Warm, feel good & danceable instrumental zouk. Ideal for setting the Warm, feel good & danceable instrumental zouk. Ideal for setting the scene for festive, celebratory, beach party & tropical leisure segments in advertising or reality TV shows. Acoustic guitar, brass section, synth, Latin & electronic percussion.
Underscore. Warm, feel good & danceable instrumental zouk. Ideal for Underscore. Warm, feel good & danceable instrumental zouk. Ideal for setting the scene for festive, celebratory, beach party & tropical leisure segments in advertising or reality TV shows. Synth pads, Latin & electronic percussion.
Intimidating, focused, restless. Huge rolling war drums give way to Intimidating, focused, restless. Huge rolling war drums give way to eerie tune and cinematic FX, a towering aura with melody line conveying a force surviving through a dangerous environment. Thumping sub bass jumps into trap sequence with pacy male vocals. Feeling empowered and pitiful of those who try to compete. Incessant lyricism conveys an unstoppable individual.歌词
Ready for war, ready for action, Ain't no report, gripping the traction,
Even if sore, still do transactions,
Everyday score, then lay on the mattress,
I'm at the top,
I'll never come down,
I'm making them hits, by doing these sounds,
PC is in tact, no running around,
That's just a fact, I'm gettin' it down.
I never give up,
I make the decisions,
Don't rely on luck,
I aim with precision,
Even when I feel stuck, do another session,
Penetrate, all the world borders,
Got the fate, so I go further,
Get it straight, I don't do corners,
Medicate, all the pain and sorrow,
Go insane, I don't never borrow.
Feelin' this energy this ain't a fantasy,
Sick of this jealousy won't get in front of me,
Taking' this medicine ignore the prejudice,
Grind to the top I don't do any settlements, no,
Grind to the top I don't do any settlements,
Getting it ready let's cook the spaghetti,
Chasin' this cash yeah I'm chasin' this fetti,
Never give up they don't think that I'm ready,
Follow the trust then I make it go heavy,
Number one place I don't settle for second,
Out of my face and don't ask any questions,
Fall from your grace while I'm making decisions,
Being the best at programming you get it.
Getting them codes, while spitting' them flows,
You won't get in front of me, oh never no, I'm goin' crazy I'm going beast mode,
Ain't never lazy I climb to the goal.
I'll never stop being all the way best, I'll never stop being all the way best,
Push to the limit, no time for rest,
Playin' em moves like we playin' some chess.
Everybody knows that I go with the flow makin' a hit in, one go.
I'll never slip in, your mould,
Ain't never lazy don't ever let go,
Competitive spirit I hope that you hear it,
Turn for the top everyday when I street it,
Stuck in a maze, and I'm bound to get out,
Times are hard but I'm gon' make it out.
Competitive spirit I hope that you hear it,
Turn for the top everyday when I street it,
Stuck in a maze, and I'm bound to get out,
Times are hard but I'm gon' make it out,
Everybody knows that I go with the flow,
Making' a hit in, one go.
I'll never slip in, your mold,
Ain't never lazy don't ever let go,
Ain't never lazy don't ever let go,
Ain't never lazy don't ever let go, yeah,
Everybody knows that I go with the flow, flow.
Getting it ready let's cook the spaghetti,
Chasin' this cash yeah I'm chasin' this fetti,
Never give up they don't think that I'm ready,
Follow the trust then I make it go heavy,
Number one place I don't settle for second,
Out of my face and don't ask any questions,
Fall ll from your grace while I'm making decisions,
Intimidating, focused, restless. Huge rolling war drums give way to Intimidating, focused, restless. Huge rolling war drums give way to eerie tune and cinematic FX, a towering aura with melody line conveying a force surviving through a dangerous environment. Thumping sub bass jumps into trap sequence as percussion whips with a violent energy. Layers of percussion follow a drooping cinematic FX at 00:53, offering a sense of drama. Instrumental version.
Intimidating, focused, restless. Huge rolling war drums give way to Intimidating, focused, restless. Huge rolling war drums give way to eerie tune and cinematic FX, a towering aura with melody line conveying a force surviving through a dangerous environment. Thumping sub bass jumps into trap sequence as percussion whips with a violent energy. Layers of percussion follow a drooping cinematic FX at 00:53, offering a sense of drama. Stripped back underscore version.
I don’t need
to apologize
The choice is mine I’m falling
If I scream
Out of my mind This voice is mine I’ll use it
(X2)
Imma talk
If I wanna talk
If I wanna share
I might let you know Imma talk
If I wanna talk
If I wanna share
I might let you know
(x2)
I don’t need to tell you my name To do what you say
I’m leaving
If I speak
And tell you to go I’m telling you no You listen
(X2)
Imma talk
If I wanna talk
If I wanna share Imma let you know Imma talk
If I wanna talk
If I wanna share Imma let you know
Easy listening / lounge music in the spirit of the 50 & 60. Exotic, Easy listening / lounge music in the spirit of the 50 & 60. Exotic, easy going & relaxed. Keyboard, saxophone, vibraphone, strings @ 1'45 & Latin percussion. Suggesting in cocktail bar & lounge hotel.
Soul / funk Jazz in the spirit of the 60s. Casual, lively & fun. Jazz Soul / funk Jazz in the spirit of the 60s. Casual, lively & fun. Jazz guitar, saxophone, trumpet, piano, double bass & drums.
Cinematic jazz. Occult, walking & mysterious. Strings, jazz electric Cinematic jazz. Occult, walking & mysterious. Strings, jazz electric guitar, electric bass, muted trumpet & brush snare. Suggested for film noir & Hollywood crime dramas.
Focused, slick, confident. Bell sequence with reversed melody paint a Focused, slick, confident. Bell sequence with reversed melody paint a serious but fun picture. Male vocals convey urgency with lyrics about being in the zone and being ready for action. Quick sub bass hits convey a sense of talent with slick instrumentation. Rapped lyrics conveys a need for strength and focus to overcome a challenge.
Focused, slick, confident. Bell sequence with reversed melody paint a Focused, slick, confident. Bell sequence with reversed melody paint a serious but fun picture. Quick sub bass hits convey a sense of talent with slick instrumentation. Instrumental version.
Focused, slick, confident. Bell sequence with reversed melody paint a Focused, slick, confident. Bell sequence with reversed melody paint a serious but fun picture. Quick sub bass hits convey a sense of talent with slick instrumentation. Stripped back underscore version.
Northern soul, 60s rare UK soul, Motown influenced, British Northern soul, 60s rare UK soul, Motown influenced, British dancehall. Dance combo with sitar guitar & piano. Suggested for 60's French retro movie & Venice beach.
Instrumental version of tr-2 in a folky spirit. Dobro slide, guitar, Instrumental version of tr-2 in a folky spirit. Dobro slide, guitar, mandolin, lap steel, sousaphone & drums building-up gradually until finale..
Pacy, passionate, rhythmic. Fast-moving guitar melody dives into fun Pacy, passionate, rhythmic. Fast-moving guitar melody dives into fun and fiery flute melodies and chanted vocals. A room full of people moving to the swift-moving music in union. Fluttering flute trills convey a hot and sultry place, groups celebrating and dancing together. Uncertain melody at points indicates a feeling of the unknown.
Pacy, passionate, rhythmic. Fast-moving guitar melody dives into fun Pacy, passionate, rhythmic. Fast-moving guitar melody dives into fun and fiery flute melodies. A room full of people moving to the swift-moving music in union. Fluttering flute trills convey a hot and sultry place, groups celebrating and dancing together. Uncertain melody at points indicates a feeling of the unknown. Instrumental version.
Pacy, passionate, rhythmic. Swift bells meet with trilling flutes to Pacy, passionate, rhythmic. Swift bells meet with trilling flutes to create a sense of mystery and passion. A room full of people moving to the swift-moving music in union. Stripped back underscore version.
Pacy, passionate, rhythmic. Swift-moving percussion and determined Pacy, passionate, rhythmic. Swift-moving percussion and determined bass meet with trilling, echoed flutes to create a sense of mystery, passion and excitement. A room full of people moving to the swift-moving music in union. Stripped back underscore version.
[Verse] All work and no play I’ve been searching to find my way I’ve been planning to find my escape I wanna have a good time somewhere by the lake With all my people with bass that shakes No regrets tonight Let’s make mistakes Feel like my birthday I’m covered in cake We made it to a new day it’s time to celebrate
[Bridge] We made it to a new day It’s time to celebrate Celebrate Celebrate Celebrate Celebrate We made it to a new day It’s time to celebrate Celebrate Celebrate Celebrate Celebrate
[Hook] All work and no play Take some time off today it’s OK We can go somewhere that’s far away We made it to a new day it’s time to celebrate All work and no play Take some time off today it’s OK We can go somewhere that’s far away We made it to a new day it’s time to celebrate
[Bridge] We made it to a new day It’s time to celebrate Celebrate Celebrate Celebrate Celebrate We made it to a new day It’s time to celebrate Celebrate Celebrate Celebrate Celebrate
[Verse 2] It’s time to do it your way Don’t put it off like you did yesterday Spread your wings out and let’s fly way Pack a bag now let’s hit the roadway And we can end up by the bay It don’t matter where we gonna stay Don’t worry about the money cause I’m gonna pay We made it to a new day it’s time to celebrate
[Bridge] We made it to a new day It’s time to celebrate Celebrate Celebrate Celebrate Celebrate We made it to a new day It’s time to celebrate Celebrate Celebrate Celebrate Celebrate
[Hook] All work and no play Take some time off today it’s OK We can go somewhere that’s far away We made it to a new day it’s time to celebrate All work and no play Take some time off today it’s OK We can go somewhere that’s far away We made it to a new day it’s time to celebrate
[Bridge] We made it to a new day It’s time to celebrate Celebrate Celebrate Celebrate Celebrate We made it to a new day It’s time to celebrate Celebrate Celebrate Celebrate Celebrate
[Hook] All work and no play Take some time off today it’s OK We can go somewhere that’s far away We made it to a new day it’s time to celebrate All work and no play Take some time off today it’s OK We can go somewhere that’s far away We made it to a new day it’s time to celebrate
