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西非| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
O Galo Ki Tem Se Razao [OCR560146 - 10] |
0 | 5'40 | Joaozinho Montrond | Coladeira. Violin, acoustic guitar, shaker & male voice. | 民族 佛得角半岛克里奥尔语歌唱 佛得角 民族吉他 | G | 121 | |||
|
|
Bombena [OCR560146 - 11] |
0 | 1'51 | Traditionnal | Work song. Male, female voices & spading noises. | 民族 女声民族合唱团 佛得角 传统男声独唱 | Ebm | 86 | |||
|
|
Pretu Cor Di Nós [OCR560146 - 12] |
0 | 6'04 | Traditionnal | Feast song. Drums, female voice & choir. | 民族 佛得角 佛得角半岛克里奥尔语歌唱 女声民族合唱团 | Bbm | 92 | |||
|
|
N'kré Bu Fora Di Marka [OCR560146 - 13] |
0 | 6'01 | José Domingus Lopes from P.D. | Morna. Acoustic guitar, accordion & male voice. | 佛得角半岛克里奥尔语歌唱 民族 全音阶手风琴 佛得角 | Em | 151 | |||
|
|
Lindinha [OCR560146 - 14] |
0 | 4'25 | Xote (performer) from P.D. | Coladeira. Acoustic guitar, ratchet & male voice. | 佛得角半岛克里奥尔语歌唱 民族 传统男声独唱 佛得角 | Gbm | 87 | |||
|
|
Cascabulho Tem Baleia [OCR560146 - 15] |
0 | 3'38 | Traditionnal | Coladeira. Acoustic guitar, male voice & choir. | 佛得角半岛克里奥尔语歌唱 民族 传统男声独唱 佛得角 | Bb | 123 | |||
|
Sarkin Gobir, followed by
[OCR560135 - 1] |
0 | 4'59 | Harouna Goge from P.D. | Song in praise of the king and his clan. Goge (African monochord | 民族 goge 尼日尔 传统男声独唱 | Abm | 152 | |||
|
|
Hawan Karfo [OCR560135 - 2] |
0 | 3'38 | Harouna Goge from P.D. | Instrumental piece addressed to the butchers. Solo goge (African | 民族 goge 尼日尔 原声 | C | 143 | |||
|
|
Harakoy Dikko [OCR560135 - 3] |
0 | 5'03 | Harouna Goge from P.D. | Tune played at spirit possession ceremonies. Goge (African monochord | 民族 goge calabashe 民族笛子（所有） | C | 100 | |||
|
|
Sarki Baidou [OCR560135 - 4] |
0 | 3'22 | Harouna Goge from P.D. | Instrumental piece intended for the late chief of Gaya. Solo goge | 民族 goge 尼日尔 原声 | F | 129 | |||
|
|
Dogwa (1st version) [OCR560135 - 5] |
0 | 3'47 | Harouna Goge from P.D. | Dogwa is a female spirit, which is defined as dangerous. Goge | 民族 goge 尼日尔 传统男声独唱 | Fm | 106 | |||
|
|
Gomna [OCR560135 - 6] |
0 | 4'22 | Harouna Goge from P.D. | Gomma is a spirit characterised by his strength. Goge (African | 民族 goge calabashe 民族笛子（所有） | Fm | 136 | |||
|
|
Zataw (1st version) [OCR560135 - 7] |
0 | 3'56 | Harouna Goge from P.D. | Song intended for the spirit Zataw. Goge (African monochord vielle), | 民族 goge 尼日尔 民族女声独唱 | Fm | 80 | |||
|
|
Malahaj [OCR560135 - 8] |
0 | 4'02 | Harouna Goge from P.D. | Malahaj is a Muslim spirit who appeared in the form of a white-clad | 民族 goge 尼日尔 传统男声独唱 | B | 102 | |||
|
|
Damban Karfe [OCR560135 - 9] |
0 | 3'48 | Harouna Goge from P.D. | This piece is borrowed from a dance performance by the Gaya folk | 民族 goge 尼日尔 原声 | Bbm | 132 | |||
|
|
Babule [OCR560135 - 10] |
0 | 2'56 | Harouna Goge from P.D. | Babule is a spirit who reveals himself with great brutality. Goge | 民族 goge calabashe 尼日尔 | Am | 112 | |||
|
|
Zataw (2nd version) [OCR560135 - 11] |
0 | 3'49 | Harouna Goge from P.D. | Song intended for the spirit Zataw. Goge (African monochord vielle) & | 民族 goge 尼日尔 传统男声独唱 | Gbm | 152 | |||
|
|
Dogwa (2nd version) [OCR560135 - 12] |
0 | 7'33 | Harouna Goge from P.D. | Dogwa is a female spirit, which is defined as dangerous. Goge | 民族 goge 尼日尔 传统男声独唱 | Fm | 91 | |||
|
|
Dan Mamma [OCR560135 - 13] |
0 | 5'00 | Harouna Goge from P.D. | This tune is addressed to a spirit who is an alcohol-drinking. Goge | 民族 goge calabashe 民族笛子（所有） | Bm | 133 | |||
|
|
Dan Sasumbe [OCR560135 - 14] |
0 | 3'45 | Harouna Goge from P.D. | Dan Sasumbe is a dwarf spirit rather evil. Goge (African monochord | 民族 goge 尼日尔 传统男声独唱 | B | 107 |
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