| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
6 String [TBX008 - 24] |
2'06 | Nick Rogers, Maryann Tedstone, Michael Tedstone | Upbeat, shiny power pop. With synth elements in the choruses. | 日常生活 开心 室外 连复段 | E | 95 | ||||
|
6 String (Underscore) [TBX008 - 31] |
版本. | 2'06 | Nick Rogers, Maryann Tedstone, Michael Tedstone | Upbeat, shiny power pop. With synth elements in the choruses. | 日常生活 开心 室外 连复段 | E | 95 | |||
|
Bubblegroove [CEZ4302 - 3] |
0 | 2'11 | Vermair | Electronic Dance Music. Groovy, happy & catchy. Synth & rhythm. | 俱乐部 动人 电子舞曲 喜庆 | Fm | 120 | |||
|
Not Here to Lose [CEZ4272 - 6] |
0 | 1'53 | Pascal Macaigne | Hard rock. Heavy, driving & efficient. Enter the ring. Rock band. | 赛车 重摇滚 极限运动 乐队 | D | 130 | |||
|
Pre-Game Fever [CEZ4272 - 10] |
0 | 3'34 | Cédric Gastaud, Morgan Sansous | Hard rock / Stadium rock. Proud, driving & lively. Introduction & | 摇滚圣歌 极限运动 重摇滚 赛车 | Am | 115 | |||
|
Looks that Kill [CEZ4272 - 24] |
0 | 2'36 | Vermair | Electronic Dance Music. Dangerous, suspenseful & tense. Synth & | 动作游戏 极限运动 间谍片 令人不安 | Cm | 94 | |||
|
Men of Muscle [CEZ4272 - 25] |
0 | 2'59 | Cédric Gastaud, Morgan Sansous | Heavy metal. Agressive, efficient & powerful. Rock band with wah-wah | 极限运动 重金属 赛车 冲突 | Dm | 115 | |||
|
Ride on Home [CEZ4248 - 12] |
0 | 2'29 | Pascal Macaigne | Alternative rock. Impulsive & decided. Rock band. | 乐队 果断 动人 校园摇滚 | A | 135 | |||
|
ATOMIZATION [CEM3026 - 1] |
1'29 | Léo Natale | Drift Phonk. Fast. Abrasive, heavy, gritty, and piercing. Chopped | 冲突 男人 进行曲 沉重 | Gbm | 119 | ||||
|
ATOMIZATION Alternate 1 [CEM3026 - 9] |
版本. | 1'29 | Léo Natale | Instrumental version | 男人 进行曲 冲突 沉重 | Gbm | 119 | |||
|
ATOMIZATION Alternate 2 [CEM3026 - 10] |
版本. | 1'50 | Léo Natale | Slowed version | 进行曲 男人 冲突 沉重 | Bm | 96 | |||
|
ATOMIZATION Alternate 3 [CEM3026 - 11] |
版本. | 1'44 | Léo Natale | Instrumental slowed version | 男人 进行曲 冲突 沉重 | Em | 102 | |||
|
ATOMIZATION Edit 1 (60 sec) [CEM3026 - 12] |
版本. | 1'00 | Léo Natale | 60 second cut | 男人 进行曲 冲突 沉重 | Gbm | 118 | |||
|
ATOMIZATION Edit 2 (30 sec) [CEM3026 - 13] |
版本. | 0'30 | Léo Natale | 30 second cut | 男人 进行曲 冲突 沉重 | Gbm | 118 | |||
|
ATOMIZATION Edit 3 (20 sec) [CEM3026 - 14] |
版本. | 0'20 | Léo Natale | 20 second cut | 男人 进行曲 冲突 沉重 | Gbm | 119 | |||
|
ATOMIZATION Edit 4 (sting) [CEM3026 - 15] |
版本. | 0'13 | Léo Natale | Sting | 男人 进行曲 冲突 沉重 | Gm | 119 | |||
|
ATOMIZATION Edit 5 (60 sec
[CEM3026 - 16] |
版本. | 1'00 | Léo Natale | 60 second slowed cut | 男人 进行曲 冲突 沉重 | Bm | 96 | |||
|
ATOMIZATION Edit 6 (30 sec
[CEM3026 - 17] |
版本. | 0'30 | Léo Natale | 30 second slowed cut | 男人 进行曲 冲突 沉重 | Bm | 96 | |||
|
ATOMIZATION Edit 7 (20 sec
[CEM3026 - 18] |
版本. | 0'20 | Léo Natale | 20 second slowed cut | 男人 进行曲 冲突 沉重 | Bm | 96 | |||
|
ATOMIZATION Edit 8 (sting
[CEM3026 - 19] |
版本. | 0'15 | Léo Natale | Slowed sting | 男人 进行曲 冲突 沉重 | Bb | 127 | |||
|
Hellfire Storm [CET9111 - 4] |
2'09 | Kunik, Ilan, Salvador Casais | Hybrid trailer arena rock.Thumping, percussive & triumphant with | 动作游戏 沉重 影院摇滚 团队运动 | Em | 132 | ||||
|
Hellfire Storm Alternate 1 [CET9111 - 29] |
版本. | 2'09 | Ilan Kunik | Version without percussion | 动作游戏 沉重 影院摇滚 团队运动 | Em | 132 | |||
|
Hellfire Storm Alternate 2 [CET9111 - 30] |
版本. | 2'09 | Ilan Kunik | Version with percussion only | 动作游戏 沉重 影院摇滚 团队运动 | Abm | 132 | |||
|
Hellfire Storm Alternate 3 [CET9111 - 31] |
版本. | 2'09 | Ilan Kunik | Bed version | 动作游戏 沉重 影院摇滚 团队运动 | Em | 132 | |||
|
Hellfire Storm Alternate 4 [CET9111 - 32] |
版本. | 2'09 | Ilan Kunik | Underscore version | 动作游戏 沉重 影院摇滚 团队运动 | Em | 132 | |||
|
Hellfire Storm Edit 1 30 sec [CET9111 - 33] |
版本. | 0'32 | Ilan Kunik | 30 second cut | 动作游戏 沉重 影院摇滚 团队运动 | Em | 132 | |||
|
Hellfire Storm Edit 2 15 sec [CET9111 - 34] |
版本. | 0'17 | Ilan Kunik | 15 second cut | 动作游戏 沉重 影院摇滚 团队运动 | Em | 131 | |||
|
Under the Line [ISC116 - 1] |
2'16 | Francesco Bondi | Electro clash. Edgy, powerful, heavy & rough. Jerky break @ 0'58. | 撞击电子乐 固执 动人 沉重 | Abm | 120 | ||||
|
Under the Line Alternate 1 [ISC116 - 11] |
版本. | 2'16 | Francesco Bondi | Version without percussion. | 撞击电子乐 固执 动人 沉重 | Ab | 120 | |||
|
Under the Line Alternate 2 [ISC116 - 12] |
版本. | 2'16 | Francesco Bondi | Version without lead. | 撞击电子乐 固执 动人 沉重 | Abm | 120 | |||
|
Samurai's Code [INP082 - 9] |
2'46 | Sergey Kolosov | Modern, powerful, confident. Chunky overdriven guitar gives a strong | 火热 吵闹 工业金属 动作游戏 | Dm | 109 | ||||
|
Samurai's Code (Underscore) [INP082 - 19] |
版本. | 2'46 | Sergey Kolosov | Modern, powerful, confident. Chunky overdriven guitar gives a strong | 火热 吵闹 工业金属 动作游戏 | Dm | 109 | |||
|
Voice Of Reason [IOM041 - 3] |
3'36 | Alexander Davies | Hardcore, driven, rough. Chunky overdriven guitar and big drums offer 歌词 | 火热 态度 动人 固执 | Bm | 93 | ||||
|
Voice Of Reason Instrumental [IOM041 - 15] |
版本. | 3'36 | Alexander Davies | Hardcore, driven, rough. Chunky overdriven guitar and big drums offer | 火热 态度 动人 固执 | Bm | 93 | |||
|
Voice Of Reason Underscore [IOM041 - 16] |
版本. | 3'36 | Alexander Davies | Hardcore, driven, rough. Chunky overdriven guitar and jangly bass | 火热 态度 动人 固执 | Bm | 93 | |||
|
Adrenaline [IOM041 - 6] |
3'57 | Alexander Davies | Boisterous, rough, bad. Explosive distorted guitar notes fly out in a 歌词 | 态度 独立摇滚 令人激动 火热 | Dm | 138 | ||||
|
Adrenaline Instrumental [IOM041 - 21] |
版本. | 3'57 | Alexander Davies | Boisterous, rough, bad. Explosive distorted guitar notes fly out in a | 态度 独立摇滚 令人激动 火热 | Dm | 138 | |||
|
Adrenaline Underscore [IOM041 - 22] |
版本. | 3'57 | Alexander Davies | Boisterous, rough, bad. Explosive drums with dynamic bass following | 态度 独立摇滚 令人激动 固执 | Dm | 137 | |||
|
Na Na Na Na [IOM041 - 7] |
3'04 | Alexander Davies | Defiant, youthful, dramatic. Rolling drums launch into emotive but 歌词 | 火热 独立摇滚 青春剧 千禧年 | Bm | 156 | ||||
|
Na Na Na Na Instrumental [IOM041 - 23] |
版本. | 3'04 | Alexander Davies | Defiant, youthful, dramatic. Rolling drums launch into emotive but | 火热 独立摇滚 青春剧 果断 | Bm | 156 | |||
|
Na Na Na Na Underscore [IOM041 - 24] |
版本. | 3'04 | Alexander Davies | Defiant, youthful, dramatic. Rolling drums launch into emotive but | 火热 独立摇滚 青春剧 果断 | Em | 156 | |||
|
You Better Get Loud [BIB288 - 3] |
2'03 | Olivier Bibeau | Proud, pumped, victorious. Rolling snares and commanding vocals give 歌词 | 团队运动 极限运动 电影节奏 广告 | Abm | 85 | ||||
|
You Better Get Loud No Lead
[BIB288 - 15] |
版本. | 2'03 | Olivier Bibeau | Proud, pumped, victorious. Rolling snares and trumpets support a | 团队运动 态度 极限运动 电影节奏 | Abm | 85 | |||
|
You Better Get Loud
[BIB288 - 16] |
版本. | 2'03 | Olivier Bibeau | Proud, pumped, victorious. Rolling snares and trumpets support a | 团队运动 态度 极限运动 电影节奏 | Abm | 85 | |||
|
Champion [BIB288 - 6] |
2'16 | David Birnie | Epic, victorious, cathartic. Snare rolls produce a pumped-up energy, | 团队运动 粉丝合唱 广告 高潮 | Gm | 148 | ||||
|
Champion Instrumental [BIB288 - 22] |
版本. | 2'16 | David Birnie | Epic, victorious, cathartic. Snare rolls produce a pumped-up energy. | 团队运动 广告 高潮 令人激动 | Gm | 148 | |||
|
Champion Underscore [BIB288 - 23] |
版本. | 2'16 | David Birnie | Epic, victorious, cathartic. Snare rolls produce a pumped-up energy. | 团队运动 广告 高潮 令人激动 | Gm | 148 | |||
|
Break the Fake [CEZ4653 - 9] |
2'04 | G.Bonson | Big Beat. 1990s. Upbeat, edgy & relentless. Male vocals, drums & | 赛车 大节奏 沉重 极限运动 | Gm | 127 | ||||
|
Break The Fake Alternate [CEZ4653 - 134] |
版本. | 2'03 | G.Bonson | Instrumental version | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 1 (60 sec) [CEZ4653 - 135] |
版本. | 1'00 | G.Bonson | 60 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 2 (60 sec) [CEZ4653 - 136] |
版本. | 1'00 | G.Bonson | 60 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 3 (60 sec) [CEZ4653 - 137] |
版本. | 1'00 | G.Bonson | 60 second cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 4 (60 sec) [CEZ4653 - 138] |
版本. | 1'00 | G.Bonson | 60 second instrumental cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 5 (30 sec) [CEZ4653 - 139] |
版本. | 0'30 | G.Bonson | 30 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 6 (30 sec) [CEZ4653 - 140] |
版本. | 0'30 | G.Bonson | 30 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 7 (30 sec) [CEZ4653 - 141] |
版本. | 0'30 | G.Bonson | 30 second cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 8 (15 sec) [CEZ4653 - 142] |
版本. | 0'15 | G.Bonson | 15 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 128 | |||
|
Break The Fake Edit 9 (15 sec) [CEZ4653 - 143] |
版本. | 0'15 | G.Bonson | 15 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 10 (15
[CEZ4653 - 144] |
版本. | 0'15 | G.Bonson | 15 second cut 2 | 赛车 大节奏 沉重 极限运动 | G | 127 | |||
|
Break The Fake Edit 11 (Sting
[CEZ4653 - 145] |
版本. | 0'09 | G.Bonson | Sting 1 | 赛车 大节奏 沉重 极限运动 | Bb | 128 | |||
|
Break The Fake Edit 12 (Sting
[CEZ4653 - 146] |
版本. | 0'08 | G.Bonson | Sting instrumental 1 | 赛车 大节奏 沉重 极限运动 | Bb | 124 | |||
|
Break The Fake Edit 13 (Sting
[CEZ4653 - 147] |
版本. | 0'07 | G.Bonson | Sting 2 | 赛车 大节奏 沉重 极限运动 | Gm | 129 | |||
|
Break The Fake Edit 14 (Sting
[CEZ4653 - 148] |
版本. | 0'07 | G.Bonson | Sting 3 | 赛车 大节奏 沉重 极限运动 | Em | 130 | |||
|
Break The Fake Edit 15 (Sting
[CEZ4653 - 149] |
版本. | 0'05 | G.Bonson | Sting instrumental 3 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Can't Stop Me Now [BIB278 - 2] |
1'59 | Renny Carroll, Mark Coupe, Eamonn Downes | Fun, determined, explosive. Sharp distorted guitar dives into punk 歌词 | 态度 火热 独立摇滚 街头运动 | Am | 91 | ||||
|
Can't Stop Me Now
[BIB278 - 13] |
版本. | 1'59 | Renny Carroll, Mark Coupe, Eamonn Downes | Fun, determined, explosive. Sharp distorted guitar dives into punk | 态度 火热 独立摇滚 街头运动 | Am | 91 | |||
|
Can't Stop Me Now (Underscore) [BIB278 - 14] |
版本. | 1'59 | Renny Carroll, Mark Coupe, Eamonn Downes | Fun, determined, explosive. Fuzzy distorted bass dives into punk rock | 态度 火热 独立摇滚 街头运动 | Am | 91 | |||
|
I Came I Saw I Conquered [TBX200 - 21] |
2'46 | Paul Thorne | Arrogant, confident, tough. Rattling percussion emerges alongside 歌词 | 摇滚说唱 团队运动 态度 气势 | Em | 97 | ||||
|
I Came I Saw I Conquered
[TBX200 - 70] |
版本. | 2'46 | Paul Thorne | Arrogant, confident, tough. Rattling percussion emerges alongside | 摇滚说唱 团队运动 态度 气势 | Em | 97 | |||
|
I Came I Saw I Conquered
[TBX200 - 71] |
版本. | 2'46 | Paul Thorne | Arrogant, confident, tough. Rattling percussion emerges alongside | 摇滚说唱 团队运动 态度 气势 | Em | 97 | |||
|
Raid the City [CEZ4630 - 5] |
2'00 | Hiroki Ishikura | Hip-hop beat. Explosive, swagger & rough. Brass, synth & rhythm. | 极限运动 冲突 态度 电影节奏 | Dm | 80 | ||||
|
Raid the City Alternate 1 [CEZ4630 - 33] |
版本. | 2'01 | Hiroki Ishikura | Alternate light. | 冲突 态度 电影节奏 固执 | Dm | 80 | |||
|
Raid the City Alternate 2 [CEZ4630 - 34] |
版本. | 1'00 | Hiroki Ishikura | 60 second cut. | 极限运动 冲突 态度 电影节奏 | Dm | 162 | |||
|
Raid the City Alternate 3 [CEZ4630 - 35] |
版本. | 0'30 | Hiroki Ishikura | 30 second cut. | 极限运动 冲突 态度 电影节奏 | Dm | 162 | |||
|
Raid the City Alternate 4 [CEZ4630 - 36] |
版本. | 0'06 | Hiroki Ishikura | Sting 1. | 极限运动 冲突 态度 电影节奏 | Dm | 162 | |||
|
Raid the City Alternate 5 [CEZ4630 - 37] |
版本. | 0'08 | Hiroki Ishikura | Sting 2. | 极限运动 冲突 态度 电影节奏 | Dm | 156 |