Electro trailer. Intro with sounds like the click of a gun & ticking fx. Relentless build-up @ 1'03. Break @ 1'26 with panoramic synths. Dramatic Electro trailer. Intro with sounds like the click of a gun & ticking fx. Relentless build-up @ 1'03. Break @ 1'26 with panoramic synths. Dramatic climax @ 1'48 with trailer fx. Suggested for sports drama, cyber action, modern warfare & futuristic video games.
Wondrous, dizzy, playful. Resonant music box bells and plucked strings offer a starry beauty, a ballet dancer spinning elegantly and moving into Wondrous, dizzy, playful. Resonant music box bells and plucked strings offer a starry beauty, a ballet dancer spinning elegantly and moving into playful dance moves. A sense of adventure and curiosity from sly clarinet tone. A person making their way through a beautiful mansion or fairies cavorting in a forest area.
Wondrous, dizzy, playful. Resonant music box bells and plucked strings offer a starry beauty, a ballet dancer spinning elegantly and moving into Wondrous, dizzy, playful. Resonant music box bells and plucked strings offer a starry beauty, a ballet dancer spinning elegantly and moving into playful dance moves. Glissando style offers grace and soft brilliance. A person making their way through a beautiful mansion or fairies cavorting in a forest area. Stripped back underscore version.
Wondrous, dizzy, playful. Resonant music box bells and plucked strings offer a starry beauty, a ballet dancer spinning elegantly and moving into Wondrous, dizzy, playful. Resonant music box bells and plucked strings offer a starry beauty, a ballet dancer spinning elegantly and moving into playful dance moves. Glissando style offers grace and soft brilliance. A person making their way through a beautiful mansion or fairies cavorting in a forest area. Stripped back sparse underscore version.
Bright, powerful, anthemic. Guitar plays out a relaxed rock riff, instrumentation builds to provide a strong and hearty backing. Strings lifting Bright, powerful, anthemic. Guitar plays out a relaxed rock riff, instrumentation builds to provide a strong and hearty backing. Strings lifting major chords into large burst of drums @ 0'41. Power chords and large drumming gives epic indie rock feeling. Uplifting and strong. Male vocals sing about the unknown and taking to life with intensity and a lust for positivity, buoyed by adrenaline and spirit. Break @ 3'00 gives opportunity for second large build-up, explosive hopefulness.歌词
Neon signs, electric souls, We’re lighting up the dark, Filling up the streets, It’s like the heavens opened up, Don’t know where to go, Or where the hell we are, Never understood the purpose of it all.
You’ve got that crazy look again, You seem different somehow, Whatever’s on your mind, It’s hard to figure out, I feel a little mesmerized, Right under your spell, Whatever lies ahead, Is out of my control.
But it led me here, It's all starting to unfold, You led me here, Like taking blood from stone, It led me here.
Hey, you’ve got me feeling, Like a bullet in the sky, What a time to be alive! Hey, you’ve got me believing, I’ve never been the one before, But it’s right before my eyes.
Bright, powerful, anthemic. Guitar plays out a relaxed rock riff, instrumentation builds to provide a strong and hearty backing. Strings lifting Bright, powerful, anthemic. Guitar plays out a relaxed rock riff, instrumentation builds to provide a strong and hearty backing. Strings lifting major chords into large burst of drums @ 0'41. Power chords and large drumming gives epic indie rock feeling. Uplifting and strong. Break @ 3'00 gives opportunity for second large build-up, explosive hopefulness. Instrumental version.
Bright, powerful, anthemic. Guitar plays out a relaxed rock riff, instrumentation builds to provide a strong and hearty backing. Strings lifting Bright, powerful, anthemic. Guitar plays out a relaxed rock riff, instrumentation builds to provide a strong and hearty backing. Strings lifting major chords. Uplifting and strong. Break @ 3'00 gives opportunity for second large build-up, explosive hopefulness. Stripped back underscore version.
Dirty, pained, fiery. Overdriven guitars give an emo-coded rock energy, fuzzy male vocals give a sense of dirt. Lyrics about breaking things and a Dirty, pained, fiery. Overdriven guitars give an emo-coded rock energy, fuzzy male vocals give a sense of dirt. Lyrics about breaking things and a burning feeling in one's soul. An unspeakable passion. A ruthless energy from heavy drums and raucous guitar. Triumph through the rough parts of existence through a strength and tenacity.歌词
Can you hear me? I'm running on empty, into the wild, Fire beneath my feet, there's a home not far from reach, Are we foolish, For breaking it down when there's no one around? Silence at its peak, the whole world's listening.
There’s a burning in my soul, Like we’ve been here once before, I can feel it in my bones.
When we rise, I see the fire in your eyes, Burning through me like the sun, Got that devil by your side, Come alive, you're no failure by design, When you think you’ve jumped the gun, Are you ready when we rise?
Inner motion, tearing me up in my own head, It's gotten under my skin, tripping me up once again, I'm not broken, I'm wearing you down piece by piece, Playing with your faith—there’s a sudden twist of fate.
Dirty, pained, fiery. Overdriven guitars give an emo-coded rock energy. A ruthless energy from heavy drums and raucous sharp guitar. Triumph through Dirty, pained, fiery. Overdriven guitars give an emo-coded rock energy. A ruthless energy from heavy drums and raucous sharp guitar. Triumph through the rough parts of existence through strength and tenacity. An anti-hero energy. Instrumental version.
Dirty, pained, fiery. Overdriven guitars give an emo-coded rock energy. A ruthless energy from heavy drums and raucous sharp guitar. Triumph through Dirty, pained, fiery. Overdriven guitars give an emo-coded rock energy. A ruthless energy from heavy drums and raucous sharp guitar. Triumph through the rough parts of existence through strength and tenacity. An anti-hero energy. Stripped back underscore version.
Boisterous, rough, bad. Explosive distorted guitar notes fly out in a grunge-inspired rock style along with drums battering out a determined and Boisterous, rough, bad. Explosive distorted guitar notes fly out in a grunge-inspired rock style along with drums battering out a determined and dirty sonic narrative. Male vocals with lyrics about finding the fire of life again, a ruthless person getting back to their fighting best with shouted vocals and self-assured lines. Determination in a rough rock energy.歌词
I had fire in my veins, These days I'm all washed out, Need to find my way back, That’s a promise to keep, Without a shadow of doubt, It's like pulling teeth, And the way you look at me, A diamond in the rough, You play cool, I play tough, You ain't fooling about.
Save your breath, Go clean your own mess, I bet you love to hate, but there's no time to waste, I gotta free myself, So I pull myself from the wreckage, And I push myself to the limits, You know I'm feeling quite invincible, As I'm breaking through these walls.
Hey, we're over halfway there, Don't need no medicine, 'Cause we can go for miles, You better keep running, keep running, get out of my way, This danger, I want it — what else can I say? This feeling, can't beat it, so just let it win, WE LOVE IT, WE LOVE… ADRENALINE.
Boisterous, rough, bad. Explosive distorted guitar notes fly out in a grunge-inspired rock style along with drums battering out a determined and Boisterous, rough, bad. Explosive distorted guitar notes fly out in a grunge-inspired rock style along with drums battering out a determined and dirty sonic narrative. A ruthless person getting back to their fighting best. Determination in a rough rock energy. Instrumental version.
Boisterous, rough, bad. Explosive drums with dynamic bass following along giving a dirty but soulful energy with organ chords. Drums hit hard in a Boisterous, rough, bad. Explosive drums with dynamic bass following along giving a dirty but soulful energy with organ chords. Drums hit hard in a rough rock energy, conveying determination and ruthlessness. Stripped back underscore version.
Theatrical, sneaky, fiery. Humming rises into big chugging rock chords. Performative male vocals approach someone with a sense of curiosity and Theatrical, sneaky, fiery. Humming rises into big chugging rock chords. Performative male vocals approach someone with a sense of curiosity and determination, lyrics about secrets. Exploding into chorus @ 1'00. Skipping rhythm in power chords and lyrics gives a playful feeling among the strong rock energy. Screeching notes soar over the sludgy guitar. Dynamic instrumentation with quieter moments.歌词
You want answers, you need advice, What can I tell you? It caught me by surprise, Your friends, they’re masters of disguise, Buried secrets—a testament to time.
A moment gone so fast, Feels like we're under attack, This broken artifact is giving me new light.
It’s like we’re destined to come out of this unscathed, And in the worst case, we’ll get out before we break, 'Cause I'm a skeptic, avoiding the risk, And you’re the dreamer, always the optimist, The ground is shifting under our feet, But we keep moving, never miss a beat.
Hey—so what are you waiting for? It’s the calm before the storm, and we’ve got nothing to lose, There’s no turning back, you know we’ve come so far, And now we’ve got nothing to lose.
Theatrical, sneaky, fiery. Humming rises into big chugging rock chords. Exploding into chorus @ 1'00. Skipping rhythm in power chords gives a playful Theatrical, sneaky, fiery. Humming rises into big chugging rock chords. Exploding into chorus @ 1'00. Skipping rhythm in power chords gives a playful feeling among the strong rock energy. Screeching notes soar over the sludgy guitar. Dynamic instrumentation with quieter moments. Instrumental version.
Theatrical, sneaky, fiery. Humming rises into big bass notes. Skipping rhythm in power chords gives a playful feeling among the strong rock energy. Theatrical, sneaky, fiery. Humming rises into big bass notes. Skipping rhythm in power chords gives a playful feeling among the strong rock energy. Screeching notes soar over the sludgy guitar. Dynamic instrumentation with quieter moments. Stripped back underscore version.
Emboldened, epic, important. Large muffled beat and droning bass give rise to an assured string and piano combination, rising like a phoenix. A Emboldened, epic, important. Large muffled beat and droning bass give rise to an assured string and piano combination, rising like a phoenix. A modern disaster or battle. Stillness of a catastrophic moment @ 0'32 before diving back into action. War drums pound with force.
Emboldened, epic, important. Piano and string combination rise up with quiet sense of power and confidence. A modern disaster or battle. Stillness of Emboldened, epic, important. Piano and string combination rise up with quiet sense of power and confidence. A modern disaster or battle. Stillness of a catastrophic moment @ 0'32 before diving back into action. Stripped back underscore version.
Battle-ready, strong, futuristic. Bright synth notes rise up out of murky atmosphere to give clear sci-fi energy. Drifting choral voices and strings Battle-ready, strong, futuristic. Bright synth notes rise up out of murky atmosphere to give clear sci-fi energy. Drifting choral voices and strings convey a feeling of floating or being airborne. A spaceship or high-tech vehicle swerving and diving. Large impacts starting @ 0'50 offer an apocalyptic energy to fast-paced action.
Battle-ready, strong, futuristic. Bright synth notes rise up out of murky atmosphere to give clear sci-fi energy. Drifting choral voices and strings Battle-ready, strong, futuristic. Bright synth notes rise up out of murky atmosphere to give clear sci-fi energy. Drifting choral voices and strings convey a feeling of floating or being airborne. A spaceship or high-tech vehicle swerving and diving. Fast-paced action. Stripped back underscore version.
Epic, uncertain, powerful. Concerned strings push out, joined by sharp chugging notes and rising synths offering a modern or futuristic energy. Dark Epic, uncertain, powerful. Concerned strings push out, joined by sharp chugging notes and rising synths offering a modern or futuristic energy. Dark clouds over a cybernetic landscape or future wasteland as a hero rises up, accompanied by valiant strings and big drum hits. Big impact and low drone trumpet @ 1'06 clears landscape for it to build up again. A showdown of infinite power in big crescendo @ 1'55.
Epic, uncertain, powerful. Concerned strings push out, joined by sharp chugging notes and rising synths offering a modern or futuristic energy. Dark Epic, uncertain, powerful. Concerned strings push out, joined by sharp chugging notes and rising synths offering a modern or futuristic energy. Dark clouds over a cybernetic landscape or future wasteland as a hero rises up, accompanied by valiant strings. A showdown of strong powers and spirited forces. Stripped back underscore version.
Curious, mysterious, natural. Trilling flutes caper and cavort through growing ambient strings. A sense of mischief and wonder at fast-moving beauty Curious, mysterious, natural. Trilling flutes caper and cavort through growing ambient strings. A sense of mischief and wonder at fast-moving beauty on top of a naturally glorious scene. Sun shining through clouds and birds singing loudly. Minor moments in sequence fill scene with an uncertain wonder, supported by flute's exploratory tune.
Curious, mysterious, natural. Trilling flutes caper and cavort through growing ambient strings. A sense of mischief and wonder at fast-moving beauty Curious, mysterious, natural. Trilling flutes caper and cavort through growing ambient strings. A sense of mischief and wonder at fast-moving beauty on top of a naturally glorious scene. Sun shining through clouds and birds singing loudly. Flute style conveys a spirituality or oneness with nature. Minor moments in sequence fill scene with an uncertain wonder. Stripped back underscore version.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through a middle eastern market or city street.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through an Arabian market or city street. Instrumental version.
Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive Frantic, dynamic, tense. Ornate plucked string of middle-eastern tradition plays out a glissando trilling sequence with a sense of purpose and drive as percussion grows into modern bass and dance beat. Determined chord sequence rises through mystic-sounding melodies. A sense of panic and intrigue. A race through an Arabian market or city street. Stripped back underscore version.
A song about unrequited love sung in Spanish to a cumbia pop beat: ''You, you were bad, you broke my heart, oh how it hurt''. Sentimental, swinging, A song about unrequited love sung in Spanish to a cumbia pop beat: ''You, you were bad, you broke my heart, oh how it hurt''. Sentimental, swinging, danceable & exotic. Female vocals, Latin percussion, keys & rhythm section.歌词
ES:
Tú fuiste malo, tú fuiste malo oh oh
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
Baby yo no te deseo nada malo, quiero que te vaya, te vaya bien, todo el amor que te di me salió caro tú te la gozaste pero yo también.
Hay mañana sale sol y no siento tu olor yo creo que te olvide de ti bebe
Mejor sola que mal acompaña,
No extraño tus besos ni tu mirada
Me puse mamasita, pero pa ti nada
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
Ya yo no te creo
No te creo nada
Caí en tu terreno por que estaba enamorada
Hay mañana sale sol y no siento tu olor yo creo que te olvide de ti bebe
Ya yo no te creo
No te creo nada
Caí en tu terreno por que estaba enamorada
Mejor sola que mal acompaña,
No extraño tus besos ni tu mirada
Me puse mamasita, pero pa ti nada
Tu, tú fuiste malo, rompiste mi Corazón hay como me dolió.
Tu, tú fuiste malo, hay ya no tienes perdón, que perdone Dios.
ENG:
You were bad, you were bad, oh oh.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, oh, there's no forgiveness, may God forgive you.
Baby, I don't wish you any harm, I want you to go, I want you to do well, all the love I gave you cost me dearly, you enjoyed it, but so did I.
Tomorrow the sun will rise and I won't smell your scent, I think I've forgotten you, baby.
Better alone than in bad company,
I don't miss your kisses or your gaze.
I got hot, but not for you.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, now you have no forgiveness, may God forgive you.
I don't believe you anymore.
I don't believe you at all.
I fell into your trap because I was in love.
Tomorrow the sun will rise and I won't smell your scent. I think I've forgotten you, baby.
I don't believe you anymore.
I don't believe you at all.
I fell into your trap because I was in love.
Better alone than in bad company.
I don't miss your kisses or your gaze.
I got hot, but not for you.
You, you were bad, you broke my heart, oh how it hurt.
You, you were bad, now you have no forgiveness, may God forgive you.
FR:
Tu étais mauvais, tu étais mauvais oh oh oh
Tu as été méchant, tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu, tu as été méchant, tu as été méchant, il n'y a pas de pardon, que Dieu te pardonne.
Bébé, je ne te souhaite rien de mal, je veux que tu partes, je veux que tu partes bien, tout l'amour que je t'ai donné est sorti cher, tu l'as apprécié mais moi aussi.
Je ne sens pas ton odeur, je crois que je t'ai oubliée bébé
Mieux vaut être seul que mal accompagné,
Tes baisers et ton regard ne me manquent pas
J'ai la mamasita, mais pour toi rien
Tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu as été mauvais, tu as été mauvais, il n'y a pas de pardon, que Dieu te pardonne.
Je ne te crois plus
Je ne te crois plus du tout
Je suis tombée dans ton pays parce que j'étais amoureuse
Je ne te crois pas, je ne te crois pas, je ne te crois pas, je ne te crois pas.
Je ne te crois plus
Je ne te crois plus du tout
Je suis tombé sur ton sol parce que j'étais amoureux
Mieux vaut être seul que mal accompagné
Tes baisers et ton regard ne me manquent pas
J'ai une mamasita, mais pour toi rien
Tu as été méchant, tu m'as brisé le cœur, c'est comme ça que ça m'a fait mal.
Tu as été mauvais, tu as été mauvais, il n'y a pas de pardon, que Dieu te pardonne.
ella dice que no le gusta mucho el reggaeton pero que no puede escuchar un dancehall porque le provoca moverse sin aviso
yyo le due que compromiso ma' ... vela, como se luce con su piel canela y con ese tum bao metiene enamora'o move your body
move your body you are fyah girla
cuando tu escuchas dancehall
yo se que ella estaba pendiente
de ir a vacilar, por esq me le acerque vamo'a baila le dije
ya cuadre con el dj pa'que pusiera dancehall
y ahora tetocaati ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... y ahora te toca a tl ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... y ahora tetocaati ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... y ahora tetocaati ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ...
y si te dice que le da pena pero luego se te pega
esas son de las que son candela mejor que aguantes la pela
because she likes, she likes to move down, down (a ella le gusta el dancehall y lo danza)
y si te dice que le da pena pero luego se te pega
esas son de las que son candela mejor que aguantes la pela
because she likes, she likes to move down, down...
y ahora te toca a tl ...
(she likes to move down, move down, move down) (she likes to move down, move down, move down) y ahora te toca a tl ...
(she likes to move down, move down, move down) (she likes to move down, move down, move down)
yo se que ella estaba pendiente
de ir a vacilar, por esq me le acerque vamo'a baila le dije
ya cuadre con el dj pa'que pusiera dancehall y ahora tetocaati ...
ENG:
she likes to move down... let's dance, i said.
i already talked to the dj to put on some dancehall music.
and now tetocaati...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo... and now tetocaati...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo... and now tetocaati...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo... and now tetocaati...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ...
and she moved without a care
she says she doesn't like reggaeton very much but she can't listen to dancehall because it makes her move without warning
and i gave her that commitment... look how she shines with her cinnamon skin and that tum bao metiene inamorado move your body
move your body you are fyah girla
when you listen to dancehall
i know she was ready
to go out and have fun, so i approached her let's dance, i said
i already arranged with the dj to play dancehall
and now it's your turn...
down, down, down, down, down... and now it's your turn...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... and now it's your turn ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... and now it's your turn ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ...
and if she says she's ashamed but then she sticks to you
those are the ones who are hot better you hold on to the fight
because she likes, she likes to move down, down (she likes dancehall and she dances)
and if she says she's ashamed but then she sticks to you
those are the ones who are hot better to put up with the fight
because she likes, she likes to move down, down...
and now it's your turn...
(she likes to move down, move down, move down) (she likes to move down, move down, move down) and now it's your turn...
(she likes to move down, move down, move down) (she likes to move down, move down, move down)
i know she was ready
to go out and have fun, so i went up to her and said, “let's dance.”
i already talked to the dj to put on dancehall and now it's your turn...
FR:
elle aime descendre... je vais danser, je lui ai dit
je dois demander au dj de mettre du dancehall
elle dit qu'elle n'aime pas vraiment le reggaeton mais qu'elle ne peut pas écouter de dancehall parce que ça la fait bouger sans prévenir
yyo le due que compromiso ma' ... je suis si heureux de te voir, je suis si heureux de te voir, je suis si heureux de te voir, je suis si heureux de te voir, je suis si heureux de te voir, je suis si heureux de te voir.
je suis un homme qui a beaucoup d'amour pour toi
quand tu écoutes du dancehall
je sais qu'elle était impatiente
je sais qu'elle avait hâte d'aller au dancehall, c'est pourquoi je l'ai approchée vamo'a baila je lui ai dit
je vais danser avec le dj, alors il a mis du dancehall
et maintenant tetocaati ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ... et maintenant c'est votre tour ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo... et maintenant tetocaati ...
dale pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo... et maintenant tetocaati...
pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo, pa'bajo ...
et s'il te dit qu'il est désolé pour toi mais qu'ensuite il te colle à la peau
je suis un peu candela, je suis un peu candela, je suis un peu candela, je suis un peu candela
parce qu'elle aime, elle aime descendre, descendre (elle aime le dancehall et elle le danse)
et si elle dit qu'elle est désolée pour toi mais qu'ensuite elle te drague
c'est le genre de personne qui est candela tu ferais mieux de l'accepter
parce qu'elle aime, elle aime descendre, descendre...
et maintenant, c'est à vous de jouer...
(elle aime bouger, bouger, bouger) (elle aime bouger, bouger, bouger) (elle aime bouger, bouger, bouger) y ahora te toca a tl ...
(elle aime descendre, descendre, descendre, descendre) (elle aime descendre, descendre, descendre, descendre)
je sais qu'elle était impatiente
je sais qu'elle avait hâte d'aller à vacilar, alors je l'ai abordée vamo'a baila je lui ai dit
j'ai déjà demandé au dj de passer du dancehall et maintenant du tetocaati ...
Reggaeton with a dembow rhythm sung in Spanish: ''This girl arrives and the disco lights up''. Sensual, danceable & swinging. Sequences, keys, Latin Reggaeton with a dembow rhythm sung in Spanish: ''This girl arrives and the disco lights up''. Sensual, danceable & swinging. Sequences, keys, Latin percussion & rhythm.歌词
ES:
esta nena llega y se enciende la disco
pura candela de las 12 y pico
pongo la mano en la pared y cuando me asomo tu me vez.
y ando suelta, pero ninguno lo intenta, tengo muy corta la mecha y eso aquí no va a parar
y ando suelta con la mano en la pared
viendo como tú me vez, y eso aquí no va a parar aquí no va a parar
dembow del caro, dembow del fino, papi quiero que me quites el Valentíno, solo contigo que divertido, pero solo vine a bailar
tienes un piquete fenomenal, como tú te mueves eso no es normal, esa miradita a mi me va matar con los besos que tu a mi me das
bésame que está oscura la disco
dale que aquí nadie nos ha visto
después de esto yo te dejo en visto
y me consigo a otro fulanito
bésame que está oscura la disco
dale que aquí nadie nos ha visto
ven quédate otro ratico
Baby yo sé que no me resisto
y ando suelta, pero ninguno lo intenta, tengo muy corta la mecha y eso aquí no va a parar
y ando suelta con la mano en la pared
viendo como tú me vez, y eso aquí no va a parar aquí no va a parar
Baby tu me quieres y yo no tengo prisa
Llévate la llave de esta monalisa
Baby tu me quieres y yo no tengo prisa
Llévate la llave de esta monalisa
bésame que está oscura la disco
dale que aquí nadie nos ha visto
después de esto yo te dejo en visto
y me consigo a otro fulanito
bésame que está oscura la disco
dale que aquí nadie nos ha visto
ven quédate otro ratico
Baby yo sé que no me resisto
y ando suelta, pero ninguno lo intenta, tengo muy corta la mecha y eso aquí no va a parar
y ando suelta con la mano en la pared
viendo como tú me vez, y eso aquí no va a parar aquí no va a parar
bésame que está oscura la disco
dale que aquí nadie nos ha visto
después de esto yo te dejo en visto
y me consigo a otro fulanito
bésame que está oscura la disco
dale que aquí nadie nos ha visto
ven quédate otro ratico
Baby yo sé que no me resisto
ENG:
This girl arrives and the disco lights up.
Pure fire at 12 and a bit.
I put my hand on the wall and when I lean in, you see me.
And I'm loose, but no one tries, I have a very short fuse and that's not going to stop here.
And I'm loose with my hand on the wall
watching you watch me, and it's not going to stop here, it's not going to stop here
dembow del caro, dembow del fino, papi, I want you to take off my Valentino, only with you, how fun, but I only came to dance
you have a phenomenal body, the way you move is not normal, that little glance at me is going to kill me with the kisses you give me
Kiss me, the disco is dark
Come on, no one has seen us here
After this, I'll leave you behind
And find myself another guy
Kiss me, the disco is dark
Come on, no one has seen us here
Come on, stay a little longer
Baby, I know I can't resist
and I'm loose, but no one tries, I have a very short fuse and that's not going to stop here
and I'm loose with my hand on the wall
seeing how you see me, and that's not going to stop here, it's not going to stop here
Baby, you love me and I'm in no hurry
Take the key to this Mona Lisa
Baby, you love me and I'm in no hurry
Take the key to this Mona Lisa
Kiss me, the disco is dark
Come on, no one has seen us here
After this, I'll leave you behind
And find myself another guy
Kiss me, the disco is dark
Come on, no one has seen us here
Come on, stay a little longer
Baby, I know I can't resist
and I'm loose, but no one tries, I have a very short fuse and that's not going to stop here
and I'm loose with my hand on the wall
seeing how you see me, and that's not going to stop here, it's not going to stop here
kiss me, the disco is dark
come on, no one has seen us here
after this, I'll leave you behind
and find myself another guy
Kiss me, it's dark in the disco
Come on, nobody has seen us here
Come on, stay a little longer
Baby, I know I can't resist
FR:
cette femme arrive et la discothèque s'allume
Je suis un peu comme une bougie de 12 heures
Je mets ma main sur le mur et quand je regarde dehors, tu me vois.
Et je me promène en liberté, mais personne n'essaie, ma mèche est trop courte et elle ne s'arrêtera pas ici
Et je me promène en liberté avec ma main sur le mur
et ça ne va pas s'arrêter ici ça ne va pas s'arrêter ici ça ne va pas s'arrêter
Je veux que tu m'enlèves ma Valentine, seulement avec toi quel plaisir, mais je ne suis venu que pour danser
J'ai une bite phénoménale, la façon dont tu bouges, ce n'est pas normal, ce petit regard dans mes yeux va me tuer avec les baisers que tu me donnes
Je serai dans le noir dans la discothèque
Je serai dans tes bras, je serai dans tes bras
Je vais te laisser en vue après ça
Et je me trouverai un autre so-and-so
Je serai dans le noir dans la discothèque
Je n'ai personne ici pour nous voir
Je sais que tu ne me laisseras pas tomber
Bébé, je sais que je ne peux pas résister
Et je suis libre, mais personne n'essaie, ma mèche est trop courte et ça ne va pas s'arrêter ici
Et je marche librement avec ma main sur le mur
Je sais que je ne peux pas résister et je n'essaie pas, mais personne n'essaie, ma mèche est trop courte et ça ne s'arrêtera pas ici
Je n'ai pas d'autre choix que d'aller à la rencontre des autres.
Je n'ai pas d'autre choix que d'aller à la rencontre des autres.
Je n'ai pas d'autre choix que d'aller à la rencontre des autres.
Je n'ai pas d'autre choix que d'aller à l'école
Embrasse-moi, il fait nuit dans la discothèque
Je suis pressé et je ne suis pas pressé
Après ça, je te laisserai en vue
et j'irai me chercher un autre untel ou untel
Je t'embrasse, il fait nuit dans la discothèque
Je n'ai personne ici pour nous voir
Je sais que tu ne me laisseras pas tomber
Bébé, je sais que je ne peux pas résister
Et je suis libre, mais personne n'essaie, ma mèche est trop courte et ça ne va pas s'arrêter ici
Et je marche librement avec ma main sur le mur
Je sais que je ne peux pas résister et je suis libre et je suis libre et je suis libre et je suis libre et je suis libre avec ma main sur le mur
Je n'ai pas d'autre choix que de m'embrasser, il fait nuit dans la discothèque
Je vais être dans le noir, je vais être dans le noir
Après ça, je te laisserai en vue
Et je me trouverai un autre so-and-so
Je vais te faire sentir comme si tu étais dans le noir
Je n'ai personne ici pour nous voir
Je sais que tu ne me laisseras pas tomber
Bébé, je sais que je ne peux pas résister
☆ Nominated "Best Soul / R&B" @Production Music Awards UK 2025 ☆ Classic pop soul song with modern production. Smooth, silky, elegant & caring. ☆ Nominated "Best Soul / R&B" @Production Music Awards UK 2025 ☆ Classic pop soul song with modern production. Smooth, silky, elegant & caring. Female vocals, male & female backing vocals, Fender Rhodes, piano, jazzy drums, brass & tambourine. Suggested for romantic comedies & classy commercials.歌词
I woke up from a dream:
I woke up from a dream, And my heart, oh, it feels strong ! You only see my sweet side Now I'm feeling like a song.
I woke up from a dream, I made peace with all my wrongs, I see the beauty in your eyes, A better way to ride along.
Time to dry up your tears, Gotta leave them behind, I dropped down on my knees, Common baby don’t be shy
Time to dry up your tears, Oh, I'll be totally fine, Floating over the seas, To the joy, we can fly high
I woke up from a dream, And the morning sun is smiling Took a ride on the wild side Butterflies, it’s been a while
I woke up from a dream All my pieces into one Been traveling day and night Just to find out who I am
Time to dry up your tears, Gotta leave them behind, I dropped down on my knees, Common baby don’t be shy
Time to dry up your tears, Oh, I'll be totally fine, Floating over the seas, To the joy, we can fly high
Classic soul song with modern production. Sensual, provocative, jazzy & mischievous. Female vocals & backing vocals, piano & big band brass. Classic soul song with modern production. Sensual, provocative, jazzy & mischievous. Female vocals & backing vocals, piano & big band brass. Suggested for striptease, cabaret & suggestive commercials.歌词
Foolin’ around:
Someday, I’ll be as rich as you babe And I won’t have to fool myself, Sleeping right next to you Someday, I’ll leave my blues behind, Get into the groove and ride, I won’t be messing around with you
Ain’t no rain, no rain gonna drown my flame I’ll be finally be free from you babe No more fooling around with you No more losing myself to you No more fooling around with you
Someday I'll be as strong as you, babe And shake off every shade Hiding my face from you
Someday, I'll learn to love my own skin, Break free from the pain within, Of this broken-hearted girl you knew
Ain’t no rain, no rain gonna drown my flame I’ll be finally be free from you babe No more fooling around with you No more losing myself to you No more fooling around with you No more losing myself to you No more fooling around with you No more losing myself for you No more fooling around, no more Fooling myself to you
☆☆ WINNER - Best Unconventional / Quirky ☆ Mark Awards US 2025 ☆☆ Kids acoustic pop. Quirky, carefree & funny. Child vocals & choir, ☆☆ WINNER - Best Unconventional / Quirky ☆ Mark Awards US 2025 ☆☆ Kids acoustic pop. Quirky, carefree & funny. Child vocals & choir, onomatopoeia. Melodica, ukulele, acoustic guitar, claps & percussion. Suggested for outdoor fun, kids & youth TV.歌词
Gna gna gna gna na na na na Da dou di da
Gna gna gna gna na na na na Da dou di da
Ra ta ti ra ta ti ra ta Dou di da
Ra ta ti ra ta ti ra ta
Di - dou - da di dou da
Ra ta ta di
da - di - dou dou Gna na na -
Ra tata
Ti ta ti toum Di da di doum
Ra ta ta toum Ra ta toum
