Reflective, happy, minimal. Light, delicate, muted synths in positive ...Reflective, happy, minimal. Light, delicate, muted synths in positive melodies are joined by electronic beats and glimmering atmospheres, drifting and resolving to bright propulsive synths. Innocent, quirky and playful science and technology cue.
Reflective, happy, minimal. Light, delicate, muted synths in positive ...Reflective, happy, minimal. Light, delicate, muted synths in positive melodies are joined by electronic beats and glimmering atmospheres, drifting and resolving to bright propulsive synths. Innocent, quirky and playful science and technology cue.
Propulsive, hypnotic, determined. Uneasy and reflective intro of ...Propulsive, hypnotic, determined. Uneasy and reflective intro of slowly building, driving synth layers in suspenseful melodies is joined by electronic beats at 00:33. Investigative cue which becomes more dramatic and energetic, with purposeful sonic layers weaving with haunting and ethereal atmospheres. Investigative and mysterious sci-fi cue for action.
Propulsive, hypnotic, determined. Uneasy and reflective intro of ...Propulsive, hypnotic, determined. Uneasy and reflective intro of slowly building, driving synth layers in suspenseful melodies. Investigative cue which becomes more dramatic and energetic, with purposeful sonic layers weaving with haunting and ethereal atmospheres. Investigative and mysterious sci-fi cue for action. Stripped back underscore version.
Propulsive, hypnotic, determined. Investigative cue which becomes ...Propulsive, hypnotic, determined. Investigative cue which becomes more dramatic and energetic, with purposeful sonic layers of synths in suspenseful melodies weaving with haunting and ethereal atmospheres and driving electronic beats. Investigative and mysterious sci-fi cue for action.
Determined, tense, dramatic. Brooding yet energetic electronic cue ...Determined, tense, dramatic. Brooding yet energetic electronic cue with buzzing deep synth bass, propulsive beats and ominous melodies. Dark sci-fi action bed which builds to a driving finale with ethereal vocal textures.
Determined, tense, dramatic. Brooding yet energetic electronic cue ...Determined, tense, dramatic. Brooding yet energetic electronic cue with buzzing deep synth bass, propulsive beats and ominous melodies. Dark sci-fi action bed which builds to a simple, driving finale. Stripped back underscore version.
Determined, tense, dramatic. Brooding yet energetic electronic cue ...Determined, tense, dramatic. Brooding yet energetic electronic cue with buzzing deep synth bass, propulsive beats and ominous melodies. Dark sci-fi action bed which builds to a driving finale.
Very fast & nervous intro. Vehement & struck metal riff. Epic verse ...Very fast & nervous intro. Vehement & struck metal riff. Epic verse for victorious celebration @ 0'43. Entrance theme. Between nu-metal & power metal. For wrestling & race, face off in the arena.
Full force metal fueled by combative & driving lead guitar & synth. ...Full force metal fueled by combative & driving lead guitar & synth. Impetuous & resolute @ 0'28. Metal band. Heavy metal/hard rock. Suggested for action & confrontation.
Driving, powerful & huge. Proud conqueror march. Pure metal riff & ...Driving, powerful & huge. Proud conqueror march. Pure metal riff & fat drum. Anticipating break and build-up @ 1'33. Metal band. Power rock with a touch of heavy metal. For sport, action, monster truck & weIghtlifting.
Oppressive, violent & urgent. Fast digital arpeggio theme. Like a ...Oppressive, violent & urgent. Fast digital arpeggio theme. Like a steamroller @ 0'49. Metal band featuring Sci-Fi synth pad. Hybrid synth metal / power metal. Perfect for pursuit, space run, video games, futuristic war scenes, sport.
80's. Pop song. Catchy, driving & lively. Male singer, synth & rhythm.
歌词
Take me with you if you want it toTake me as I am if you feel the same In a lost and lonely world, come and be my girlBe my extra time in this lonely world Take me on tonight Take me with you if you want it toTake me as I am if you feel the same In a lost and lonely world, come and be my girlBe my extra time in this lonely world Take me on tonight Ahh Take me on tonight
There is something you should know about meSomething no one knows please believe me Very hard to tell i think i’m leavingThere is something you should know about me
Cause i feel so good yes it’s understoodI don’t know why you try to tell me liesI’d rather say to you goodbye
80's. Pop song. Nocturnal, decided & moving. Male singer, choir, ...80's. Pop song. Nocturnal, decided & moving. Male singer, choir, synth & rhythm.歌词
Feeling lost in this lonely world you never, listened to meEverything we do we do for a reason but it’s never for freeJust like that like a bolt from the blue you’re thinking what’s happened to meEverything you’ve done and all that you’ve become has disappeared Ooh, I’m nothing baby, without your loveOoh ooh, the way I feel, oh you’re coming homeYou’re coming home Ooh, I’m nothing baby, without your loveOoh ooh, the way I feel, oh you’re coming homeYou’re coming home I was lost but now, I’m found
80's. Pop song. Light, sentimental but not naive. Female singer, ...80's. Pop song. Light, sentimental but not naive. Female singer, electric guitar, synth & rhythm.歌词
Je garde en souvenir ta montre et ton gilet Je garde aussi en mémoire les jours qu’on a passé A se dire que peut être çà pourrait marcher Mais le temps a passé et çà ne l’a pas fait
Moi qui croyait en toi Toi qui ne doutait pas
Je garde en souvenir le soir ou t’as gagné Et qu’on s’était promis les heures et les années Comme une évidence on s’est accompagné Et comme par insouciance on ne s’est pas méfié
Moi qui croyait en toi Toi qui ne doutait pas Moi qui voyait en toi Celui qui n’existait pas Moi qui croyait en toi On y croyait Toi qui ne doutait pas Jamais douté
Moi qui voyait en toi On y croyait Celui qui n’existait pas Jamais douté Moi qui croyait en toi On y croyait Toi qui ne doutait pas Jamais douté Moi qui voyait en toi On y croyait Celui qui n’existait pas
80's. Alternate version. Light, sentimental but not naive. Electric ...80's. Alternate version. Light, sentimental but not naive. Electric guitar, synth & rhythm.
Writing words on a computerSending text in a social networkSpying people, stolen data Writing words on a computerSending text in a social networkSpying people, stolen data
Respiro, respiro della sposa ora lasciata, Respiro respiro dell' onda morendo sulla riva. Français
Bleu, La couleur de la liberté Bleu, la pureté de l’immensité Là-haut, où le monde commence et se termine Là-haut où le soleil brille et disparaît
Un souffle Sur la voile blanche en errance (ou qui dérive ?) Un souffle, sur un homme qui ne reviendra pas Un soupir, Un soupir de la mariée laissée seule Un soupir de l’onde qui meurt sur la rive
English
Blue The colour of freedom Blue, purity and immensity Up there where the world begins and ends Up there where the sun shines and disappears
A breath
On the white sail in the distance A breath on a man who will never return A sigh,
A sigh of the bride left alone A sigh of the wave that dies on the shore
Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, ...Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, mandolins, acoustic guitar & tambourin.歌词
Italianol coracino, che andava per mare, venne voglia di sposarsi. si fece un bel vestito di scaglie di spine pulito pulito con una parrucca tutta piena di rimasugli avvolti, con il colletto, fazzoletto da collo e polsini di seta inglese molto fine.
Con i calzoni di reti di fondo, scarpe e calze di pelle di tonno e mantella e mantellina di alghe e peli di bue marino, con bottoni e bottoniera di occhi di polipo, seppie e coregoni bianchi * fibbie, spada e fiocchi dorati di nero di seppia e fette di occhiata
Due belle catene di polmone di conchiglie, un capello elegante di codini di luccio salato. tutto inamidato** e ben stirato faceva il fighetto, girava di quà e di là per trovarsi la fidanzata
La Sardina, al balcone stava suonando il colascione*** e a suono di trombetta, cantava questa arietta: "O larello o marellena e la figlia della zia Lena ha lasciato il fidanzato perché niente glia ha regalato!"
Il Guarracino che la guardò della Sardina si innamorò, se ne andò dalla Bavosa. la più vecchia maliziosa. le diede una bella mancia per mandarle un messaggio. La bavosa, pissi pissi chiaro e tondo glielo disse.
Nel sentirla la Sardella rossa rossa si fecce, per la vergogna che la prese sotto uno scoglio si infilò, ma la vecchia Bavosa subito disse: "Ah, schizzinosa! In questa maniera non trovi partito in gola ti resta il marito".
Se hai voglia di accasarti tante smorfie non le devi fare, fuori la galanteria e via la timidezza, anima e cuore e faccia tosta". Ciò sentendo la zia Sardina s'affacciò alla finestrella e fece un occhiolino d'intesa allo speranzoso innamoratino.
Ma la Patella che stava appostata la chiamò faccia tosta, traditrice, svergognata, senza parola e malnata perché aveva piantato l'Alletterato, primo e antico fidanzato di carriera da questo andò e ogni cosa gli disse.
Quando la sentì il poveretto se lo prese un demonio andò a casa, s'armò di rasoio, si caricò come un mulo di fucili, di spingarde, polvere, palle, stoppa e schegge; quattro pistole e tre baionette in tasca si mise.
Sulle spalle settanta colubrine, ottanta bombe e novanta cannoni e come un guappo paladino andava cercando il coracino. La sfortuna vuole che in mezzo la piazza lo incontrò l'afferra per il cravattino e poi gli dice: "Ah malandrino!
Tu mi rubi la fidanzata e prenditela questa bastonata". Tuffete e taffete, a milioni, gli dava schiaffi e colpi alla gola, schiaffi, pugni e scappellotti, scappoloni, fecozze**** e percosse alla nuca, scapaccioni e pugni al volto e gli ammaccò ossa e cartilagini.
Succede che al rumore parenti e amici uscirono fuori, chi con mazze, coltelli e coltellini, chi con spade,spadoni e spadini quello con sbarre, questo con spiedi chi con mandorle e chi con nocciole, chi con tenaglie e chi con martelli chi con torroni e susamielli *****
Padri, figli, mariti e mogli si azzuffarono come fiere e milioni accorrevano a frotte, i pesci di questa e di quella fazione Quante ne vedesti di sarde e di alose di palamiti e sogliole e razze chiodate, saraghi, dentici e occhiate, sgombri, tonni e alletterati.
Pesci palombo e rane pescatrici, scorfani, cernie e alici, pastinace, seriole, musdee e ghiozzi rasposi, lecce stelle, lucci e storioni, merluzzi, gronghi e murene, capodogli, orche e balene, capitoni, aguglie e aringhe, cefali, caponi lira, tracine e cernie dorate.
Triglie, torpedini occhiute, trote e tonni, musdee, cepole, latterini e zerri, polipi, seppie e calamari, pesci spada e stelle di mare pesci palombo e pesci martello bocche d'oro e gianchetti, seppioline e coracini cannolicchi, ostriche e ricci di mare.
Vongole, cuori eduli e patelie pescecani e granchietti tordi marvizzi, marmore e bavose, boghe, vedove e spose, spigole, spondili, serpenti e salpe, scalze con gli zoccoli o con le scarpe, murici, gamberi e aragoste vennero perfino con le diligenze.
Capitoni, sauri e anguille, pesci grossi o piccoli, d'ogni ceto e nazione. Piccolini, piccoli, più grandi e grandissimi! Quante botte, mamma mia! Che si davano. Non sia mai! A centinaia le bastonate! A milioni le pietrate!.
Morsi e pizzicotti a bilioni! A pioggia i colpi alla gola! Non vi dico che fuoco vivo si faceva per ogni luogo. Te, te, ttè, qua pistolettate, ta, ta, ttà, là schioppettate tu, tu, ttù, qua le colubrine, bu, bu, bbù, là i cannoni.
Ma di cantare sono già stanco e ora mi manca il fiato, perciò, datemi licenza grazioso e bel pubblico. Fate che beva una mezza di "seje"******, alla salute di lui e di lei, altrimenti mi si secca il gargarozzo, svuotandosi il polmone.
English
The chromis that swam in the sea he decided to marry. He made a nice suit From the sharp scale, very neat. He' put on a curly wig Strewed with small cockle-shell, A collar, a shawl on a neck and cuffs made of english silk, very thin.
Trousers from a net, Boots and socks from a skin of tunny, A cloak and a cape From algae and bristle of a dugong, With buttons and press-buttons From eyes of octopus, cuttlefish and vendace, Buckles, a sword and gilded bands From ink of cuttle and a bile of saddle bream.
Two beautiful chains From cockle-shells, An elegant hat From tails of ling. Everything is starched and ironed, He seemed like a dandy. He swam here and there To find a bride.
A sardine stood on her balcony, Playing the lute; And hearing a sound of trumpet, She sang a song: "Oh, sea, sea, A daughter of my aunt Lena Left his fiance Because he gave nothing to her!"
The chromis saw her And felt in love with sardine. went away to a blenny Grumbling old fish. He gave her money To send a message to sardine. The blenny, in a whisper, Told it to her clearly.
Hearing this message, The sardine was blushed. From the shyness She hided under a rock. But old blenny told her: "Ah, fastidious! In this way you'll not find a fiance And remain without husband.
If you want to marry, You don't have to make difficulties! Forward the courtesy 1 and away the shyness! Be with the kind heart and soul!" Listening to an aunt, the sardine looked out from window And winked in consent At the lover, full with hopes.
But the patella that stood beside, called her "Impudent, Traitress, shameless, Not keeping word and rude", Because she had left the tunny, Her first fiance. She went away from him so fast And told him many things.
When poor tunny heard it, He was possessed by demon. He went to home, armed himself with knife, He loaded himself like a mule With guns, springalds, Powders, bullets, tows and gun tubes. Four pistols and three bayonets, He put them in his pocket.
On his shoulders there were seventy muskets, Eighty bombs and ninety cannons And like a cruel knight He came search the chromis. The misfortune wanted so, And in the middle of square the tunny found him, Has seized him by the collar And told him: "Ah, villain!
You've stolen my bride, Take this blow!" Million punches, He slapped him in the face. Slaps in face, clips on the back of head, Stabs, bumps, punches on head, Kicks, punches on face, He broke to pieces his bones and cartilages.
The noise was risen, Relatives and friends came out. Who with maces, knives and clasp-knives, Who with swords, rapiers and sabres. That came with girders, this came with spears, Who with almonds and who with nuts, Who with nippers and who with hammers, Who with turrons and susamielli 2.
Fathers, children, husbands and wives Fighted like the beasts. Millions gathered in throng, Fishes of two sides. How many sardines one could see, How many shads, plaices and various rays, Crucians, dentexes and saddle breams, Mackerels, tunnies and tunas.
Houndsharks and sea-devils, Scorpionfish, dusky groupers and anchovies, Stingrays, amberjacks, cods and gobies, Pompanos, barracudas and sturgeons, Hakes, congers and morays, Cachalots, killer whales and whales, Eels, garfishes and herrings, Mullets, gurnards, weeverfishes and tenches.
Surmullets, electric rays, trouts and tunnies, Pomfrets, bandfishes, sand-smelts, picarels, Octopuses, cuttlefishes and squids, Swordfishes and starfishes, Houndsharks and hammerhead sharks, Shade-fishes and sand eels, Octopuses and chromises, Sword razors, oysters and sea urchins.
Carpet shells, cockles and sea snails, Sharks and crabs, Wrasses, sea breams and blennies, Bogues, widows and married, Seabasses, sea daces, snakes, salema porgies, Barefooted, with heels or with boots, Sea snails, shrimps and spine lobsters, Everybody came with the diligence.
Eels, horse-mackerels and grigs, Small and big fishes Of every estate and nation, Small, big and biggest. How many punches, mama mia, They have made. Horror! Thousands punches with stick, Millions punches with stone!
Billions bites and tweaks, A hail of punches to neck. I cannot tell you what live fire burned everywhere. Te - te - ttè, here a wound from pistols, Ta - ta - ttà, there from guns, Tu - tu - ttù, here from muskets, Bu - bu - bbù, there from cannons. But I'm tired already sing about it And now I'm short of breathing. Therefore give me a respite, Dear and nice public! Let's drink a half glass Health of him and her, Otherwise my throat will be dry parched, The lungs will be empty.
Urgent intro with a fast & nervous synth sequence building up with ...Urgent intro with a fast & nervous synth sequence building up with staccato strings & brass. Triumphant & dignified ending with epic choir @ 1'22 & climax. Suggested for achievement.
Alternate without percussion. Urgent intro with a fast & nervous ...Alternate without percussion. Urgent intro with a fast & nervous synth sequence building up with staccato strings & brass. Triumphant & dignified ending with epic choir @ 1'22 & climax. Suggested for achievement.
Alternate without choir. Urgent intro with a fast & nervous synth ...Alternate without choir. Urgent intro with a fast & nervous synth sequence building up with staccato strings & brass. Epic & dignified ending @ 1'22 & climax. Suggested for achievement.
