| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Sonata No. 11 in G Minor -
[CLA1907 - 3] |
0 | 3'18 | Francesco Mancini | Light & nostalgic. Alto flute & basso continuo. Small baroque music | 直笛 十八世纪 archiluth 巴洛克式吉他 | Gbm | 68 | |||
|
Sonata No. 6 in B-Flat Major
[CLA1907 - 13] |
0 | 2'59 | Francesco Mancini | Patient & refined. Alto flute & basso continuo. Small baroque music | 直笛 十八世纪 archiluth 高雅 | Gbm | 65 | |||
|
Sonata No 7 - III. Largo [CLA1907 - 23] |
0 | 3'14 | Francesco Mancini | Sensible & introspective. Alto flute & basso continuo. Small baroque | 直笛 十八世纪 archiluth 羽管键琴 | B | 62 | |||
|
Poiché più dell'amore [CLA3001 - 1] |
0 | 7'02 | Carlo Antonio Monza | Baroque cantata. Refined & sentimental. Driving @ 5'46. Female singer | 女中高音(声乐) 巴罗克音乐(1600-1750) 十八世纪 爱情 | Bm | 120 | |||
|
Non voglio più catene [CLA3001 - 4] |
0 | 2'18 | Francesco Mancini | Baroque cantata. Driving, speed & lively. Female singer | 女中高音(声乐) 巴罗克音乐(1600-1750) 十八世纪 羽管键琴 | Ebm | 118 | |||
|
Lontananza non risana [CLA3001 - 5] |
0 | 5'09 | Alessandro Scarlatti | Baroque cantata. Sentimental & melancholic. Female singer | 女中高音(声乐) 巴罗克音乐(1600-1750) 十八世纪 羽管键琴 | Dbm | 103 | |||
|
Ch'io t'adori o mia Clori [CLA3001 - 6] |
0 | 7'53 | Giuseppe Porsile | Baroque cantata. Poignant & sentimental. Female singer Mezzo-soprano, | 女中高音(声乐) 巴罗克音乐(1600-1750) 十八世纪 羽管键琴 | Abm | 130 | |||
|
Necessità di fato [CLA3001 - 7] |
0 | 7'45 | Giuseppe Porsile | Baroque cantata. Relentless introduction. Refined & fiery. Female | 女中高音(声乐) 巴罗克音乐(1600-1750) 十八世纪 羽管键琴 | Bbm | 118 | |||
|
San Giovanni Battista: Queste
[CLA3020 - 2] |
0 | 5'22 | 亚历山德罗·斯特拉代拉 | Tragic, funereal & serious. Aria. Small baroque music ensemble & 歌词 | small baroque ensemble 女高音(声乐) 悬念 苦情 | A | 72 | |||
|
La tromba della divina
[CLA3020 - 8] |
0 | 3'20 | Giovanni Bassani | Moving & tormented. Aria. Small baroque music ensemble & female 歌词 | small baroque ensemble 女高音(声乐) 宗教仪式 木管号 | Gm | 76 | |||
|
Cruda Amarilli, che col nome
[CLA1814 - 2] |
0 | 4'33 | Luca Marenzio | Serious & solemn. Alto, bass, soprano, tenor and lute. 歌词 | 严谨 自信 文艺复兴时期音乐 神奇 | Am | 65 | |||
|
Deh, poi ch'era ne' fati
[CLA1814 - 3] |
0 | 1'36 | Luca Marenzio | Solemn & delicate. Alto, bass, soprano, tenor and lute. 歌词 | 庄重 严谨 中音(声乐) 男低音(声乐) | Em | 70 | |||
|
Ah, dolente partita! [CLA1814 - 7] |
0 | 2'04 | Luca Marenzio | Peaceful & patient. Tenor and lute. | 宁静 文艺复兴时期音乐 耐心 严谨 | Em | 90 | |||
|
Deh, Tirsi, Tirsi, anima mia,
[CLA1814 - 9] |
0 | 3'23 | Luca Marenzio | Solemn & rigorous. Alto, bass, tenor, lute and harp. | 庄重 文艺复兴时期音乐 神奇 严谨 | Bm | 62 | |||
|
Care mie selve, a Dio! [CLA1814 - 13] |
0 | 4'34 | Luca Marenzio | Patient & solemn. Alto, bass, soprano, tenor and lute. | 耐心 文艺复兴时期音乐 严谨 庄重 | Dm | 72 | |||
|
Se tu dolce mio ben mi
[CLA1814 - 14] |
0 | 8'51 | Luca Marenzio | Solemn & peaceful. Alto, soprano, harp, lute and viola da gamba. | 庄重 文艺复兴时期音乐 神奇 宁静 | D | 65 | |||
|
Bosphorus Nostalgia [CCB1019 - 10] |
0 | 3'05 | Derya Turkan, Renaud Garcia-Fons | Moving & dreamy. @ 1'28 tempo changing, determined & fiery. Kemençe, | kemençe 希腊 世界音乐 伊朗 | Dm | 65 | |||
|
Sonata 1 [CLA2203 - 2] |
0 | 3'48 | Giovanni Battista Fontana | Sonata 1 | 巴罗克音乐(1600-1750) 文艺复兴时期音乐 十七世纪 直笛 | Em | 123 | |||
|
Sonata 5 [CLA2203 - 4] |
0 | 5'26 | Giovanni Battista Fontana | Sonata 5 | 巴罗克音乐(1600-1750) 文艺复兴时期音乐 十七世纪 文艺复兴 | Am | 136 | |||
|
Sonata in C Major - 1st mvt [CLA2112 - 5] |
0 | 2'33 | 格奥尔格·菲利普·泰勒曼 | C Major - 1st mvt | 巴罗克音乐(1600-1750) 十八世纪 羽管键琴 直笛 | B | 147 |