| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Frozen Lake [TBX012 - 10] |
0 | 2'17 | Hamish Barnes | Thoughtful and reflective piano. Guitar and acapella vocals. Serene | 圣诞节 感动 全景图 无电声钢琴 | Dbm | 107 | |||
|
Church Bells at Christmas [TBX012 - 12] |
0 | 1'16 | Sergey Kolosov | Gentle and positive Christmas bells with strings break in to | 圣诞节 铃铛钟 联盟 钟琴 | C | 115 | |||
|
Jack Frost [TBX012 - 30] |
0 | 2'18 | Mark Peter Revell | Quirky and wintry track with glistening bells and warm fender rhodes. | 通透 夜晚 打击乐 小钟 | G | 86 | |||
|
Snow Landscapes [BIB061 - 5] |
0 | 1'30 | Sergey Kolosov | Solemn and suspenseful, panoramic strings intro. Mid section builds | 冷沙漠 飞行 悬念 反省 | B | 68 | |||
|
Based on Trust [CEZ4314 - 15] |
0 | 3'18 | Thierry Caroubi | Corporate. Patient but obstinate & unifying. Constant progression. | 公司 联盟 果断 工业 | Cm | 120 | |||
|
Niao [BIB058 - 5] |
0 | 3'44 | Gareth Jones | Driving 4x4 kick drums and sampled asian themes. Develops with | 工业 全景图 节奏感 把(旧曲片段)合成新曲 | Bb | 118 | |||
|
Let's Hope [BIB058 - 13] |
0 | 3'06 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Slightly degraded sampled tones with modern finger clicks and a nice | 全景 耐心 循环 明朗 | Fm | 86 | |||
|
Yukimi's Theme [BIB058 - 14] |
0 | 2'59 | Nathaniel Pearn | Playful, naive, almost childlike introduction that build into a more | 钟琴 媚俗 & 艳俗 循环 天真幼稚 | Ebm | 120 | |||
|
Kou No Tori [BIB058 - 15] |
0 | 3'29 | Gareth Jones | Cold, atmospheric intro with percussion and clattering drums. | 工业 机械的 神秘 循环 | C | 120 | |||
|
Warning Light [BIB038 - 1] |
0 | 3'17 | Conor O'Brien | Desolate, pulsing synths. Steadily building arpeggiated bassline. | 神秘 进步 气氛 抱歉 | Am | 80 | |||
|
Solar [BIB038 - 5] |
0 | 4'26 | Conor O'Brien | Gentle church organ atmospheres. Romantic yet thoughtful, slowly | 全景图 抱歉 进步 声音设计 | Am | 70 | |||
|
Time Crystals [BIB038 - 8] |
0 | 3'35 | Michael Peter Sajic | Cascading mallet-like synth toplines. Inspiring, emotional and | 通透 进步 梦幻 高潮 | D | 63 | |||
|
Lyra [BIB038 - 9] |
0 | 3'28 | Conor O'Brien | Reflective, atmospheric start. Emotive piano over a brooding, | 低沉 (音效)心跳 飞行 高潮 | Em | 80 | |||
|
Robot Dies and Goes to Heaven [BIB038 - 10] |
0 | 2'51 | Sergey Kolosov | Positive and fresh sounding intro with simple topline and ambient | 高潮 飞行 完成 明朗 | D | 65 | |||
|
Inner City [MAG6025 - 3] |
0 | 1'33 | Yann Kesz | Real hip hop / beatmaking. Tense, obstinate & urban. Synth, strings, | BEAT MAKING 态度 都市景色 固执 | Dm | 83 | |||
|
Superstructure [MAG6025 - 4] |
3'12 | Yann Kesz | Real hip hop / beatmaking. Bright, percussive & arty. Synth & rhythm. | BEAT MAKING 都市景色 明朗 现代 | D | 65 | ||||
|
Superstructure (extended) [MAG6025 - 10] |
版本. | 4'00 | Yann Kesz | Real hip hop / beatmaking with intro. Bright, percussive & arty. Cut | BEAT MAKING 都市景色 明朗 现代 | D | 65 | |||
|
On Hold [MAG6025 - 8] |
0 | 2'44 | Yann Kesz | Real hip hop / beatmaking. Interrogative but firm, driving. Synth & | BEAT MAKING 都市景色 节奏感 现代 | Abm | 100 | |||
|
Brave New World [TBX007 - 14] |
0 | 2'50 | Peter Nickalls | Sparse and desolate intro, suspended chords. Leads to panoramic, | 全景 气氛 太空 神秘 | Dm | 78 | |||
|
Ascendance [TBX007 - 17] |
0 | 2'12 | Peter Henry Mayne, Lee Sparey | Undulating, 90-s influenced pulse scores and ambient textures. | 全景 气氛 周期性的 固执 | D | 118 | |||
|
Somniferous Crystals [TBX007 - 22] |
0 | 2'12 | Peter Henry Mayne, Lee Sparey | Ethereal and slowly evolving cosmic synth pads. | 全景 气氛 周期性的 稳定的 | C | 60 |