| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
On The Bright Side [TBX190 - 7] |
2'37 | Amanda Nordelius, John Russell, Clara Stegall | Rebellious, playful, happy. Strong and fast bass and drums push 歌词 | 朗朗上口 独立摇滚 好玩 女歌手 | B | 155 | ||||
|
On The Bright Side
[TBX190 - 28] |
版本. | 2'37 | Amanda Nordelius, John Russell, Clara Stegall | Rebellious, playful, happy. Strong and fast bass and drums push | 英伦摇滚 英格兰 | B | 155 | |||
|
On The Bright Side
[TBX190 - 29] |
版本. | 2'37 | Amanda Nordelius, John Russell, Clara Stegall | Rebellious, playful, happy. Fast drums are joined by dirty guitar | 英伦摇滚 英格兰 | B | 155 | |||
|
Push It, Push It, Push It [TBX190 - 11] |
2'44 | Anthony Sallis, Ben Bodie | Empowering, confident, fun. Cool lazy indie melodies are joined by 歌词 | 男歌手 日间节目 怪异 朗朗上口 | C | 134 | ||||
|
Push It, Push It, Push It
[TBX190 - 36] |
版本. | 2'44 | Anthony Sallis, Ben Bodie | Empowering, confident, fun. Cool lazy indie melodies are joined by | 英伦摇滚 英格兰 | C | 134 | |||
|
Push It, Push It, Push It
[TBX190 - 37] |
版本. | 2'44 | Anthony Sallis, Ben Bodie | Empowering, confident, fun. Cool lazy indie melodies are joined by | 英伦摇滚 英格兰 | C | 134 | |||
|
Fire In The Hold [TBX185 - 8] |
2'52 | Mark Revell | Rebellious, nautical, raucous. Winding accordion meets with distorted 歌词 | 圣帕特里克节 动人 啤酒节 火热 | Em | 128 | ||||
|
Fire In The Hold
[TBX185 - 26] |
版本. | 2'52 | Mark Revell | Rebellious, nautical, raucous. Winding accordion meets with distorted | 圣帕特里克节 动人 啤酒节 火热 | Em | 128 | |||
|
Fire In The Hold (Underscore) [TBX185 - 27] |
版本. | 2'51 | Mark Revell | Rebellious, nautical, raucous. Serious guitar chords give a dramatic | 圣帕特里克节 爱尔兰舞曲 啤酒节 武侠小说 | Em | 128 | |||
|
Mutiny [TBX185 - 10] |
2'25 | Max Gittings, Michael Tedstone, Michael Vickers | Nautical, spirited, eerie. Sparse instrumentation gives a sense of 歌词 | 独立摇滚 男歌手 电吉他 圣帕特里克节 | Em | 122 | ||||
|
Mutiny (Alt Version) [TBX185 - 30] |
版本. | 2'25 | Max Gittings, Michael Tedstone, Michael Vickers | Nautical, spirited, eerie. Sparse instrumentation gives a sense of | 爱尔兰舞曲 圣帕特里克节 锡口笛 果断 | Em | 122 | |||
|
Mutiny (Instrumental) [TBX185 - 31] |
版本. | 2'25 | Max Gittings, Michael Tedstone, Michael Vickers | Nautical, spirited, eerie. Sparse instrumentation gives a sense of | 独立摇滚 街头运动 男歌手 电吉他 | Em | 122 | |||
|
Mutiny (Underscore) [TBX185 - 32] |
版本. | 2'25 | Max Gittings, Michael Tedstone, Michael Vickers | Nautical, spirited, eerie. Sparse instrumentation gives a sense of | 独立摇滚 街头运动 电吉他 圣帕特里克节 | Em | 122 | |||
|
Rivals Squad [INP067 - 8] |
2'14 | Nathan Black | Determined, fancy, strong. Meaningful bassline marches along with | 态度 冲击 有节奏感 极限运动 | Gm | 147 | ||||
|
Rivals Squad (Underscore) [INP067 - 22] |
版本. | 2'14 | Nathan Black | Determined, fancy, strong. Meaningful bassline marches along with | 态度 冲击 有节奏感 极限运动 | Gm | 147 | |||
|
Faded Star [CEZ4619 - 3] |
2'17 | Konstantinos Panagiotidis | Electronic Body Music (EBM). Neo cold wave. Stubborn, virile, dark & 歌词 | electronic body music 固执 寒潮 都市 | Fm | 145 | ||||
|
Faded Star Alternate [CEZ4619 - 14] |
版本. | 2'18 | Konstantinos Panagiotidis | Alternate instrumental version. | electronic body music 固执 寒潮 都市 | F | 145 | |||
|
Forgotten Pain [CEZ4619 - 9] |
0 | 2'30 | Colo Colo | New wave. Neo cold wave. Electro clash. Rhythmic, determined, | 寒潮 果断 动人 态度 | Dbm | 142 | |||
|
Waltz of Happier Days [CEO2158 - 6] |
0 | 2'13 | Gréco Casadesus, Gregory Cotti | Slow waltz played rubato. Nostalgic, restrained & delicate with a | 内心活动 忧伤 华尔兹舞步 爱情 | Bbm | 89 | |||
|
Corridor Without A View [AUD009 - 2] |
2'25 | Franck Dadure | Electro minimalism. Mid-tempo - Mysterious and spooky minimal | 稳定的 极简电子音乐 夜晚 气氛 | F | 120 | ||||
|
Corridor Without A View
[AUD009 - 7] |
版本. | 2'26 | Franck Dadure | Mid-tempo - Mysterious and spooky minimal electro-house. Creepy | 稳定的 极简电子音乐 夜晚 气氛 | F | 120 | |||
|
Corridor Without A View
[AUD009 - 12] |
版本. | 0'27 | Franck Dadure | Mid-tempo - Mysterious and spooky minimal electro-house. Creepy | 稳定的 极简电子音乐 夜晚 气氛 | F | 118 | |||
|
Cello Suite No. 1 in G Major
[CLA3062 - 1] |
0 | 3'11 | 约翰·塞巴斯蒂安·巴赫 | I. Prélude. Cello. | 著名音乐 巴罗克音乐(1600-1750) 大提琴 十八世纪 | G | 133 | |||
|
Cello Suite No. 1 in G Major
[CLA3062 - 2] |
0 | 5'51 | 约翰·塞巴斯蒂安·巴赫 | II. Allemande. Cello. | 巴罗克音乐(1600-1750) 大提琴 十八世纪 原声 | G | 129 | |||
|
Cello Suite No. 1 in G Major
[CLA3062 - 3] |
0 | 2'47 | 约翰·塞巴斯蒂安·巴赫 | III. Courante. Cello. | 巴罗克音乐(1600-1750) 大提琴 十八世纪 原声 | G | 103 | |||
|
Cello Suite No. 1 in G Major
[CLA3062 - 4] |
0 | 3'48 | 约翰·塞巴斯蒂安·巴赫 | IV. Sarabande. Cello. | 巴罗克音乐(1600-1750) 大提琴 十八世纪 原声 | G | 148 | |||
|
Cello Suite No. 1 in G Major
[CLA3062 - 5] |
0 | 3'55 | 约翰·塞巴斯蒂安·巴赫 | V. Menuet I-II. Cello. | 巴罗克音乐(1600-1750) 大提琴 十八世纪 原声 | G | 104 | |||
|
Cello Suite No. 1 in G Major
[CLA3062 - 6] |
0 | 1'48 | 约翰·塞巴斯蒂安·巴赫 | VI. Gigue. Cello. | 巴罗克音乐(1600-1750) 大提琴 十八世纪 原声 | G | 151 | |||
|
Cello Suite No. 2 in D Minor
[CLA3062 - 7] |
0 | 5'29 | 约翰·塞巴斯蒂安·巴赫 | I. Prélude. Cello. | 巴罗克音乐(1600-1750) 大提琴 十八世纪 原声 | Gm | 155 | |||
|
Cello Suite No. 2 in D Minor
[CLA3062 - 8] |
0 | 5'56 | 约翰·塞巴斯蒂安·巴赫 | II. Allemande. Cello. | 巴罗克音乐(1600-1750) 大提琴 十八世纪 原声 | Gm | 123 | |||
|
Cello Suite No. 2 in D Minor
[CLA3062 - 9] |
0 | 1'55 | 约翰·塞巴斯蒂安·巴赫 | III. Courante. Cello. | 巴罗克音乐(1600-1750) 大提琴 十八世纪 原声 | Dm | 118 | |||
|
Cello Suite No. 2 in D Minor
[CLA3062 - 10] |
0 | 5'20 | 约翰·塞巴斯蒂安·巴赫 | IV. Sarabande. Cello. | 巴罗克音乐(1600-1750) 大提琴 十八世纪 原声 | Gm | 129 | |||
|
Cello Suite No. 2 in D Minor
[CLA3062 - 11] |
0 | 4'07 | 约翰·塞巴斯蒂安·巴赫 | V. Menuet I-II. Cello. | 巴罗克音乐(1600-1750) 大提琴 十八世纪 原声 | Gm | 89 |