌词
You’ll be you and I’ll be meLike water to a flame But in the end I guess we’re all the same So light a fire and burn through all the suffering Black is the night But you don’t need to let that darkness in \Who is they?
And who is us? Ain’t no use in fighting Cause one day soon our bodies will be dust Hallelujah, we’re all singing hallelujah Wouldn’t it be better if we all came together Carrying each other through today Nothing in our way
Delicate, euphoric, weighty. Organic instrumentation provides a Delicate, euphoric, weighty. Organic instrumentation provides a humanistic feeling of concern, with bells and synth joining to support. Euphoric instrumentation providing a feeling of ambience, visions of a wintry scene or large city panorama. Electronic drumbeat at 01:11 provides a definitive sense of progression, weaving in and out alongside bass synth. Lead guitar solo further gifts a human-centric energy, a tense situation involving mankind or a community of people.
Delicate, euphoric, weighty. Organic instrumentation provides a Delicate, euphoric, weighty. Organic instrumentation provides a humanistic feeling of concern, with bells and synth joining to support. Euphoric instrumentation providing a feeling of ambience, visions of a wintry scene or large city panorama. Electronic drumbeat at 01:05 provides a definitive sense of progression, weaving in and out alongside bass synth. Stripped back underscore version.
Serious, spirited, lamenting. Slow oom-pah rhythm plays out as ornate Serious, spirited, lamenting. Slow oom-pah rhythm plays out as ornate lead accordion plays deftly through a sad and nostalgic melody. Visions of an old Russian village, weathered old men looking wistfully out of the window and remembering better times. Calculated pace gifts a disorientating, whirling energy tinged with a solemn aura.
Rhythmic, energetic & fun afro-Caribbean beat sung in Spanish. A Rhythmic, energetic & fun afro-Caribbean beat sung in Spanish. A celebration of black-Latin dance culture. Female singer, female backing vocals, sequencing, sampling, synths, auto-tune, strings, Latin & electronic percussion.歌词
ES:
Ya voz lo sabés
Gozando vivo
Dime si querés
Bailar conmigo
Ya voz lo sabés
(Que yo que yo)
Gozando vivo
(Ay dios Ay dios)
Dime si querés
(Negra negra)
Bailar conmigo
(Ay dios Ay dios)
Negra
Ya me di cuenta
Como al bailar la baldosa revienta
Como te mueves
Como caminas
Como los pasos combinas
Liberando adrenalina
Te persigo
Pero aun no lo consigo
No ha amanecido y te digo
Que quiero bailar contigo
Ya voz lo sabés
(Que yo que yo)
Gozando vivo
(Ay dios Ay dios)
Dime si querés
(Negra negra)
Bailar conmigo
(Ay dios Ay dios)
Ya voz lo sabés
(Que yo que yo)
Gozando vivo
(Ay dios Ay dios)
Dime si querés
(Negra negra)
Bailar conmigo
(Ay dios Ay dios)
Se te ve
En el caminar tu lo traes
El savocco y la zandunga
Y un letrero que dice
Soy la rumba
Te paseas tan serena por mi mente
Con tu fuego ardiente
Y el deseo de conocerte
Poco a poco alimente
Con tu movimiento
To' aquel que respira
Pierde el aliento
El sabio su conocimiento
Pierde hasta la fuerza el viento
Ya voz lo sabés
(Que yo que yo)
Gozando vivo
(Ay dios Ay dios)
Dime si querés
(Negra negra)
Bailar conmigo
(Ay dios Ay dios)
Ya voz lo sabés
(Que yo que yo)
Gozando vivo
(Ay dios Ay dios)
Dime si querés
(Negra negra)
Bailar conmigo
Con tu movimiento
To' aquel que respira
Pierde el aliento
El sabio su conocimiento
Pierde hasta la fuerza el viento
EN:
You already know it
I live in joy
Tell me if you want to
Dance with me
You already know it
(That I that I)
I live in joy
(Oh god Oh god)
Tell me if you want to
(Black woman black woman)
Dance with me
(Oh God Oh God)
Black woman
I've already noticed
How when you dance the tile bursts
How you move
How you walk
How you combine the steps
Releasing adrenaline
I'm chasing you
But I still can't reach it
It's not even dawn and I tell you
That I want to dance with you
You already know it
(That I that I)
I live in joy
(Oh god Oh god)
Tell me if you want to
(Black woman black woman)
Dance with me
(Oh God Oh God)
You already know it
(That I that I)
I live in joy
(Oh god Oh god)
Tell me if you want to
(Black woman black woman)
Dance with me
(Oh God Oh God)
It's obvious
In your walk you bring it
The savocco and the zandunga
And a sign that says
I am the party
You walk so serene through my mind
With your burning fire
And the desire to know you
Little by little I feed
With your movement
Everyone who breathes
Loses their breath
The wise lose their knowledge
Even the wind loses its strength
You already know it
(That I that I)
I live in joy
(Oh god Oh god)
Tell me if you want to
(Black woman black woman)
Dance with me
(Oh God Oh God)
You already know it
(That I that I)
I live in joy
(Oh god Oh god)
Tell me if you want to
(Black woman black woman)
Dance with me
With your movement
Everyone who breathes
Loses their breath
The wise lose their knowledge
Even the wind loses its strength
Rough, epic, cool. Launch into muddy indie rock sequence with heavily Rough, epic, cool. Launch into muddy indie rock sequence with heavily distorted guitars and fun, pacy rhythm. Distortion is contrasted by clean, dulcet guitar notes emerging through the fuzzy haze. Lead guitar screeches out with emotive solo, bending notes reaching out toward an optimistic horizon. Visions of friends having fun at a beach or in the rain, living their best life regardless of the consequences.
Rough, epic, cool. Muddy indie rock sequence with heavily distorted Rough, epic, cool. Muddy indie rock sequence with heavily distorted guitars. Distortion creates a hazy atmosphere, reminiscent of a bleary-eyed sunny scene. Visions of friends having fun at a beach or in the rain, living their best life regardless of the consequences. Stripped back underscore version.
Calming, upbeat, heartfelt. Dual guitars play out picked melodies, Calming, upbeat, heartfelt. Dual guitars play out picked melodies, inspiring a quaint and thoughtful energy. Icy pads loom over the top, creating a fulfilling backdrop. Electronic percussion grows gradually, instilling a sense of power contrasting the simplistic aura. Wistful section leads into jagged drumbeat that pushes upbeat energy onward with force. Reminiscent of a sunny park or playground, gradually filling with happy individuals.
Calming, upbeat, heartfelt. Reverb piano inspires a quaint and Calming, upbeat, heartfelt. Reverb piano inspires a quaint and thoughtful energy. Icy pads swirl in the background, creating a feeling of awakening. Electronic percussion grows gradually, instilling a sense of power contrasting the simplistic aura. Reminiscent of a sunny park or playground, gradually filling with happy individuals. Stripped back underscore version.
Atmospheric, playful, quirky. Confident female vocals with male vocal Atmospheric, playful, quirky. Confident female vocals with male vocal harmonies, with a romantic, hopeful theme. Mysterious intro is joined by bright, magical chimes, whistling, xylophone, piano and guitar, becoming more positive, dreamy, relaxed and summery.歌词
We don't need money, no, We don't need money for no rainy days, We don't need anyone, We'll shoot the breeze and sail away.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
Come and see me now, Come up and see me I'll make you smile, Get out the city now, Follow me and I'll make you wild.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
By tomorrow we'll be in oyster bay, Here's to sunshine, here's to making play all day, We don't need money, We don't need money for no rainy day.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
Light, bouncy, delicate & graceful in the spirit of the French cinema Light, bouncy, delicate & graceful in the spirit of the French cinema of the 60's & 70's. Piano & string orchestra.
