| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
In The Hall of the Mountain
[AMS5056 - 5] |
2'32 | Dmytro Berezhnyi from P.D. | Classical remix. Driving & catchy. From "In the Hall of the Mountain | 古典音乐改编曲 气势 电子舞曲 沉重 | Bm | 124 | ||||
|
In The Hall of the Mountain
[AMS5056 - 39] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Version without percussion | 古典音乐改编曲 电子舞曲 固执 广告 | Bm | 124 | |||
|
In The Hall of the Mountain
[AMS5056 - 40] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Version with percussion only | 古典音乐改编曲 气势 电子舞曲 沉重 | Gbm | 123 | |||
|
In The Hall of the Mountain
[AMS5056 - 41] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Version without strings | 古典音乐改编曲 气势 电子舞曲 沉重 | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 42] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Version without choir | 古典音乐改编曲 气势 电子舞曲 沉重 | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 43] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Bed version | 古典音乐改编曲 电子舞曲 固执 广告 | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 44] |
版本. | 2'32 | Dmytro Berezhnyi from P.D. | Underscore version | 古典音乐改编曲 气势 电子舞曲 沉重 | Bm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 45] |
版本. | 0'30 | Dmytro Berezhnyi from P.D. | 30 second cut | 古典音乐改编曲 气势 电子舞曲 沉重 | Gbm | 125 | |||
|
In The Hall of the Mountain
[AMS5056 - 46] |
版本. | 0'15 | Dmytro Berezhnyi from P.D. | 15 second cut | 古典音乐改编曲 气势 电子舞曲 沉重 | Bm | 125 | |||
|
Prelude [AMS5056 - 8] |
2'31 | Dmytro Berezhnyi from P.D. | Classical remix. Laid-back, smooth & glowing. From "Prelude in C | 迷人 冷阱 时尚 广告 | G | 134 | ||||
|
Prelude Alternate 1 [AMS5056 - 62] |
版本. | 2'31 | Dmytro Berezhnyi from P.D. | Version without percussion | 迷人 冷阱 时尚 广告 | C | 133 | |||
|
Prelude Alternate 2 [AMS5056 - 63] |
版本. | 2'31 | Dmytro Berezhnyi from P.D. | Version with percussion only | 冷阱 时尚 广告 古典音乐改编曲 | Ebm | 134 | |||
|
Prelude Alternate 3 [AMS5056 - 64] |
版本. | 2'31 | Dmytro Berezhnyi from P.D. | Version without strings | 迷人 冷阱 时尚 广告 | G | 135 | |||
|
Prelude Alternate 4 [AMS5056 - 65] |
版本. | 2'31 | Dmytro Berezhnyi from P.D. | Bed version | 迷人 时尚 广告 古典音乐改编曲 | C | 135 | |||
|
Prelude Alternate 5 [AMS5056 - 66] |
版本. | 2'31 | Dmytro Berezhnyi from P.D. | Underscore version | 迷人 冷阱 时尚 广告 | G | 134 | |||
|
Prelude Edit 1 30s [AMS5056 - 67] |
版本. | 0'30 | Dmytro Berezhnyi from P.D. | 30 second cut | 迷人 冷阱 时尚 广告 | G | 134 | |||
|
Prelude Edit 2 15s [AMS5056 - 68] |
版本. | 0'15 | Dmytro Berezhnyi from P.D. | 15 second cut | 迷人 冷阱 时尚 广告 | G | 133 | |||
|
Mamacita [ISC104 - 2] |
3'01 | Adrian Waves, Lionel Fabert, Osmaus | Afropop. R'n'B. Sensual, rhythmic, sentimental & atmospheric. Sung in 歌词 | 性感 青春剧 非洲流行乐 态度 | Abm | 90 | ||||
|
Mamacita Alternate [ISC104 - 12] |
版本. | 3'01 | Adrian Waves, Lionel Fabert, Osmaus | Instrumental version. | 青春剧 非洲流行乐 海滨 人物 | Abm | 90 | |||
|
Viens Danser [ISC104 - 4] |
2'09 | Adrian Waves, Lionel Fabert, Osmaus | Amapiano. R'n'B. Afropop. Sunny, calm but rhythmic & sensual. 歌词 | 海滨 人物 青春剧 阳光 | A | 108 | ||||
|
Viens Danser Alternate [ISC104 - 14] |
版本. | 2'09 | Adrian Waves, Lionel Fabert, Osmaus | Instrumental version. | 海滨 人物 青春剧 阳光 | Bm | 108 | |||
|
On s'en Va [ISC104 - 7] |
2'36 | Adrian Waves, K-Dy, Lionel Fabert | Amapiano. Afrobeat. R'n'B. Attitude, sunny & rhythmic. Sung in 歌词 | 非洲流行乐 海滨 青春剧 阳光 | Bm | 107 | ||||
|
On s'en Va Alternate [ISC104 - 17] |
版本. | 2'36 | Adrian Waves, K-Dy, Lionel Fabert | Instrumental version. | 非洲流行乐 海滨 青春剧 人物 | Em | 107 | |||
|
Shoot [ISC104 - 8] |
2'45 | Adrian Waves, Lionel Fabert, Osmaus | Afropop. Zouk. Kompa. Rhythmic & danceable but with a touch of 歌词 | 海滨 人物 多愁善感 青春剧 | Em | 90 | ||||
|
Shoot Alternate [ISC104 - 18] |
版本. | 2'45 | Adrian Waves, Lionel Fabert, Osmaus | Instrumental version. | 海滨 人物 青春剧 非洲流行乐 | Am | 90 | |||
|
Getting To The Bottom Of It [TBX224 - 8] |
2'06 | Edoardo Bombace, Luca Uggias | Smart, intricate, serious. Pillowy Bell's push out with breathy | 疑问 light tension 阴险 调查研究 | Dm | 142 | ||||
|
Getting To The Bottom Of It
[TBX224 - 27] |
版本. | 2'06 | Edoardo Bombace, Luca Uggias | Smart, intricate, serious. Pillowy Bell's push out with breathy | 疑问 light tension 阴险 调查研究 | Dm | 142 | |||
|
Getting To The Bottom Of It
[TBX224 - 28] |
版本. | 2'06 | Edoardo Bombace, Luca Uggias | Smart, intricate, serious. Pillowy Bell's push out with breathy | 疑问 light tension 阴险 调查研究 | Dm | 142 | |||
|
Snow In December, Nothing
[IOM039 - 10] |
3'12 | Iain Harper, Madeline St John | Fancy, glittery, fresh. Plucked strings offer a quaint vibe building 歌词 | 舞蹈流行音乐 态度 女歌手 果断 | Am | 112 | ||||
|
Snow In December, Nothing
[IOM039 - 41] |
版本. | 3'12 | Iain Harper, Madeline St John | Fancy, glittery, fresh. Plucked strings offer a quaint vibe building | 舞蹈流行音乐 态度 果断 动人 | Am | 112 | |||
|
Snow In December, Nothing
[IOM039 - 42] |
版本. | 3'12 | Iain Harper, Madeline St John | Fancy, glittery, fresh. Plucked strings offer a quaint vibe building | 舞蹈流行音乐 态度 果断 动人 | Am | 112 | |||
|
Back Then [IOM039 - 14] |
2'16 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Retro, funky, poppy. 80s synth give a sense of cool stylish energy 歌词 | 广告 女歌手 流行电子音乐 动人 | Bm | 129 | ||||
|
Back Then Instrumental [IOM039 - 50] |
版本. | 2'16 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Retro, funky, poppy. 80s synth give a sense of cool stylish energy | 广告 流行电子音乐 动人 时尚 | A | 129 | |||
|
Back Then Alt Version [IOM039 - 51] |
版本. | 2'16 | Omer Agca, Katherine Gaasenbeek, John Spengemann | Retro, funky, poppy. 80s synth give a sense of cool stylish energy | 广告 女歌手 流行电子音乐 动人 | Bm | 128 | |||
|
Blood Pact [INP080 - 2] |
1'48 | Bradley White | Fearful, raw, climactic. High-pitched plucked string amid uncertain | 恐怖 恐怖片 沉重 画面感 | Gm | 120 | ||||
|
Blood Pact Underscore [INP080 - 12] |
版本. | 1'48 | Bradley White | Fearful, raw, climactic. Murmuring atmosphere joined by footsteps and | 画面感 战士 沉重 史诗 | Fm | 118 | |||
|
Cloaked [INP080 - 5] |
1'23 | Bradley White | Eerie, ghostly, otherworldly. Haunting shroud of sound is met with | 冲突 恐怖 令人不安 沉重 | Dm | 107 | ||||
|
Cloaked Underscore [INP080 - 15] |
版本. | 1'23 | Bradley White | Eerie, ghostly, otherworldly. Haunting shroud of sound is met with | 冲突 恐怖 令人不安 沉重 | Dm | 107 | |||
|
Turbine [INP080 - 10] |
2'07 | Bradley White | Panicked, frantic, tense. Muffled bleating dissonance spreads out | 画面感 恐怖 预告片 恐怖片 | Dm | 115 | ||||
|
Turbine Underscore [INP080 - 20] |
版本. | 2'03 | Bradley White | Panicked, frantic, tense. Muffled impact spreads out into a desolate | 画面感 恐怖 预告片 恐怖片 | Dm | 114 | |||
|
Deep Blue Universe [BIB289 - 3] |
2'34 | Richard Lewis, Paper Boy | Cinematic, sprawling, aquatic. Powerful environment opens up, | 海底 电影原声带 稳定的 冷沙漠 | D | 90 | ||||
|
Deep Blue Universe Alt Version [BIB289 - 15] |
版本. | 2'34 | Richard Lewis, Paper Boy | Cinematic, sprawling, aquatic. Powerful environment opens up, | 海底 稳定的 冷沙漠 神秘 | D | 90 | |||
|
Endless Worlds [BIB289 - 11] |
2'52 | Richard Lewis, Paper Boy | Otherworldly, spacey, awesome. Phased chord progression gives a sense | 悬念 反省 科幻片 气氛 | Em | 114 | ||||
|
Endless Worlds Alt Version [BIB289 - 26] |
版本. | 2'52 | Richard Lewis, Paper Boy | Otherworldly, spacey, awesome. Phased chord progression gives a sense | 科幻片 画面感 漂泊 太空 | Em | 100 | |||
|
Fortitude [CCB1069 - 2] |
1'59 | Hiroki Ishikura | Electro ambient. Inspiring, intense & obsessive. Constant | 命运 electronic score 感动 反省 | Bm | 130 | ||||
|
Fortitude Alternate [CCB1069 - 14] |
版本. | 1'59 | Hiroki Ishikura | Alternate no organ. | 命运 electronic score 感动 opening (opening credits) | Bm | 130 | |||
|
Spiritual Awakening [CCB1069 - 7] |
0 | 2'14 | Hiroki Ishikura | Electro ambient. Organic, growing & vibrating. Constant progression. | 悬念 原声电子 气氛 背景电子乐 | Em | 80 | |||
|
From the Concept to the Real [CEZ4679 - 5] |
2'40 | Rémo | Electro beat, corporate electro. Serious, obstinate & steady. Synth & | 固执 electro beat 严谨 工业 | Em | 110 | ||||
|
From the Concept to the Real
[CEZ4679 - 34] |
版本. | 2'40 | Rémo | Alternate no FX. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 35] |
版本. | 2'13 | Rémo | Underscore version. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 36] |
版本. | 1'00 | Rémo | 60 second cut. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 37] |
版本. | 0'30 | Rémo | 30 second cut. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 38] |
版本. | 0'20 | Rémo | 20 second cut. | 固执 electro beat 严谨 工业 | Em | 110 | |||
|
From the Concept to the Real
[CEZ4679 - 39] |
版本. | 0'10 | Rémo | Sting. | 固执 electro beat 严谨 工业 | G | 109 | |||
|
Digital Friendly [CEZ4679 - 6] |
2'51 | Vincent Cazaubon | Electro beat, corporate electro. Luminous, percussive & jerky. Synth, | 自信 工业 复杂 科学 | C | 85 | ||||
|
Digital Friendly Alternate [CEZ4679 - 40] |
版本. | 2'39 | Vincent Cazaubon | Underscore version. | 自信 工业 复杂 科学 | C | 85 | |||
|
Digital Friendly Edit 60 sec [CEZ4679 - 41] |
版本. | 1'00 | Vincent Cazaubon | 60 second cut. | 自信 工业 复杂 科学 | C | 85 | |||
|
Digital Friendly Edit 30 sec [CEZ4679 - 42] |
版本. | 0'30 | Vincent Cazaubon | 30 second cut. | 自信 工业 复杂 科学 | C | 86 | |||
|
Digital Friendly Edit 20 sec [CEZ4679 - 43] |
版本. | 0'20 | Vincent Cazaubon | 20 second cut. | 自信 工业 复杂 科学 | C | 85 | |||
|
Digital Friendly Edit Sting [CEZ4679 - 44] |
版本. | 0'13 | Vincent Cazaubon | Sting. | 自信 工业 复杂 科学 | G | 84 | |||
|
A Growing Startup [CEZ4679 - 7] |
2'03 | Simon Gruwé | Electro beat, corporate electro. Serious, pensive yet lively. | 电子乐宣传片 electro beat 令人激动 催眠 | Fm | 92 | ||||
|
A Growing Startup Alternate [CEZ4679 - 45] |
版本. | 1'53 | Simon Gruwé | Underscore version. | 电子乐宣传片 electro beat 令人激动 催眠 | Fm | 92 | |||
|
A Growing Startup Edit 60 sec [CEZ4679 - 46] |
版本. | 1'00 | Simon Gruwé | 60 second cut. | 电子乐宣传片 electro beat 令人激动 催眠 | Fm | 92 | |||
|
A Growing Startup Edit 30 sec [CEZ4679 - 47] |
版本. | 0'30 | Simon Gruwé | 30 second cut. | 电子乐宣传片 electro beat 令人激动 催眠 | Fm | 92 | |||
|
A Growing Startup Edit 20 sec [CEZ4679 - 48] |
版本. | 0'20 | Simon Gruwé | 20 second cut. | 电子乐宣传片 electro beat 令人激动 催眠 | Fm | 92 | |||
|
A Growing Startup Edit Sting [CEZ4679 - 49] |
版本. | 0'12 | Simon Gruwé | Sting. | 电子乐宣传片 electro beat 令人激动 催眠 | F | 92 | |||
|
Reinventing the Wheel [CEZ4679 - 11] |
4'33 | Joaquim Plossu | Electro beat, corporate electro. Cyclic, uplifting & determined. | 催眠 果断 工业 追逐场面 | Dm | 134 | ||||
|
Reinventing the Wheel
[CEZ4679 - 64] |
版本. | 3'44 | Joaquim Plossu | Extended intro version. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel
[CEZ4679 - 65] |
版本. | 4'13 | Joaquim Plossu | Underscore version. | 催眠 果断 工业 追逐场面 | Gm | 134 | |||
|
Reinventing the Wheel
[CEZ4679 - 66] |
版本. | 3'30 | Joaquim Plossu | Underscore version 2. | 催眠 果断 工业 追逐场面 | Gm | 134 | |||
|
Reinventing the Wheel Edit 60
[CEZ4679 - 67] |
版本. | 1'00 | Joaquim Plossu | 60 second cut. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel Edit 30
[CEZ4679 - 68] |
版本. | 0'30 | Joaquim Plossu | 30 second cut. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel Edit 20
[CEZ4679 - 69] |
版本. | 0'20 | Joaquim Plossu | 20 second cut. | 催眠 果断 工业 追逐场面 | Dm | 134 | |||
|
Reinventing the Wheel Edit
[CEZ4679 - 70] |
版本. | 0'10 | Joaquim Plossu | Sting. | 催眠 果断 工业 追逐场面 | Em | 127 |