Nostalgic, wistful, laid back. Beach rhythm with fun pace gives way Nostalgic, wistful, laid back. Beach rhythm with fun pace gives way to bending guitar melody inspiring feelings of nostalgia for a bygone era. Visions of people playing and having fun on a beach or a sunny location. Classic rock style provides a sense of carefree fun.
Nostalgic, wistful, laid back. Beach rhythm with fun pace and happy Nostalgic, wistful, laid back. Beach rhythm with fun pace and happy strummed guitar inspiring feelings of nostalgia for a bygone era. Visions of people playing and having fun on a beach or a sunny location. Classic rock style provides a sense of carefree fun. Stripped back underscore version.
Warm, chill, loving. Emotive lounge piano and strings float with the Warm, chill, loving. Emotive lounge piano and strings float with the support of a smooth bass sequence. Smouldering trumpet plays out an impassioned melody. Visions of two individuals in the throes of love, enjoying each other and smiling happily. Strings peel off in a comforting solo.
Warm, chill, loving. Emotive lounge piano and strings float with the Warm, chill, loving. Emotive lounge piano and strings float with the support of a smooth bass sequence. Visions of two individuals in the throes of love, enjoying each other and smiling happily. Stripped back underscore version.
Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff, clean guitar and sharp accenting brass bursts. A positive and uplifting rhythm with carefree jazzy crescendos. Drumming turns up in intensity with splashing ride cymbals expressing a jovial vibe.
Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff, clean guitar and sharp accenting brass bursts. Female vocals sing out passionately about Santa Claus bringing joy and having fun. A positive and uplifting rhythm with carefree jazzy crescendos. Drumming turns up in intensity with splashing ride cymbals expressing a jovial vibe. Vocal version.歌词
Up on the house top reindeer pause, Out jumps good old Santa Claus, Down through the chimney with lots of toys, All part of a little ones with Christmas joys.
Oh ho ho, who wouldn't go? Ho-ho-ho who wouldn't go? Up on the housetop, click-click-click, Down to the chimney with the good St. Nick.
First comes the stocking of little Nell, Oh, dear Santa will fill it well, Give her a dolly that laughs and cries, One that can open and shut its eyes.
Oh ho ho, who wouldn't go? Ho-ho-ho who wouldn't go? Up on the housetop, click-click-click, Down to the chimney with the good St. Nick.
Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain Fun, celebratory, jazzy. Jazz drumming launches into jazzy refrain with blues bass riff and clean guitar. A positive and uplifting rhythm. Drumming turns up in intensity with splashing ride cymbals expressing a jovial vibe. Stripped back underscore version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.歌词
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Strong, cool, slick. Echoing plucked strings and keys produce an Strong, cool, slick. Echoing plucked strings and keys produce an atmosphere of tranquility and pain, a wistful energy. Male sings about keeping his woman safe, being focused on his work, how is skills enable him to conduct himself without fear of punishment or reprisal. Sharp lyrical delivery mixing with melodious singing further asserting talent and supremacy.歌词
Shawty keep tellin' me when she wit me she feel safe, Tell me yo secrets baby I’ll keep ‘em it’s ok (talk to me, talk to me), I need da paper so much that it’s really gone fill up the safe, I got my lawyer on speed dial I’m beating the case.
I feel like OJ I kill it and never be leavin' a trace, Wit a A K feel like T K doin' a Race, Man I’m so sick I’m in quarantine and
I'm never reportin' the case, I just rolled up a Gorilla finger and I'm finna take it to the face, Stock market on the crash, Streets locked raising price on the gas, Tip top when I roll out the bag, Jungle man when I pull out that jag, Do da dash burnin' out goin' fast, I could never let 'em mess up the cash, I keep the stick like Yosemite Sam, Call me collect if you get in a jam, Wizard of Oz you don’t use yo brain like the scarecrow, I meet my plug he lookin' like Eddie Guerrero, whoa,
I get that funny bone for the low that’s an elbow, Shawty she bad, you know she keeping that Chanel glow, Disrespectin' my love is a hell no.
Shawty keep tellin' me when she wit me she feel safe, Tell me yo secrets baby I’ll keep ‘em it’s ok (talk to me, talk to me), I need da paper so much that it’s really gone fill up the safe, I got my lawyer on speed dial I’m beating the case.
I feel like OJ I kill it and never be leavin' a trace, Wit a A K feel like T K doin' a Race.
Strong, cool, slick. Echoing plucked strings and keys produce an Strong, cool, slick. Echoing plucked strings and keys produce an atmosphere of tranquility and pain, a wistful energy. Subtle vocal echoes offer a dramatic energy, with flute melodies offering a buoyant energy. Chattering trap hi hats keep a steady beat, visions of a calm and collected individual keeping themselves focused. Instrumental version.
Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about being popular and only trusting friends due to negative experiences and betrayals of trust. Concealing criminal activity successfully from authorities, fast delivery asserting a skill. Organ notes further supporting a feeling of seriousness, an individual who means business.歌词
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I get sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Money steady callin' got me answering,
Saran wrapping them packages wit Vaseline, They think I work at the corner store got gasoline, Know da vibes, even wit a stick you never beat the price, Know dat I get it, run up da digits, All of my pockets, money can’t fit it, Girl, I’m a dog, give me da kitty, Know ima hit it I get to da city, Mane I’m addicted to hustle committed, DNA I got Benjamin in me, Seen a likk, I’m so tempted to hit it, Then ima call a Uber when we finish.
Rollin' up the doh I feel like Homer Simpson, Baby I'm a mack but don't play with my pimping, We can ball together like we Jordan Pippen Moral of the story I don't do the trippin’,
You go to that level I can’t go there with ya,
I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I gzt sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a feeling of seriousness, an individual who means business. Instrumental version.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot of money in a short time, conducting business with a merciless demeanour. Lyrics with wordplay asserting a talent and a carefree energy. Slick instrumental asserts a sinister power.歌词
Hey, hey, hey, Hey, hey, hey, Hey, hey, hey, Hey, hey, hey. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done. Runnin' through big stacks, Wit a quarter pound no Big Mac, Mane ima flex like a 6 pack, I come off uh da hip make em get back, Cross my ex no tic tac, Ion even really do chit chat, Big sawed off wit a kickback, Looking for the cheese where the likkz at. You switching up like you Brady, Ballin' they never could play me, Carry the drum like a cadence, Wanna talk to me gone pay me, Pop me a 30 go crazy, Rollin' could never be lazy, Alter my thoughts and be changing my mind when I think about it it’s amazing, I got a plug on the latest, Better handcuff to your lady, I ain’t trying to make you my baby, I want the cake like a happy belated, Rollin' stone I be so many places, Yellowstone call me Rip never play, Diamond on him lookin' like some Dasani, U can just call me the dock of the bay, Diamond on him lookin' like some Dasani, U can just call him the dock of the bay. And I go so hard, I really don't play You mess with my cake I come at yo face, Feel like I’m part of the alphabet a G wit a K, Feel like I’m part of the alphabet a G wit a K. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental version.
Heavy, soulful, raw. Swirling piano sample and organ meets with Heavy, soulful, raw. Swirling piano sample and organ meets with strings offering a serious energy, supported by wobbling organ notes. Launch into heavy sub bass and trickling percussion. Sharp bouncy lyrical delivery about asking someone to show their love. Reminiscent of a group of people looking serious, stacking money and taking care of their business.歌词
Shawty mad at me so I had to buy a Rollie, Ice like hockey tryna block like a goalie, Mask on hittin' me a likk no Covid, Ballin' baby my game on Kobe, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
I just made it back in a day, I can’t even see da hate cause da racks in da way, If they ever try to play, Gotta hot pocket on me, When I pop it baby now I gotta throw it, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
I’m poppin' like soda, Different strands it’s a odor, Feel like quay cause I’m global, Feel like klay wit diz jumper, When I shoot I don’t miss plus I got the assist you check on my numbers, Plus I just had a party wit nothing but chicks you should check on yo woman, Runnin' up the bag got racks in da safe, Thinking he a killer wit the tats in the face, Mane fa da cheese they’ll rat on da case, Talk bad on ya back but uh dap in ya face, Roll up I gotta blow it, Pour a cup I had to slow it, Gettin' to it better know it, Talk to her like a poet.
Shawty mad at me so I had to buy a Rollie, Ice like hockey tryna block like a goalie, Mask on hittin' me a likk no Covid, Ballin' baby my game on Kobe, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
I just made it back in a day, I can’t even see da hate cause da racks in da way, If they ever try to play, Gotta hot pocket on me, When I pop it baby now I gotta throw it, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
Heavy, soulful, raw. Swirling piano sample meets with strings Heavy, soulful, raw. Swirling piano sample meets with strings offering a serious energy, supported by wobbling organ notes. Launch into heavy sub bass and trickling percussion. Reminiscent of a group of people looking serious, stacking money and taking care of their business. Instrumental version.
Hip hop west coast. Streetwise, groovy, confident, enthusiastic & Hip hop west coast. Streetwise, groovy, confident, enthusiastic & positive. Brass @ 0'45. Break @ 1'07. Drum machine & keyboard. Music for urban environment, sport, tv underscore & lifestyle.
Hip Hop track. Sporting, upbeat, bouncy, trap & epic with arrogance. Hip Hop track. Sporting, upbeat, bouncy, trap & epic with arrogance. Drumbeat, choir, brass & strings. For sport, lifestyle & entertainment.
Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy beat, cool male vocals rap about having a tremendous amount of skill, ignoring haters and being successful. Striving for fame and popularity but keeping a calm exterior, with determination reflected in hook. Trappy breakdown at 01:18 with heavy sub bass and chattering hi-hats.歌词
Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy beat. Fun and confident style in pop afrobeat drums. Trappy breakdown at 01:18 with heavy sub bass and chattering hi-hats conveys a sense of determination and action. Instrumental version.
Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy beat. Fun and confident style in pop afrobeat drums. Trappy breakdown at 01:18 with heavy sub bass and chattering hi-hats conveys a sense of determination and action. Stripped back underscore version.
Funky, playful, soulful. Confident brass with upbeat bass is joined Funky, playful, soulful. Confident brass with upbeat bass is joined by carefree organ tones, propulsive drums and cool male vocals. Positive and atmospheric soul with attitude, catchy melodies and an instrumental section from 01:29 to get you up and dancing with groovy guitar solos.歌词
Hold back my feelings 'Cos my feet are on the run today
Trying to find the old walk path
Where we shook these old blue shoes away
Oh these old beats still kick my mind
The day we shook the tock from time
Oh! Yeah this old dog, ain't lying down (Shake these old dog blues of mine)
Going to kick the beat, till I'm in the ground (Shake these old dog blues of mine)
Going to stamp my feet, to a new groove (Shake these old dog blues of mine)
Oh, it feels so fine, yeah
I got some new shoes on my mind (Shake these old dog blues of mine)
Gonna shake these old dog blues
Shake 'em in the morning
In the evening, summer time,
I feel alive
Everything's so fine, so fine
In these new shoes of mine
Gonna shake these old dog blues
Gonna step a new groove in these shoes of mine
All night long
Shake 'em in the morning
In the evening, shake it, shake it
Everything's so fine, so fine
Yeah, got these new shows on my mind
Gonna kick these old dog blues
Yeah in these shoes of mine
It's all I want, shake 'em off
Gonna let me loose, and set me free (Shake these old dog blues of mine)
Alright, kick 'em off, gonna let me breathe (Shake these old dog blues of mine)
Everything's so fine, so fine (Shake these old dog blues of mine)
Romantic, soulful, heartfelt. Sentimental female vocals with Romantic, soulful, heartfelt. Sentimental female vocals with emotional organ, electric guitars and drums. Bluesy and sultry late-night 60's jazz cue full of hope and heart.歌词
This heart has wings, And it will fly to you, This heart it sings, Sweet words to you.
We'll sit and smile, As the world passes us by, And I'll carry you so safely, If only, if only you'll take me.
This heart has wings, And it will fly to you, This heart it sings, Sweet words to you, This heart has wings.
Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & catchy. Exotic & danceable. Sung in Spanish. Male singers, drum machine, brass & Latin percussion.歌词
ES:
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Va a empezar
Así que todo el mundo pa' la fiesta
Que ya llegaron ya
Los que son
Causantes de que tu cuerpo se mueva
Sin que lo puedas controlar
Seguro de que ya tu los conoces
Te gusta tanto que ya no lo puedes negar
La rumba esta planeada pa las doce
Pa' que goces toda la madruga'
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Vamo' a dejar los puntos claros
Cuando llegamos sabes que la discoteca la cerramos
Que ya tu viste como andamo'
Porque a la larga o a la corta con mi combo te agarramos
Prepárate que llegaron los reyes del mambo
Con algo diferente a lo que estas buscando
Yo se lo que tu quiere, te estamo' esperando
Te mando la location y cuando
Mami que paso
Ya viene Stan de Boogaloo
Y mas atrás le caigo yo
Se que te gustan los dos
Agarrate que el team te cogió
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Stan de Boogaloo, la musical
EN:
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
It's about to start
So everybody get ready to party
Cause they' re already here
The ones that are
Causing your body to move
You can't control it
Surely you already know them
You like it so much that you can't deny it
The party's planned for twelve o'clock
So that you can enjoy till the early morning
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Let's make our points clear
When we arrive you know that we close the club
you've seen how we go
Cause in the long or the short run with my combo we'll get you
Get ready the mambo kings have arrived
With something different than what you're looking for
I know what you want, we are waiting for you
I send you the location and the time
Mami what happened
Stan from Boogaloo is coming
And further back it' ll be me
I know you like both of us
Hold on cause the team's got you
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Stan from Boogaloo, the musical
Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, festive & catchy. Exotic & danceable. Drum machine, brass & Latin percussion.
Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Spanish. Male singer, piano, brass, Latin percussion with bongo, conga & cowbell. Suggested for Latin party & telenovella.歌词
ES:
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
esas noches en que te llamé
fueron las veces que te recordé
acariciándome una y otra vez
tu y yo sabemos fue mas de una vez
sigues fingiendo estar feliz con otro
quedaste con el corazón bien roto
y sin nada
eras mi café del medio día
mi cigarrillo al comenzar el día
yo solo tu cuento de fantasias
al que besabas por hipocresía
yo confie en ti pero estabas con otro
quise olvidarte pero el corazón
Ya no me deja
esto me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Ya no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
EN:
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
those nights when I called you
were the times I remembered you
caressing me again and again
you and I know it was more than once
you're still pretending to be happy with someone else
you were left with a broken heart
and with nothing
you were my midday coffee
my cigarette at the beginning of the day
I was just your fantasy story
I trusted you but you were with another one
I wanted to forget you but the heart
Won't let me anymore
This kills me it poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It no longer leaves me It kills me it poisons me
It runs through my veins
It pushes me and slows me down
It frees me and condemns me
towards you
Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Piano, brass, Latin percussion with bongo, conga, guiro & cowbell.
Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & exotic. Filtered introduction. Trumpets, tres, Latin percussion with conga, guiro & cowbell. Suggested for Latin party.
Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Sung in Spanish. Male singer, brass, Latin percussion with clave, guiro, timbales, conga & bongo. Suggested for Latin party. 歌词
ES:
oye, miren quien volvió por aquí
me gustaría decir que sigo sintiendo lo mismo por ti pero ...
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
tu te fuiste lejos
dejándome solo
no importó
todo lo que yo te di
y ahora viene a decirme
that you were wrong to leave me alone
that you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
ahora yo
me olvidé que un día te quise
atrás se quedaron los días grises
mira como estoy bailando
en vez de sufrir por ti
that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
me dijiste que te fuiste
porque se había acabado
se acabó
todo aquello que sentías por mi
ahora tienes el descaro
se acabó
de venir arrepentida
a decirme que te dé otra oportunidad
se acabó
pero lo siento baby
Im sorry good bye
esto ya ha terminado
EN:
hey, look who's back here
I'd like to say that I still feel the same way about you but...
it's over
it's in the past
don't come asking for forgiveness
it's over now
you went away
leaving me alone
it didn't matter
all that I gave to you
and now you come to tell me
that you were wrong to leave me alone
That you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
now I forgot that one day I loved you
the gray days are behind me
look how I'm dancing instead of suffering for you that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
you told me that you left
because it was over
it's over
everything you felt for me
now you have the nerve
it's over
to come in regret
and tell me to give you another chance
it's over
But I'm sorry baby
Im sorry good bye
it's over now
Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Brass, Latin percussion with clave, guiro, timbales, conga & bongo.
Hip-hop blues. Chicago blues inpired. Powerful, fiery & determined. Hip-hop blues. Chicago blues inpired. Powerful, fiery & determined. Angry slide electric guitar & harmonica riff. Punctuated hip-hop beat. Lead slide guitar @ 1'19. Suggested for US lifestyle.
Hip-hop blues. Delta blues inspired. Upbeat, laid back & rootsy. Hip-hop blues. Delta blues inspired. Upbeat, laid back & rootsy. Slide acoustic guitar, electric riff & hip-hop medium beat. Lead harmonica @ 1'04. Suggested for road movies & US documentary.
Hip-hop blues based on a blues-rock riff. Determined & proud. Slide Hip-hop blues based on a blues-rock riff. Determined & proud. Slide electric guitar, hip-hop beat & claps. Suggested for US lifestyle & US documentaries.
