| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Chaka Chaka [CEZ4174 - 23] |
0 | 2'12 | Silvano Michelino | Constant & obstinate. Percussion ensemble. | 民族打击乐器 伴音 编织摇铃 萨满教 | Fm | 120 | |||
|
Puntos Espirutruanos [OCR560209 - 2] |
0 | 6'02 | Unknown | Punto. Traditional male singers accompanied by acoustic guitars & | 民族 男声民族合唱团 古巴 古典吉他 | Eb | 109 | |||
|
Arullo [OCR560209 - 3] |
0 | 3'04 | René Bonachea | Criolla. Traditional male singers accompanied by acoustic guitars & | 民族 男声民族合唱团 古巴 古典吉他 | Abm | 86 | |||
|
El Director [OCR560209 - 5] |
0 | 2'15 | Rafael Gomez | Clave. Traditional male singers accompanied by acoustic guitars & | 民族 男声民族合唱团 古巴 古典吉他 | Bb | 165 | |||
|
Esther [OCR560209 - 11] |
0 | 3'24 | Miguel Companioni | Bolero ritmico or cancion. Traditional male singers accompanied by | 民族 西班牙语歌唱 人声 男声民族合唱团 | Am | 163 | |||
|
Trigueña Linda [OCR560208 - 12] |
0 | 2'46 | Julio Toledo Morales | Punto en clave. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | C | 95 | |||
|
Un Bebedor de Aguardiente [OCR560208 - 13] |
0 | 2'38 | Unknown | Punto cerrado. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | D | 108 | |||
|
Reseña Campesina [OCR560208 - 14] |
0 | 2'25 | Romel Rodriguez Penton | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 99 | |||
|
De Cuba Montes y Llanos [OCR560208 - 15] |
0 | 2'11 | Guillermo Gonzalez Vazco | Punto cerrado en clave. Small ensemble composed by tres, acoustic | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 120 | |||
|
El Matrimonio y la Zafra [OCR560208 - 16] |
0 | 5'13 | Leonel Castro | Sordo de canon. Small ensemble composed by tres, acoustic guitar, | 民族 古巴 传统乐器合奏 锯琴 | Em | 144 | |||
|
En Cuba [OCR560208 - 17] |
0 | 5'03 | Efidelio Guerra | Punto cerrado. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | G | 105 | |||
|
Perla de las Antillas [OCR560208 - 18] |
0 | 2'29 | Orlando Toledo Morales | Punto en clave. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | E | 100 | |||
|
Controversia [OCR560208 - 19] |
0 | 13'38 | Raul Herrera, Luis Martin | Punto libre. Small ensemble composed by tres, acoustic guitar, Cuban | 民族 古巴 传统乐器合奏 锯琴 | Am | 144 | |||
|
Suite de la controversia -
[OCR560208 - 20] |
0 | 3'32 | Unknown | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 古巴 传统乐器合奏 锯琴 | D | 104 | |||
|
Evidence is Mounting [CEG5048 - 4] |
1'51 | Antoine Glatard | Disturbing, punctuated, expectant, mysterious & serious. Strings & | 政治 进行中 疑问 调查研究 | Gm | 104 | ||||
|
Evidence is Mounting Alternate [CEG5048 - 19] |
版本. | 1'52 | Antoine Glatard | Alternate minimalist version | 电影原声带 社会悲剧 进行中 政治 | G | 104 | |||
|
Latin Fantasy Alt 1 [CEL7043 - 12] |
3'49 | Pacho Buscadoro | Late 19th century Spanish zarzuela-inspired vintage Latin symphony | 冒险片 动人 史诗 令人激动 | Gm | 140 | ||||
|
Latin Fantasy [CEL7043 - 1] |
版本. | 3'49 | Pacho Buscadoro | Late 19th century Spanish zarzuela-inspired vintage Latin symphony | 动人 orchestral score 冒险片 武侠小说 | Cm | 140 | |||
|
Carnival [AUD029 - 2] |
2'05 | Lee Volfoni | Medium-fast - Playful and positive with an hint of mystery circus | 游艺集市 马戏团 悲喜剧 摇摆 | Fm | 95 | ||||
|
Carnival Edit [AUD029 - 7] |
版本. | 0'25 | Lee Volfoni | 20 second edit. | 游艺集市 马戏团 悲喜剧 摇摆 | C | 93 | |||
|
Carnival Alternate [AUD029 - 12] |
版本. | 2'05 | Lee Volfoni | Alternate version. | 游艺集市 马戏团 悲喜剧 摇摆 | Fm | 95 | |||
|
Azúcar - El Loro y la Lora [CEL7001 - 2] |
3'10 | Aida Bossa | Traditional song from the Caribbean region of Colombia, sung in 歌词 | 传统拉丁 西班牙语歌唱 哥伦比亚 女歌手 | Am | 80 | ||||
|
Azúcar - El Loro y la Lora
[CEL7001 - 12] |
版本. | 3'05 | Aida Bossa | Underscore. Traditional from the Caribbean region of Colombia. Rootsy | 传统拉丁 哥伦比亚 自信 异域 | Am | 80 | |||
|
Por el Poder de Mis Pecados [CEL7001 - 3] |
3'19 | Antonio Savia | Revisited typical cumbia song in a pop mood, sung in Spanish. 歌词 | 男歌手 哥伦比亚 自信 感动 | Em | 152 | ||||
|
Por el Poder de Mis Pecados
[CEL7001 - 13] |
版本. | 3'13 | Antonio Savia | Underscore. Revisited typical cumbia in a pop mood. Sentimental & | 哥伦比亚 自信 拉丁流行乐 异域 | Em | 152 | |||
|
Meeting in Bamako [CEG5011 - 1] |
0 | 2'29 | Eric Lohrer | Tracking shot. Journey. Landscape. Geopolitics. Confident & | 公路电影 跟踪摄影 全景图 非洲 | Em | 108 |