专辑 | 曲名 | 版本 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM |
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Hanging In The Balance [TBX196 - 7] |
2'51 | Robert Sword, Giles Thomas | Meaningful, optimistic, gentle. Light piano begins to reach out with ... | 果断 企业宣传 新古典音乐 进步 ... | Gm | 101 |
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Hanging In The Balance ...
[TBX196 - 17] |
版本. | 2'46 | Robert Sword, Giles Thomas | Meaningful, optimistic, gentle. Sensible piano reaches out with a ... | 果断 企业宣传 新古典音乐 进步 ... | Gm | 101 |
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Evolution [TBX196 - 10] |
3'24 | Robert Sword, Giles Thomas | Remarkable, lifechanging, epic. Strong but beautiful piano offers a ... | 气氛 庄严 下雨 命运 ... | Am | 102 |
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Evolution (Underscore) [TBX196 - 20] |
版本. | 3'24 | Robert Sword, Giles Thomas | Remarkable, lifechanging, epic. Strong but beautiful piano offers a ... | 气氛 庄严 下雨 命运 ... | Am | 102 |
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Cold Stare [TBX195 - 1] |
2'12 | Sir Henry Rawlinson, Michael Tedstone | Unsure, eerie, dangerous. Wobbling bass emerges from reverbed ... | 心理剧 令人不安 画面感 进行中 ... | Gm | 63 |
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Cold Stare (Underscore A) [TBX195 - 13] |
版本. | 2'12 | Sir Henry Rawlinson, Michael Tedstone | Unsure, eerie, dangerous. Wobbling bass emerges from reverbed ... | 心理剧 令人不安 画面感 进行中 ... | Gm | 63 |
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Cold Stare (Underscore B) [TBX195 - 14] |
版本. | 2'10 | Sir Henry Rawlinson, Michael Tedstone | Unsure, eerie, dangerous. Cold muffled piano leaks out with a spooky ... | 心理剧 令人不安 画面感 进行中 ... | Gm | 63 |
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Covert Operations [TBX195 - 2] |
2'48 | Mark Revell | Tense, scary, intriguing. Sweeping cymbal dissonance pushes out into ... | 恐怖片 令人不安 间谍片 神秘 ... | Bm | 135 |
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Covert Operations (Underscore) [TBX195 - 15] |
版本. | 2'43 | Mark Revell | Tense, scary, intriguing. Sweeping cymbal dissonance pushes out into ... | 恐怖片 令人不安 间谍片 神秘 ... | Bm | 135 |
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Legend [TBX195 - 11] |
2'18 | Patrick Roberts | Dramatic, wartorn, heroic. Gentle piano offers a knowing energy, an ... | 悲剧 军事冲突 社会悲剧 令人不安 ... | Cm | 90 |
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Legend (Underscore) [TBX195 - 25] |
版本. | 2'18 | Patrick Roberts | Dramatic, wartorn, heroic. Gentle piano offers a knowing energy, an ... | 悲剧 军事冲突 社会悲剧 令人不安 ... | Cm | 90 |
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Numero Dos [IOM022 - 1] |
0 | 2'50 | Christopher Boot, David Oliver, James Smith | Psychedelic, laidback, light. Positive organ progression emerges as ... | 六十年代迷幻乐 阳光 cocktail bar 日间节目 ... | Dm | 100 |
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Chasing Rainbows [INP070 - 2] |
2'42 | Michael Beever, Mike Newport | Uplifting, dramatic, spirited. Downtrodden piano and strings set ... | 冒险片 画面感 史诗 感动 ... | Dm | 144 |
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Chasing Rainbows (Underscore) [INP070 - 13] |
版本. | 2'42 | Michael Beever, Mike Newport | Uplifting, dramatic, spirited. Downtrodden piano and strings set ... | 冒险片 画面感 史诗 感动 ... | Dm | 144 |
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A Love Beyond Time [INP070 - 5] |
2'25 | Michael Beever, Mike Newport | Stirring, astute, dramatic. Eerie piano notes push out gently ... | 冒险片 画面感 史诗 进步 ... | Cm | 135 |
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A Love Beyond Time ...
[INP070 - 16] |
版本. | 2'26 | Michael Beever, Mike Newport | Stirring, astute, dramatic. Eerie piano notes push out gently ... | 冒险片 画面感 史诗 进步 ... | Cm | 135 |
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Fake It [BIB265 - 4] |
3'06 | Harriet Badby, Donal Scott | Thoughtful, fun, bouncy. Bass octaves run along with drums giving a ... 歌词 | 自信 果断 日常生活 女歌手 ... | C | 125 |
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Fake It (Alt Version) [BIB265 - 18] |
版本. | 3'06 | Harriet Badby, Donal Scott | Thoughtful, fun, bouncy. Bass octaves run along with drums giving a ... | 自信 果断 日常生活 日间节目 ... | C | 125 |
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Fake It (Underscore) [BIB265 - 19] |
版本. | 3'06 | Harriet Badby, Donal Scott | Thoughtful, fun, bouncy. Bass octaves run along with drums giving a ... | 自信 果断 日常生活 日间节目 ... | C | 125 |
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A Cloud On The Horizon [CEG5046 - 10] |
2'44 | Xavier Jamaux | Atmospheric Minimal Ambient. Blurry keyboards that comes & goes to ... | 背景音 背景电子乐 太空 疑问 ... | Dm | 82 |
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A Cloud On The Horizon ...
[CEG5046 - 18] |
版本. | 2'44 | Xavier Jamaux | Alternate without synth bass. | 冷沙漠 神秘 梦幻 科学 ... | Dm | 82 |
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Impulsos [EOS92 - 5] |
0 | 1'53 | Federico Nathan Sabetay | Turbulent, whimsical & determined. Tense. Violin, vibraphone, strings ... | 好玩 动画 阴险 小提琴 ... | Am | 86 |
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Playground [EOS92 - 6] |
0 | 2'48 | Federico Nathan Sabetay | Delicate & cheeky, then determined & lively. Pizzicati, violin, ... | 动画 精致 童年 好玩 ... | C | 123 |
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Nomadic Nights [AMS5027 - 5] |
2'10 | Thomas Lucas | Afrobeat. Slow, indolent, heavy & obstinate. Break @ 1'01. Slow ... | afro-house 固执 海滨 舞动 ... | Bm | 94 |
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Nomadic Nights Alternate 1 [AMS5027 - 31] |
版本. | 2'10 | Thomas Lucas | Alternate version with percussion only. | afro-house 固执 海滨 舞动 ... | Cm | 94 |
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Nomadic Nights Alternate 2 [AMS5027 - 32] |
版本. | 2'10 | Thomas Lucas | Alternate version without choirs. | afro-house 固执 海滨 舞动 ... | Bm | 94 |
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Nomadic Nights Alternate 3 [AMS5027 - 33] |
版本. | 2'10 | Thomas Lucas | Alternate underscore version. | afro-house 固执 海滨 舞动 ... | Bm | 94 |
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Nomadic Nights Alternate 4 [AMS5027 - 34] |
版本. | 0'40 | Thomas Lucas | Alternate 30 seconds version. | afro-house 固执 海滨 舞动 ... | Bm | 94 |
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Nomadic Nights Alternate 5 [AMS5027 - 35] |
版本. | 0'20 | Thomas Lucas | Alternate 15 seconds version. | afro-house 固执 海滨 舞动 ... | Bm | 94 |
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Concrete Tribe [AMS5026 - 4] |
2'04 | Felix Weber | Beat making. Attitude, metallic & waiting. Percussion, synth & clap ... | 态度 工业 冲突 金属 ... | Abm | 140 |
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Concrete Tribe Alternate 1 [AMS5026 - 31] |
版本. | 2'04 | Felix Weber | Alternate version without percussion. | 态度 工业 冲突 金属 ... | Abm | 140 |
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Concrete Tribe Alternate 2 [AMS5026 - 32] |
版本. | 2'04 | Felix Weber | Alternate version with percussion only. | 态度 工业 冲突 金属 ... | Abm | 140 |
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Concrete Tribe Alternate 3 [AMS5026 - 33] |
版本. | 2'04 | Felix Weber | Alternate bed version. | 态度 工业 冲突 金属 ... | Abm | 140 |
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Concrete Tribe Alternate 4 [AMS5026 - 34] |
版本. | 1'00 | Felix Weber | Alternate underscore version. | 态度 工业 冲突 金属 ... | Abm | 140 |
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Concrete Tribe Alternate 5 [AMS5026 - 35] |
版本. | 0'30 | Felix Weber | Alternate 60 seconds version. | 态度 工业 冲突 金属 ... | Abm | 140 |
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Concrete Tribe Alternate 6 [AMS5026 - 36] |
版本. | 0'15 | Felix Weber | Alternate 30 seconds version. | 态度 工业 冲突 金属 ... | Abm | 140 |
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Concrete Tribe Alternate 7 [AMS5026 - 37] |
版本. | 1'37 | Felix Weber | Alternate 16 seconds version. | 态度 工业 冲突 金属 ... | Bm | 94 |
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Daybreak Attack [CEO2164 - 8] |
2'26 | Baptiste Thiry | Patient, sinister, disturbing & dangerous. Deep drone, percussion, ... | 军事冲突 画面感 神秘 悬念 ... | Eb | 100 |
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Daybreak Attack Alternate [CEO2164 - 20] |
版本. | 1'55 | Baptiste Thiry | Alternate short version. | 画面感 神秘 悬念 军事冲突 ... | F | 100 |
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Minefields [CEO2164 - 10] |
0 | 1'32 | Baptiste Thiry | Suspenseful. Heavy, tormented, menacing & insidious. Pulsating ... | 冲突 恐怖 军事冲突 战士 ... | E | 97 |
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Operation Fortitude [CEO2164 - 11] |
0 | 2'04 | Baptiste Thiry | Patient, toxic, sinister & menacing. Clockwork fx, low synth layer, ... | 军事冲突 令人不安 画面感 稳定的 ... | D | 100 |
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Walking Away [EOS114 - 4] |
0 | 2'08 | Sébastien Gisbert, Lone Kent | Melancholic & lonely, then panoramic & concluding. Bongos, harmonica, ... | 全景 公路电影 跟踪摄影 节奏乐器组 ... | D | 96 |
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Sand Boy [EOS114 - 9] |
0 | 1'57 | Sébastien Gisbert, Lone Kent | Relaxed, lazy & floating. Electric guitar, acoustic guitar, lap ... | 海滨 室外 放松 梦幻 ... | G | 124 |
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La Escondida [CEL7040 - 3] |
2'38 | Chuto Diaz Jr., Leonardo Hernandez | Playful, upbeat & animated Colombian vallenato sung in Spanish. ... 歌词 | vallenato 哥伦比亚 好玩 全音阶手风琴 ... | F | 120 |
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La Escondida Alternate 1 [CEL7040 - 21] |
版本. | 2'38 | Chuto Diaz Jr. | Instrumental. Playful, upbeat & animated Colombian vallenato. ... | vallenato 哥伦比亚 好玩 全音阶手风琴 ... | F | 120 |
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La Escondida Alternate 2 [CEL7040 - 22] |
版本. | 2'42 | Chuto Diaz Jr., Leonardo Hernandez | Extended intro. Playful, upbeat & animated Colombian vallenato sung ... 歌词 | vallenato 哥伦比亚 好玩 全音阶手风琴 ... | F | 120 |
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La Escondida Alternate 3 [CEL7040 - 23] |
版本. | 2'42 | Chuto Diaz Jr. | Extended intro instrumental. Playful, upbeat & animated Colombian ... | vallenato 哥伦比亚 好玩 全音阶手风琴 ... | F | 120 |
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La Escondida 30 Sec Edit 1 [CEL7040 - 24] |
版本. | 0'30 | Chuto Diaz Jr., Leonardo Hernandez | 30's vocal. Playful, upbeat & animated Colombian vallenato sung in ... 歌词 | vallenato 哥伦比亚 好玩 全音阶手风琴 ... | F | 120 |
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La Escondida 30 Sec Edit 2 [CEL7040 - 25] |
版本. | 0'30 | Chuto Diaz Jr. | 30's Instrumental. Playful, upbeat & animated Colombian vallenato. ... | vallenato 哥伦比亚 好玩 全音阶手风琴 ... | F | 120 |
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