| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ch'io da te mi divida [CLA3001 - 9] |
0 | 4'00 | Alessandro Scarlatti | Baroque cantata. Melancholic & sad. Female singer Mezzo-soprano & | 女中高音(声乐) 巴罗克音乐(1600-1750) 十八世纪 抒情 | Dm | 67 | |||
|
Scherzi musicali, SV 251:
[CLA3020 - 1] |
0 | 6'42 | 克劳迪奥·蒙特威尔第 | Proud & joyful. Aria. Small baroque music ensemble & female soprano. 歌词 | 巴罗克音乐(1600-1750) small baroque ensemble 女高音(声乐) 琵琶 | G | 112 | |||
|
Acclamationi divote: Motetto
[CLA3020 - 3] |
0 | 9'19 | Giovanni Legrenzi | Sad & serious. Constant. Aria. Small baroque music ensemble & female 歌词 | small baroque ensemble 女高音(声乐) 羽管键琴 稳定的 | Em | 62 | |||
|
Le musiche a una e due voci:
[CLA3020 - 5] |
0 | 3'21 | Sigismondo D’India | Tormented & nocturnal. Aria. Small baroque music ensemble & female 歌词 | small baroque ensemble 羽管键琴 文艺复兴时期音乐 女高音(声乐) | Am | 118 | |||
|
La tromba della divina
[CLA3020 - 8] |
0 | 3'20 | Giovanni Bassani | Moving & tormented. Aria. Small baroque music ensemble & female 歌词 | small baroque ensemble 女高音(声乐) 宗教仪式 木管号 | Gm | 76 | |||
|
Memories of Eden [MAG6055 - 3] |
0 | 3'53 | Tortoza | Cinematic. Sentimental, melancholic & catchy, with a 70s French vibe. | 忧伤 朗朗上口 命运 广告 | Dm | 92 | |||
|
L'Ivrogne [EOS40 - 5] |
0 | 2'12 | Johane Myran | Indolent, drunk and quirky. Fanfare & clarinet. | 开场小号 醉酒 奏鸣 街道戏剧 | Em | 68 | |||
|
La Jeune Fiancee [EOS40 - 8] |
0 | 1'48 | Johane Myran | Ingenious, delicate & sentimental. Waltz movement. Clarinet, flute & | 无忧无虑 魔术师 悲喜剧 中音单簧管 | D | 117 | |||
|
Love to Hate [CEZ4402 - 11] |
0 | 3'21 | Thomas Danigo | Moving, romantic, sad, nostalgic & inexorable. Hybrid orchestra, | 合成波 令人激动 庄严 感动 | Fm | 100 | |||
|
Concerto pour violoncelle en
[CLA1903 - 3] |
0 | 7'25 | 路易吉·博凯里尼 | 1st movement. Allegro. Confident, rigorous & carefree. Chamber | 自信 古典时期(1750-1800) 无忧无虑 严谨 | A | 164 | |||
|
Concerto pour violoncelle en
[CLA1903 - 4] |
0 | 5'42 | 路易吉·博凯里尼 | 2nd movement. Adagio. Peaceful, shy & introspective. Chamber | 宁静 古典时期(1750-1800) 反省 害羞 | A | 107 | |||
|
Concerto pour violoncelle en
[CLA1903 - 5] |
0 | 5'25 | 路易吉·博凯里尼 | 3rd movement. Allegro. Confident, carefree & charming. Chamber | 自信 古典时期(1750-1800) 无忧无虑 迷人 | A | 100 | |||
|
Une larme : thème et
[CLA1903 - 6] |
0 | 9'53 | 焦阿基诺·罗西尼 | From "Péchés de vieillesse". Sad, serious & moving. New theme @ | 伤心 感动 浪漫时期音乐 严谨 | E | 111 | |||
|
Suspirat in dolore [CLA1820 - 1] |
0 | 9'00 | Carlo Donato Cossoni | Female, rigorous & mystic. Soprano and chamber orchestra. | 女性 神奇 严谨 女高音(声乐) | Dm | 105 | |||
|
La Martinenga [CLA1820 - 2] |
0 | 3'11 | Maurizio Cazzati | Serious, confident & careless. Continuous bass and chamber orchestra. | 严谨 自信 无忧无虑 巴罗克音乐(1600-1750) | Dm | 136 | |||
|
Salve regina [CLA1820 - 3] |
0 | 7'03 | Carlo Donato Cossoni | Rigorous, mystic & confident. Soprano and chamber orchestra. | 严谨 神奇 自信 女性 | D | 118 | |||
|
Amante che mirato [CLA1820 - 4] |
0 | 3'04 | Maurizio Cazzati | Charming, female & careless. Soprano and chamber orchestra. | 迷人 女性 无忧无虑 自信 | D | 118 | |||
|
La Calcagnina [CLA1820 - 5] |
0 | 4'03 | Maurizio Cazzati | Peaceful, confident & rigorous. Continuous bass and chamber | 宁静 自信 严谨 室内乐团 | Bm | 109 | |||
|
Occhi belli [CLA1820 - 6] |
0 | 3'05 | Carlo Donato Cossoni | Intimate, charming & mystic. Soprano and chamber orchestra. | 内心活动 迷人 神奇 女性 | Em | 123 | |||
|
Mesto amatore [CLA1820 - 7] |
0 | 2'26 | Carlo Donato Cossoni | Introspective, serious & intimate. Soprano and chamber orchestra. | 反省 内心活动 严谨 忧伤 | Bm | 107 |