Explicit Version.
Swagger, rhythmic & determined baile funk Carioca ...Explicit Version.
Swagger, rhythmic & determined baile funk Carioca sung in Brazilian. A strong criticism of sexism. Female rapper & backing vocals, male ad libs, synth, brass, fx, Latin, Brazilian & electronic percussion.歌词
BR:
Cold Jas, Sangue Bom
Connection Paris, Brasil, Angola
Com muita vivência
Toca a recolha com a gangue de sempre
Batendo Tamboré com a bunda de sempre
Bato de frente com nota de 100 (look that)
Com muita vivência
Toca a recolha com a gangue de sempre
Batendo Tamboré com a bunda de sempre
Bato de frente com nota de 100 (look the)
Com muita vivência
Toca a recolha com a gangue de sempre
Batendo Tamboré com a bunda de sempre
Bato de frente com nota de 100 (look the)
Com muita vivência
Toca a recolha com a gangue de sempre
Batendo Tamboré com a bunda de sempre
Bato de frente com nota de 100 (look the)
No drama de sexta
O machista observa
O sinal ta vermelho
Ma Nigga tá cego
Tua mente pequena
Sonho com a beg de dola
A luivi na sola
Meu ouro na gola
A bitch do lado só bebe
Meu peito blindado
Feliz em Paris
Cachaça do lado só teyle, teyle
Aniquilaram, aniquilaram
Anilaram um sonho bom
Aniquilaram, aniquilaram
Anilaram um sonho bom
Aniquilaram, aniquilaram
Anilaram um sonho bom
Aniquilaram, aniquilaram
Anilaram um sonho bom
Conheço nessa nigga
Que alisa minha pussy
O menino malandro
Estudado é gostoso
O boneco bem liso
Teu dick é tão lindo
Parece meu vaso
O menino é malandro
Minha pussy tá linda
A navalha é blindada
Controla essa dica
Segura teu drama
Na cama quem manda é tua dama
Angolana brazuca
Se liga na tua
Essa keta tá linda
Angolana brazuca
Mistura kizomba
Com rap é Do funk
O arrocha kuduro
Rebola a tranquila
Na taça o bandido me abraça
A Bruxa queimada
Ardente bonita bem rica
Fiquei mais bonita obrigada
Nessa sociedade
Bandida temida
Perigosa
Massacraram minhas tias
E as famílias perderam seu mantra
Venderam calcinhas
Bebendo cachaça
Aniquilaram
Não toca no meu bumbum
Não toca no meu batom
Não toca no meu zi zi
Zirigui Dum
Não toca no meu bumbum
Não toca no meu batom
Não toca no meu zi zi
Zirigui Dum
Aniquilaram, aniquilaram
Anilaram um sonho bom
Aniquilaram, aniquilaram
Anilaram um sonho bom
Aniquilaram
Aniquilaram
Aniquilaram
EN:
Cold Jas, Sangue Bom
Connection Paris, Brasil, Angola
With a lot of experience
Pick up with the usual gang
Hitting Tamboré with the usual ass
I face a 100 note (look that)
With a lot of experience
Pick up with the usual gang
Hitting Tamboré with the usual ass
I face a 100 note (look the)
With a lot of experience
Pick up with the usual gang
Hitting Tamboré with the usual ass
I face a 100 note (look tha)
In Friday's drama
The sexist observes
The light is red
My Nigga is blind
Your small mind
I dream about dola's beg
Luivi on the sole
My gold on the collar
The bitch next door only drinks
My armored chest
Happy in Paris
Cachaça on the side so teyle, teyle
They annihilated, they annihilated
They annihilated a good dream
They annihilated, they annihilated
They annihilated a good dream
They annihilated, they annihilated
They annihilated a good dream
They annihilated, they annihilated
They annihilated a good dream
I know this nigga
Who strokes my pussy
The naughty boy
Studied is tasty
The very smooth doll
Your dick is so beautiful
It looks like my vase
The boy is naughty
My pussy is beautiful
The razor is armoured
Check this tip
Hold your drama
In bed, your lady is in charge
Brazilian Angolan
Connect to your
This girl is beautiful
Brazilian Angolan
Mix kizomba
With rap and funk
To arrocha kuduro
Rolls the tranquility
In the cup the bandit hugs me
The burnt witch
Fiery, beautiful, very rich
I became more beautiful, thank you
In this society
Criminal, feared
Dangerous
They massacred my aunts
And families lost their mantra
They sold panties
Drinking cachaça
They annihilated
Don't touch the bumbum
Don't touch my lipstick
Don't touch my zi zi
Zirigui Dum
Don't touch the bumbum
Don't touch my baton
Don't touch my zi zi
Zirigui Dum
They annihilated, they annihilated
They annihilated a good dream
They annihilated, they annihilated
They annihilated a good dream
Clean version. Swagger, rhythmic & determined baile funk Carioca sung ...Clean version. Swagger, rhythmic & determined baile funk Carioca sung in Brazilian Portuguese. A strong criticism of sexism. Female rapper, female backing vocals, male ad libs, synth, brass, fx, Latin, Brazilian & electronic percussion.歌词
BR:
Cold Jas, Sangue Bom
Connection Paris, Brasil, Angola
Com muita vivência
Toca a recolha com a gangue de sempre
Batendo Tamboré com a bunda de sempre
Bato de frente com nota de 100 (look that)
Com muita vivência
Toca a recolha com a gangue de sempre
Batendo Tamboré com a bunda de sempre
Bato de frente com nota de 100 (look the)
Com muita vivência
Toca a recolha com a gangue de sempre
Batendo Tamboré com a bunda de sempre
Bato de frente com nota de 100 (look the)
Com muita vivência
Toca a recolha com a gangue de sempre
Batendo Tamboré com a bunda de sempre
Bato de frente com nota de 100 (look the)
No drama de sexta
O machista observa
O sinal ta vermelho
Ma Nigga tá cego
Tua mente pequena
Sonho com a beg de dola
A luivi na sola
Meu ouro na gola
A ____ do lado só bebe
Meu peito blindado
Feliz em Paris
Cachaça do lado só teyle, teyle
Aniquilaram, aniquilaram
Anilaram um sonho bom
Aniquilaram, aniquilaram
Anilaram um sonho bom
Aniquilaram, aniquilaram
Anilaram um sonho bom
Aniquilaram, aniquilaram
Anilaram um sonho bom
Conheço nessa nigga
Que alisa minha ____
O menino malandro
Estudado é gostoso
O ____ bem liso
Teu ____ é tão lindo
Parece meu vaso
O menino é malandro
Minha ____ tá linda
A navalha é blindada
Controla essa dica
Segura teu drama
Na cama quem manda é tua dama
Angolana brazuca
Se liga na tua
Essa ____ tá linda
Angolana brazuca
Mistura kizomba
Com rap é Do funk
O arrocha ____
Rebola a tranquila
Na taça o bandido me abraça
A Bruxa queimada
Ardente bonita bem rica
Fiquei mais bonita obrigada
Nessa sociedade
Bandida temida
Perigosa
Massacraram minhas tias
E as famílias perderam seu mantra
Venderam calcinhas
Bebendo cachaça
Aniquilaram
Não toca no bumbum
Não toca no meu batom
Não toca no meu ____
Zirigui Dum
Não toca no bumbum
Não toca no meu batom
Não toca no meu ____
Zirigui Dum
Aniquilaram, aniquilaram
Anilaram um sonho bom
Aniquilaram, aniquilaram
Anilaram um sonho bom
Aniquilaram
Aniquilaram
Aniquilaram
EN:
Cold Jas, Sangue Bom
Connection Paris, Brasil, Angola
With a lot of experience
Pick up with the usual gang
Hitting Tamboré with the usual ass
I face a 100 note (look that)
With a lot of experience
Pick up with the usual gang
Hitting Tamboré with the usual ass
I face a 100 note (look the)
With a lot of experience
Pick up with the usual gang
Hitting Tamboré with the usual ass
I face a 100 note (look tha)
In Friday's drama
The sexist observes
The light is red
Ma Nigga is blind
Your small mind
I dream about dola's beg
Luivi on the sole
My gold on the collar
The ____ next door only drinks
My armored chest
Happy in Paris
Cachaça on the side so teyle, teyle
They annihilated, they annihilated
They annihilated a good dream
They annihilated, they annihilated
They annihilated a good dream
They annihilated, they annihilated
They annihilated a good dream
They annihilated, they annihilated
They annihilated a good dream
I know this nigga
Who strokes my ____
The naughty boy
Studied is tasty
The very smooth ____
Your ____ is so beautiful
It looks like my vase
The boy is naughty
My ____ is beautiful
The razor is armoured
Check this tip
Hold your drama
In bed, your lady is in charge
Brazilian Angolan
Connect to your
This ____ is beautiful
Brazilian Angolan
Mix kizomba
With rap and funk
To arrocha ____
Rolls the tranquility
In the cup the bandit hugs me
The burnt witch
Fiery, beautiful, very rich
I became more beautiful, thank you
In this society
Criminal, feared
Dangerous
They massacred my aunts
And families lost their mantra
They sold panties
Drinking cachaça
They annihilated
Don't touch the bumbum
Don't touch my lipstick
Don't touch my ____
Zirigui Dum
Don't touch the bumbum
Don't touch my baton
Don't touch my ____
Zirigui Dum
They annihilated, they annihilated
They annihilated a good dream
They annihilated, they annihilated
They annihilated a good dream
Smooth, intimate & slow Brazilian pop song about the strength that ...Smooth, intimate & slow Brazilian pop song about the strength that comes from living together in a couple. Male singer, mixed backing vocals, snaps, acoustic guitar, electric piano pads, strings, synth & drum machine. Ending @ 2'17 with sensual vocals.歌词
BR:
Tá na boa
Usando os outros
Fé que vale ouro
Karma pede troco, pede troco
Tá na boa
Só quer mais um troco
De quem já tem pouco
Quem responde é o povo,
Que de novo, espera o
Tempo, Tempo, Tempo, Tempo (3x)
(Sem resposta)
Tá na boa
Usando os outros
Fé que vale ouro
Quem responde é o povo, que de novo
Tempo, Tempo, Tempo, Tempo (3x)
(Sem resposta)
Tempo, Tempo, Tempo, Tempo (3x)
(Sem resposta)
Não considero irmão
Não considero irmão
Quem prega em vão
Quem prega em vão
ENG:
It's all good
Using others
Faith that's worth gold
Karma demands payback, demands payback
It's all good
Just wants an exchange
From those who already have little
The people will respond,
Once again, waiting for
Time, Time, Time, Time (3x)
(Without response)
It's all good
Using others
Faith that's worth gold
The people will respond, once again
Time, Time, Time, Time (3x)
(Without response)
Time, Time, Time, Time (3x)
(Without response)
I don't consider as brother
I don't consider as brother
Those who preach in vain
Those who preach in vain
Mid-tempo - Odd and mechanical electronica. Break at 00:29 and 01:14. ...Mid-tempo - Odd and mechanical electronica. Break at 00:29 and 01:14. Ghostly vocal accent and mettalic percs. Weird industrial devices. For drama, action, technology, automation, mechanics.
Mid-tempo - Odd and mechanical electronica. Break at 00:29 and 01:14. ...Mid-tempo - Odd and mechanical electronica. Break at 00:29 and 01:14. Ghostly vocal accent and mettalic percs. Weird industrial devices. For drama, action, technology, automation, mechanics.
You must live with this pain and soon my heart you received and death blow all the time you fight in vain and soon my words full of hanger and sorrow
you my bloodyful heart you know the world like me no like my brain I'm so tired You my bloodyful heart you know the melody You can't leave 'cause I'm not human
my heart drumped in his own blood and soon overwelmed by the weather I'm so in love You must try to explode and soon take, take this weapon I'm so in love
you my bloodyful heart you know, now I'm hungry 'cos my brain doesn't hangry you my bloodyful heart know you must fight for me you can win be my liberty
you my bloodyful heart you know the world like me no like my brain I'm so tired You my bloodyful heart you know the melody You can't leave 'cause I'm not human
Affectionate, passionate, spiritual. Dulcet organ plays through a ...Affectionate, passionate, spiritual. Dulcet organ plays through a subtle, jazzy grouping of chords. Female vocals sing in raspy, low voices creating a sultry atmosphere. Hopeful choral voices raise the pitch, lead female vocalist sings about patience and kindness, finding peace with someone. Feelings of warmth and embrace, a spiritual connection with another or with a higher power.
Affectionate, passionate, spiritual. Dulcet organ play through a ...Affectionate, passionate, spiritual. Dulcet organ play through a subtle, jazzy grouping of chords. Female vocals sing in raspy, low voices creating a sultry atmosphere. Hopeful choral voices raise the pitch, lead female vocalist sings about patience and kindness, finding peace with someone. Feelings of warmth and embrace, a spiritual connection with another or with a higher power. Acoustic version.
Passionate, spiritual, jazzy. Dulcet organ play through a subtle, ...Passionate, spiritual, jazzy. Dulcet organ play through a subtle, jazzy grouping of chords. Hopeful chord sequence is joined by clicks and light percussion, creating a slow but assured momentum. Feelings of warmth, a spiritual connection. Instrumental version.
Positive, summery, emotive. Atmospheric female vocals with warm ...Positive, summery, emotive. Atmospheric female vocals with warm guitars build with determined, dramatic synth melodies through brooding verses to cool, catchy choruses. Romantic, contemporary pop with attitude.
Positive, summery, emotive. Stripped back instrumental underscore ...Positive, summery, emotive. Stripped back instrumental underscore version. Warm guitars build with determined, dramatic synth melodies through brooding verses to cool, catchy choruses. Romantic, contemporary pop with attitude.
Thoughtful, gentle, hurt. Serious country guitar is joined by ...Thoughtful, gentle, hurt. Serious country guitar is joined by high-pitched, delicate male vocals. Storytelling vibe, with lyrics about a golden bird, notions of freedom of the soul and spiritual awakening. Sturdy country style with bright guitar and solid bass offer a sense of momentum, visions of old towns. Shift into blues refrain at 01:20 with repeated lyrics about depression and sadness.歌词
Golden was the bird I knew,Sang a song so free then flew,And they won't come back,Can't come back. Golden was the bird long gone,Sang a little while, flew on,And they won't come back,Can't come back. Yeah, I woke one morning, long time gone,A magpie’d come to steal away my song,Was up against the window yeah tapping on the pane,But it couldn't get in, no, kept calling my name. Golden was the bird,And they won't come back.
Thoughtful, gentle, hurt. Serious country guitar sets out a striking ...Thoughtful, gentle, hurt. Serious country guitar sets out a striking energy. Sturdy country style with bright guitar and solid bass offer a sense of momentum, visions of old towns. Shift into reflective section with slowly rising pads. Instrumental version.
Thoughtful, gentle, hurt. Serious country guitar sets out a striking ...Thoughtful, gentle, hurt. Serious country guitar sets out a striking energy. Sturdy country playing style offers a sense of momentum, visions of old towns. Shift into reflective section with slowly rising pads. Stripped back underscore version.
Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a ...Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a communal atmosphere, moving into buoyant folk pop style. Lyrics about looking back onto days where things were better, an indifference to the modern world, wishing to go back to good days of the past. Upbeat country style conveys an optimistic vibe, tinged with a feeling of party and fun.歌词
Honey, times have changed,We've both been trying,But it’s time to move on. The good times, they're not the same,Maybe baby those good times,Have been and gone? In the good old days when life was easy,We'd be making music all night long,But honey, times have changed. In the good old days when life was easy,In the good old days when we were young,Waking in the morning, bright ‘n breezy,We'd be making sweet sweet music,All night long. Honey, times have changed.
Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a ...Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a communal atmosphere, moving into buoyant folk pop style. Upbeat country style conveys an optimistic vibe, tinged with a feeling of party and fun. Instrumental version.
Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a ...Nostalgic, rustic, upbeat. Acoustic guitar and clapping offers a communal atmosphere, moving into buoyant folk pop style. Upbeat country style conveys an optimistic vibe, tinged with a feeling of party and fun. Stripped back underscore version.
Crazy, fast, energetic. Distorted vocal leads into fast-paced ...Crazy, fast, energetic. Distorted vocal leads into fast-paced drumbeat, giving a sense of urgency or frantic, mad energy. Guitars emerge, giving more body to instrumentation, bursting out at 00:40. Whispered spoken vocals give a sense of creepiness or wildness. An individual living on the edge, running through a scene or city.
Crazy, fast, energetic. Fast-paced drumbeat and squelchy bass give an ...Crazy, fast, energetic. Fast-paced drumbeat and squelchy bass give an urgency and frantic, mad energy. Guitars emerge, giving more body to instrumentation, bursting out at 00:40. An individual living on the edge, running through a scene or city. Instrumental version.
Crazy, fast, energetic. Fast-paced drumbeat and squelchy bass give an ...Crazy, fast, energetic. Fast-paced drumbeat and squelchy bass give an urgency and frantic, mad energy. Guitars join with momentum riff at 00:40. An individual living on the edge, running through a scene or city. Stripped back underscore version.
