Punk rock / Hybrid Punk Rock. Synth intro building-up with trap beat ...Punk rock / Hybrid Punk Rock. Synth intro building-up with trap beat & strong female voice. Powerful & stimulating rock chorus @ 0'41. Stylish, passionate, visceral, urgent & tense. Suggested for rebellious content, extreme sports, video games & esport.歌词
I dont fit in your societyYour rules are still a mystery to meI can’t tell when it got so wrongJust know that in this room I won’t stay long And I don’t wanna wait to liveI’m not made to sit there silentlyThat’s not meThat’s not meI don’t care you’re rightI won’t be sorry Everyday it feels all the sameWishing that tomorrow things will changeMy eyes they are wide open,Starring at my bedroom ceiling And I don’t wanna wait to liveI’m not made to sit there silentlyThat’s not meThat’s not meI don’t care you’re rightI won’t be sorry Like a bird I wanna spread my wingsLearn to flyDon’t want to live my life captured like an animalYou can’t tell me what to do,I’ll never compromiseI will stand alone even if it’s me against them all I don’t fit in your societyYour rules are still a mystery to meI can’t tell when it got so wrongBut I’m already gone Like a bird I wanna spread my wingsLearn to flyDon’t want to live my life captured like an animalYou can’t tell me what to do,I’ll never compromiseI will stand alone even if it’s me against them all
Punk rock / Pop Punk. Powerful & anthemic female voice over massive ...Punk rock / Pop Punk. Powerful & anthemic female voice over massive rock drum & power guitar. Hybrid trap rock @ 0'30. Furious & urgent pre-chorus @ 0'50. Stadium choir @ 2'00. Lively, bitter & boisterous. Suggested for teenage spirit (90s), fan of skate & extreme sports.歌词
I’m a little drunk waiting for your phone callI’m a little numb, and now I just can’t feel at allStaring at the sun I am almost blindBut I can’t stop to think about your presence in my mind I don’t know if I will make it outI hate the way I miss you so muchI hate the way you’re better off nowI wish I could say you still love meBut you ran away and leaving me with myself I hope that one dayYou’ll come back to meCan’t you see I'm the one for youNow that you’re gone I'm all alone (leaving me with myself)Now that you’re gone I'm all aloneI'm all alone I drove by your house, but you don’t live there anymoreAnd the only thing I wanted is to see you pass the doorBut I'm dreamingIt's not happeningMaybe you already forgot my nameAnd I don’t know if we’ll meet againI promise that it won’t be the same I hate the way I miss you so muchI hate the way you’re better off nowI wish I could say you still love meBut you ran away and leaving me with myself I hope that one dayYou’ll come back to meCan’t you see I'm the one for youNow that you’re gone I'm all alone (leaving me with myself)Now that you’re gone I'm all aloneI'm all alone I'm all aloneI'm all aloneOhhhhh I'm all aloneI'm all alone (I wish I could say)I'm all aloneI'm all alone I wish I could say you still love meBut you ran away and leaving me with myself I hope that one dayYou’ll come back to meCan’t you see I'm the one for youNow that you’re gone I'm all alone (leaving me with myself)Now that you’re gone I'm all aloneI'm all alone
Cinematic hip-hop / rap trailer. Suspenseful intro with powerful ...Cinematic hip-hop / rap trailer. Suspenseful intro with powerful cinematic impacts, vocal stabs & brass hits. Swagger, obstinate & heavy. Climax @ 1'32 in an urgent & powerful spirit. Brass section, huge percussion & rapper. Suggested for team sport & headlights.歌词
Vocals For weeks been wishing on stars and rolling for 7s These scars are coming from lessons My streak is on the progression hoping that I Get Lucky Got me rubbing the foot of a rabbit Kicking out habits trying to get this established Out of the blue like it's magic nothing is static Have to attack it getting a sense of variety Opinions are coming from outside Know the truth is inside of me Strive for the best cause I got to be Preparations a must Hand on the pie just scratching the crust Light in my eyes my visions enough To pick up the pieces of dust This is a strike in the dark a line in the sand Don't need any chairs I'm taking a stand Life's a casino know how to play with the hand And bet on yourself the house never wins 1.02 - 1.53 Vocals with more intensity This is for all of the marvel's I don't care if the startled All it takes is one shot for you to leave them marveled I need they eyes wide they mouth closed This my rise I'm up This all me plus luck Off of the chain out of the cuffs Breaking the cage that's couping me up I'm doing this for us this is to the moon or bust This is scream it out or hush Adrenaline just feel the rush Even On your best day you can't hold me up Hook: The odds are in your favor yeah just trust me Standing still to wait for growth will get you nothing Staring in they eyes I see they bluffing Take your shot you might get lucky Life's a risk roll the dice you might get lucky This moment can change your life get lucky 1.55 - 2.02 Big Vocals CLIMAX Off of the chain out of the cuffs Break the cage that's couping you up I'm doing this for us This is to the moon or bust
Resolute, tenacious, passionate. Harsh feedback moves into big ...Resolute, tenacious, passionate. Harsh feedback moves into big boastful refrain using heavy trumpet samples and slowly rising percussion. Male vocals give a spirited intro moving into anticipatory verse with lyrics about a fiery, tireless outlook suited to a sports challenge. Build up breaks at 00:37 back into drop with rhythmic rap delivery showing dexterity and skill. A super talented team strutting out to meet the opposition.
Resolute, tenacious, passionate. Harsh feedback moves into big ...Resolute, tenacious, passionate. Harsh feedback moves into big boastful refrain using heavy trumpet samples and slowly rising percussion. Build up breaks at 00:37 back into drop. A super talented team strutting out to meet the opposition. Instrumental version.
Resolute, tenacious, passionate. Harsh feedback moves into slowly ...Resolute, tenacious, passionate. Harsh feedback moves into slowly rising percussion. Heavy drumbeat moves with determined bass notes. Build up breaks at 00:37 back into drop. A super talented team strutting out to meet the opposition. Stripped back underscore version.
Heavy, bouncy, stylish. Muffled kick drum plays out with growing ...Heavy, bouncy, stylish. Muffled kick drum plays out with growing 808-style percussion. House bass begins a fun and optimistic melody, joined by sharp synths and male vocals. Hypnotic energy with lyrics about someone dancing in a stylish way and celebrating house music. Cathartic drop at 01:00 with melodic elements pushing forward, acid house melody amidst bass-heavy instrumentation.
Heavy, bouncy, stylish. Muffled kick drum plays out with growing ...Heavy, bouncy, stylish. Muffled kick drum plays out with growing 808-style percussion. House bass begins a fun and optimistic melody, joined by sharp synths. Cathartic drop at 01:00 with melodic elements pushing forward, acid house melody amidst bass-heavy instrumentation. Instrumental version.
Heavy, bouncy, stylish. Muffled kick drum plays out with growing ...Heavy, bouncy, stylish. Muffled kick drum plays out with growing 808-style percussion. House bass begins a fun and optimistic melody, joined by sharp synths. Cathartic drop at 01:00 with melodic elements pushing forward. Stripped back underscore version.
Energetic, naughty, boastful. Old school hip hop beat offers a fun ...Energetic, naughty, boastful. Old school hip hop beat offers a fun and bouncy energy. Bass-y instrumentation supports charismatic female rap vocals. Lyrics about having a selfish attitude, wanting a partner with money to afford sweet, expensive things. Fast rhythm provides a brisk energy. A stylish individual strutting their stuff. Skilful lyricism including fashion brands in rhyming schemes.歌词
Hey Baby, I was born ready, Private jetty, On my way, Feelin sexy from my bevy, Time to get saucy, Sitting pretty, Actin petty, Call up Ricky, Tom and Teddy, Let ‘em think that they can get me, Call me queen, And rub my pedi.
First class, High taste, Don't want no man, If he can't pay, Sweet tooth, Well made, Got that loot, Now buy me cake, First class High taste, Don't want no man, If he can't pay, Sweet tooth, Well made, Got that loot, Now buy me cake. Better have bank, And buy me cake, Better have bank, And buy me cake, Better have bank, And buy me cake, Better have bank, And buy me cake. Watch I love Lucy, Wearing Gucci, Feel like Madonna, In my Prada, I want Louie, Couture Juicy, Bake them diamonds, Take me out to Fendi, Get my sexy, If you spendy, Gimme sugar, Cotton candy, I might let you hold my handy.
Energetic, naughty, boastful. Old school hip hop beat offers a fun ...Energetic, naughty, boastful. Old school hip hop beat offers a fun and bouncy energy. Bass-y instrumentation with excitable percussive FX. Reminiscent of a stylish individual strutting their stuff. ast rhythm provides a brisk energy. Instrumental version.
Energetic, naughty, boastful. Old school hip hop beat offers a fun ...Energetic, naughty, boastful. Old school hip hop beat offers a fun and bouncy energy. Lyrics about having a selfish attitude, wanting a partner with money to afford sweet, expensive things. Fast rhythm provides a brisk energy. A stylish individual strutting their stuff. Skilful lyricism including fashion brands in rhyming schemes. Stripped back underscore version.
Rhythmic, cool, confident. Explicitly dance rhythm with bass and ...Rhythmic, cool, confident. Explicitly dance rhythm with bass and sharp vocal FX. Relaxed male rap vocals about a group with tremendous energy and boastful descriptions of abilities and skills. Lack of melodic elements supported by tuneful percussion and heavy bass. Fast flow rap vocals about keeping a strong spirit and taking on any competitors.歌词
Move (move) Move (move) Move (hey, yeah), When we gonna move we gonna shake the floor, When we gonna move we gonna shake the floor, Never MIA I'm always on the cause, Count on me to put up on the score (woah), We gonna move we gonna shake this (move), We gonna move we gonna shake this (move), We gonna move we gonna shake this (move), We gonna move we gonna shake this (clap, clap), Need a round of applause (clap, clap), Need a round of applause (clap, clap), We gonna move we gonna shake this, We gonna move we gonna shake this, Man I shoulda seen it coming but no way they crossing me, Imma go and get it imma never switch the recipe, Man I shoulda know with lotta money we get ennemies, But you know I never stop until It be the death of me, Clap for my enemies (clap, clap), Clap clap for my enemies (clap, clap), When we gonna move we gonna shake the floor, When we gonna move we gonna shake the floor, Never MIA I'm always on the cause, Count on me to put up on the score (woah). We gonna move we gonna shake this (move), We gonna move we gonna shake this (move), We gonna move we gonna shake this (move), We gonna move we gonna shake this (clap, clap), Need a round of applause (clap, clap), Need a round of applause (clap, clap), We gonna move we gonna shake this, We gonna move we gonna shake this.
Rhythmic, cool, confident. Explicitly dance rhythm with bass and ...Rhythmic, cool, confident. Explicitly dance rhythm with bass and sharp vocal FX. Lack of melodic elements supported by tuneful percussion and heavy bass. Instrumental version.
Rhythmic, cool, confident. Explicitly dance rhythm with bass and ...Rhythmic, cool, confident. Explicitly dance rhythm with bass and sharp vocal FX. Lack of melodic elements supported by tuneful percussion and heavy bass. Stripped back underscore version.
Cinematic Americana. Solitary intro evolving with slide guitar & deep ...Cinematic Americana. Solitary intro evolving with slide guitar & deep cinematic percussion. Powerful build up @ 1'05 in a western trailer spirit. Climax @ 1'50. Slide dobro guitar, acoustic guitar, cinematic percussion, trailer fx & tambourine. Suggested for road movie & modern western.
Northern soul, 60s rare UK soul, British dancehall. Obstinate, ...Northern soul, 60s rare UK soul, British dancehall. Obstinate, hypnotic & rhythmic. Dance combo with harpsichord, organ & guitar. Suggested for TV show, everyday life & carefree time.
Famous gospel/folksong known since the second half of the 19th ...Famous gospel/folksong known since the second half of the 19th century about a plaintive soul on the journey through life "I am a poor wayfering stranger". Moving & sad. Male voice in a soul spirit, chimes & synth layers. Instrumental tr-15.歌词
Verse 1
I am a poor wayfaring stranger While traveling through this world of woe Yet there's no sickness, toil or danger In that bright world to which I go.
Chorus I'm going there to meet my Father I'm going there no more to roam I'm only going over Jordan I'm only going over home.
Verse 2
I know dark clouds Will gather round me I know my way Is rough and steep Yet beautiful fields Lie just before me Where god’s redeemed their vigils keep
Chorus
I'm going there to meet my mother
She said she’d meet me
When I come I'm only going over Jordan I'm only going over home. I'm only going over home
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Folksong/country & western standard of uncertain origins from the ...Folksong/country & western standard of uncertain origins from the late 19th century also known as "Cowboy Love Song". "From this valley they say you are going". Melancholy of a lost love. Male country singer, guitare, slide dobro,basse, harmonica & banjo. Instrumental tr-19.歌词
Verse 1
From this valley they say you are going We will miss your bright eyes and sweet smile For they say you are taking the sunshine That has brightened my pathway awhile
Verse 2 Come and sit by my side if you love me Do not hasten to bid me adieu Just remember the Red River Valley And the cowboy who loves you so true
Verse 3
Won’t you think of the valley you’re leaving O how lonesome, how sad it will be? O think of the fond heart you’re breaking Every grief you are causing to me.
Verse 4 Come and sit by my side if you love me Do not hasten to bid me adieu Just remember the Red River Valley And the cowboy who loves you so true And the cowboy who loves you so true
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
Alternative version of tr-12 in a country/bluegrass spirit. Banjo & ...Alternative version of tr-12 in a country/bluegrass spirit. Banjo & mandolin played in unison. Bass @ 0'44 & pedal steel guitar @ 1'12.
Country. Determined & driving. Country band with pedal steel. ...Country. Determined & driving. Country band with pedal steel. Suggested for road movie & American country side.
Relaxed classic shuffle/boogie in a West-Coast mood. Strolling, ...Relaxed classic shuffle/boogie in a West-Coast mood. Strolling, easy-going, carefree & sunny. Rock band with brass hits.
