| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Mamamouchi [CCB1048 - 2] |
0 | 5'28 | Renaud Garcia-Fons | Jazz-world in a baroque & Middle-Eastern mood with a touch of | 弦乐四重奏 世界爵士 充满热情 动人 | Dm | 172 | |||
|
1001 Nights [TBX108 - 1] |
2'20 | Paul Hoey, Michael Tedstone | Atmospheric, determined, cinematic. Brooding strings swell over | 冒险片 果断 当代中东音乐 动人 | Cm | 119 | ||||
|
1001 Nights (Instrumental) [TBX108 - 11] |
版本. | 2'20 | Paul Hoey, Michael Tedstone | Atmospheric, determined, cinematic. Brooding strings swell over | 果断 地理政治 当代中东音乐 动人 | Cm | 119 | |||
|
1001 Nights (Underscore A) [TBX108 - 12] |
版本. | 2'20 | Paul Hoey, Michael Tedstone | Atmospheric, determined, cinematic. Brooding strings swell over | 果断 地理政治 当代中东音乐 动人 | Cm | 120 | |||
|
1001 Nights (Underscore B) [TBX108 - 13] |
版本. | 2'20 | Paul Hoey, Michael Tedstone | Atmospheric, determined, cinematic. Brooding strings swell over | 果断 地理政治 当代中东音乐 动人 | Cm | 120 | |||
|
1001 Nights (Underscore C) [TBX108 - 14] |
版本. | 2'20 | Paul Hoey, Michael Tedstone | Atmospheric, determined, cinematic. Brooding strings swell over | 果断 地理政治 当代中东音乐 动人 | Cm | 120 | |||
|
What the Wind Says [CEZ4438 - 7] |
0 | 02'41 | Kevin Seddiki, Sikarb Malsirrah | Introspective, arid, pending & descriptive. Music for hot desert | 反省 世界音乐 漂泊 地理政治 | Gm | 77 | |||
|
The Battle of Bir-Hakeim [CEO2115 - 11] |
01'28 | Gréco Casadesus | Tragic, warlike & threatening. Strings, African guitar, electronics & | 地理政治 当代历史 令人不安 全景 | Fm | 152 | ||||
|
The Battle of Bir-Hakeim
[CEO2115 - 32] |
版本. | 00'47 | Gréco Casadesus | Tragic, warlike & threatening. Strings, African guitar, electronics & | 地理政治 令人不安 进行中 悬念 | Fm | 120 | |||
|
Turkish Delight [CEZ4410 - 2] |
0 | 3'00 | Rémo | Electro world. Danceable, mysterious & percussive. Maghreb, Turkey, | 波动感 异域 现代 神秘 | Cm | 133 | |||
|
Tension à Jérusalem [CEO2099 - 10] |
0 | 1'57 | Pablo Pico | Tense & inexorable. Middle East. Ud, strings & percussion. | 地理政治 疑问 中东 进行中 | Dm | 100 | |||
|
The Endless Desert [CEG5018 - 17] |
0 | 5'59 | Renaud Garcia-Fons | Panoramic, serious & moving. Middle-East inspiration. Bowed | 热沙漠 自然灾害 抱歉 地理政治 | Am | 70 | |||
|
Transfiguration [BIB117 - 1] |
2'36 | Matthew James Hill | Atmospheric, expansive, cinematic. Beautiful, mysterious and lyrical | 抱歉 地理政治 热沙漠 漂泊 | Dm | 96 | ||||
|
Transfiguration - 30 sec [BIB117 - 11] |
版本. | 0'30 | Matthew James Hill | Atmospheric, expansive, cinematic. Beautiful, mysterious and lyrical | 抱歉 地理政治 热沙漠 漂泊 | G | 63 | |||
|
Stolen Lands [CEG5017 - 6] |
2'37 | Abaji | Spy movie / underscore. Disturbing, determined & suspended. | 地理政治 南非 热沙漠 令人不安 | Cm | 162 | ||||
|
Stolen Lands Alternate [CEG5017 - 24] |
版本. | 2'36 | Abaji | Disturbing & inexorable. Percussion, electric guitar & synth. | 地理政治 热沙漠 沉闷 悬念 | Cm | 161 | |||
|
Sommeil de Majnûn [CCB1036 - 5] |
0 | 3'38 | Renaud Garcia-Fons | Sad & solitary. Double-bass & lute. | 世界音乐 低音弓 地理政治 伊朗 | Dm | 172 | |||
|
Légende Persane [CCB1036 - 14] |
0 | 4'47 | Renaud Garcia-Fons | Sad & moving. Oriental. Double-bass, lute & theorbo trio. | 世界音乐 低音弓 阿拉伯音乐 中东 | Am | 77 | |||
|
Changing the Borders [CEG5010 - 3] |
2'14 | Abaji | Desolate & sad. Kamancheh, strings, synths, daf & percussion. | 地理政治 kemençe 抱歉 全景图 | Gm | 60 | ||||
|
Changing the Borders
[CEG5010 - 20] |
版本. | 2'14 | Abaji | Aftermath. Desolate & sad. Strings, percussion & sequencing. | 地理政治 令人不安 全景图 抱歉 | Bb | 60 | |||
|
Changing the Borders
[CEG5010 - 21] |
版本. | 2'14 | Abaji | Aftermath. Investigation. Desolate & obstinate. Kamancheh, strings & | 地理政治 kemençe 抱歉 全景图 | D | 72 | |||
|
Political Seduction [CEG5010 - 5] |
0 | 2'58 | Abaji | Obstinate & accentuated. Ud, buzuk, clarinet, synths, percussion & | 地理政治 果断 世界音乐 buzuq | Am | 100 | |||
|
Secret Deals [CEG5010 - 8] |
0 | 2'19 | Abaji | Investigation. Patient but determined. Increasing crescendo. Cello, | 地理政治 中东 耐心 手鼓 | G | 100 | |||
|
Utter Loneliness [CEG5010 - 9] |
2'39 | Abaji | Desert. Panoramic, contemplative & solitary. Flute, synths, cymbals, | 地理政治 逝去的文明 热沙漠 抱歉 | Cm | 114 | ||||
|
Utter Loneliness Alternate 1 [CEG5010 - 23] |
版本. | 2'38 | Abaji | Aftermath. Landscape. Panoramic & solitary. Ud, cymbals, fx wind & | 地理政治 逝去的文明 热沙漠 抱歉 | Cm | 69 | |||
|
Utter Loneliness Alternate 2 [CEG5010 - 24] |
版本. | 2'40 | Abaji | Aftermath. Landscape. Disturbing & desolate. Synths, cymbals, | 诡异 逝去的文明 热沙漠 抱歉 | Cm | 136 | |||
|
In Sight of the Balkans [CEO2080 - 4] |
4'14 | Alice Guerlot Kourouklis | Mysterious, interrogative & inspiring with a Balkans / Middle-Eastern | 疑问 中东 弦乐部分 进行中 | C | 137 | ||||
|
In Sight of the Balkans
[CEO2080 - 22] |
版本. | 4'14 | Alice Guerlot Kourouklis | Alternate version without Oriental strings. | 弦乐部分 进行中 悬念 疑问 | C | 69 | |||
|
Simulacrum [CEO2068 - 9] |
0 | 2'57 | Pablo Pico | Kaddish. Mysterious, calm & moving. Clarinet ensemble & sound design. | 地理政治 逝去的文明 热沙漠 以色列 | Cm | 113 | |||
|
Byzantine Legend [CEG5006 - 3] |
0 | 2'33 | Abaji | Eastern music. Alarming, tense & dramatic. Synth, flute, percussion & | 地理政治 非阿拉伯中东 社会悲剧 中东 | Dm | 130 | |||
|
Bosphorus [CEZ4327 - 4] |
2'17 | Barthélémy Corbelet | Mystical, & changing with Middle-Eastern influence. String orchestra, | 地理政治 庄严 全景 催眠 | Eb | 145 | ||||
|
Bosphorus [CEZ4327 - 16] |
版本. | 2'17 | Barthélémy Corbelet | Middle-Eastern influenced. Mystical & changing. Cymbalom, flamenco | 地理政治 骄傲 冒险片 自信 | Eb | 145 | |||
|
Elixir [BIB068 - 1] |
0 | 2'41 | Michael Peter Sajic | Dramatic, atmospheric, sophisticated. Upbeat Middle Eastern melodies | 当代中东音乐 朗朗上口 机器人 果断 | Cm | 124 |