Joyful, bouncy, lively & carefree show song. Ochestra, string Joyful, bouncy, lively & carefree show song. Ochestra, string ensemble, brass, lead trombone @ 0'34 & rhythm. In the spirit of Broadway musicals of the 30s & 40s.
Lively, childish, gothic. Climbing pizzicato strings stride forward Lively, childish, gothic. Climbing pizzicato strings stride forward with harpsichord notes, playing out wondrous but eerie melodies, suspenseful organ chords gradually emerging. Low impacts and silly theremin solo at 00:50 reminiscent of an odd creature or mischievous spirit causing trouble.
Lively, childish, gothic. Church bells stride forward with Lively, childish, gothic. Church bells stride forward with harpsichord notes, playing out wondrous but eerie melodies, suspenseful organ chords gradually emerging. Low impacts at 00:50 reminiscent of an odd creature or mischievous spirit causing trouble. Stripped back underscore version.
Hip Hop track. Swagger, bouncy, determined, proud & stimulating. Hip Hop track. Swagger, bouncy, determined, proud & stimulating. Beat, brass stabs & synth. For team sport, fight action & highlights.
Cinematic Hip Hop track. Epic, determined, powerful, swagger & Cinematic Hip Hop track. Epic, determined, powerful, swagger & motivating. Electro beat, percussion, choir, brass & synth. For sport, boxing entrance, highlights & video games trailer.
Hip Hop track. Stimulating, swagger, stylish, cool & confident. Hip Hop track. Stimulating, swagger, stylish, cool & confident. Electro beat, synth & FX. For team sport, highlights & video games.
Sombre, troubled, cool. Glissando piano leads into sultry trumpet and Sombre, troubled, cool. Glissando piano leads into sultry trumpet and bass sequence, a strong sense of sadness mixed with loneliness reminiscent of film noir. A detective sitting alone in a bar trying to figure out a criminal case. Brush drumming conjuring visions of streets with steam rising from the ground, shadowy and uncertain. Pained piano melodies convey heartache and isolation.
Sombre, troubled, cool. Soft pad chords and subsequent bells convey a Sombre, troubled, cool. Soft pad chords and subsequent bells convey a sense of sadness reminiscent of film noir. A detective sitting alone in a bar trying to figure out a criminal case. Pained melodies convey heartache and isolation. Stripped back underscore version.
Mysterious, scheming, anticipatory. Resonant bells float atop light Mysterious, scheming, anticipatory. Resonant bells float atop light jazzy percussion. Double bass pushes investigative energy forward with cymbals offering a film noir aura. Trumpet guides instrumentation into a more decisive route with noble melody before percussion grows in stature and intensity. Visions of individuals close to being caught by police or bad guys.
Mysterious, scheming, anticipatory. Light jazzy percussion joins with Mysterious, scheming, anticipatory. Light jazzy percussion joins with double bass conveying an investigative energy, whilst cymbals offer a film noir aura. Percussion grows in stature and intensity, reminiscent of individuals close to being caught by police or bad guys. Stripped back underscore version.
Mysterious, scheming, anticipatory. Resonant bells float out into an Mysterious, scheming, anticipatory. Resonant bells float out into an uncertain soundscape with tentative pad sounds accentuating feelings of doubt and anxiety. Film noir atmosphere, reminiscent of individuals close to being caught by police or bad guys. Stripped back underscore version.
Accusatory, dramatic, impassioned. Pizzicato strings play out a nervy Accusatory, dramatic, impassioned. Pizzicato strings play out a nervy sequence, supported by muted noir trumpets. Rolling double bass and percussion communicate a sense of impending judgement, with dramatic string melody conveying feelings of doubt and accusation. Reminiscent of a sleuth following a culprit or a criminal standing and receiving a guilty verdict or jail sentence. Soft instrumentation conveys a tentative feeling, someone skulking around in the shadows, careful not to be seen.
Accusatory, dramatic, impassioned. Bells and percussion play out a Accusatory, dramatic, impassioned. Bells and percussion play out a nervy sequence. Rolling double bass and drums communicate a sense of impending judgement, moving into dramatic string melody conveying feelings of doubt and accusation. Reminiscent of a sleuth following a culprit or a criminal standing and receiving a guilty verdict or jail sentence. Soft instrumentation conveys a tentative feeling, someone skulking around in the shadows careful not to be seen. Stripped back underscore version.
Accusatory, dramatic, impassioned. Bells and icy strings play out a Accusatory, dramatic, impassioned. Bells and icy strings play out a nervy sequence. Dramatic piano melody conveys feelings of doubt and accusation. Reminiscent of a sleuth following a culprit or a criminal standing and receiving a guilty verdict or jail sentence. Soft instrumentation conveys a tentative feeling, someone skulking around in the shadows careful not to be seen. Stripped back underscore version.
Hip hop / rap. Affirmation of strength, the virtue of training, being Hip hop / rap. Affirmation of strength, the virtue of training, being a winner & self-confidence against competitors. Dominant, swagger, energetic, fearless & propulsive. Male rapping, constant synth hook & massive hip hop beat. Suggested for boxing, martial arts & others fight sports.歌词
I’m the Man
They know I’m the man, They know I’m the man, They know I’m the man,
Ain’t no fatigue, nah we never sleep, yeah we in the gym,
We live for the dream, all for the ring,
We taking a chance,
I put in the work, put in the time, now watch me advance,
They know I’m the man, they know I’m the man,
Never no burnout, if it’s game on, we can’t turn down,
We break bones, on the first down,
And we Take souls, on the way out,
We run a play, with the same route,
They gon see it coming gotta stand down,
Big boys on the field now,
They gon hear the sound,
When the kings bound.
Say woah, they cannot face the truth,
We jump like kangaroos, watch me go raise the roof,
Say woah, I do not play to lose,
We only chase the gold know what we came to do, Go!
Ain’t no fatigue, nah we never sleep, yeah we in the gym,
We live for the dream, all for the ring,
We taking a chance, I put in the work, put in the time, now watch me advance,
They know I’m the man, they know I’m the man, they know I’m the man, ect.
Millions on my mind,
We Still perform when it’s over time,
When the game is on, yeah it’s do or die,
See it in my eyes, yeah I’m energised,
And You guessed right,
I ain’t nothing like, all these others guys, not a fair fight,
I ain’t ill advised, but when the prize right, Ima get mine, let the beast rise,
They know I’m the man, they know I’m the man, they know I’m the king,
They know I’m the man, I’m the king, They know I’m the man, They know I’m the man,
I’ll tell them again,
Ain’t no fatigue, nah we never sleep, yeah we in the gym,
We live for the dream, all for the ring,
We taking a chance, I put in the work, put in the time, now watch me advance,
They know I’m the man, ad lib…
Cool, fun, relaxed. Summery brass melodies are weave with dramatic Cool, fun, relaxed. Summery brass melodies are weave with dramatic electronic beats, playful piano with a latin vibe and quirky percussion. Expansive, lo-fi textures dance with atmospheric vocal cuts and contemporary hip hop beats. Washed out warmth.
Confident, funky, jazzy. Cool drums with determined brass stabs and Confident, funky, jazzy. Cool drums with determined brass stabs and electric guitars are joined by dramatic organ and atmospheric percussion. Positive and edgy old school hip hop with attitude.
Intriguing intro with piano & electro beat. Trailer FX & synth. Intriguing intro with piano & electro beat. Trailer FX & synth. Virtuoso piano @ 0'48 with brass stabs. Break @ 1'15. Strong climax @ 1'43 in a swagger mood. Suggested for video games & action sport.
Swagger & eccentric with an exotic touch. Electro track with dancing Swagger & eccentric with an exotic touch. Electro track with dancing hook & hybrid percussion. Powerful brass @ 0'38. Back end @ 1'28. Suggested for action sport, video games & ads.
Elegiac, dignified, sad, solemn & restrained. Symphony orchestra with Elegiac, dignified, sad, solemn & restrained. Symphony orchestra with French horn.
Rude, energetic, confident. Commercial house music trumpet shifts Rude, energetic, confident. Commercial house music trumpet shifts into deep synth notes setting out an invigorating beat. Quick-witted female raps, bragging about money and that she is a trendsetter. Impulsive and empowering energy supported by lively instrumentation. A club filled with beats, dancing and fast paced movement. Vocals encourage individuality, believing in your own energy and style. Empowering female aura, girls having a good time and not letting anyone or anything stop them.
Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party. 歌词
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
Piano remix in a neo-classical electro spirit. Exhilarating, fast & Piano remix in a neo-classical electro spirit. Exhilarating, fast & driving. Syncopated, synth & FX. Almost epic @ 0'40.
