Euphoric, pained, melancholy. Highly emotional melody played on ...Euphoric, pained, melancholy. Highly emotional melody played on echoing strings as notes stretch out into an expansive space as melody trills intricately like a beautiful dance in a dark and dreary location. Hum of dissonance in the background further asserts a feeling of despair and uncertainty. Visions of an old house or aged individual.
Euphoric, pained, melancholy. Highly emotional melody played on ...Euphoric, pained, melancholy. Highly emotional melody played on echoing strings as notes stretch out into an expansive space as melody trills intricately like a beautiful dance in a dark and dreary location. Hum of dissonance in the background further asserts a feeling of despair and uncertainty. Visions of an old house or aged individual. Stripped back underscore version.
Dark, pained, melancholy. Notes slow to emerge play out sombre chords ...Dark, pained, melancholy. Notes slow to emerge play out sombre chords amid constant dissonant euphoria, asserting feelings of despair and uncertainty. Visions of an old house or aged individual. Stripped back underscore version.
Gentle, daunting, meaningful. Strings play out joined by electronic ...Gentle, daunting, meaningful. Strings play out joined by electronic euphoria, giving a sense of vitality but unease. Very light bell notes communicate a fragility, with low electronic bass further conveying feelings of disquiet and fear. Vibrato violins illustrate a solemn energy, an individual overcoming a deeply troubling and saddening experience. Percussion at the end signalling a sense of retribution.
Gentle, daunting, meaningful. Strings play out slowly joined by ...Gentle, daunting, meaningful. Strings play out slowly joined by euphoria, giving a sense of vitality but unease. Feelings of disquiet and fear. Stripped back underscore version.
Gentle, daunting, meaningful. Electronic euphoria gives a sense of ...Gentle, daunting, meaningful. Electronic euphoria gives a sense of drama and unease. Very light bell notes communicate a fragility, with low electronic bass further conveying feelings of disquiet and fear. An individual overcoming a deeply troubling and saddening experience. Percussion at the end signalling a sense of retribution. Stripped back underscore version.
Fast, euphoric, epic. Authentic middle eastern percussion leads into ...Fast, euphoric, epic. Authentic middle eastern percussion leads into pacy refrain that builds into trappy drumbeat with energetic shouts and impassioned carnatic singing. Hyperactive pace communicates a feeling of confidence and strength. An individual who is not afraid of anything, walking proudly and triumphantly around. Impassioned vocal shouts bolster a feeling of companionship and togetherness.
Fast, euphoric, epic. Authentic middle eastern percussion leads into ...Fast, euphoric, epic. Authentic middle eastern percussion leads into pacy refrain that builds into trappy drumbeat. Hyperactive pace communicates a feeling of confidence and strength. An individual who is not afraid of anything, walking proudly and triumphantly around. Instrumental version.
Fast, euphoric, epic. Expansive middle eastern instrumentation meets ...Fast, euphoric, epic. Expansive middle eastern instrumentation meets with impassioned vocal trills. Heavy electronic beat and hyperactive pace communicate a feeling of confidence. An individual who is not afraid of anything, walking proudly and triumphantly around. Stripped back underscore version.
Mystic, heavy, determined. Mysterious euphoria is followed by ...Mystic, heavy, determined. Mysterious euphoria is followed by hammering drums into slowly emerging, daunting strings. Heavy, fast-paced electronic beat marches forward, joined by trilling flutes and other middle eastern instruments. Visions of an expansive modern desert landscape. Individuals braving the heat in order to live their lives. Slick instrumentation displays a feeling of confidence and self-assuredness.
Mystic, heavy, determined. Mysterious euphoria is followed by ...Mystic, heavy, determined. Mysterious euphoria is followed by hammering drums into slowly emerging, daunting strings. Heavy, fast-paced electronic beat marches forward, joined by trilling flutes and other middle eastern instruments. Visions of an expansive modern desert landscape. Individuals braving the heat in order to live their lives. Slick instrumentation displays a feeling of confidence and self-assuredness. Instrumental version.
Mystic, heavy, determined. Mysterious euphoria is followed by ...Mystic, heavy, determined. Mysterious euphoria is followed by hammering drums into slowly emerging strings. Heavy, fast-paced electronic beat marches forward, joined by trilling flutes and other middle eastern instruments. Visions of an expansive modern desert landscape. Individuals braving the heat in order to live their lives. Slick instrumentation displays a feeling of confidence and self-assuredness. Stripped back underscore version.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi ...Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot of money in a short time, conducting business with a merciless demeanour. Lyrics with wordplay asserting a talent and a carefree energy. Slick instrumental asserts a sinister power.歌词
Hey, hey, hey, Hey, hey, hey, Hey, hey, hey, Hey, hey, hey. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done. Runnin' through big stacks, Wit a quarter pound no Big Mac, Mane ima flex like a 6 pack, I come off uh da hip make em get back, Cross my ex no tic tac, Ion even really do chit chat, Big sawed off wit a kickback, Looking for the cheese where the likkz at. You switching up like you Brady, Ballin' they never could play me, Carry the drum like a cadence, Wanna talk to me gone pay me, Pop me a 30 go crazy, Rollin' could never be lazy, Alter my thoughts and be changing my mind when I think about it it’s amazing, I got a plug on the latest, Better handcuff to your lady, I ain’t trying to make you my baby, I want the cake like a happy belated, Rollin' stone I be so many places, Yellowstone call me Rip never play, Diamond on him lookin' like some Dasani, U can just call me the dock of the bay, Diamond on him lookin' like some Dasani, U can just call him the dock of the bay. And I go so hard, I really don't play You mess with my cake I come at yo face, Feel like I’m part of the alphabet a G wit a K, Feel like I’m part of the alphabet a G wit a K. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi ...Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental version.
Euphoric, vast, ambitious. Tense strings ease into reach, joined by ...Euphoric, vast, ambitious. Tense strings ease into reach, joined by fragments of vocals alongside dramatic kick drum. Trippy energy, an otherworldly atmosphere, an ecosystem under threat. Heavy rock style at 00:41 injects a sense of power and command. A brave troop of heroes launching into the unknown with strength and for honour. Quiet section with droning dissonant notes conveys desolation before launching back into loud section at 02:00 with whining melody.
Euphoric, vast, ambitious. Tense strings ease into reach, joined by ...Euphoric, vast, ambitious. Tense strings ease into reach, joined by fragments of vocals alongside dramatic kick drum. Trippy energy, an otherworldly atmosphere, an ecosystem under threat. Heavy rock guitar and strings at 00:41 injects a sense of power and command. A brave troop of heroes launching into the unknown with strength and for honour. Quiet section with droning dissonant notes conveys desolation before launching back into loud section at 02:00 with whining melody. Stripped back underscore version.
Bright, promising, thoughtful. Resonant strings push out into fervent ...Bright, promising, thoughtful. Resonant strings push out into fervent landscape. Leading flute melody conjures visions of a beautiful rolling countryside, content people living out their lives in peace and harmony. Lively organic texture illustrates a luscious natural energy.
Bright, promising, thoughtful. Resonant strings push out into fervent ...Bright, promising, thoughtful. Resonant strings push out into fervent landscape. Leading flute melody conjures visions of a beautiful rolling countryside, content people living out their lives in peace and harmony. Lively organic texture illustrates a luscious natural energy. Stripped back underscore version.
Climactic, epic, spooky. Twinkling bell melody instantly conjures ...Climactic, epic, spooky. Twinkling bell melody instantly conjures visions of a dark night, a feeling of terror cloaked in darkness. Intensity increased as marching drums join in, hammering out rhythm joined by spooky theremin melody. Visions of an evil force taking over an unassuming town, everything becoming dark and devilish. Quiet moment with bells at 00:56 reminiscent of one last glimmer of good and positivity before the unstoppable sense of vile energy sweeps in once again.
Climactic, epic, spooky. Twinkling bell melody instantly conjures ...Climactic, epic, spooky. Twinkling bell melody instantly conjures visions of a dark night, a feeling of terror cloaked in darkness. Intensity increased as marching drums join in, hammering out rhythm joined by spooky theremin melody. Visions of an evil force taking over an unassuming town, everything becoming dark and devilish. Quiet moment with bells at 00:56 reminiscent of one last glimmer of good and positivity before the unstoppable sense of vile energy sweeps in once again. Instrumental version.
Climactic, epic, spooky. Twinkling bell melody instantly conjures ...Climactic, epic, spooky. Twinkling bell melody instantly conjures visions of a dark night, a feeling of terror cloaked in darkness. Intensity increased as marching drums join in hammering out rhythm. Quiet moment with bells at 00:56 reminiscent of one last glimmer of good and positivity before the unstoppable sense of vile energy sweeps in once again. Stripped back underscore version.
Positive & exhilarating in a spirit of togetherness. Built-up ...Positive & exhilarating in a spirit of togetherness. Built-up gradually. Piano & strings. Reverse fx. Suggested for corporate & luxury.
Upbeat, lively & danceable kuduro sung in Italian. I know you hate ...Upbeat, lively & danceable kuduro sung in Italian. I know you hate me, but I don't care. Female rap singer, female backing vocals, synth, sampling & electronic percussion.歌词
IT:
Damn, mi odi, lo vedo, dimmelo
Però fallo in toto
In toto, in toto, in toto, in toto, in
Toto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
oto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
Jadoll la fa ricca
Baddies nella cricca
Dillo pure mami que esta noche la squad brilla già
Sinner with da whiplash
Bimba gioca lì, squash
Money love ‘n party
I don't know you, where u comin' from
Da troppo che parli, no bad vibes, chicas
Non pago per questo il mio wifi mica
Sicuro che facciata duri o sei morto
No problem, my project a porto
Grazie, so che parli di me, togli il filtro
Quel che non volevo vedere, fra, l'ho già visto
Sbatti, so che fai altre cose, lo capisco
Tranne avere ragione e avere ritmo
Tanti, quelli che mi guardan nella disco
Ma temono più me che mafia il fisco
Sbatti, che ti fidi di me sai lo capisco
Mh, io uno come me però mai visto
I don't know you, mh
No mai visto
I don't know you, mh
No mai visto
Damn, mi odi, lo vedo, dimmelo
Sì, se è così che squadri, dimmelo
Faccio in modo l'ego tuo diventi piccolo
Faccio in modo che mi odi e non per poco ma in toto
Toto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
Toto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
Sì che è sicuro che per me mi curo
Lui sta sicuro che per lui mi curo
Ma stai seduto o spalle contro al muro
Perchè se chiudo ci son per nessuno
E quelle cose che mi dicono giuro mi fanno ridere
Le cose che non vedo mi fottono come vipere
Sta cosa che se parlo è sbagliato tutto a prescindere
Perchè se dici il vero i bugiardi non posson vivere
Dollitas la fan pagare cara, dolla gang ah
I'm not doin' too much, but I'm extra
We look icy pricey, material wifeys
Spariamo con i drippies alla festa
Shoot shoot chica
Toto-to, toto
Boom boom toto
Don't care for coco
Got my girls and my weed and all
Mami e babe no more broke in toto
Toto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
Toto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
EN:
Damn, you hate me, I see it, say it
But do it fully
Fully, fully, fully, fully
Fully, fully, fully, I don’t know who you are
Fully, fully, fully
Fully, fully, fully, but you know me so well
Fully, fully, fully
Fully, fully, fully, I don’t know who you are
Fully, fully, fully Fully, fully, fully, but you know me so well
Fully, fully, fully
Jadoll does it big
Baddies in my clique
You can say it mami, tonight the squad is shining
Sinner with the whiplash
Girl don’t play, squash
Money love ‘n party
I don't know you, where u comin' from
You’ve been talking for so long, no bad vibes, girls
I don’t pay my wifi for such things
Be sure your facade is strong enough or it will be the end of you
No problem, my project is working
Thank you, I know you’re talking about me, remove the filter
What I didn’t want to see, bro, I already saw it
Dang it, I know you do other things, I get it
Except being right and having the sense of rhythm
There’s a lot of people looking at me in the club
But they fear me more than mafia fears tax authorities
Dang it, you trust me and I understand it
Mh, but I never saw someone like me
I don't know you, mh
I never saw you before
I don't know you, mh
I never saw you before
Damn, you hate me, I see it, say it If it’s like that that you scrutinize me, say it I’ll make sure that your ego becomes small I’ll make sure that you hate me, not just a little, but fully
Fully, fully, fully, I don’t know who you are
Fully, fully, fully Fully, fully, fully, but you know me so well
Fully, fully, fully
Fully, fully, fully, I don’t know who you are
Fully, fully, fully Fully, fully, fully, but you know me so well
Fully, fully, fully
Yes, it’s obvious that I take care of myself for myself
He thinks I take care of myself for him
You better sit down or stay backed into a corner
Cause if I end something I’m not taking calls
And all these things they say to me, I swear, they’re hilarious
The things I can’t see, they betray me like snakes
Note that if I talk, no matter what, I’m always wrong
Because if you speak the truth liars can’t live anymore
Dolls take revenge, Doll gang
I'm not doin' too much, but I'm extra
We look icy pricey, material wifeys
We shoot with our drip at the party
Shoot shoot, girl
Everything
Boom boom, everything
Don't care for coco
Got my girls and my weed and all
Mami e babe no more broke at all
Fully, fully, fully, I don’t know who you are
Fully, fully, fully Fully, fully, fully, but you know me so well
Fully, fully, fully
Fully, fully, fully, I don’t know who you are
Fully, fully, fully Fully, fully, fully, but you know me so well
Fully, fully, fully
Indie chill pop rock. Low-key, smooth, cool, positive & suave. Lead ...Indie chill pop rock. Low-key, smooth, cool, positive & suave. Lead guitar @ 1'36 with drum. For leisure, light news, indie movie & commercial.
Nocturnal, sentimental & attitude hip-hop sung in Spanish. Tired of ...Nocturnal, sentimental & attitude hip-hop sung in Spanish. Tired of an undecided lover. Female rap singer, voice & guitar sampling, electronic percussion. Vocal climax @ 2'42.歌词
ES:
tengo las horas contadas con esta nena
y la tortura del recuerdo ya se inclina en mi cabeza
y es que no veas
las cartas que juega
se las guarda detrás de la oreja
bailando en la plaza con la niña
van par de litronas pero ella va tan fina
con sus pantalones rotos justo en la rodilla
con su cigarrillo y sus pestañas postizas
yo es que voy sin prisa
yo es que voy sin prisa
pero reconozco que contigo nunca he sido mu tranquila
me pierdo con los nombres que han pasao' después de ti
con todos esos verdes en Pinar de Chamartín
me acuerdo de ti nena me acuerdo de ti
me acuerdo de ti nena me acuerdo de ti
llevo preocupada desde que te conocí
estoy anestesiada con tu saliva de anís
y siempre que salgo por las noches de Madrid
te acabo escribiendo algún mensaje
para ti para ti siempre hay uno para ti
para el fuego de tus labios disfrazados de carmin
tu pelo rapado y tus ojos medio green
para las noches tocando la guitarra junto a mi
para ti para ti siempre hay uno para ti
te dedico mis versitos favoritos del Joaquín
te dedico todas las fotos en las que me haces reír
te dedico hasta el romero de las rosas del jardin
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
deja la tortura pa' Alejandro Sanz
y no te des por aludida
que no va por ti, te lo juro por mi vida
tengo la saudade aquí en la tripa metidita
será la pastilla que mordimos aquel dia
tu mirada es ácida como los pica pica
tu piel es el paper del tabaco que te lias
eres el sabor amargo de una mora fría
se te acaba el tiempo y ahora el mío desperdicias
me arde la retina de ver tanta tontería
tengo toas' las medias rotas de todas tus chinas
también me has quemado el corazón con tanta chispa
bonita, tienes que ser más decidida
aunque la tonta sea yo porque te lo permita
aunque lo máximo que hago es marcarme unas rimas
aunque cuando esté delante tuya me derrita
nena, se mas comprensiva
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
que ya no puedo mas
dame un break no te portes mal
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
dime si me vas a llamar
deja la tortura pa' Alejandro Sanz
dime si me vas a llamar
dímelo ma
dímelo
EN:
my hours are nearly due with this girl
and the torture of the memory is leaning in my head
and you can't see
the cards she plays
she keeps them behind her ear
dancing in the square with the girl
they go with a couple of litronas but she goes so refined
with her pants torn right above the knee
with her cigarette and her false eyelashes
I'm in no hurry
I'm in no hurry
but I recognise that with you I've never been very calm
I get lost with the names that have passed after you
with all those greens in Pinar de Chamartin
I remember you baby I remember you
I remember you baby I remember you
I've been worried since I met you
I'm numb with your aniseed saliva
and whenever I go out at night in Madrid
I end up writing you a message
for you for you there is always one for you
for the fire of your lips disguised as carmine
your shaved hair and your half green eyes
for the nights playing the guitar next to me
for you for you there's always one for you
I dedicate to you my favorite verses of Joaquin
I dedicate to you all the pictures in which you make me laugh
I dedicate to you even the rosemary of the roses in the garden
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
leave the torture for Alejandro Sanz
and don't take it personal
It' s not about you I swear it on my life
I've got the saudade here in my gut
Maybe it's the pill that we bit that day
your gaze is acidic like the pica pica
your skin is the paper of the tobacco that you roll
you're the bitter taste of a cold blackberry
you're running out of time and now you're wasting mine
my retina burns from seeing so much nonsense
I've got all the socks torn from all your stones
you've also burnt my heart with so much sparkle
beautiful, you have to be more determined
even though I'm the fool because I let you do it
even though the most I do is to score me some rhymes
even though when I'm in front of you I melt
baby, be more understanding
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
I can't take it anymore
give me a break don't misbehave
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
tell me if you'll call me
leave the torture for Alejandro Sanz
Poignant, building & emotional ballad-pop sung in Spanish. ...Poignant, building & emotional ballad-pop sung in Spanish. Frustration over heartbreak. Female singer, electronic strings, synth, electronic percussion, Spanish & electric guitar.歌词
ES:
tengo la mirada en el suelo
porque tiemblo si te veo
cada paso que doy es palo de ciego
cada día sin ti es morder el hielo
tengo la mirada en el suelo
pero cuando las cruzamos es volver al día primero
y al cigarro consumiéndose en los dedos
tu buscas perderme pero yo me quedo
pienso cada día
pienso cada noche
pienso en tus mensajes
y en la rabia de ya no sentir tu roce
y escuchar
todo el rato tu nombre
y volver hasta el principio
por miedo a que se me borre
el recuerdo es un arma de doble filo
te llevo siempre en el pecho
pero duele como un tiro
y no puedo más
si me rompes por lo menos dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
ojalá tenerte y que me quieras de verdad
que tu mente se enderezca y que me sepas valorar
que tu carita de mala no me hubiese hecho caer
que las charlas en el parque no me dejen del revés
que la calle no te mate
que no te vea caer
que tus decisiones fueran hojas de papel
pa' podértelas romper
pa' podértelas romper
no quiero puntos de vista
quiero volver a nacer
no quiero que me comprendas
ni estar fuera de mi piel
quiero sentirme las manos
en la playa de ahí arriba
sentir tus labios con la sal en las encías
no perdono a los cobardes
y no me perdono a mí
por no saber alejarme
cuando me quise morir
pero que penumbra hubiese sentido
si a ti en la vida no te hubiera conocido
te elijo primero
te elijo primero
siempre fuiste tu
siempre fuiste tu
te elijo primero
te elijo primero
el daño es certero
pero como tú
pero como tú
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
dame un beso de verdad
si me rompes por lo menos dame un beso de verdad
EN:
I have my eyes on the ground
because I tremble if I see you
every step I take is a blind man's stick
every day without you is biting the ice
my eyes are on the ground
but when we cross them it's like going back to day one
and the cigarette burning in my fingers
you seek to lose me but I stay
I think every day
I think every night
I think of your messages
and in the rage of no longer feeling your touch
and hear
your name all the time
and go back to the beginning
for fear of being erased
the memory is a double-edged sword
I always carry you in my chest
but it hurts like a shot
and I can't take it anymore
if you break me at least give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
I wish I could have you and that you really love me
that your mind would straighten up and that you would know how to value me
that your bad face had not made me fall down
that the chats in the park don't turn me upside down
that the street doesn't kill you
that I don't see you fall
that your decisions were sheets of paper
so that I can tear them up
so that I can tear them up
I don't want points of view
I want to be born again
I don't want you to understand me
nor to be out of my skin
I want to feel my hands
on the beach up there
feel your lips with the salt on my gums
I don't forgive cowards
and I don't forgive myself
for not knowing how to walk away
when I wanted to die
but what a darkness I would have felt
if I had never met you in my life
I choose you first
I choose you first
it was always you
it was always you
I choose you first
I choose you first
the damage is certain
but like you
but like you
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
give me a real kiss
