| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Darbukah Step [AUD042 - 5] |
1'58 | Alexandre Koneski | Dubstep. A gritty & edgy intro. More evocative @ 0’56 with | 极限运动 体育电竞 冲突 回响贝斯 | Gm | 142 | ||||
|
Darbukah Step (Short Edit) [AUD042 - 10] |
版本. | 0'28 | Alexandre Koneski | Short Edit | 极限运动 体育电竞 冲突 回响贝斯 | Gm | 143 | |||
|
Darbukah Step (No Drums) [AUD042 - 15] |
版本. | 1'57 | Alexandre Koneski | No Beat & Darbuka | 极限运动 体育电竞 回响贝斯 动作游戏 | Gm | 142 | |||
|
Fire Desire [CEZ4645 - 2] |
2'15 | Iain Harper, Mary Dee | Future garage. Warm, groovy, lively & sophisticated. High-pitched | 车库 态度 动人 沉重 | Cm | 133 | ||||
|
Fire Desire Alternate [CEZ4645 - 20] |
版本. | 2'15 | Iain Harper | Instrumental version. | 态度 动人 沉重 都市 | Cm | 133 | |||
|
Fire Desire Edit 1 (15 sec) [CEZ4645 - 21] |
版本. | 0'15 | Iain Harper, Mary Dee | 15 seconds cut | 态度 动人 沉重 都市 | Cm | 134 | |||
|
Fire Desire Edit 2 (15 sec
[CEZ4645 - 22] |
版本. | 0'15 | Iain Harper | 15 seconds instrumental cut | 态度 动人 沉重 都市 | Cm | 133 | |||
|
Fire Desire Edit 3 (30 sec) [CEZ4645 - 23] |
版本. | 0'30 | Iain Harper, Mary Dee | 30 seconds cut | 态度 动人 沉重 都市 | Cm | 133 | |||
|
Fire Desire Edit 4 (30 sec
[CEZ4645 - 24] |
版本. | 0'30 | Iain Harper | 30 seconds instrumental cut | 态度 动人 沉重 都市 | Cm | 133 | |||
|
Fire Desire Edit 5 (60 sec) [CEZ4645 - 25] |
版本. | 1'00 | Iain Harper, Mary Dee | 60 seconds cut | 态度 动人 沉重 都市 | Cm | 133 | |||
|
Fire Desire Edit 6 (60 sec
[CEZ4645 - 26] |
版本. | 1'00 | Iain Harper | 60 seconds instrumental cut | 态度 动人 沉重 都市 | Cm | 133 | |||
|
Fire Desire Edit 7 (sting
[CEZ4645 - 27] |
版本. | 0'09 | Iain Harper | Instrumental sting | 态度 动人 沉重 都市 | Eb | 132 | |||
|
Je Le Savais Très Bien [CEZ4645 - 5] |
2'30 | Iain Harper | Future garage. Groovy, determined & futuristic. Lively drum & bass | 车库 丛林音乐 夜晚 固执 | Em | 140 | ||||
|
Je Le Savais Très Bien
[CEZ4645 - 45] |
版本. | 2'30 | Iain Harper | Instrumental version | 车库 夜晚 固执 果断 | Em | 140 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 46] |
版本. | 0'15 | Iain Harper | 15 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 47] |
版本. | 0'15 | Iain Harper | 15 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 48] |
版本. | 0'30 | Iain Harper | 30 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 49] |
版本. | 0'30 | Iain Harper | 30 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 50] |
版本. | 1'00 | Iain Harper | 60 seconds cut | 车库 夜晚 固执 果断 | Bm | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 51] |
版本. | 1'00 | Iain Harper | 60 seconds instrumental cut | 车库 夜晚 固执 果断 | Em | 70 | |||
|
Je Le Savais Très Bien Edit
[CEZ4645 - 52] |
版本. | 0'08 | Iain Harper | Sting | 车库 夜晚 固执 果断 | Bm | 139 | |||
|
Tell Me Something [CEZ4645 - 6] |
2'24 | Iain Harper | Future garage. Pulsating, nocturnal & warm. Mechanical chiselled | 车库 夜晚 机械的 原声电子 | Ebm | 130 | ||||
|
Tell Me Something Alternate [CEZ4645 - 53] |
版本. | 2'24 | Iain Harper | Instrumental version | 车库 夜晚 机械的 原声电子 | Fm | 129 | |||
|
Tell Me Something Edit 1 (15
[CEZ4645 - 54] |
版本. | 0'15 | Iain Harper | 15 seconds cut | 车库 夜晚 机械的 原声电子 | Fm | 130 | |||
|
Tell Me Something Edit 2 (15
[CEZ4645 - 55] |
版本. | 0'15 | Iain Harper | 15 seconds instrumental cut | 车库 夜晚 机械的 原声电子 | Fm | 130 | |||
|
Tell Me Something Edit 3 (30
[CEZ4645 - 56] |
版本. | 0'30 | Iain Harper | 30 seconds cut | 车库 夜晚 机械的 原声电子 | Ebm | 130 | |||
|
Tell Me Something Edit 4 (30
[CEZ4645 - 57] |
版本. | 0'30 | Iain Harper | 30 seconds instrumental cut | 车库 夜晚 机械的 原声电子 | Fm | 129 | |||
|
Tell Me Something Edit 5 (60
[CEZ4645 - 58] |
版本. | 1'00 | Iain Harper | 60 seconds cut | 车库 夜晚 机械的 原声电子 | Ebm | 130 | |||
|
Tell Me Something Edit 6 (60
[CEZ4645 - 59] |
版本. | 1'00 | Iain Harper | 60 seconds instrumental cut | 车库 夜晚 机械的 原声电子 | Fm | 130 | |||
|
Tell Me Something Edit 7
[CEZ4645 - 60] |
版本. | 0'09 | Iain Harper | Instrumental sting | 车库 夜晚 机械的 原声电子 | Fm | 129 | |||
|
All Nite Long [CEZ4645 - 9] |
2'25 | Iain Harper, Reggie B | Future garage. Bright, warm & inspirational. Emotional male vocals, | 车库 夜晚 自信 都市景色 | Dbm | 127 | ||||
|
All Nite Long Alternate [CEZ4645 - 79] |
版本. | 2'25 | Iain Harper | Instrumental version | 车库 夜晚 自信 都市景色 | Dbm | 127 | |||
|
All Nite Long Edit 1 (15 sec) [CEZ4645 - 80] |
版本. | 0'15 | Iain Harper, Reggie B | 15 seconds cut | 车库 夜晚 自信 都市景色 | Gbm | 127 | |||
|
All Nite Long Edit 2 (15 sec
[CEZ4645 - 81] |
版本. | 0'15 | Iain Harper | 15 seconds instrumental cut | 车库 夜晚 自信 都市景色 | Gbm | 127 | |||
|
All Nite Long Edit 3 (30 sec) [CEZ4645 - 82] |
版本. | 0'30 | Iain Harper, Reggie B | 30 seconds cut | 车库 夜晚 自信 都市景色 | Gbm | 127 | |||
|
All Nite Long Edit 4 (30 sec
[CEZ4645 - 83] |
版本. | 0'30 | Iain Harper | 30 seconds instrumental cut | 车库 夜晚 自信 都市景色 | Gbm | 127 | |||
|
All Nite Long Edit 5 (60 sec) [CEZ4645 - 84] |
版本. | 1'00 | Iain Harper, Reggie B | 60 seconds cut | 车库 夜晚 自信 都市景色 | Gbm | 127 | |||
|
All Nite Long Edit 6 (60 sec
[CEZ4645 - 85] |
版本. | 1'00 | Iain Harper | 60 seconds instrumental cut | 车库 夜晚 自信 都市景色 | Dbm | 127 | |||
|
All Nite Long Edit 7 (sting) [CEZ4645 - 86] |
版本. | 0'11 | Iain Harper, Reggie B | Sting | 车库 夜晚 自信 都市景色 | Gbm | 127 | |||
|
Taken [CEZ4645 - 10] |
2'05 | Iain Harper | Future garage. Ethereal, hypnotic, almost ambient. Irregular rhythm, | 夜晚 车库 时尚 都市景色 | Abm | 140 | ||||
|
Taken Alternate [CEZ4645 - 87] |
版本. | 2'05 | Iain Harper | Instrumental version | 夜晚 车库 时尚 都市景色 | Abm | 140 | |||
|
Taken Edit 1 (15 sec) [CEZ4645 - 88] |
版本. | 0'15 | Iain Harper | 15 seconds instrumental cut | 夜晚 车库 时尚 都市景色 | Abm | 140 | |||
|
Taken Edit 2 (30 sec) [CEZ4645 - 89] |
版本. | 0'30 | Iain Harper | 30 seconds instrumental cut | 夜晚 车库 时尚 都市景色 | Abm | 140 | |||
|
Taken Edit 3 (60 sec) [CEZ4645 - 90] |
版本. | 0'59 | Iain Harper | 60 seconds instrumental cut | 夜晚 车库 时尚 都市景色 | Abm | 140 | |||
|
The Mechanics of Evil [CEZ4641 - 6] |
3'34 | Adrien Degioanni | Ambient electro, analog horror. Ominous, dark & evil. Ideal for | 奇怪 神秘 背景电子乐 抱歉 | Bbm | 67 | ||||
|
The Mechanics of Evil
[CEZ4641 - 15] |
版本. | 3'34 | Adrien Degioanni | Alternate no perc. | 奇怪 神秘 背景电子乐 抱歉 | Bbm | 65 | |||
|
The Mechanics of Evil
[CEZ4641 - 20] |
版本. | 2'23 | Adrien Degioanni | Alternate no perc. | 阴险 背景电子乐 漂泊 奇怪 | Bbm | 67 | |||
|
The Sanity Illusion [CEZ4641 - 7] |
0 | 2'27 | Adrien Degioanni | Ambient electro. Spiritual but sad & forsaken. Ideal for | 背景电子乐 抱歉 奇怪 自然灾害 | Am | 102 | |||
|
Changing Path [EOS124 - 3] |
0 | 2'45 | Simon Gruwé | Introspective, melancholic with hope and resilience. Build up. Piano, | 命运 自信 反省 医疗 | Fm | 142 | |||
|
Disintegration [INP075 - 4] |
2'20 | Michael Adels | Hellish, maniacal, dangerous. Open up into strange and daunting | 恐怖片 令人不安 背景音 神秘 | Bbm | 60 | ||||
|
Disintegration (Alt Version) [INP075 - 18] |
版本. | 2'20 | Michael Adels | Hellish, maniacal, dangerous. Open up into strange and daunting | 恐怖片 令人不安 背景音 神秘 | Bbm | 60 | |||
|
Disintegration (Instrumental) [INP075 - 19] |
版本. | 2'20 | Michael Adels | Hellish, maniacal, dangerous. Open up into strange and daunting | 恐怖片 令人不安 背景音 神秘 | Bb | 60 | |||
|
Disintegration (Underscore) [INP075 - 20] |
版本. | 2'20 | Michael Adels | Hellish, maniacal, dangerous. Serious sustained note rises up amid | 恐怖片 令人不安 背景音 神秘 | Bbm | 62 | |||
|
Texas To Ohio [BIB276 - 10] |
2'25 | Mark Coupe, Eamonn Downes | Cool, sultry, glittery. Rumbling bassline is flanked by euphoric | 丛林音乐 固执 都市景色 严谨 | Gm | 140 | ||||
|
Texas To Ohio (Instrumental) [BIB276 - 28] |
版本. | 2'22 | Mark Coupe, Eamonn Downes | Cool, sultry, glittery. Rumbling bassline is flanked by coarse drum | 丛林音乐 固执 都市景色 严谨 | Gm | 140 | |||
|
Texas To Ohio (Underscore) [BIB276 - 29] |
版本. | 2'22 | Mark Coupe, Eamonn Downes | Cool, sultry, glittery. Rumbling bassline is flanked by coarse drum | 丛林音乐 固执 都市景色 严谨 | Gm | 140 | |||
|
Armored Fist [AMS5042 - 1] |
2'25 | Danijel Grubovic | Hybrid trailer. Proud, mechanical & percussive. Build-up @ 0'22. | 动作游戏 冲击 战争 冲突 | Em | 135 | ||||
|
Armored Fist Alternate 1 [AMS5042 - 9] |
版本. | 2'25 | Danijel Grubovic | No percussion version | 战争 动作游戏 画面感 预告片 | E | 135 | |||
|
Armored Fist Alternate 2 [AMS5042 - 10] |
版本. | 2'25 | Danijel Grubovic | Percussion only version | 动作游戏 冲击 战争 冲突 | Em | 135 | |||
|
Armored Fist Alternate 3 [AMS5042 - 11] |
版本. | 2'25 | Danijel Grubovic | Bed | 动作游戏 冲击 战争 冲突 | Em | 135 | |||
|
Armored Fist Alternate 4 [AMS5042 - 12] |
版本. | 2'25 | Danijel Grubovic | Underscore | 动作游戏 冲击 战争 冲突 | Em | 135 | |||
|
Armored Fist Edit 3 (60 sec) [AMS5042 - 13] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 动作游戏 冲击 战争 冲突 | Em | 101 | |||
|
Armored Fist Edit 2 (30 sec) [AMS5042 - 14] |
版本. | 0'32 | Danijel Grubovic | 30 seconds cut | 动作游戏 冲击 战争 冲突 | Em | 101 | |||
|
Armored Fist Edit 1 (15 sec) [AMS5042 - 15] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 动作游戏 冲击 战争 冲突 | Em | 135 | |||
|
Olympus Has Fallen [AMS5042 - 2] |
1'57 | Danijel Grubovic | Hybrid trailer. Dramatic, mighty & forceful. Suspended intro with | 冲突 预告片 画面感 爆炸 | Abm | 118 | ||||
|
Olympus Has Fallen Alternate 1 [AMS5042 - 16] |
版本. | 1'57 | Danijel Grubovic | No percussion version | 冲突 预告片 画面感 爆炸 | Abm | 162 | |||
|
Olympus Has Fallen Alternate 2 [AMS5042 - 17] |
版本. | 1'57 | Danijel Grubovic | Percussion only version | 冲突 预告片 画面感 爆炸 | Em | 119 | |||
|
Olympus Has Fallen Alternate 3 [AMS5042 - 18] |
版本. | 1'57 | Danijel Grubovic | No strings version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 4 [AMS5042 - 19] |
版本. | 1'57 | Danijel Grubovic | No voice fx version | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 5 [AMS5042 - 20] |
版本. | 1'57 | Danijel Grubovic | Bed | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Alternate 6 [AMS5042 - 21] |
版本. | 1'57 | Danijel Grubovic | Underscore | 冲突 预告片 画面感 爆炸 | Abm | 120 | |||
|
Olympus Has Fallen Edit 1 (60
[AMS5042 - 22] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 2 (30
[AMS5042 - 23] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 80 | |||
|
Olympus Has Fallen Edit 3 (15
[AMS5042 - 24] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 预告片 画面感 爆炸 | Abm | 81 | |||
|
Condition Zero [AMS5042 - 4] |
1'32 | Danijel Grubovic | Hybrid trailer. Heavy, jittery & edgy. Tribal build-up @ 0'14 with | 冲击 动作游戏 画面感 火热 | Am | 120 | ||||
|
Condition Zero Alternate 1 [AMS5042 - 32] |
版本. | 1'32 | Danijel Grubovic | No percussion version | 动作游戏 画面感 火热 沉重 | Cm | 130 | |||
|
Condition Zero Alternate 2 [AMS5042 - 33] |
版本. | 1'32 | Danijel Grubovic | Percussion only version | 冲击 动作游戏 画面感 火热 | Am | 120 | |||
|
Condition Zero Alternate 3 [AMS5042 - 34] |
版本. | 1'32 | Danijel Grubovic | No voice fx version | 冲击 动作游戏 画面感 火热 | Am | 119 | |||
|
Condition Zero Alternate 4 [AMS5042 - 35] |
版本. | 1'32 | Danijel Grubovic | Bed | 冲击 动作游戏 画面感 火热 | Fm | 120 | |||
|
Condition Zero Alternate 5 [AMS5042 - 36] |
版本. | 1'32 | Danijel Grubovic | Underscore | 冲击 动作游戏 画面感 火热 | Am | 120 | |||
|
Condition Zero Edit 1 (60 sec) [AMS5042 - 37] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲击 动作游戏 画面感 火热 | Am | 120 | |||
|
Condition Zero Edit 2 (30 sec) [AMS5042 - 38] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲击 动作游戏 画面感 火热 | Dm | 120 | |||
|
Condition Zero Edit 3 (15 sec) [AMS5042 - 39] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲击 动作游戏 画面感 火热 | Dm | 120 | |||
|
Pedal To The Metal [AMS5042 - 8] |
2'11 | Danijel Grubovic | Hybrid trailer. Dark, ominous & punchy. Muffled bass intro. Build-up | 冲突 战士 动作游戏 都市 | Ebm | 105 | ||||
|
Pedal To The Metal Alternate 1 [AMS5042 - 64] |
版本. | 2'11 | Danijel Grubovic | No percussion version | 冲突 战士 动作游戏 都市 | Bbm | 130 | |||
|
Pedal To The Metal Alternate 2 [AMS5042 - 65] |
版本. | 2'11 | Danijel Grubovic | Percussion only version | 冲突 战士 动作游戏 都市 | Em | 105 | |||
|
Pedal To The Metal Alternate 3 [AMS5042 - 66] |
版本. | 2'11 | Danijel Grubovic | Bed | 冲突 战士 动作游戏 都市 | Em | 105 | |||
|
Pedal To The Metal Alternate 4 [AMS5042 - 67] |
版本. | 2'11 | Danijel Grubovic | Underscore | 冲突 战士 动作游戏 都市 | Em | 105 | |||
|
Pedal To The Metal Edit 1 (60
[AMS5042 - 68] |
版本. | 1'00 | Danijel Grubovic | 60 seconds cut | 冲突 战士 动作游戏 都市 | Ebm | 105 | |||
|
Pedal To The Metal Edit 2 (30
[AMS5042 - 69] |
版本. | 0'30 | Danijel Grubovic | 30 seconds cut | 冲突 战士 动作游戏 都市 | Ebm | 105 | |||
|
Pedal To The Metal Edit 3 (15
[AMS5042 - 70] |
版本. | 0'15 | Danijel Grubovic | 15 seconds cut | 冲突 战士 动作游戏 都市 | Bbm | 105 | |||
|
Neoworld [ISC084 - 3] |
2'36 | David Eman | Cinematic. Martial, noble & grand. Intro with synth pads & strings. | 画面感 科幻片 飞行 高潮 | E | 140 | ||||
|
Neoworld Alternate [ISC084 - 13] |
版本. | 2'36 | David Eman | No percussion version | 画面感 科幻片 飞行 高潮 | E | 140 | |||
|
Inertia [ISC084 - 5] |
2'44 | David Eman | Cinematic. Panoramic, epic & victorious. Pulsating keyboard intro. | 科幻片 果断 体育中的戏剧性 史诗 | Ebm | 120 | ||||
|
Inertia Alternate [ISC084 - 15] |
版本. | 2'44 | David Eman | No percussion version | 科幻片 果断 体育中的戏剧性 史诗 | Ebm | 120 | |||
|
The Stars Align [ISC084 - 6] |
2'36 | David Eman | Cinematic. Imposing, majestic & spectacular. Delicate intro. Build-up | 赛事 高潮 进行中 令人激动 | Cm | 123 | ||||
|
The Stars Align Alternate [ISC084 - 16] |
版本. | 2'36 | David Eman | No percussion version | 赛事 高潮 进行中 令人激动 | Cm | 123 | |||
|
Deep Space [ISC084 - 10] |
2'38 | David Eman | Cinematic. Suspended, floating & ineluctable. Repetitive piano ping | 画面感 果断 令人激动 冲击 | Ebm | 120 | ||||
|
Deep Space Alternate [ISC084 - 20] |
版本. | 2'38 | David Eman | No percussion version | 画面感 果断 令人激动 进步 | Ebm | 120 | |||
|
Reloaded [ISC083 - 2] |
2'09 | Martin Emilio Insaurgarat | Cinematic. Warlike, shrilling & in anticipation. Electronics, | 冲突 爆炸 战士 动作游戏 | Cm | 135 | ||||
|
Reloaded Alternate [ISC083 - 12] |
版本. | 2'09 | Martin Emilio Insaurgarat | No alarms version | 冲突 爆炸 战士 动作游戏 | Cm | 135 |