| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Last Prayer [EOS125 - 3] |
0 | 2'33 | Anthony Mowat | Sad, gloomy & restrained. Piano, cello & percussion. | 悬念 地理政治 伤心 社会悲剧 | Dm | 110 | |||
|
Black Marble Shrine [EOS125 - 9] |
0 | 3'00 | Anthony Mowat, Laurent Rochelle | Uncanny, nocturnal & in suspension. Piano, cello, flute, clarinet, | 气氛 独立电影 悬念 漂泊 | E | 104 | |||
|
The Arrival [EOS125 - 12] |
0 | 2'27 | Anthony Mowat, Laurent Rochelle | Suspenseful, voluptuous & nocturnal. Bass, piano, synth, saxophone, | 夜晚 气氛 电声低音 社会悲剧 | A | 118 | |||
|
I Saw Heaven [EOS125 - 15] |
0 | 2'07 | Anthony Mowat | Bright, atmospheric & confident. Bass, guitar, percussion & synth. | 梦幻 悬念 宁静 气氛 | E | 60 | |||
|
White Marble Shrine [EOS125 - 18] |
0 | 3'00 | Anthony Mowat | Delicate, calm & introspective. Piano, celesta, flute, cello & | 悬念 环境 安静 精致 | A | 107 | |||
|
The End [AMS5043 - 6] |
2'48 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. A 1st part in expectation & doubt. | 后摇滚 固执 高潮 动作片 | Abm | 61 | ||||
|
The End Alternate 1 [AMS5043 - 35] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without guitars & drums | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Alternate 2 [AMS5043 - 36] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without bass & drums | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Alternate 3 [AMS5043 - 37] |
版本. | 2'48 | Aleksandar Dimitrijevic | Version without guitars | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Edit 1 (30 sec) [AMS5043 - 38] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
The End Edit 2 (15 sec) [AMS5043 - 39] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 后摇滚 固执 高潮 动作片 | Abm | 61 | |||
|
From Mope to Hope [CEZ4641 - 9] |
0 | 2'34 | Joaquim Plossu | Ambient cinematic. Emerging, quiet & aery. Resurgence of the past. | 背景电子乐 闪回 神秘 抱歉 | Cm | 90 | |||
|
La Reine des Ténèbres [EOS119 - 1] |
0 | 3'50 | Dominique Malan | Lively, confident & whimsical. Drums, electric guitar, mallet | 仿纪录片 街道戏剧 摇摆 讽刺 & 恶意 | Em | 86 | |||
|
Le Bal Noir [EOS119 - 2] |
0 | 4'04 | Dominique Malan | En marche & panoramique. Strings, mallet percussion, guitar, bass & | 冒险片 弦乐(全部) 命运 木鼓 | A | 115 | |||
|
La Nuit sous ses Ailes [EOS119 - 5] |
0 | 4'44 | Dominique Malan | Tender, nostalgic but hopeful. Narrative. Strings, pizz, double bass. | 命运 忧伤 神秘 弦乐乐团 | Cm | 89 | |||
|
Les Couleurs de l'Absence [EOS119 - 6] |
0 | 4'30 | Dominique Malan | Determined, punctuated & epic. Mallet percussion, guitar, piano, | 神秘 全景 木鼓 全景图 | Bm | 120 | |||
|
L'Armée des Ombres [EOS119 - 7] |
0 | 4'02 | Dominique Malan | Walking, progressing & powerful. Guitar, strings, percussion. | 画面感 进步 冒险片 命运 | Gm | 156 | |||
|
La Lune Eblouie [EOS119 - 8] |
0 | 4'14 | Dominique Malan | Tender, delicate with swing, confident. Strings, pizz, mallet | 木鼓 拨奏 精致 忧伤 | Gbm | 86 | |||
|
Fingers & Thumbs [TBX207 - 1] |
2'05 | Christopher Rome | Rustic, rough, spirited. Descending blues acoustic guitar creates a | 公路电影 果断 跟踪摄影 三角洲蓝调 | Bbm | 97 | ||||
|
Fingers & Thumbs (Underscore) [TBX207 - 11] |
版本. | 2'05 | Christopher Rome | Rustic, rough, spirited. Descending blues acoustic guitar creates a | 公路电影 果断 跟踪摄影 三角洲蓝调 | Bbm | 97 | |||
|
Feel The Beat [TBX207 - 2] |
3'03 | Christopher Rome | Fiery, moaning, bluesy. Distorted electric guitar with heavy tremolo | 摇滚蓝调 公路电影 果断 室外 | Gm | 88 | ||||
|
Feel The Beat (Underscore) [TBX207 - 12] |
版本. | 3'03 | Christopher Rome | Fiery, moaning, bluesy. Distorted electric guitar with heavy tremolo | 摇滚蓝调 公路电影 果断 室外 | Gm | 88 | |||
|
Omnes [AMS5041 - 6] |
3'08 | Salvador Casais, Felix Weber | Cinematic orchestral hip hop. Build-up with eerie piano, cinematic | 嘻哈预告风 令人不安 冲击 预告片 | Fm | 75 | ||||
|
Omnes Alternate 1 [AMS5041 - 44] |
版本. | 3'08 | Salvador Casais, Felix Weber | No percussion version | 嘻哈预告风 令人不安 预告片 紧急 | Fm | 112 | |||
|
Omnes Alternate 2 [AMS5041 - 45] |
版本. | 3'08 | Salvador Casais, Felix Weber | Percussion only version | 嘻哈预告风 令人不安 冲击 预告片 | Ebm | 112 | |||
|
Omnes Alternate 3 [AMS5041 - 46] |
版本. | 3'08 | Salvador Casais, Felix Weber | Instrumental version | 嘻哈预告风 令人不安 冲击 预告片 | Fm | 112 | |||
|
Omnes Alternate 4 [AMS5041 - 47] |
版本. | 3'08 | Salvador Casais, Felix Weber | Bed | 嘻哈预告风 令人不安 冲击 预告片 | Fm | 112 | |||
|
Omnes Alternate 5 [AMS5041 - 48] |
版本. | 3'08 | Salvador Casais, Felix Weber | Underscore | 嘻哈预告风 令人不安 冲击 预告片 | Fm | 112 | |||
|
Omnes Edit 1 (30 sec) [AMS5041 - 49] |
版本. | 0'33 | Salvador Casais, Felix Weber | 30 seconds cut | 嘻哈预告风 令人不安 冲击 预告片 | Fm | 75 | |||
|
Omnes Edit 2 (15 sec) [AMS5041 - 50] |
版本. | 0'19 | Salvador Casais, Felix Weber | 15 seconds cut | 嘻哈预告风 令人不安 冲击 预告片 | Fm | 75 | |||
|
Ancient Egyptian Tales [CEO2174 - 3] |
3'55 | Erella Atlan | Mysterious intro, suspended & on hold. Twirling, majestic & magical @ | 魔幻电影 画面感 命运 自信 | Am | 68 | ||||
|
Ancient Egyptian Tales
[CEO2174 - 17] |
版本. | 3'55 | Erella Atlan | Version without percussion. | 魔幻电影 画面感 命运 自信 | Am | 68 | |||
|
Fertile Nile Valley [CEO2174 - 6] |
2'10 | Erella Atlan | Suspended, mysterious & dry as a dream. Piano, synth, kanoun with | 热沙漠 电影原声带 地理政治 神秘 | Dm | 74 | ||||
|
Fertile Nile Valley Alternate [CEO2174 - 20] |
版本. | 2'10 | Erella Atlan | Version without percussion. | 热沙漠 电影原声带 地理政治 神秘 | Dm | 72 | |||
|
The Stars Align [ISC084 - 6] |
2'36 | David Eman | Cinematic. Imposing, majestic & spectacular. Delicate intro. Build-up | 赛事 高潮 进行中 令人激动 | Cm | 123 | ||||
|
The Stars Align Alternate [ISC084 - 16] |
版本. | 2'36 | David Eman | No percussion version | 赛事 高潮 进行中 令人激动 | Cm | 123 | |||
|
A Well Known Secret [CEC8057 - 6] |
1'38 | Bo Tian | On tiptoes. Playful, bouncing, restrained & on the lookout. | 悲喜剧 摇摆 童年 悲喜剧 | Bm | 130 | ||||
|
A Well Known Secret Alternate [CEC8057 - 16] |
版本. | 1'39 | Bo Tian | Version without percussion | 悲喜剧 摇摆 童年 悲喜剧 | Bm | 132 |