| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Salve regina [CLA1820 - 3] |
0 | 7'03 | Carlo Donato Cossoni | Rigorous, mystic & confident. Soprano and chamber orchestra. | 严谨 神奇 自信 女性 | D | 118 | |||
|
Amante che mirato [CLA1820 - 4] |
0 | 3'04 | Maurizio Cazzati | Charming, female & careless. Soprano and chamber orchestra. | 迷人 女性 无忧无虑 自信 | D | 118 | |||
|
La Calcagnina [CLA1820 - 5] |
0 | 4'03 | Maurizio Cazzati | Peaceful, confident & rigorous. Continuous bass and chamber | 宁静 自信 严谨 室内乐团 | Bm | 109 | |||
|
Occhi belli [CLA1820 - 6] |
0 | 3'05 | Carlo Donato Cossoni | Intimate, charming & mystic. Soprano and chamber orchestra. | 内心活动 迷人 神奇 女性 | Em | 123 | |||
|
Mesto amatore [CLA1820 - 7] |
0 | 2'26 | Carlo Donato Cossoni | Introspective, serious & intimate. Soprano and chamber orchestra. | 反省 内心活动 严谨 忧伤 | Bm | 107 | |||
|
Fino all'ultimo respiro [CLA1820 - 8] |
0 | 1'43 | Carlo Donato Cossoni | Confident & rigorous. Soprano and chamber orchestra. | 自信 严谨 女性 巴罗克音乐(1600-1750) | Em | 137 | |||
|
Crudelis Herodes [CLA1820 - 9] |
0 | 4'58 | Carlo Donato Cossoni | Introspective, peaceful & melancholic. Soprano and chamber orchestra. | 反省 宁静 女性 内心活动 | Dm | 62 | |||
|
Ecce Jesu mi [CLA1820 - 10] |
0 | 6'02 | Carlo Donato Cossoni | Mystic & rigorous. Soprano and chamber orchestra. | 神奇 严谨 反省 巴罗克音乐(1600-1750) | Gm | 104 | |||
|
Peccator penitente [CLA1820 - 11] |
0 | 6'12 | Maurizio Cazzati | Rigorous & sorry. Soprano and chamber orchestra. | 严谨 抱歉 女性 内心活动 | Cm | 111 | |||
|
Amor bugiardo [CLA1820 - 12] |
0 | 4'31 | Maurizio Cazzati | Confident & female. Soprano and chamber orchestra. | 自信 女性 严谨 疑问 | Cm | 84 | |||
|
La Bulgarina [CLA1820 - 13] |
0 | 3'51 | Maurizio Cazzati | Confident & interrogative. Soprano and chamber orchestra. | 自信 疑问 巴罗克音乐(1600-1750) 严谨 | Am | 114 | |||
|
L'amante musico [CLA1820 - 14] |
0 | 1'51 | Maurizio Cazzati | Confident & determined. Soprano and chamber orchestra. | 自信 果断 女性 骄傲 | G | 107 | |||
|
Lodasi il tacere [CLA1820 - 15] |
0 | 4'23 | Maurizio Cazzati | Confident & charming. Soprano and chamber orchestra. | 自信 迷人 女性 巴罗克音乐(1600-1750) | Gm | 103 | |||
|
Act. 1, I. Vorspiel [CLA1202 - 1] |
0 | 2'53 | 弗兰克·马丁 | 1st scene. Sad & interrogative. Tenor, soprano and symphony | 伤心 疑问 芭蕾舞曲 严谨 | Em | 84 | |||
|
Act. 1, II. Streittanz der
[CLA1202 - 2] |
0 | 1'41 | 弗兰克·马丁 | 2nd scene. Acceleration @ 1'27. Determined & exalting. Soprano and | 果断 令人激动 骄傲 芭蕾舞曲 | Am | 129 | |||
|
Act. 1, III. Entree der
[CLA1202 - 3] |
0 | 1'08 | 弗兰克·马丁 | 3rd scene. New theme @ 0'25. Solemn & proud. Symphony orchestra. | 庄重 骄傲 芭蕾舞曲 令人激动 | Bm | 118 | |||
|
Act. 1, IV. Tanz der
[CLA1202 - 4] |
0 | 1'32 | 弗兰克·马丁 | 4th scene. Fiery & determined. Symphony orchestra. | 火热 果断 芭蕾舞曲 严谨 | Dbm | 151 | |||
|
Act. 1, V. Entree des Herolds [CLA1202 - 5] |
0 | 1'16 | 弗兰克·马丁 | 5th scene. Solemn & proud. Tenor and symphony orchestra. | 庄重 骄傲 芭蕾舞曲 严谨 | Em | 111 | |||
|
Act. 1, VI. Tanz des Herolds [CLA1202 - 6] |
0 | 1'41 | 弗兰克·马丁 | 6th scene. Fiery & female. Soprano, contre-alto and symphony | 火热 果断 女性 芭蕾舞曲 | Em | 164 | |||
|
Act. 1, VII. Aschenbrödel
[CLA1202 - 7] |
0 | 6'42 | 弗兰克·马丁 | 7th scene. New theme @ 2'04. Sad & introspective. Tenor, soprano, | 伤心 反省 芭蕾舞曲 严谨 | Em | 65 |