Cinematic / Acoustic. Set of guitars building an arid, hostile & wild Cinematic / Acoustic. Set of guitars building an arid, hostile & wild landscape. Insidious, sudden, disturbed & panoramic. Mandolin @ 1'26 in a lighter & more delicate spirit. Suggested for western, road-movie, American civil war, documentary & rurality.
Contemporary blues. Relentless, resigned yet determined. Electric Contemporary blues. Relentless, resigned yet determined. Electric guitar & humming male voice. Recommended for road movies, destiny & late night bar, after-hours.
Poppy, sharp, electronic. Rapid synth and percussive FX offer a Poppy, sharp, electronic. Rapid synth and percussive FX offer a charged electronic atmosphere. Cathartic drop comes as repeated female vocals sing about a lust for power over clattering instrumentation. Quick vocal melodies display a sense of skill and power. Warped horn FX communicates a rude modern spirit. Melodic build at 01:01 conjures images of a pop queen in lavish outfits, displaying talent and dominance.歌词
I'm thunder in the night, Electrical when I strike, Never give up when, I fight Insatiable appetite, I am, Power hungry, Power-power hungry, Power hungry, Power-power hungry, Yes ma'am, Power hungry, Power hungry, Power hungry, Power hungry, I am, Power hungry, Power-power hungry, Power hungry, Power-power hungry, Yes ma'am, Power hungry, Power hungry, Power hungry, Power hungry. Takin that control, Till I take it take it over, Try to pigeonhole, But I just fly right over, Cannot keep me down, down, down, I'm too far off the ground, ground, ground, Try to shake my tower. But they just jelly-jelly, I'm taking all their power, And fill-in up my belly-belly, They all try to doubt me, But you'll never oust me, They know where the clout be, Ya'll bout to learn about me, I'm thunder in the night, Electrical when I strike, Never give up when I fight, Insatiable appetite. I am, Power hungry, Power-power hungry, Power hungry, Power-power hungry, Yes ma'am, Power hungry, Power hungry, Power hungry, Power hungry, I am, Power hungry, Power-power hungry, Power hungry, Power-power hungry, Yes ma'am Power hungry Power hungry, Power hungry, Power hungry, Wait a second, Pay attention, Sit back down, Cause school's in session, Here's the lesson, Y'all can't threaten, My succession, Did I mention I never stop stop, I just go go, Can't meet me at the top, top, Cause you're too slow.
Poppy, sharp, electronic. Rapid synth and percussive FX offer a Poppy, sharp, electronic. Rapid synth and percussive FX offer a charged electronic atmosphere. Riser into drop with elastic bass and ominous lead melody. Alarm FX gives a sense of danger and a formidable power. Warped horn FX communicates a rude modern spirit. Instrumental version.
Poppy, sharp, electronic. Rapid synth and percussive FX offer a Poppy, sharp, electronic. Rapid synth and percussive FX offer a charged electronic atmosphere. Cathartic drop comes as repeated female vocals sing about a lust for power over clattering instrumentation. Quick vocal melodies display a sense of skill and power. Melodic build at 01:01 conjures images of a pop queen in lavish outfits, displaying talent and dominance. Stripped back underscore version.
Cinematic Americana. Solitary intro evolving in an introspective but Cinematic Americana. Solitary intro evolving in an introspective but determined spirit. Cinematic build-up @ 1'20 progressing to an intense & dramatic climax. Acoustic guitar, dobro slide guitar, synth & cinematic percussion. Suggested for road movie, contemporary western & American rail road legend.
Well-known American blues song & jazz standard of uncertain origin. Well-known American blues song & jazz standard of uncertain origin. "Well, I’m going down to the St. James Infirmary, to see my baby there". Sad & disillusioned. Blues/soul singer, snaps, sousaphone, drums & marimba. Instrumental tr-17 & 18.歌词
Verse 1
Well, I’m going down to the St. James Infirmary,
to see my baby there
She was all stretched out,
on a long white table
So sweet, so cold, so bare
Verse 2
Let her go, go ! Ahh, my little Baby, Where ever she can be You may search this whole world all over
But she’d never find a sweet man like me
Verse 3
Now, when I die, bury me in Stetson shoes A Stetson coat, and a Stetson hat
And put a twenty dollar gold piece on my watch chain
So the cats know, that I died fat
Ad Lib
St. James Infirmary, where can my baby be ?
It’s just at St. James Infirmary, yeah
Let my baby go, let my baby go Let my Baby go, go, go
Gospel song from the spiritual repertoire composed by Reverend Gospel song from the spiritual repertoire composed by Reverend Charles Albert Tindley in 1905. "When everything goes wrong, There's troubles in your home Oh, lord, Oh Lord , Stand by me..." Singer, choir, percussion & bass. Instrumental tr-24.歌词
Famous 19th century folksong also known as The Great Rock Island Famous 19th century folksong also known as The Great Rock Island Route and became a country music standard. "From the great Atlantic Ocean to the wide Pacific shore...". Male country singer, rhythm section, banjo, mandolin with a bluegrass touch. Harmonica solo @ 1'25 & electric guitar. Instrumental tr-26.歌词
Verse 1
From the great Atlantic ocean to the wide Pacific shore
From the queen of flowing mountains to the south side by the shore
She's mighty tall and handsome and known quite well by all
She's the combination on the Wabash Cannonball
Verse 2
Now She came down from Birmingham one cold December day
As she rolled into the station you could hear all the people say
There's that gal from Tennessee she's long and she's tall
She came down from Birmingham on the Wabash Cannonball
Verse 3
Yeah Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball
Verse 4
Our Eastern states are dandy so the people always say
From New York to St. Louis and Chicago by the way
From the hills of Minnesota where the rippling waters fall
No chances can be taken on the Wabash Cannonball
Verse 5
So Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball
Well-known 19th century minstrel folksong composed by Stephen Foster. Well-known 19th century minstrel folksong composed by Stephen Foster. "Oh, Susanna, Don't you cry for me, ‘Cause I come from Alabama with the banjo on my knee...". Male country singer, guitare, banjo, slide dobro & rythmique. Instrumental tr-28 & 29.歌词
Verse 1
Well I come from Alabama with a banjo on my knee
I'm bound for Louisiana, my own true love for to see
It rained all night the day I left
The weather it was dry
Sun so hot I froze to death
Susanna, don't you cry
Chorus
Oh, Susanna
Don't you cry for me
‘Cause I come from Alabama with the banjo on my knee
Verse 2
I had a dream the other night
When everything was still
I dreamed I saw my girl Susanne
She was coming around the hill
The buckwheat cake was in her mouth
A tear was in her eye
I said I come from Dixie girl
Suzanna, don't you cry
Chorus
Oh, Susanna
Now, don't you cry for me
‘Cause I come from Alabama with the banjo on my knee
Yeah Oh, Susanna
Now, don't you cry for me
‘Cause I come from Alabama with this banjo on my knee
Country. Cheerful, joyful, upbeat, confident & optimistic. Country Country. Cheerful, joyful, upbeat, confident & optimistic. Country band with pedal steel & banjo. Suggested for USA road trip, road movie & USA west.
Country. Confident, optimistic, bucolic & positive. Country band with Country. Confident, optimistic, bucolic & positive. Country band with banjo, pedal steel & harmonica. Suggested for road movie & American rural way of life.
Americana country rock. Laid back, determined & confident. Blues Americana country rock. Laid back, determined & confident. Blues guitar riff. Country rock band. Suggested for road movie, USA west & americana rural way of life.
Americana country rock. Upbeat, positive & confident. Country rock Americana country rock. Upbeat, positive & confident. Country rock band. Suggested for road movie, travelling, advertising, road trip & American rural way of life.
Classic blues rock boogie in the spirit of the 70s revival with a Classic blues rock boogie in the spirit of the 70s revival with a touch glam rock. Positive, driving & rootsy. Blues rock band.
Surf rock. 60s. Driving & carefree & a bit mysterious. Suggested for Surf rock. 60s. Driving & carefree & a bit mysterious. Suggested for grindhouse, outdoor & landscape. Rock band. Break @ 1'32.
Communal, welcoming, rustic. Nostalgic acoustic guitar part breathes Communal, welcoming, rustic. Nostalgic acoustic guitar part breathes a sense of joy and wholesomeness, a town living off of the land and leading a simple life free from large troubles. Harmonica instils a sense of the past. Slow beat conjures images of slow-moving rivers and streams, the sun shining through trees.
Communal, welcoming, rustic. Nostalgic acoustic guitar part breathes Communal, welcoming, rustic. Nostalgic acoustic guitar part breathes a sense of joy and wholesomeness, a town living off of the land and leading a simple life free from large troubles. Slow beat conjures images of slow-moving rivers and streams, the sun shining through trees. Stripped back underscore version.
Communal, welcoming, rustic. Nostalgic acoustic guitar part breathes Communal, welcoming, rustic. Nostalgic acoustic guitar part breathes a sense of joy and wholesomeness, a town living off of the land and leading a simple life free from large troubles. Warm euphoria offers a feeling of homeliness and love. Stripped back underscore version.
